Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.30"
+@c \version "2.19.21"
@node Ancient notation
above the ligature.
@lilypond[quote,ragged-right,verbatim]
-\relative c'' {
- \[ g c, a' f d' \]
+\relative {
+ \[ g' c, a' f d' \]
a g f
\[ e f a g \]
}
@lilypond[quote,ragged-right]
\score {
- \relative c'' {
- a1
+ \relative {
+ a'1
\break
g
}
@node Mensural contexts
@unnumberedsubsubsec Mensural contexts
-@cindex MensuralVoiceContext
-@cindex MensuralStaffContext
+@cindex MensuralVoice
+@cindex MensuralStaff
The predefined @code{MensuralVoice} and @code{MensuralStaff}
contexts can be used to engrave a piece in mensural style. These
@lilypond[quote,ragged-right,verbatim]
\score {
<<
- \new MensuralVoice = "discantus" \relative c'' {
+ \new MensuralVoice = "discantus" \relative {
\hide Score.BarNumber {
- c1\melisma bes a g\melismaEnd
+ c''1\melisma bes a g\melismaEnd
f\breve
\[ f1\melisma a c\breve d\melismaEnd \]
c\longa
@code{mensural-c3}, @code{mensural-c4},@*
@code{mensural-c5}
@tab
-@lilypond[relative=1,notime]
+@lilypond[fragment,notime]
\clef "mensural-c2"
\override NoteHead.style = #'mensural
- c1
+ c'1
@end lilypond
@item
@tab
@code{mensural-f}
@tab
-@lilypond[relative=1,notime]
+@lilypond[fragment,notime]
\clef "mensural-f"
\override NoteHead.style = #'mensural
- c1
+ c'1
@end lilypond
@item
@tab
@code{mensural-g}
@tab
-@lilypond[relative=1,notime]
+@lilypond[fragment,notime]
\clef "mensural-g"
\override NoteHead.style = #'mensural
- c1
+ c'1
@end lilypond
@item
@code{blackmensural-c3}, @code{blackmensural-c4},@*
@code{blackmensural-c5}
@tab
-@lilypond[relative=1,notime]
+@lilypond[fragment,notime]
\clef "blackmensural-c2"
\override NoteHead.style = #'mensural
- c1
+ c'1
@end lilypond
@item
@code{neomensural-c1}, @code{neomensural-c2},@*
@code{neomensural-c3}, @code{neomensural-c4}
@tab
-@lilypond[relative=1,notime]
- \clef "neomensural-c2" c1
+@lilypond[fragment,notime]
+ \clef "neomensural-c2" c'1
@end lilypond
@item
@code{petrucci-c3}, @code{petrucci-c4},@*
@code{petrucci-c5}
@tab
-@lilypond[relative=1,notime]
+@lilypond[fragment,notime]
\clef "petrucci-c2"
\override NoteHead.style = #'mensural
- c1
+ c'1
@end lilypond
@item
@code{petrucci-f3}, @code{petrucci-f4},@*
@code{petrucci-f5}
@tab
-@lilypond[relative=1,notime]
+@lilypond[fragment,notime]
\clef "petrucci-f3"
\override NoteHead.style = #'mensural
- c1
+ c'1
@end lilypond
@item
@tab
@code{petrucci-g}
@tab
-@lilypond[relative=1,notime]
+@lilypond[fragment,notime]
\clef "petrucci-g"
\override NoteHead.style = #'mensural
- c1
+ c'1
@end lilypond
@end multitable
@code{neomensural} style. The following examples show the
differences in style:
-@lilypond[ragged-right,relative=1,quote]
-{
+@lilypond[ragged-right,quote]
+\relative c' {
\textLengthOn
\time 2/2
Because note head style does not influence flag count, in
this style a semiminima should be notated as @code{a8*2}, not
@code{a4}, otherwise it will look like a minima.
-The multiplyer can be different if coloratio is used e.g. to notate
+The multiplier can be different if coloratio is used, e.g., to notate
triplets.
Use @code{semipetrucci} style to draw half-colored
select ancient flags. Besides the @code{default} flag style,
only the @code{mensural} style is supported.
