version that you are working on. See TRANSLATION for details.
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@ignore
Tutorial guidelines: (different from policy.txt!)
conté dues notes diferents) es combinen de forma simultània:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
<<
- { a2 g }
+ { a'2 g }
{ f2 e }
{ d2 b }
>>
disposa sobre un sols pentagrama.
@lilypond[verbatim,quote]
-\relative c'' {
- c2 <<c e>> |
+\relative {
+ c''2 <<c e>> |
<< { e2 f } { c2 <<b d>> } >> |
}
@end lilypond
paral·lel amb @code{<<} y @code{>>}:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
<<
- \new Staff { \clef "treble" c4 }
+ \new Staff { \clef "treble" c''4 }
\new Staff { \clef "bass" c,,4 }
>>
}
comunes que les partitures polirítmiques.
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
<<
- \new Staff { \clef "treble" \key d \major \time 3/4 c4 }
+ \new Staff { \clef "treble" \key d \major \time 3/4 c''4 }
\new Staff { \clef "bass" c,,4 }
>>
}
Heus aquí un petit exemple:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
\new PianoStaff <<
- \new Staff { \time 2/4 c4 e | g g, | }
+ \new Staff { \time 2/4 c''4 e | g g, | }
\new Staff { \clef "bass" c,,4 c' | e c | }
>>
}
infantil, @qq{Girls and boys come out to play}:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4
+ d''4 b8 c4 a8 | d4 b8 g4
}
@end lilypond
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4
+ d''4 b8 c4 a8 | d4 b8 g4
}
\addlyrics {
Girls and boys come | out to play,
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4 g8 |
+ d''4 b8 c4 a8 | d4 b8 g4 g8 |
a4 b8 c b a | d4 b8 g4. |
}
\addlyrics {
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4 g8 |
+ d''4 b8 c4 a8 | d4 b8 g4 g8 |
a4 b8 c( b) a | d4 b8 g4. |
}
\addlyrics {
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4 g8 |
+ d''4 b8 c4 a8 | d4 b8 g4 g8 |
a4 b8 c([ b]) a | d4 b8 g4. |
}
\addlyrics {
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4 g8 |
+ d''4 b8 c4 a8 | d4 b8 g4 g8 |
a4 b8 c[ b] a | d4 b8 g4. |
}
\addlyrics {
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \minor
\time 3/2
- g2 a bes | bes2( a) b2 |
+ g'2 a bes | bes2( a) b2 |
c4.( bes8 a4. g8 fis4.) g8 | fis1
}
\addlyrics {
@c but the example is long enough to avoid looking strange.
@lilypond[verbatim,quote,noragged-right]
<<
- \relative c' {
+ \relative {
\clef "bass"
\key c \major
\time 6/8
- c4.~ 8 d b | c8([ d]) b c d b | c8
+ c'4.~ 8 d b | c8([ d]) b c d b | c8
}
\addlyrics {
Lar -- go_al fac -- | to -- tum del -- la cit -- | tà
@lilypond[verbatim,quote]
violin = \new Staff {
- \relative c'' {
- a4 b c b
+ \relative {
+ a'4 b c b
}
}
cello = \new Staff {
- \relative c {
+ \relative {
\clef "bass"
e2 d
}
anterior és molt més fàcil de llegir:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
\key a \major
\time 6/8
- cis8. d16 cis8 e4 e8 |
+ cis''8. d16 cis8 e4 e8 |
b8. cis16 b8 d4 d8 |
}
@end lilypond
relatives externa i interna són independents:
@lilypond[verbatim,quote]
-\relative c { c'4 \relative c'' { f g } c }
+\relative { c'4 \relative { f'' g } c }
@end lilypond
@funindex \absolute
relativa:
@lilypond[verbatim,quote]
-\relative c { c'4 \absolute { f'' g'' } c }
+\relative { c'4 \absolute { f'' g'' } c }
@end lilypond
@node Més enllà del tutorial
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@node Conceptes fonamentals
@chapter Conceptes fonamentals
entrada com aquesta:
@example
-\relative c'' @{
- c4 a d c
+\relative @{
+ c''4 a d c
@}
@end example
\score @{
\new Staff @{
\new Voice @{
- \relative c'' @{
- c4 a b c
+ \relative @{
+ c''4 a b c
@}
@}
@}
variables}. Totes les plantilles fan servir el següent:
@example
-melodia = \relative c' @{
- c4 a b c
+melodia = \relative @{
+ c'4 a b c
@}
\score @{
començar escrivint
@example
-\relative c'' @{
- r4 d8\noBeam g, c4 r
+\relative @{
+ r4 d''8\noBeam g, c4 r
@}
@end example
mà esquerra, ara tenim un fragment musical de debò:
@lilypond[verbatim,quote,ragged-right]
-melody = \relative c'' { r4 d8\noBeam g, c4 r }
+melody = \relative { r4 d''8\noBeam g, c4 r }
text = \lyricmode { And God said, }
-upper = \relative c'' { <g d g,>2~ <g d g,> }
-lower = \relative c { b2 e }
+upper = \relative { <g' d g,>2~ <g d g,> }
+lower = \relative { b,2 e }
\score {
<<
@lilypond[verbatim,quote,ragged-right]
\new Staff {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[verbatim,quote,ragged-right]
\new Staff = "main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
forma correcta.
@lilypond[quote,verbatim]
-\new Staff \relative c' {
+\new Staff \relative {
% Veu principal
- c16 d e f
+ c'16 d e f
% Veu "1" Veu "2" Veu "3"
<< { g4 f e } \\ { r8 e4 d c8~ } >> |
<< { d2 e } \\ { c8 b16 a b8 g~ 2 } \\ { s4 b c2 } >> |
construccions, com s'indica aquí a la veu de triangles blaus.
@lilypond[quote,verbatim]
-\new Staff \relative c' {
+\new Staff \relative {
% Veu principal
- c16 d e f
+ c'16 d e f
<< % Bar 1
{
\voiceOneStyle
@c The following should appear as music without code
@lilypond[quote,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<< % Veu u
- { c2 aes4. bes8 }
+ { c''2 aes4. bes8 }
\\ % Voice two
{
% Ignoreu aquestes expressions per ara, s'explicaran al Cap. 4
música del primer compàs a tres veus:
@lilypond[quote,verbatim,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<<
- { c2 aes4. bes8 } \\ { <ees, c>2 des } \\ { aes'2 f4 fes }
+ { c''2 aes4. bes8 } \\ { <ees, c>2 des } \\ { aes'2 f4 fes }
>> |
<c ees aes c>1 |
}
invertides (@code{\\}).
@lilypond[quote,verbatim,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<< % Veu u
- { c2 aes4. bes8 }
+ { c''2 aes4. bes8 }
\\ % Veu dos
{ <ees, c>2 des }
\\ % Omet Veu tres
@example
\new Staff @{
- \relative c' @{
- << @{ e4 f g a @} \\ @{ c,4 d e f @} >>
+ \relative @{
+ << @{ e'4 f g a @} \\ @{ c,4 d e f @} >>
@}
@}
@end example
@example
\new Staff <<
- \new Voice = "1" @{ \voiceOne \relative c' @{ e4 f g a @} @}
- \new Voice = "2" @{ \voiceTwo \relative c' @{ c4 d e f @} @}
+ \new Voice = "1" @{ \voiceOne \relative @{ e'4 f g a @} @}
+ \new Voice = "2" @{ \voiceTwo \relative @{ c'4 d e f @} @}
>>
@end example
@c The following example should not display the code
@lilypond[ragged-right,quote]
\new Staff <<
- \new Voice = "1" { \voiceOne \relative c' { e4 f g a } }
- \new Voice = "2" { \voiceTwo \relative c' { c4 d e f } }
+ \new Voice = "1" { \voiceOne \relative { e'4 f g a } }
+ \new Voice = "2" { \voiceTwo \relative { c'4 d e f } }
>>
@end lilypond
indicacions de dinàmica:
@lilypond[quote,ragged-right,verbatim]
-\relative c' {
+\relative {
% Comportament predeterminat o comportament després de \oneVoice
- c4 d8~ 8 e4( f | g4 a) b-> c |
+ c'4 d8~ 8 e4( f | g4 a) b-> c |
}
@end lilypond
haver-hi una forma més natural d'escriure la música.
