-% Do not edit this file; it is automatically
-% generated from Documentation\snippets\new
+% DO NOT EDIT this file manually; it is automatically
+% generated from Documentation/snippets/new
+% Make any changes in Documentation/snippets/new/
+% and then run scripts/auxiliar/makelsr.py
+%
% This file is in the public domain.
-%% Note: this file works from version 2.13.31
-\version "2.13.31"
+%% Note: this file works from version 2.19.21
+\version "2.19.21"
\header {
-%% Translation of GIT committish: 0b55335aeca1de539bf1125b717e0c21bb6fa31b
- texidoces = "
-He aquí una partitura vocal estándar para cuatro voces SATB. Con
-grupos mayores, suele ser útil incluir una sección que aparezca en
-todas las partes. Por ejemplo, el compás y la armadura casi siempre
-son los mismos para todas. Como en la plantilla @qq{Himno}, las cuatro
-voces se reagrupan en sólo dos pentagramas.
+ lsrtags = "really-simple, template, vocal-music"
-"
- doctitlees = "Plantilla de conjunto vocal"
-
-
-%% Translation of GIT committish: fa1aa6efe68346f465cfdb9565ffe35083797b86
- texidocja = "
-これは標準の 4 パート SATB (ソプラノ、アルト、テナー、バス) ボーカル譜です。@c
-もっと大きな合唱では、すべてのパートで使用されるセクションをインクルードすると@c
-便利です。例えば、拍子記号と調号はほとんど常にすべてのパートで同じです。\"賛美@c
-歌\" テンプレートのように、4 つのボイスは 2 つの譜にグループ分けされています。"
-
-%% Translation of GIT committish: 0a868be38a775ecb1ef935b079000cebbc64de40
- texidocde = "
-Dieses Beispiel ist für vierstimmigen Gesang (SATB). Bei größeren
-Stücken ist es oft sinnvoll, eine allgemeine Variable zu bestimmen,
-die in allen Stimmen eingefügt wird. Taktart und Vorzeichen etwa
-sind fast immer gleich in allen Stimmen.
-"
-
- doctitlede = "Vorlage für Vokalensemble"
-
-
-%% Translation of GIT committish: bdfe3dc8175a2d7e9ea0800b5b04cfb68fe58a7a
- texidocfr = "
-Ce fichier constitue un canevas standard de partition pour chœur à
-quatre voix mixtes. Lorsque les ensembles s'étoffent, il est judicieux
-de recourrir à une section spécifique incluse dans chacune des parties,
-tout particulièrement pour gérer la métrique et la tonalité qui,
-la plupart du temps, sont communes à tous les pupitres. Comme il est
-d'usage pour les hymnes, les quatre voix sont réparties sur deux
-portées.
-
-"
- doctitlefr = "Ensemble vocal (simple)"
-
- lsrtags = "vocal-music, template"
texidoc = "
Here is a standard four-part SATB vocal score. With larger ensembles,
it is often useful to include a section which is included in all parts.
doctitle = "Vocal ensemble template"
} % begin verbatim
+\paper {
+ top-system-spacing.basic-distance = #10
+ score-system-spacing.basic-distance = #20
+ system-system-spacing.basic-distance = #20
+ last-bottom-spacing.basic-distance = #10
+}
+
global = {
\key c \major
\time 4/4
-} % begin verbatim
-
+}
-sopMusic = \relative c'' {
- c4 c c8[( b)] c4
+sopMusic = \relative {
+ c''4 c c8[( b)] c4
}
sopWords = \lyricmode {
hi hi hi hi
}
-altoMusic = \relative c' {
- e4 f d e
+altoMusic = \relative {
+ e'4 f d e
}
altoWords = \lyricmode {
ha ha ha ha
}
-tenorMusic = \relative c' {
+tenorMusic = \relative {
g4 a f g
}
tenorWords = \lyricmode {
hu hu hu hu
}
-bassMusic = \relative c {
+bassMusic = \relative {
c4 c g c
}
bassWords = \lyricmode {
\score {
\new ChoirStaff <<
- \new Lyrics = "sopranos"
+ \new Lyrics = "sopranos" \with {
+ % this is needed for lyrics above a staff
+ \override VerticalAxisGroup.staff-affinity = #DOWN
+ }
\new Staff = "women" <<
\new Voice = "sopranos" {
\voiceOne
}
>>
\new Lyrics = "altos"
- \new Lyrics = "tenors"
+ \new Lyrics = "tenors" \with {
+ % this is needed for lyrics above a staff
+ \override VerticalAxisGroup.staff-affinity = #DOWN
+ }
\new Staff = "men" <<
\clef bass
\new Voice = "tenors" {
\context Lyrics = "basses" \lyricsto "basses" \bassWords
>>
}
-