-@lilypond[quote,fragment,ragged-right,verbatim,relative=1]
-\override Flag.style = #'mensural
-\override Stem.thickness = #1.0
-\override NoteHead.style = #'mensural
-\autoBeamOff
-c8 d e f c16 d e f c32 d e f s8
-c'8 d e f c16 d e f c32 d e f
+@lilypond[quote,fragment,ragged-right,verbatim]
+\relative c' {
+ \override Flag.style = #'mensural
+ \override Stem.thickness = #1.0
+ \override NoteHead.style = #'mensural
+ \autoBeamOff
+ c8 d e f c16 d e f c32 d e f s8
+ c'8 d e f c16 d e f c32 d e f
+}
@end lilypond
Note that the innermost flare of each mensural flag is
@cindex rests, ancient
Use the @code{style} property of grob @code{Rest} to select
-ancient rests. Supported styles are @code{classical},
-@code{neomensural}, and @code{mensural}. @code{classical} differs
-from the @code{default} style only in that the quarter rest looks
-like a horizontally mirrored 8th rest. The @code{mensural} and
-the @code{neomensural} styles mimic the appearance of rests in
-manuscripts and prints up to the 16th century.
+ancient rests. Supported ancient styles are
+@code{neomensural}, and @code{mensural}.
-The following example demonstrates the @code{mensural} and
-@code{neomensural} styles:
+The following example demonstrates these styles:
@lilypond[quote,fragment,ragged-right,verbatim]
\set Score.skipBars = ##t
-\override Rest.style = #'classical
-r\longa^"classical" r\breve r1 r2 r4 r8 r16 s \break
\override Rest.style = #'mensural
r\longa^"mensural" r\breve r1 r2 r4 r8 r16 s \break
\override Rest.style = #'neomensural
r\longa^"neomensural" r\breve r1 r2 r4 r8 r16
@end lilypond
-There are no 32th and 64th rests specifically for the mensural or
-neo-mensural style. Instead, the rests from the default style will be
-taken.
+There are no 32nd and 64th rests specifically for the mensural or
+neo-mensural styles. Rests from the default style are used.
@seealso
Music Glossary:
@cindex key signature
The @code{mensural} style provides a sharp and a flat sign
-different from the default style. If called for, the natural sign
-will be taken from the @code{vaticana} style.
+different from the default style. Mensural notation rarely used a natural
+sign: instead the appropriate sharp or flat is used. For example, a B
+natural in the key of F major would be indicated with a sharp. However,
+if specifically called for, the natural sign is taken from the @code{vaticana}
+style.
@lilypond[quote,ragged-right,staffsize=26]
\markup {
@funindex suggestAccidentals
-@lilypond[verbatim,relative=1]
-fis gis
-\set suggestAccidentals = ##t
-ais bis
+@lilypond[verbatim]
+\relative {
+ fis' gis
+ \set suggestAccidentals = ##t
+ ais bis
+}
@end lilypond
This will treat @emph{every} subsequent accidental as
@lilypond[quote,verbatim]
ficta = { \once \set suggestAccidentals = ##t }
-\score { \relative c''
+\score { \relative
\new MensuralVoice {
\once \set suggestAccidentals = ##t
- bes4 a2 g2 \ficta fis8 \ficta e! fis2 g1
+ bes'4 a2 g2 \ficta fis8 \ficta e! fis2 g1
}
}
@end lilypond
For example,
-@c @example
-@c \set Score.timing = ##f
-@c \set Score.defaultBarType = "-"
-@c \override NoteHead.style = #'neomensural
-@c \override Staff.TimeSignature.style = #'neomensural
-@c \clef "petrucci-g"
-@c \[ c'\maxima g \]
-@c \[ d\longa c\breve f e d \]
-@c \[ c'\maxima d'\longa \]
-@c \[ e'1 a g\breve \]
-@c @end example
@lilypond[quote,ragged-right,verbatim]
\score {
- \relative c' {
+ \relative {
\set Score.timing = ##f
\set Score.defaultBarType = "-"
\override NoteHead.style = #'petrucci
\override Staff.TimeSignature.style = #'mensural
\clef "petrucci-g"
- \[ c'\maxima g \]
- \[ d\longa
+ \[ c''\maxima g \]
+ \[ d'\longa
\override NoteHead.ligature-flexa = ##t
\once \override NoteHead.flexa-width = #3.2
c\breve f e d \]
- \[ c'\maxima d\longa \]
+ \[ c\maxima d\longa \]
\[ e1 a, g\breve \]
}
\layout {
@end lilypond
Without replacing @code{Ligature_bracket_engraver} with
-@code{Mensural_ligature_engraver}, the same music transcribes
-to the following
+@code{Mensural_ligature_engraver}, the same music looks as follows:
@lilypond[quote,ragged-right]
-\relative c' {
+\relative {
\set Score.timing = ##f
\set Score.defaultBarType = "-"
\override NoteHead.style = #'petrucci
\override Staff.TimeSignature.style = #'mensural
\clef "petrucci-g"
- \[ c'\maxima g \]
- \[ d\longa
+ \[ c''\maxima g \]
+ \[ d'\longa
\override NoteHead.ligature-flexa = ##t
\once \override NoteHead.flexa-width = #3.2
c\breve f e d \]
- \[ c'\maxima d\longa \]
+ \[ c\maxima d\longa \]
\[ e1 a, g\breve \]
}
@end lilypond
@ref{Ligatures}.