@lilypond[quote,ragged-right,verbatim]
-\new Staff \relative c' {
- c16^( d e f
+\new Staff \relative {
+ c'16^( d e f
<<
{ g4 f e | d2 e) | }
\new Voice {
@lilypond[quote,verbatim]
global = { \key f \major \time 6/8 \partial 8 }
-SopOneMusic = \relative c'' {
- c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4
+SopOneMusic = \relative {
+ c''8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4
}
SopOneLyrics = \lyricmode {
Let | flee -- cy flocks the | hills a -- dorn, __
}
-SopTwoMusic = \relative c' {
- r8 | r4. r4 c8 | a'8([ g)] f f([ e)] d | e8([ d)] c bes'
+SopTwoMusic = \relative {
+ r8 | r4. r4 c'8 | a'8([ g)] f f([ e)] d | e8([ d)] c bes'
}
SopTwoLyrics = \lyricmode {
Let | flee -- cy flocks the | hills a -- dorn,
@lilypond[quote,verbatim]
keyTime = { \key c \major \time 4/4 \partial 4 }
-SopMusic = \relative c' { c4 | e4. e8 g4 g | a4 a g }
-AltoMusic = \relative c' { c4 | c4. c8 e4 e | f4 f e }
-TenorMusic = \relative c { e4 | g4. g8 c4. b8 | a8 b c d e4 }
-BassMusic = \relative c { c4 | c4. c8 c4 c | f8 g a b c4 }
+SopMusic = \relative { c'4 | e4. e8 g4 g | a4 a g }
+AltoMusic = \relative { c'4 | c4. c8 e4 e | f4 f e }
+TenorMusic = \relative { e4 | g4. g8 c4. b8 | a8 b c d e4 }
+BassMusic = \relative { c4 | c4. c8 c4 c | f8 g a b c4 }
VerseOne =
\lyricmode { E -- | ter -- nal fa -- ther, | strong to save, }
\clef "treble"
\key g \minor
\new Voice { % crea la veu per a les notes de la mà dreta
- \relative c'' { % inici de les notes de la mà dreta
- d4 ees16 c8. |
+ \relative { % inici de les notes de la mà dreta
+ d''4 ees16 c8. |
d4 ees16 c8. |
} % fi de les notes de la mà dreta
} % fi de la veu de la mà dreta
\key g \minor
\new Voice { % crea la veu de la mà esquerra
\voiceOne
- \relative g { % inicia les notes de la veu u de la mà esquerra
+ \relative { % inicia les notes de la veu u de la mà esquerra
g8 <bes d> ees, <g c> |
g8 <bes d> ees, <g c> |
} % fi de les notes de la veu u de la mà esquerra
} % fi de la veu u de la mà esquerra
\new Voice { % crea la veu dos de la mà esquerra
\voiceTwo
- \relative g { % inici de les notes de la veu dos de la mà esquerra
+ \relative { % inici de les notes de la veu dos de la mà esquerra
g4 ees |
g4 ees |
} % fi de les notes de la veu dos de la mà esquerra
@lilypond[quote,verbatim,ragged-right]
<<
- \new Staff \relative c'' {
- aeses2 aes
+ \new Staff \relative {
+ aeses'2 aes
}
\new Staff \relative c'' {
\set Staff.extraNatural = ##f
@lilypond[quote,verbatim,ragged-right]
<<
- \new Staff \relative c'' {
- aeses2 aes
+ \new Staff \relative {
+ aeses'2 aes
}
\new Staff \relative c'' {
\set Score.extraNatural = ##f
@lilypond[quote,verbatim,ragged-right]
<<
\new Staff {
- \relative c'' {
- gisis4 gis aeses aes
+ \relative {
+ gisis'4 gis aeses aes
}
}
\new Staff \with { extraNatural = ##f } {
- \relative c'' {
- gisis4 gis aeses aes
+ \relative {
+ gisis'4 gis aeses aes
}
}
>>
@lilypond[verbatim,quote]
\score {
\new Staff {
- \relative c'' {
- cisis4 e d cis
+ \relative {
+ cisis''4 e d cis
}
}
\layout {
\score {
<<
\new Staff {
- \relative c'' {
- gisis4 gis aeses aes
+ \relative {
+ gisis'4 gis aeses aes
}
}
\new Staff {
- \relative c'' {
- gisis4 gis aeses aes
+ \relative {
+ gisis'4 gis aeses aes
}
}
>>
\new Staff \with {
\remove "Staff_symbol_engraver"
}
-\relative c' {
- c4 d
+\relative {
+ c'4 d
\set fontSize = #-4 % fes més petits els caps de les notes
e4 f |
\set fontSize = #2.5 % fes més grans els caps de les notes
\score {
<<
\new Staff {
- \relative c'' {
- c4 a b g
+ \relative {
+ c''4 a b g
}
}
\new Staff {
- \relative c' {
- c4 a b g
+ \relative {
+ c'4 a b g
}
}
\new Staff {
\clef "G_8"
- \relative c' {
- c4 a b g
+ \relative {
+ c'4 a b g
}
}
\new Staff {
\clef "bass"
- \relative c {
+ \relative {
c4 a b g
}
}
@example
\version @w{"@version{}"}
-melodia = \relative c' @{
+melodia = \relative @{
\clef "treble"
\key c \major
\time 4/4
@example
\version @w{"@version{}"}
-melodia = \relative c' @{
+melodia = \relative @{
\clef "treble"
\key c \major
\time 4/4
@example
\version @w{"@version{}"}
-musicaSoprano = \relative c' @{
+musicaSoprano = \relative @{
\clef "treble"
\key c \major
\time 4/4
Aaa Bee Cee Dee
@}
-musicaVioloncel = \relative c @{
+musicaVioloncel = \relative @{
\clef "bass"
\key c \major
\time 4/4
soprano i violoncel.