@knownissues
-Horizontal spacing of ligatures is poor.
+Horizontal spacing of ligatures may be poor.
Accidentals may collide with previous notes.
@node Gregorian chant contexts
@unnumberedsubsubsec Gregorian chant contexts
-@cindex VaticanaVoiceContext
-@cindex VaticanaStaffContext
+@cindex VaticanaVoice
+@cindex VaticanaStaff
-The predefined @code{VaticanaVoiceContext} and
-@code{VaticanaStaffContext} can be used to engrave a piece of
+The predefined @code{VaticanaVoice} and
+@code{VaticanaStaff} can be used to engrave a piece of
Gregorian chant in the style of the Editio Vaticana. These contexts
initialize all relevant context properties and grob properties to
proper values, so you can immediately go ahead entering the chant, as
@code{vaticana-do1}, @code{vaticana-do2},@*
@code{vaticana-do3}
@tab
-@lilypond[relative=1,notime]
+@lilypond[fragment,notime]
\override Staff.StaffSymbol.line-count = #4
\override Staff.StaffSymbol.color = #red
\override Staff.LedgerLineSpanner.color = #red
\hide Voice.Stem
\override NoteHead.style = #'vaticana.punctum
\clef "vaticana-do2"
- c
+ c'
@end lilypond
@item
@tab
@code{vaticana-fa1}, @code{vaticana-fa2}
@tab
-@lilypond[relative=1,notime]
+@lilypond[fragment,notime]
\override Staff.StaffSymbol.line-count = #4
\override Staff.StaffSymbol.color = #red
\override Staff.LedgerLineSpanner.color = #red
\hide Voice.Stem
\override NoteHead.style = #'vaticana.punctum
\clef "vaticana-fa2"
- c
+ c'
@end lilypond
@item
@code{medicaea-do1}, @code{medicaea-do2},@*
@code{medicaea-do3}
@tab
-@lilypond[relative=1,notime]
+@lilypond[fragment,notime]
\override Staff.StaffSymbol.line-count = #4
\override Staff.StaffSymbol.color = #red
\override Staff.LedgerLineSpanner.color = #red
\hide Voice.Stem
\override NoteHead.style = #'medicaea.punctum
\clef "medicaea-do2"
- c
+ c'
@end lilypond
@item
@tab
@code{medicaea-fa1}, @code{medicaea-fa2}
@tab
-@lilypond[relative=1,notime]
+@lilypond[fragment,notime]
\override Staff.StaffSymbol.line-count = #4
\override Staff.StaffSymbol.color = #red
\override Staff.LedgerLineSpanner.color = #red
\hide Voice.Stem
\override NoteHead.style = #'medicaea.punctum
\clef "medicaea-fa2"
- c
+ c'
@end lilypond
@item
@code{hufnagel-do1}, @code{hufnagel-do2},@*
@code{hufnagel-do3}
@tab
-@lilypond[relative=1,notime]
+@lilypond[fragment,notime]
\override Staff.StaffSymbol.line-count = #4
\override Staff.StaffSymbol.color = #red
\override Staff.LedgerLineSpanner.color = #red
\hide Voice.Stem
\override NoteHead.style = #'hufnagel.punctum
\clef "hufnagel-do2"
- c
+ c'
@end lilypond
@item
@tab
@code{hufnagel-fa1}, @code{hufnagel-fa2}
@tab
-@lilypond[relative=1,notime]
+@lilypond[fragment,notime]
\override Staff.StaffSymbol.line-count = #4
\override Staff.StaffSymbol.color = #red
\override Staff.LedgerLineSpanner.color = #red
\hide Voice.Stem
\override NoteHead.style = #'hufnagel.punctum
\clef "hufnagel-fa2"
- c
+ c'
@end lilypond
@item
@tab
@code{hufnagel-do-fa}
@tab
-@lilypond[relative=1,notime]
+@lilypond[fragment,notime]
\override Staff.StaffSymbol.color = #red
\override Staff.LedgerLineSpanner.color = #red
\hide Voice.Stem
\override NoteHead.style = #'hufnagel.punctum
\clef "hufnagel-do-fa"
- c
+ c'
@end lilypond
@end multitable
@funindex \linea
@code{\linea}.
-@item Ligatures, properly speaking (i.e. notes joined together), are
+@item Ligatures, properly speaking (i.e., notes joined together), are
produced by placing one of the joining commands @code{\pes} or
@code{\flexa}, for upwards and downwards movement, respectively,
@emph{between} the notes to be joined.
Another main category of notes in Gregorian chant is the so-called
liquescent neumes. They are used under certain circumstances at
-the end of a syllable which ends in a @q{liquescent} letter, i.e.
+the end of a syllable which ends in a @q{liquescent} letter, i.e.,
the sounding consonants that can hold a tone (the nasals, l, r, v,
j, and their diphthong equivalents). Thus, the liquescent neumes
are never used alone (although some of them can be produced), and
Virtually, within the ligature delimiters @code{\[} and @code{\]},
any number of heads may be accumulated to form a single ligature,
and head prefixes like @code{\pes}, @code{\flexa}, @code{\virga},
-@code{\inclinatum}, etc. may be mixed in as desired. The use of
+@code{\inclinatum}, etc., may be mixed in as desired. The use of
the set of rules that underlies the construction of the ligatures
in the above table is accordingly extrapolated. This way,
infinitely many different ligatures can be created.
@lilypond[staffsize=26,line-width=1.5\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Punctum
- \[ b \]
+ \[ b' \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=1.5\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Punctum
- \[ \cavum b \]
+ \[ \cavum b' \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=1.5\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Punctum
- \[ \linea b \]
+ \[ \linea b' \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=2.5\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Punctum Auctum Ascendens
- \[ \auctum \ascendens b \]
+ \[ \auctum \ascendens b' \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=2.5\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Punctum Auctum Descendens
- \[ \auctum \descendens b \]
+ \[ \auctum \descendens b' \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=1.5\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Punctum Inclinatum
- \[ \inclinatum b \]
+ \[ \inclinatum b' \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=2.5\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Punctum Inclinatum Auctum
- \[ \inclinatum \auctum b \]
+ \[ \inclinatum \auctum b' \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Punctum Inclinatum Parvum
- \[ \inclinatum \deminutum b \]
+ \[ \inclinatum \deminutum b' \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Virga
- \[ \virga b \]
+ \[ \virga b' \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Clivis vel Flexa
- \[ b \flexa g \]
+ \[ b' \flexa g \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=2.0\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Clivis Aucta Descendens
- \[ b \flexa \auctum \descendens g \]
+ \[ b' \flexa \auctum \descendens g \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=2.0\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Clivis Aucta Ascendens
- \[ b \flexa \auctum \ascendens g \]
+ \[ b' \flexa \auctum \ascendens g \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=2.0\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Cephalicus
- \[ b \flexa \deminutum g \]
+ \[ b' \flexa \deminutum g \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Podatus vel Pes
- \[ g \pes b \]
+ \[ g' \pes b \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Pes Auctus Descendens
- \[ g \pes \auctum \descendens b \]
+ \[ g' \pes \auctum \descendens b \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Pes Auctus Ascendens
- \[ g \pes \auctum \ascendens b \]
+ \[ g' \pes \auctum \ascendens b \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Epiphonus
- \[ g \pes \deminutum b \]
+ \[ g' \pes \deminutum b \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Pes Initio Debilis
- \[ \deminutum g \pes b \]
+ \[ \deminutum g' \pes b \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Pes Auctus Descendens Initio Debilis
- \[ \deminutum g \pes \auctum \descendens b \]
+ \[ \deminutum g' \pes \auctum \descendens b \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Torculus
- \[ a \pes b \flexa g \]
+ \[ a' \pes b \flexa g \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Torculus Auctus Descendens
- \[ a \pes b \flexa \auctum \descendens g \]
+ \[ a' \pes b \flexa \auctum \descendens g \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Torculus Deminutus
- \[ a \pes b \flexa \deminutum g \]