@lilypond[quote,verbatim,ragged-right,addversion]
-musicaSoprano = \relative c' {
+musicaSoprano = \relative {
\clef "treble"
\key c \major
\time 4/4
Aaa Bee Cee Dee
}
-musicaVioloncel = \relative c {
+musicaVioloncel = \relative {
\clef "bass"
\key c \major
\time 4/4
@lilypond[quote,ragged-right]
global = { \key d \major \time 4/4 }
-musicaSoprano = \relative c'' {
+musicaSoprano = \relative {
\clef "treble"
- r4 d2 a4 | d4. d8 a2 | cis4 d cis2 |
+ r4 d''2 a4 | d4. d8 a2 | cis4 d cis2 |
}
lletraSoprano = \lyricmode {
Wor -- thy | is the lamb | that was slain |
}
-musicaAlto = \relative a' {
+musicaAlto = \relative {
\clef "treble"
- r4 a2 a4 | fis4. fis8 a2 | g4 fis e2 |
+ r4 a'2 a4 | fis4. fis8 a2 | g4 fis e2 |
}
lletraAlto = \lletraSoprano
-musicaTenor = \relative c' {
+musicaTenor = \relative {
\clef "G_8"
- r4 fis2 e4 | d4. d8 d2 | e4 a, cis2 |
+ r4 fis'2 e4 | d4. d8 d2 | e4 a, cis2 |
}
lletraTenor = \lletraSoprano
-musicaBaix = \relative c' {
+musicaBaix = \relative {
\clef "bass"
- r4 d2 cis4 | b4. b8 fis2 | e4 d a'2 |
+ r4 d'2 cis4 | b4. b8 fis2 | e4 d a'2 |
}
lletraBaix = \lletraSoprano
@lilypond[quote,verbatim,ragged-right,addversion]
global = { \key d \major \time 4/4 }
-musicaSoprano = \relative c'' {
+musicaSoprano = \relative {
\clef "treble"
- r4 d2 a4 | d4. d8 a2 | cis4 d cis2 |
+ r4 d''2 a4 | d4. d8 a2 | cis4 d cis2 |
}
lletraSoprano = \lyricmode {
Wor -- thy | is the lamb | that was slain |
}
-musicaAlto = \relative a' {
+musicaAlto = \relative {
\clef "treble"
- r4 a2 a4 | fis4. fis8 a2 | g4 fis fis2 |
+ r4 a'2 a4 | fis4. fis8 a2 | g4 fis fis2 |
}
lletraAlto = \lletraSoprano
-musicaTenor = \relative c' {
+musicaTenor = \relative {
\clef "G_8"
- r4 fis2 e4 | d4. d8 d2 | e4 a, cis2 |
+ r4 fis'2 e4 | d4. d8 d2 | e4 a, cis2 |
}
lletraTenor = \lletraSoprano
-musicaBaix = \relative c' {
+musicaBaix = \relative {
\clef "bass"
- r4 d2 cis4 | b4. b8 fis2 | e4 d a'2 |
+ r4 d'2 cis4 | b4. b8 fis2 | e4 d a'2 |
}
lletraBaix = \lletraSoprano
upper = \relative a' {
composer = "J S Bach"
}
keyTime = { \key c \minor \time 4/4 }
-MusicaManualUVeuU = \relative g' {
- g4 g f ees |
+MusicaManualUVeuU = \relative {
+ g'4 g f ees |
d2 c |
}
-MusicaManualUVeuDos = \relative c' {
- ees16 d ees8~ 16 f ees d c8 d~ d c~ |
+MusicaManualUVeuDos = \relative {
+ ees'16 d ees8~ 16 f ees d c8 d~ d c~ |
8 c4 b8 c8. g16 c b c d |
}
-MusicaManualDos= \relative c' {
- c16 b c8~ 16 b c g a8 g~ 16 g aes ees |
+MusicaManualDos= \relative {
+ c'16 b c8~ 16 b c g a8 g~ 16 g aes ees |
f16 ees f d g aes g f ees d ees8~ 16 f ees d |
}
-MusicaOrganPedal = \relative c {
+MusicaOrganPedal = \relative {
r8 c16 d ees d ees8~ 16 a, b g c b c8 |
r16 g ees f g f g8 c,2 |
}
Arribats a aquest punt, heu vist coses d'aquest tipus:
@lilypond[quote,verbatim,ragged-right]
-hornNotes = \relative c'' { c4 b dis c }
+hornNotes = \relative { c''4 b dis c }
\score {
{
minimalista:
@lilypond[quote,verbatim,ragged-right]
-fragmentA = \relative c'' { a4 a8. b16 }
-fragmentB = \relative c'' { a8. gis16 ees4 }
+fragmentA = \relative { a'4 a8. b16 }
+fragmentB = \relative { a'8. gis16 ees4 }
violí = \new Staff {
\fragmentA \fragmentA |
\once \override TextScript.padding = #padding
#})
-\relative c''' {
- c4^"piu mosso" b a b |
+\relative {
+ c'''4^"piu mosso" b a b |
\padText #1.8
c4^"piu mosso" d e f |
\padText #2.6
part d'un duo per a trompa i fagot:
@example
-notesTrompa = \relative c @{
+notesTrompa = \relative @{
\time 2/4
r4 f8 a | cis4 f | e4 d |
@}
sortida
@lilypond[quote,ragged-right]
-\transpose f c' \relative c {
+\transpose f c' \relative {
\time 2/4
r4 f8 a | cis4 f | e4 d |
}
el que ens porta a
@lilypond[quote,ragged-right]
-\relative c <<
+\relative <<
\new Staff {
\clef "treble"
\time 2/4
@include included/generating-output.itexi
-@c \version "2.16.0"
+@c \version "2.19.21"
@node Tutorial
@chapter Tutorial
@lilypond[verbatim,quote]
% set the starting point to middle C
-\relative c' {
- c d e f
+\relative {
+ c' d e f
g a b c
}
@end lilypond
fins i tot sense deixar d'utilitzar el mode relatiu:
@lilypond[verbatim,quote]
-\relative c' {
- d f a g
+\relative {
+ d' f a g
c b f d
}
@end lilypond
@c KEEP LY
@lilypond[verbatim,quote]
% una octava per sobre del Do central
-\relative c'' {
- e c a c
+\relative {
+ e'' c a c
}
@end lilypond
@c KEEP LY
@lilypond[verbatim,quote]
-\relative c'' {
- b c % el Do està 1 espai per sobre, és el Do de dalt
+\relative {
+ b' c % el Do està 1 espai per sobre, és el Do de dalt
b d % el Re està 2 espais per sobre o 5 per sota, és el Re de dalt
b e % el Mi està 3 espais per sobre o 4 per sota, és el Mi de dalt
b a % el La està 6 espais per sobre o 1 per sota, és el La de sota
nota.
@lilypond[verbatim,quote]
-\relative c'' {
- a a, c' f,
+\relative {
+ a' a, c' f,
g g'' a,, f'
}
@end lilypond
una negra.
@lilypond[verbatim,quote]
-\relative c'' {
- a1
+\relative {
+ a'1
a2 a4 a8 a
a16 a a a a32 a a a a64 a a a a a a a a2
}
d'especificar de forma explícita (és a dir: mitjançant un número).
@lilypond[verbatim,quote]
-\relative c'' {
- a4 a a4. a8
+\relative {
+ a'4 a a4. a8
a8. a16 a a8. a8 a4.
}
@end lilypond
el nom @code{r}@tie{}:
@lilypond[verbatim,quote]
-\relative c'' {
- a4 r r2
+\relative {
+ a'4 r r2
r8 a r4 r4. r8
}
@end lilypond
@code{\time} :
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
\time 3/4
- a4 a a
+ a'4 a a
\time 6/8
a4. a
\time 4/4
@code{\clef} :
@lilypond[verbatim,quote]
-\relative c' {
+\relative {
\clef "treble"
- c1
+ c'1
\clef "alto"
c1
\clef "tenor"
@c no verbatim here
@c KEEP LY
@lilypond[quote]
-\relative c'' {
- c4-\markup { \bold \huge { Cliqueu aquí. } }
+\relative {
+ c''4-\markup { \bold \huge { Cliqueu aquí. } }
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@node Ajustament de la sortida
@chapter Ajustament de la sortida
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,ragged-right,verbatim]
<<
\new Staff {
- \relative c' { c4 a, }
+ \relative { c'4 a, }
}
\new Staff {
- \relative c'''' { c4 a, }
+ \relative { c''''4 a, }
}
>>
@end lilypond
@lilypond[quote,ragged-right,verbatim]
sesquisharp = \markup { \sesquisharp }
-\relative c'' {
- c4
+\relative {
+ c''4
% This prints a sesquisharp but the spacing is too small
\once \override Accidental.stencil = #ly:text-interface::print
\once \override Accidental.text = #sesquisharp
amb aquest aspecte:
@lilypond[quote,verbatim,fragment,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<<
- { c2 aes4. bes8 }
+ { c''2 aes4. bes8 }
\\
{ <ees, c>2 des }
\\
@cindex force-hshift, propietat, exemple
@lilypond[quote,verbatim,fragment,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<<
- { c2 aes4. bes8 }
+ { c''2 aes4. bes8 }
\\
{ <ees, c>2 \once \override NoteColumn.force-hshift = 0.5 des }
\\
@c This example should not be indexed
@c line-width ensures no break
@lilypond[quote,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4. g8 |
+ r2 c''4. g8 |
bes1~ |
\time 6/4
bes2. r8
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2 |
+lhMusic = \relative {
+ r2 <c' g ees>2 |
<d g, d>1 |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
bes1~ |
\time 6/4
bes2. r8
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1) |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
global = { \key c \major \time 4/4 \partial 4 }
-SopranoMusic = \relative c' { c4 | e4. e8 g4 g | a4 a g }
-AltoMusic = \relative c' { c4 | c4. c8 e4 e | f4 f e }
-TenorMusic = \relative c { e4 | g4. g8 c4. b8 | a8 b c d e4 }
-BassMusic = \relative c { c4 | c4. c8 c4 c | f8 g a b c4 }
+SopranoMusic = \relative { c'4 | e4. e8 g4 g | a4 a g }
+AltoMusic = \relative { c'4 | c4. c8 e4 e | f4 f e }
+TenorMusic = \relative { e4 | g4. g8 c4. b8 | a8 b c d e4 }
+BassMusic = \relative { c4 | c4. c8 c4 c | f8 g a b c4 }
VerseOne = \lyrics {
E -- | ter -- nal \emphasize Fa -- ther, | \normal strong to save,
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.19.21"
@node Execució del LilyPond
@lilypond[quote,verbatim]
\repeat unfold 2 {
- \relative c' { c4 d e f }
+ \relative { c'4 d e f }
}
@end lilypond
@lilypond[quote,verbatim]
\new Voice {
\repeat unfold 2 {
- \relative c' { c4 d e f }
+ \relative { c'4 d e f }
}
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.16.0"
+@c \version "2.19.21"
@node Suggeriments per escriure fitxers d'entrada
@chapter Suggeriments per escriure fitxers d'entrada
@example
-violí = \relative c'' @{
-g4 c'8. e16
+violí = \relative @{
+g'4 c'8. e16
@}
@dots{}
\score @{
@example
fdesprésp = _\markup@{
\dynamic f \italic \small @{ 2nd @} \hspace #0.1 \dynamic p @}
-violí = \relative c'' @{
-g4\fluegop c'8. e16
+violí = \relative @{
+g'4\fluegop c'8. e16
@}
@end example
(però deixeu el @code{\baix} de la secció @code{\score} no comentat.