+ \[ a' \pes b \flexa \deminutum g \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Torculus Initio Debilis
- \[ \deminutum a \pes b \flexa g \]
+ \[ \deminutum a' \pes b \flexa g \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Torculus Auctus Descendens Initio Debilis
- \[ \deminutum a \pes b \flexa \auctum \descendens g \]
+ \[ \deminutum a' \pes b \flexa \auctum \descendens g \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Torculus Deminutus Initio Debilis
- \[ \deminutum a \pes b \flexa \deminutum g \]
+ \[ \deminutum a' \pes b \flexa \deminutum g \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Porrectus
- \[ a \flexa g \pes b \]
+ \[ a' \flexa g \pes b \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Porrectus Auctus Descendens
- \[ a \flexa g \pes \auctum \descendens b \]
+ \[ a' \flexa g \pes \auctum \descendens b \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Porrectus Deminutus
- \[ a \flexa g \pes \deminutum b \]
+ \[ a' \flexa g \pes \deminutum b \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Climacus
- \[ \virga b \inclinatum a \inclinatum g \]
+ \[ \virga b' \inclinatum a \inclinatum g \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Climacus Auctus
- \[ \virga b \inclinatum a \inclinatum \auctum g \]
+ \[ \virga b' \inclinatum a \inclinatum \auctum g \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Climacus Deminutus
- \[ \virga b \inclinatum a \inclinatum \deminutum g \]
+ \[ \virga b' \inclinatum a \inclinatum \deminutum g \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Scandicus
- \[ g \pes a \virga b \]
+ \[ g' \pes a \virga b \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Scandicus Auctus Descendens
- \[ g \pes a \pes \auctum \descendens b \]
+ \[ g' \pes a \pes \auctum \descendens b \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Scandicus Deminutus
- \[ g \pes a \pes \deminutum b \]
+ \[ g' \pes a \pes \deminutum b \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Quilisma
- \[ g \pes \quilisma a \pes b \]
+ \[ g' \pes \quilisma a \pes b \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Quilisma Pes Auctus Descendens
- \[ g \quilisma a \pes \auctum \descendens b \]
+ \[ g' \quilisma a \pes \auctum \descendens b \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Oriscus
- \[ \oriscus b \]
+ \[ \oriscus b' \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Pes Quassus
- \[ \oriscus g \pes \virga b \]
+ \[ \oriscus g' \pes \virga b \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Pes Quassus Auctus Descendens
- \[ \oriscus g \pes \auctum \descendens b \]
+ \[ \oriscus g' \pes \auctum \descendens b \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Salicus
- \[ g \oriscus a \pes \virga b \]
+ \[ g' \oriscus a \pes \virga b \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Salicus Auctus Descendens
- \[ g \oriscus a \pes \auctum \descendens b \]
+ \[ g' \oriscus a \pes \auctum \descendens b \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Stropha
- \[ \stropha b \]
+ \[ \stropha b' \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Stropha Aucta
- \[ \stropha \auctum b \]
+ \[ \stropha \auctum b' \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Bistropha
- \[ \stropha b \stropha b \]
+ \[ \stropha b' \stropha b \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Tristropha
- \[ \stropha b \stropha b \stropha b \]
+ \[ \stropha b' \stropha b \stropha b \]
}
\layout { \neumeDemoLayout }}
@end lilypond
@lilypond[staffsize=26,line-width=1.0\cm]
\include "gregorian.ly"
\score {
- \relative c'' {
+ \relative {
% Trigonus
- \[ \stropha b \stropha b \stropha a \]
+ \[ \stropha b' \stropha b \stropha a \]
}
\layout { \neumeDemoLayout }
}
@node Kievan contexts
@unnumberedsubsubsec Kievan contexts
-@cindex KievanVoiceContext
-@cindex KievanStaffContext
+@cindex KievanVoice
+@cindex KievanStaff
As with Mensural and Gregorian notation, the predefined
@code{KievanVoice} and @code{KievanStaff} contexts can be used
values, so you can immediately go ahead entering the chant:
@lilypond[quote,ragged-right,verbatim]
+% Font settings for Cyrillic
+\paper {
+ #(define fonts
+ (set-global-fonts
+ #:roman "Linux Libertine O,serif"
+ ))
+}
+
\score {
<<
\new KievanVoice = "melody" \relative c' {
There is only one clef used in Kievan notation (the Tse-fa-ut Clef).
It is used to indicate the position of @code{c}:
-@lilypond[quote,relative=1,notime,verbatim]
+@lilypond[quote,fragment,notime,verbatim]
\clef "kievan-do"
\kievanOn
- c
+ c'
@end lilypond
@seealso
but may occur in earlier manuscripts. It has been included
primarily for the sake of compatibility.