@example
-bajo = \relative c' @{
+bajo = \relative @{
%@{
- c4 c c c
+ c'4 c c c
d d d d
%@}
@}
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@ignore
Tutorial guidelines:
tři výrazy (každý obsahuje dvě oddělené noty):
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
<<
- { a2 g }
+ { a'2 g }
{ f2 e }
{ d2 b }
>>
@lilypond[verbatim,quote]
-\relative c'' {
- c2 <<c e>> |
+\relative {
+ c''2 <<c e>> |
<< { e f } { c <<b d>> } >> |
}
@end lilypond
@code{>>}:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
<<
- \new Staff { \clef "treble" c4 }
+ \new Staff { \clef "treble" c''4 }
\new Staff { \clef "bass" c,,4 }
>>
}
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
<<
- \new Staff { \clef "treble" \key d \major \time 3/4 c4 }
+ \new Staff { \clef "treble" \key d \major \time 3/4 c''4 }
\new Staff { \clef "bass" c,,4 }
>>
}
Zde je jeden malý příklad:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
\new PianoStaff <<
- \new Staff { \time 2/4 c4 e | g g, | }
+ \new Staff { \time 2/4 c''4 e | g g, | }
\new Staff { \clef "bass" c,,4 c' | e c | }
>>
}
@notation{Dívky a chlapci jdou ven, aby si hráli}:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4
+ d''4 b8 c4 a8 | d4 b8 g4
}
@end lilypond
@c KEEP LY
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4
+ d''4 b8 c4 a8 | d4 b8 g4
}
\addlyrics {
Dívky a chlapci jdou | ven, aby si hráli,
@c KEEP LY
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4 g8 |
+ d''4 b8 c4 a8 | d4 b8 g4 g8 |
a4 b8 c b a | d4 b8 g4. |
}
\addlyrics {
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4 g8 |
+ d''4 b8 c4 a8 | d4 b8 g4 g8 |
a4 b8 c[ b] a | d4 b8 g4. |
}
\addlyrics {
@c KEEP LY
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4 g8 |
+ d''4 b8 c4 a8 | d4 b8 g4 g8 |
a4 b8 c( b) a | d4 b8 g4. |
}
\addlyrics {
@c KEEP LY
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4 g8 |
+ d''4 b8 c4 a8 | d4 b8 g4 g8 |
a4 b8 c([ b]) a | d4 b8 g4. |
}
\addlyrics {
@c KEEP LY
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4 g8 |
+ d''4 b8 c4 a8 | d4 b8 g4 g8 |
a4 b8 c[ b] a | d4 b8 g4. |
}
\addlyrics {
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \minor
\time 3/2
- g2 a bes | bes2( a) b2 |
+ g'2 a bes | bes2( a) b2 |
c4.( bes8 a4. g8 fis4.) g8 | fis1
}
\addlyrics {
@c but the example is long enough to avoid looking strange.
@lilypond[verbatim,quote,noragged-right]
<<
- \relative c' {
+ \relative {
\clef "bass"
\key c \major
\time 6/8
- c4.~ 8 d b | c8([ d]) b c d b | c8
+ c'4.~ 8 d b | c8([ d]) b c d b | c8
}
\addlyrics {
Lar -- go_al fac -- | to -- tum del -- la cit -- | tà
@lilypond[verbatim,quote]
violin = \new Staff {
- \relative c'' {
- a4 b c b
+ \relative {
+ a'4 b c b
}
}
cello = \new Staff {
- \relative c {
+ \relative {
\clef "bass"
e2 d
}
mnohem jednodušeji čitelný:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
\key a \major
\time 6/8
- cis8. d16 cis8 e4 e8 |
+ cis''8. d16 cis8 e4 e8 |
b8. cis16 b8 d4 d8 |
}
@end lilypond
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@c Translators: Pavel Fric
@node Základní pojmy
vynechá.
@lilypond[quote,fragment,ragged-right,verbatim]
-\relative c'' {
- c4 a b c
+\relative {
+ c''4 a b c
}
@end lilypond
Podívejme se na jeden takový jednoduchý příklad:
@example
-\relative c'' @{
- c4 a d c
+\relative @{
+ c''4 a d c
@}
@end example
\score @{
\new Staff @{
\new Voice @{
- \relative c'' @{
- c4 a b c
+ \relative @{
+ c''4 a b c
@}
@}
@}
Všechny předlohy používají tuto možnost:
@example
-melodie = \relative c' @{
- c4 a b c
+melodie = \relative @{
+ c'4 a b c
@}
\score @{
bychom mohli zapisovat
@example
-\relative c'' @{
- r4 d8\noBeam g, c4 r
+\relative @{
+ r4 d''8\noBeam g, c4 r
@}
@end example
pro levou ruku, následující příklad:
@lilypond[verbatim,quote,ragged-right]
-melody = \relative c'' { r4 d8\noBeam g, c4 r }
+melody = \relative { r4 d''8\noBeam g, c4 r }
text = \lyricmode { And God said, }
-upper = \relative c'' { <g d g,>2~ <g d g,> }
-lower = \relative c { b2 e }
+upper = \relative { <g' d g,>2~ <g d g,> }
+lower = \relative { b,2 e }
\score {
<<
@lilypond[verbatim,quote,ragged-right]
\new Staff {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[verbatim,quote,ragged-right]
\new Staff = "main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
ligatur, značek pro dynamiku atd. tak, jak se patří.
@lilypond[quote,verbatim]
-\new Staff \relative c' {
+\new Staff \relative {
% Main voice
- c16 d e f
+ c'16 d e f
% Voice "1" Voice "2" Voice "3"
<< { g4 f e } \\ { r8 e4 d c8~ } >> |
<< { d2 e } \\ { c8 b16 a b8 g~ 2 } \\ { s4 b c2 } >> |
do dvou staveb, jak je to ukázáno zde na modrém trojúhelníkovém hlase.
@lilypond[quote,verbatim]
-\new Staff \relative c' {
+\new Staff \relative {
% Main voice
- c16 d e f
+ c'16 d e f
<< % Bar 1
{
\voiceOneStyle
@c The following should appear as music without code
@lilypond[quote,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<< % Voice one
- { c2 aes4. bes8 }
+ { c''2 aes4. bes8 }
\\ % Voice two
{ aes2 f4 fes }
\\ % No voice three
kterou zapíšeme tři hlasy prvního taktu:
@lilypond[quote,verbatim,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<<
- { c2 aes4. bes8 } \\ { aes2 f4 fes } \\ { <ees c>2 des }
+ { c''2 aes4. bes8 } \\ { aes2 f4 fes } \\ { <ees c>2 des }
>> |
<c ees aes c>1 |
}
páru @code{\\}.
@lilypond[quote,verbatim,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<< % Voice one
- { c2 aes4. bes8 }
+ { c''2 aes4. bes8 }
\\ % Voice two
{ aes2 f4 fes }
\\ % Omit Voice three
@example
\new Staff @{
- \relative c' @{
- << @{ e4 f g a @} \\ @{ c,4 d e f @} >>
+ \relative @{
+ << @{ e'4 f g a @} \\ @{ c,4 d e f @} >>
@}
@}
@end example
@example
\new Staff <<
- \new Voice = "1" @{ \voiceOne \relative c' @{ e4 f g a @} @}
- \new Voice = "2" @{ \voiceTwo \relative c' @{ c4 d e f @} @}
+ \new Voice = "1" @{ \voiceOne \relative @{ e'4 f g a @} @}
+ \new Voice = "2" @{ \voiceTwo \relative @{ c'4 d e f @} @}
>>
@end example
@c The following example should not display the code
@lilypond[ragged-right,quote]
\new Staff <<
- \new Voice = "1" { \voiceOne \relative c' { e4 f g a } }
- \new Voice = "2" { \voiceTwo \relative c' { c4 d e f } }
+ \new Voice = "1" { \voiceOne \relative { e'4 f g a } }
+ \new Voice = "2" { \voiceTwo \relative { c'4 d e f } }
>>
@end lilypond
účinek na text, obloučky a označení dynamiky:
@lilypond[quote,ragged-right,verbatim]
-\relative c' {
+\relative {
% Default behavior or behavior after \oneVoice
- c4 d8~ 8 e4( f | g4 a) b-> c |
+ c'4 d8~ 8 e4( f | g4 a) b-> c |
}
@end lilypond
sázení not:
@lilypond[quote,ragged-right,verbatim]
-\new Staff \relative c' {
- c16^( d e f
+\new Staff \relative {
+ c'16^( d e f
<<
{ g4 f e | d2 e2) | }
\new Voice {
@lilypond[quote,verbatim]
global = { \key f \major \time 6/8 \partial 8 }
-SopOneMusic = \relative c'' {
- c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4
+SopOneMusic = \relative {
+ c''8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4
}
SopOneLyrics = \lyricmode {
Let | flee -- cy flocks the | hills a -- dorn, __
}
-SopTwoMusic = \relative c' {
- r8 | r4. r4 c8 | a'8([ g)] f f([ e)] d | e8([ d)] c bes'
+SopTwoMusic = \relative {
+ r8 | r4. r4 c'8 | a'8([ g)] f f([ e)] d | e8([ d)] c bes'
}
SopTwoLyrics = \lyricmode {
Let | flee -- cy flocks the | hills a -- dorn,
@lilypond[quote,verbatim]
keyTime = { \key c \major \time 4/4 \partial 4 }
-SopMusic = \relative c' { c4 | e4. e8 g4 g | a4 a g }
-AltoMusic = \relative c' { c4 | c4. c8 e4 e | f4 f e }
-TenorMusic = \relative c { e4 | g4. g8 c4. b8 | a8 b c d e4 }
-BassMusic = \relative c { c4 | c4. c8 c4 c | f8 g a b c4 }
+SopMusic = \relative { c'4 | e4. e8 g4 g | a4 a g }
+AltoMusic = \relative { c'4 | c4. c8 e4 e | f4 f e }
+TenorMusic = \relative { e4 | g4. g8 c4. b8 | a8 b c d e4 }
+BassMusic = \relative { c4 | c4. c8 c4 c | f8 g a b c4 }
VerseOne =
\lyricmode { E -- | ter -- nal fa -- ther, | strong to save, }
\clef "treble"
\key g \minor
\new Voice { % create voice for RH notes
- \relative c'' { % start of RH notes
- d4 ees16 c8.
+ \relative { % start of RH notes
+ d''4 ees16 c8.
d4 ees16 c8.
} % end of RH notes
} % end of RH voice
\key g \minor
\new Voice { % create LH voice one
\voiceOne
- \relative g { % start of LH voice one notes
+ \relative { % start of LH voice one notes
g8 <bes d> ees, <g c>
g8 <bes d> ees, <g c>
} % end of LH voice one notes
} % end of LH voice one
\new Voice { % create LH voice two
\voiceTwo
- \relative g { % start of LH voice two notes
+ \relative { % start of LH voice two notes
g4 ees
g4 ees
} % end of LH voice two notes
@lilypond[quote,verbatim,ragged-right]
<<
- \new Staff \relative c'' {
- ais2 aes
+ \new Staff \relative {
+ ais'2 aes
}
\new Staff \relative c'' {
\set Staff.extraNatural = ##f
@lilypond[quote,verbatim,ragged-right]
<<
- \new Staff \relative c'' {
- ais2 aes
+ \new Staff \relative {
+ ais'2 aes
}
\new Staff \relative c'' {
\set Score.extraNatural = ##f
@lilypond[quote,verbatim,ragged-right]
<<
\new Staff
- \relative c'' {
- gis4 ges aes ais
+ \relative {
+ gis'4 ges aes ais
}
\new Staff \with { extraNatural = ##f } {
- \relative c'' {
- gis ges aes ais
+ \relative {
+ gis' ges aes ais
}
}
>>
@lilypond[verbatim,quote]
\score {
\new Staff {
- \relative c'' {
- cis4 e d ces
+ \relative {
+ cis''4 e d ces
}
}
\layout {
\score {
<<
\new Staff {
- \relative c'' {
- gis4 ges aes ais
+ \relative {
+ gis'4 ges aes ais
}
}
\new Staff {
- \relative c'' {
- gis4 ges aes ais
+ \relative {
+ gis'4 ges aes ais
}
}
>>
\new Staff \with {
\remove "Staff_symbol_engraver"
}
-\relative c' {
- c4 d
+\relative {
+ c'4 d
\set fontSize = #-4 % make note heads smaller
e4 f |
\set fontSize = #2.5 % make note heads larger
\score {
<<
\new Staff {
- \relative c'' {
- c4 a b g
+ \relative {
+ c''4 a b g
}
}
\new Staff {
- \relative c' {
- c4 a b g
+ \relative {
+ c'4 a b g
}
}
\new Staff {
\clef "G_8"
- \relative c' {
- c4 a b g
+ \relative {
+ c'4 a b g
}
}
\new Staff {
\clef "bass"
- \relative c {
+ \relative {
c4 a b g
}
}
@example
\version @w{"@version{}"}
-melody = \relative c' @{
+melody = \relative @{
\clef "treble"
\key c \major
\time 4/4
@example
\version @w{"@version{}"}
-melody = \relative c' @{
+melody = \relative @{
\clef "treble"
\key c \major
\time 4/4
@example
\version @w{"@version{}"}
-SopranNoten = \relative c' @{
+SopranNoten = \relative @{
\clef "treble"
\key c \major
\time 4/4
Aaa Bee Cee Dee
@}
-CelloNoten = \relative c @{
+CelloNoten = \relative @{
\clef "bass"