-@lilypond[quote,relative=1,notime,verbatim]
+@lilypond[quote,fragment,notime,verbatim]
\clef "kievan-do"
\override Accidental.glyph-name-alist =
#alteration-kievan-glyph-name-alist
-bes' dis,
+bes' dis'
@end lilypond
@seealso
Notation Reference:
@ref{Accidentals},
@ref{Automatic accidentals},
-@ref{The Feta font}
+@ref{The Emmentaler font}
@node Kievan bar line
@unnumberedsubsubsec Kievan bar line
Kievan notation, which may be called the Kievan final bar line.
It can be invoked as @code{\bar "k"}.
-@lilypond[quote,relative=1,notime,verbatim]
+@lilypond[quote,fragment,notime,verbatim]
\kievanOn
\clef "kievan-do"
- c \bar "k"
+ c' \bar "k"
@end lilypond
@seealso
+Notation Reference:
@ref{Bars},
-@ref{The Feta font}
+@ref{The Emmentaler font}
+
@node Kievan melismata
@unnumberedsubsubsec Kievan melismata
The following example demonstrates the use of Kievan ligatures:
@lilypond[quote,ragged-right,verbatim]
+% Font settings for Cyrillic
+\paper {
+ #(define fonts
+ (set-global-fonts
+ #:roman "Linux Libertine O,serif"
+ ))
+}
+
\score {
<<
\new KievanVoice = "melody" \relative c' {
These involve:
@itemize
-@item how to make incipits (i.e. prefatory material to indicate
+@item how to make incipits (i.e., prefatory material to indicate
what the original has looked like) to modern transcriptions of
mensural music;
@item how to achieve the @emph{Mensurstriche} layout frequently
@node Incipits
@unnumberedsubsubsec Incipits
+@funindex \incipit
+@cindex incipits, adding
It is customary when transcribing mensural music into modern notation to place
an indication of how the initial rests and note or notes of the original version
@emph{Mensurstriche} (@q{mensuration lines}) is the accepted term
for bar lines that are drawn between the staves of a system but
not through the staves themselves. It is a common way to preserve
-the rhythmic appearance of the original, i.e. not having to break
+the rhythmic appearance of the original, i.e., not having to break
syncopated notes at bar lines, while still providing the
orientation aids that bar lines give.
@lilypond[verbatim,ragged-right]
\include "gregorian.ly"
-chant = \relative c' {
+chant = \relative {
\clef "G_8"
- c\breve c4 b4 a c2 c4 \divisioMaior
+ c'\breve c4 b4 a c2 c4 \divisioMaior
c\breve c4 c f, f \finalis
}
@lilypond[verbatim,ragged-right]
\include "gregorian.ly"
-chant = \relative c' {
+chant = \relative {
\clef "G_8"
\set Score.timing = ##f
\hide Stem
- c\breve \hide NoteHead c c c c c
+ c'\breve \hide NoteHead c c c c c
\undo \hide NoteHead
\undo \hide Stem \stemUp c4 b4 a
\hide Stem c2 c4 \divisioMaior
@end lilypond
Another common situation is transcription of neumatic or
-melismatic chants, i.e. chants with a varying number of notes
+melismatic chants, i.e., chants with a varying number of notes
to each syllable. In this case, one would want to set the
syllable groups clearly apart, usually also the subdivisions of a
longer melisma. One way to achieve this is to use a fixed
@code{s} @q{notes}.
@lilypond[verbatim,quote]
-spiritus = \relative c' {
+spiritus = \relative {
\time 1/4
\override Lyrics.LyricText.X-extent = #'(0 . 3)
- d4 \tuplet 3/2 { f8 a g } g a a4 g f8 e
+ d'4 \tuplet 3/2 { f8 a g } g a a4 g f8 e
d4 f8 g g8 d f g a g f4 g8 a a4 s
\tuplet 3/2 { g8 f d } e f g a g4
}
@node Ancient and modern from one source
@unnumberedsubsubsec Ancient and modern from one source
-@c TODO Add text
-@c Here among others the snippets about reducing note length
-TBC
+@lilypondfile[verbatim,quote,ragged-right,texidoc,doctitle]
+{using-tags-to-produce-mensural-and-modern-music-from-the-same-source.ly}
@c @seealso
@c ... and reference to other sections ...
projects / lilypond.git / blobdiff