\key c \major
\time 4/4
Hier also die gesamte Vorlage für Soprán a violoncello:
@lilypond[quote,verbatim,ragged-right,addversion]
-sopranoMusic = \relative c' {
+sopranoMusic = \relative {
\clef "treble"
\key c \major
\time 4/4
Aaa Bee Cee Dee
}
-celloMusic = \relative c {
+celloMusic = \relative {
\clef "bass"
\key c \major
\time 4/4
@lilypond[quote,ragged-right]
global = { \key d \major \time 4/4 }
-sopranoMusic = \relative c'' {
+sopranoMusic = \relative {
\clef "treble"
- r4 d2 a4 | d4. d8 a2 | cis4 d cis2 |
+ r4 d''2 a4 | d4. d8 a2 | cis4 d cis2 |
}
sopranoWords = \lyricmode {
Wor -- thy | is the lamb | that was slain |
}
-altoMusic = \relative a' {
+altoMusic = \relative {
\clef "treble"
- r4 a2 a4 | fis4. fis8 a2 | g4 fis e2 |
+ r4 a'2 a4 | fis4. fis8 a2 | g4 fis e2 |
}
altoWords = \sopranoWords
-tenorMusic = \relative c' {
+tenorMusic = \relative {
\clef "G_8"
- r4 fis2 e4 | d4. d8 d2 | e4 a, cis2 |
+ r4 fis'2 e4 | d4. d8 d2 | e4 a, cis2 |
}
tenorWords = \sopranoWords
-bassMusic = \relative c' {
+bassMusic = \relative {
\clef "bass"
- r4 d2 cis4 | b4. b8 fis2 | e4 d a'2 |
+ r4 d'2 cis4 | b4. b8 fis2 | e4 d a'2 |
}
bassWords = \sopranoWords
upper = \relative a' {
\key d \major
\time 4/4
}
-sopranoMusic = \relative c'' {
+sopranoMusic = \relative {
\clef "treble"
- r4 d2 a4 | d4. d8 a2 | cis4 d cis2 |
+ r4 d''2 a4 | d4. d8 a2 | cis4 d cis2 |
}
sopranoWords = \lyricmode {
Wor -- thy | is the lamb | that was slain |
}
-altoMusic = \relative a' {
+altoMusic = \relative {
\clef "treble"
- r4 a2 a4 | fis4. fis8 a2 | g4 fis fis2 |
+ r4 a'2 a4 | fis4. fis8 a2 | g4 fis fis2 |
}
altoWords = \sopranoWords
-tenorMusic = \relative c' {
+tenorMusic = \relative {
\clef "G_8"
- r4 fis2 e4 | d4. d8 d2 | e4 a, cis2 |
+ r4 fis'2 e4 | d4. d8 d2 | e4 a, cis2 |
}
tenorWords = \sopranoWords
-bassMusic = \relative c' {
+bassMusic = \relative {
\clef "bass"
- r4 d2 cis4 | b4. b8 fis2 | e4 d a'2 |
+ r4 d'2 cis4 | b4. b8 fis2 | e4 d a'2 |
}
bassWords = \sopranoWords
upper = \relative a' {
composer = "J S Bach"
}
keyTime = { \key c \minor \time 4/4 }
-ManualOneVoiceOneMusic = \relative g' {
- g4 g f ees |
+ManualOneVoiceOneMusic = \relative {
+ g'4 g f ees |
d2 c2 |
}
-ManualOneVoiceTwoMusic = \relative c' {
- ees16 d ees8~ 16 f ees d c8 d~ d c~ |
+ManualOneVoiceTwoMusic = \relative {
+ ees'16 d ees8~ 16 f ees d c8 d~ d c~ |
8 c4 b8 c8. g16 c b c d |
}
-ManualTwoMusic = \relative c' {
- c16 b c8~ 16 b c g a8 g~ 16 g aes ees |
+ManualTwoMusic = \relative {
+ c'16 b c8~ 16 b c g a8 g~ 16 g aes ees |
f16 ees f d g aes g f ees d e8~ 8es16 f ees d |
}
-PedalOrganMusic = \relative c {
+PedalOrganMusic = \relative {
r8 c16 d ees d ees8~ 16 a, b g c b c8 |
r16 g ees f g f g8 c,2 |
}
Bis jetzt wurde immer derartige Notation vorgestellt:
@lilypond[quote,verbatim,ragged-right]
-hornNotes = \relative c'' { c4 b dis c }
+hornNotes = \relative { c''4 b dis c }
\score {
{
Musik sehr nützlich sein könnte:
@lilypond[quote,verbatim,ragged-right]
-fragmentA = \relative c'' { a4 a8. b16 }
-fragmentB = \relative c'' { a8. gis16 ees4 }
+fragmentA = \relative { a'4 a8. b16 }
+fragmentB = \relative { a'8. gis16 ees4 }
violin = \new Staff {
\fragmentA \fragmentA |
\fragmentB \fragmentA |
\once \override TextScript.padding = $padding
#})
-\relative c''' {
- c4^"piu mosso" b a b |
+\relative {
+ c'''4^"piu mosso" b a b |
\padText #1.8
c4^"piu mosso" d e f |
\padText #2.6
Noten eines Horn/@/Fagott-Duos enthält:
@example
-hornNotes = \relative c @{
+hornNotes = \relative @{
\time 2/4
r4 f8 a | cis4 f | e4 d |
@}
kann in folgender Notenausgabe gesehen werden:
@lilypond[quote,ragged-right]
-\transpose f c' \relative c {
+\transpose f c' \relative {
\time 2/4
r4 f8 a | cis4 f | e4 d |
}
woraus sich ergibt:
@lilypond[quote,ragged-right]
-\relative c <<
+\relative <<
\new Staff {
\clef "treble"
\time 2/4
@include included/generating-output.itexi
-@c \version "2.16.0"
+@c \version "2.19.21"
@c Translators: Pavel Fric
@node Cvičení
@c KEEP LY
@lilypond[verbatim,quote]
% Počáteční bod napsat na jednočárkovaném C
-\relative c' {
- c d e f
+\relative {
+ c' d e f
g a b c
}
@end lilypond
intervaly:
@lilypond[verbatim,quote]
-\relative c' {
- d f a g
+\relative {
+ d' f a g
c b f d
}
@end lilypond
@c KEEP LY
@lilypond[verbatim,quote]
% dvoučárkované C
-\relative c'' {
- e c a c
+\relative {
+ e'' c a c
}
@end lilypond
@c KEEP LY
@lilypond[verbatim,quote]
-\relative c'' {
- b c % c je 1 řádek nahoru, tedy c nad b
+\relative {
+ b' c % c je 1 řádek nahoru, tedy c nad b
b d % d je 2 řádky nahoru, nebo 5 dolů, tedy d nad b
b e % e je 3 nahoru, nebo 4 dolů, tedy e pod b
b a % a je 6 nahoru, nebo 1 dolů, tedy a pod b
posazeným přímo za název noty se oktáva zvýší o jednu, čárkou @code{,} se oktáva o jednu sníží.
@lilypond[verbatim,quote]
-\relative c'' {
- a a, c' f,
+\relative {
+ a' a, c' f,
g g'' a,, f'
}
@end lilypond
Pro první notu je jako výchozí určena čtvrťová nota.
@lilypond[verbatim,quote]
-\relative c'' {
- a1
+\relative {
+ a'1
a2 a4 a8 a
a16 a a a a32 a a a a64 a a a a a a a a2
}
čísla.
@lilypond[verbatim,quote]
-\relative c'' {
- a4 a a4. a8
+\relative {
+ a'4 a a4. a8
a8. a16 a a8. a8 a4.
}
@end lilypond
označením je @code{r}@tie{}:
@lilypond[verbatim,quote]
-\relative c'' {
- a4 r r2
+\relative {
+ a'4 r r2
r8 a r4 r4. r8
}
@end lilypond
@code{\time}:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
\time 3/4
- a4 a a
+ a'4 a a
\time 6/8
a4. a
\time 4/4
@code{\clef}:
@lilypond[verbatim,quote]
-\relative c' {
+\relative {
\clef "treble"
- c1
+ c'1
\clef "alto"
c1
\clef "tenor"
@c no verbatim here
@c KEEP LY
@lilypond[quote]
-\relative c'' {
- c4-\markup { \bold \huge { Klepněte sem! } }
+\relative {
+ c''4-\markup { \bold \huge { Klepněte sem! } }
}
@end lilypond
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@node Ladění výstupu
@chapter Ladění výstupu
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d
+ \relative {
+ r4 g'8 g c4 c8 d
e4 r8
<<
{ f8 c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d
+ \relative {
+ r4 g'8 g c4 c8 d
e4 r8
<<
{ f8 c c }
@lilypond[quote,verbatim,fragment,ragged-right,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d
+ \relative {
+ r4 g'8 g c4 c8 d
e4 r8
<<
{ f8 c c }
@lilypond[quote,verbatim,fragment,ragged-right,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d
+ \relative {
+ r4 g'8 g c4 c8 d
e4 r8
<<
{ f8 c c }
@lilypond[quote,ragged-right,verbatim]
<<
\new Staff {
- \relative c' { c4 a, }
+ \relative { c'4 a, }
}
\new Staff {
- \relative c'''' { c4 a, }
+ \relative { c''''4 a, }
}
>>
@end lilypond
@lilypond[quote,ragged-right,verbatim]
sesquisharp = \markup { \sesquisharp }
- \relative c'' {
- c4
+ \relative {
+ c''4
% This prints a sesquisharp but the spacing is too small
\once \override Accidental.stencil = #ly:text-interface::print
\once \override Accidental.text = #sesquisharp
gebracht:
@lilypond[quote,verbatim,fragment,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<<
- { c2 aes4. bes8 }
+ { c''2 aes4. bes8 }
\\
{ aes2 f4 fes }
\\
@cindex vertikale Verschiebung, Beispiel
@lilypond[quote,verbatim,fragment,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<<
- { c2 aes4. bes8 }
+ { c''2 aes4. bes8 }
\\
{ aes2 f4 fes }
\\
@c This example should not be indexed
@lilypond[quote,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
- \new Voice { r2 c4. g8 |
+rhMusic = \relative {
+ \new Voice { r2 c''4. g8 |
bes1~ |
\time 6/4
bes2. r8
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2 |
+lhMusic = \relative {
+ r2 <c' g ees>2 |
<d g, d>1 |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
bes1~ |
\time 6/4
bes2. r8
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1) |
r2. d,,4 r4 r |
r4
Damit ist auch der zweite Takt vollständig:
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
@cindex staff-position-Eigenschaft, Beispiel
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
aus:
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
@cindex transparent-Eigenschaft, Beispiel
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
global = { \key c \major \time 4/4 \partial 4 }
-SopranoMusic = \relative c' { c4 | e4. e8 g4 g | a4 a g }
-AltoMusic = \relative c' { c4 | c4. c8 e4 e | f4 f e }
-TenorMusic = \relative c { e4 | g4. g8 c4. b8 | a8 b c d e4 }
-BassMusic = \relative c { c4 | c4. c8 c4 c | f8 g a b c4 }
+SopranoMusic = \relative { c'4 | e4. e8 g4 g | a4 a g }
+AltoMusic = \relative { c'4 | c4. c8 e4 e | f4 f e }
+TenorMusic = \relative { e4 | g4. g8 c4. b8 | a8 b c d e4 }
+BassMusic = \relative { c4 | c4. c8 c4 c | f8 g a b c4 }
VerseOne = \lyrics {
E -- | ter -- nal \emphasize Fa -- ther, | \normal strong to save,
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.11"
+@c \version "2.19.21"
@c Translators: Pavel Fric
kombinieren. Zum Beispiel:
\begin{lilypond}
-\relative c' {
- c2 e2 \tuplet 3/2 { f8 a b } a2 e4
+\relative {
+ c'2 e2 \tuplet 3/2 { f8 a b } a2 e4
}
\end{lilypond}
kombinieren. Zum Beispiel:
@lilypond
-\relative c' {
- c2 e2 \tuplet 3/2 { f8 a b } a2 e4
+\relative {
+ c'2 e2 \tuplet 3/2 { f8 a b } a2 e4
}
@end lilypond
wörtlich in das Dokument kopierte LilyPond-Code zeigt den @code{relative}-Befehl jedoch nicht.
@example
-\relative c' @{ % begin verbatim
- c4 e2 g4
+\relative @{ % begin verbatim
+ c'4 e2 g4
f2 e % end verbatim
@}
@end example
Normaler LaTeX-Text.
\begin@{lilypond@}
-\relative c'' @{
- a4 b c d
+\relative @{
+ a'4 b c d
@}
\end@{lilypond@}
Texinfo-Text
@@lilypond
-\relative c' @{
+\relative @{
a4 b c d
@}
@@end lilypond
Dokumente für lilypond-book können Noten und Text frei kombinieren. Zum
Beispiel
<lilypond>
-\relative c'' @{
- a4 b c d
+\relative @{
+ a'4 b c d
@}
</lilypond>
</p>
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.19.21"
@c Translators: Pavel Fric
@lilypond[quote,verbatim]
\repeat unfold 2 {
- \relative c' { c4 d e f }
+ \relative { c'4 d e f }
}
@end lilypond
@lilypond[quote,verbatim]
\new Voice {
\repeat unfold 2 {
- \relative c' { c4 d e f }
+ \relative { c'4 d e f }
}
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.16.0"
+@c \version "2.19.21"
@node Návrhy pro psaní vstupních souborů LilyPond
@chapter Návrhy pro psaní vstupních souborů LilyPond
@item @strong{Schreiben Sie immer mit @code{\version} die
Versionsnummer
in jede Datei}. Beachten Sie, dass in allen Vorlagen die Versionsnummer
-@code{\version "2.16.0"} eingetragen ist. Es empfiehlt sich, in alle
+@code{\version "2.19.21"} eingetragen ist. Es empfiehlt sich, in alle
Dateien, unabhängig von ihrer Größe, den @code{\version}-Befehl
einzufügen. Persönliche Erfahrung hat gezeigt, dass es ziemlich
frustrierend sein kann zu erinnern, welche Programmversion man etwa
neuen Programmversion nicht verändern wird.
@example
-violine = \relative c'' @{
-g4 c'8. e16
+violine = \relative @{
+g'4 c'8. e16
@}
...
\score @{
@example
fdannp = _\markup@{
\dynamic f \italic \small @{ 2nd @} \hspace #0.1 \dynamic p @}
-violin = \relative c'' @{
-g4\fdannp c'8. e16
+violin = \relative @{
+g'4\fdannp c'8. e16
@}
@end example
@code{\score}-Abschnitt:
@example
-bass = \relative c' @{
+bass = \relative @{
%@{
- c4 c c c
+ c'4 c c c
d d d d
%@}
@}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@c Translators: Till Paala
der drei Varianten, sodass LilyPond ihn auswählt:
@lilypond
-\relative c {
+\relative {
\clef bass
e8[(_"12.04" f] g[ a b d,)] r4
}
mit dem Hauptthema:
@lilypond
-\relative c' {
+\relative {
\key g \minor
\clef "treble_8"
- r8 d ees g, fis4 g
+ r8 d' ees g, fis4 g
r8 a16 bes c8 bes16 a bes8
}
@end lilypond
@lilypond[quote,fragment]
<<
- \new Staff \relative c'' {
+ \new Staff \relative {
\key g \major
\time 3/4
- d4 g,8 a b c d4 g, g
+ d''4 g,8 a b c d4 g, g
}
- \new Staff \relative c' {
+ \new Staff \relative {
\clef "bass"
\key g \major
<g b d>2 a4 b2.
}
>>
\new Staff = "LH" <<
- \new Voice = "III" \relative c' {
+ \new Voice = "III" \relative {
\time 2/4
\clef "bass"
g4 \stopStaff s
<<
\chords { c2 c f2 c }
\new Staff
- \relative c' {
+ \relative {
\time 2/4
- c4 c g' g a a g2
+ c'4 c g' g a a g2
}
\addlyrics { twin -- kle twin -- kle lit -- tle star }
>>
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@c Translators: Till Paala
\revert NoteHead.font-size
}
-\relative c' {
- c2 \AltOn #0.5 c4 c
+\relative {
+ c'2 \AltOn #0.5 c4 c
\AltOn #1.5 c c \AltOff c2
}
@end lilypond
\revert NoteHead.font-size
#})
-\relative c' {
- c2 \withAlt #0.5 { c4 c }
+\relative {
+ c'2 \withAlt #0.5 { c4 c }
\withAlt #1.5 { c c } c2
}
@end lilypond
@lilypond[quote,verbatim,ragged-right]
dyn=#(define-event-function (parser location arg) (markup?)
(make-dynamic-script arg))
-\relative c' { c\dyn pfsss }
+\relative { c'\dyn pfsss }
@end lilypond
Man kann das Gleiche auch mit einer musikalischen Funktion erreichen, aber dann
(< (abs (ly:grob-property grob 'staff-position)) 2))
(set! (ly:grob-property grob 'transparent) #t)))
-\relative c' {
+\relative {
a'4 e8 <<\applyOutput #'Voice #blanker a c d>> b2
}
@end lilypond
@example
F = \tweak font-size #-3 -\flageolet
-\relative c'' @{
- c4^\F c4_\F
+\relative @{
+ c''4^\F c4_\F
@}
@end example
(ly:music-property m 'tweaks)))
m)
-\relative c'' @{
- c4^\F c4_\F
+\relative @{
+ c''4^\F c4_\F
@}
@end example
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.11"
+@c \version "2.19.21"
@node Scheme-Übung
@chapter Scheme-Übung
\once \override TextScript.padding = #padding
#})
-\relative c''' {
- c4^"piu mosso" b a b
+\relative {
+ c'''4^"piu mosso" b a b
\padText #1.8
c4^"piu mosso" d e f
\padText #2.6
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@ignore
Tutorial guidelines:
(jeder mit zwei Noten) parallel kombiniert:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
<<
- { a2 g }
+ { a'2 g }
{ f2 e }
{ d2 b }
>>
@lilypond[verbatim,quote]
-\relative c'' {
- c2 <<c e>> |
+\relative {
+ c''2 <<c e>> |
<< { e f } { c <<b d>> } >> |
}
@end lilypond
@code{>>}-Zeichen:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
<<
- \new Staff { \clef "treble" c4 }
+ \new Staff { \clef "treble" c''4 }
\new Staff { \clef "bass" c,,4 }
>>
}
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
<<
- \new Staff { \clef "treble" \key d \major \time 3/4 c4 }
+ \new Staff { \clef "treble" \key d \major \time 3/4 c''4 }
\new Staff { \clef "bass" c,,4 }
>>
}
Hier ein kleines Beispiel:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
\new PianoStaff <<
- \new Staff { \time 2/4 c4 e | g g, | }
+ \new Staff { \time 2/4 c''4 e | g g, | }
\new Staff { \clef "bass" c,,4 c' | e c | }
>>
}
@notation{Girls and boys come out to play}:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4
+ d''4 b8 c4 a8 | d4 b8 g4
}
@end lilypond
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4
+ d''4 b8 c4 a8 | d4 b8 g4
}
\addlyrics {
Girls and boys come | out to play,
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4 g8 |
+ d''4 b8 c4 a8 | d4 b8 g4 g8 |
a4 b8 c b a | d4 b8 g4. |
}
\addlyrics {
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4 g8 |
+ d''4 b8 c4 a8 | d4 b8 g4 g8 |
a4 b8 c( b) a | d4 b8 g4. |
}
\addlyrics {
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4 g8 |
+ d''4 b8 c4 a8 | d4 b8 g4 g8 |
a4 b8 c([ b]) a | d4 b8 g4. |
}
\addlyrics {
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4 g8 |
+ d''4 b8 c4 a8 | d4 b8 g4 g8 |
a4 b8 c[ b] a | d4 b8 g4. |
}
\addlyrics {
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \minor
\time 3/2
- g2 a bes | bes2( a) b2 |
+ g'2 a bes | bes2( a) b2 |
c4.( bes8 a4. g8 fis4.) g8 | fis1
}
\addlyrics {
@c but the example is long enough to avoid looking strange.
@lilypond[verbatim,quote,noragged-right]
<<
- \relative c' {
+ \relative {
\clef "bass"
\key c \major
\time 6/8
- c4.~ 8 d b | c8([ d]) b c d b | c8
+ c'4.~ 8 d b | c8([ d]) b c d b | c8
}
\addlyrics {
Lar -- go_al fac -- | to -- tum del -- la cit -- | tà
@c KEEP LY
@lilypond[quote,verbatim]
Geige = \new Staff
- { \relative c'' {
- a4 b c b
+ { \relative {
+ a'4 b c b
}
}
Cello = \new Staff
- { \relative c {
+ { \relative {
\clef "bass"
e2 d
}
sehr viel einfacher zu lesen:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
\key a \major
\time 6/8
- cis8. d16 cis8 e4 e8 |
+ cis''8. d16 cis8 e4 e8 |
b8. cis16 b8 d4 d8 |
}
@end lilypond
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@c Translators: Till Paala, Reinhold Kainhofer
@node Grundbegriffe
weglässt.
@lilypond[quote,fragment,ragged-right,verbatim]
-\relative c'' {
- c4 a b c
+\relative {
+ c''4 a b c
}
@end lilypond
Sehen wir uns als ein solches einfaches Beispiel an:
@example
-\relative c'' @{
- c4 a d c
+\relative @{
+ c''4 a d c
@}
@end example
\score @{
\new Staff @{
\new Voice @{
- \relative c'' @{
- c4 a b c
+ \relative @{
+ c''4 a b c
@}
@}
@}
Alle Vorlagen verwenden diese Möglichkeit:
@example
-melodie = \relative c' @{
- c4 a b c
+melodie = \relative @{
+ c'4 a b c
@}
\score @{
könnte man
@example
-\relative c'' @{
- r4 d8\noBeam g, c4 r
+\relative @{
+ r4 d''8\noBeam g, c4 r
@}
@end example
@c KEEP LY
@lilypond[verbatim,quote,ragged-right]
-melodie = \relative c'' { r4 d8\noBeam g, c4 r }
+melodie = \relative { r4 d''8\noBeam g, c4 r }
text = \lyricmode { And God said, }
-oben = \relative c'' { <g d g,>2~ <g d g,> }
-unten = \relative c { b2 e }
+oben = \relative { <g' d g,>2~ <g d g,> }
+unten = \relative { b,2 e }
\score {
<<
@lilypond[verbatim,quote,ragged-right]
\new Staff {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@c KEEP LY
@lilypond[verbatim,quote,ragged-right]
\new Staff = "Hauptzeile" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
Dynamik usw. entsprechend eingestellt.
@lilypond[quote,verbatim]
-\new Staff \relative c' {
+\new Staff \relative {
% Main voice
- c16 d e f
+ c'16 d e f
% Voice "1" Voice "2" Voice "3"
<< { g4 f e } \\ { r8 e4 d c8~ } >> |
<< { d2 e } \\ { c8 b16 a b8 g~ 2 } \\ { s4 b c2 } >> |
hier an der blauen Dreieckstimme gezeigt.
@lilypond[quote,verbatim]
-\new Staff \relative c' {
+\new Staff \relative {
% Main voice
- c16 d e f
+ c'16 d e f
<< % Bar 1
{
\voiceOneStyle
@c The following should appear as music without code
@lilypond[quote,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<< % Voice one
- { c2 aes4. bes8 }
+ { c''2 aes4. bes8 }
\\ % Voice two
{
% Ignore these for now - they are explained in Ch 4
die drei Stimmen des ersten Taktes notieren:
@lilypond[quote,verbatim,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<<
- { c2 aes4. bes8 } \\ { <ees, c>2 des } \\ { aes'2 f4 fes }
+ { c''2 aes4. bes8 } \\ { <ees, c>2 des } \\ { aes'2 f4 fes }
>> |
<c ees aes c>1 |
}
indem noch ein Paar @code{\\}-Stimmen hinzugefügt wird.
@lilypond[quote,verbatim,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<< % Voice one
- { c2 aes4. bes8 }
+ { c''2 aes4. bes8 }
\\ % Voice two
{ <ees, c>2 des }
\\ % Omit Voice three
@example
\new Staff @{
- \relative c' @{
- << @{ e4 f g a @} \\ @{ c,4 d e f @} >>
+ \relative @{
+ << @{ e'4 f g a @} \\ @{ c,4 d e f @} >>
@}
@}
@end example
@example
\new Staff <<
- \new Voice = "1" @{ \voiceOne \relative c' @{ e4 f g a @} @}
- \new Voice = "2" @{ \voiceTwo \relative c' @{ c4 d e f @} @}
+ \new Voice = "1" @{ \voiceOne \relative @{ e'4 f g a @} @}
+ \new Voice = "2" @{ \voiceTwo \relative @{ c'4 d e f @} @}
>>
@end example
@c The following example should not display the code
@lilypond[ragged-right,quote]
\new Staff <<
- \new Voice = "1" { \voiceOne \relative c' { e4 f g a } }
- \new Voice = "2" { \voiceTwo \relative c' { c4 d e f } }
+ \new Voice = "1" { \voiceOne \relative { e'4 f g a } }
+ \new Voice = "2" { \voiceTwo \relative { c'4 d e f } }
>>
@end lilypond
mit Text, Bögen und Dynamikbezeichnung anstellen:
@lilypond[quote,ragged-right,verbatim]
-\relative c' {
+\relative {
% Default behavior or behavior after \oneVoice
- c4 d8~ 8 e4( f | g4 a) b-> c |
+ c'4 d8~ 8 e4( f | g4 a) b-> c |
}
@end lilypond
sein, Noten zu setzen:
@lilypond[quote,ragged-right,verbatim]
-\new Staff \relative c' {
- c16^( d e f
+\new Staff \relative {
+ c'16^( d e f
<<
{ g4 f e | d2 e2) | }
\new Voice {
@lilypond[quote,verbatim]
global = { \key f \major \time 6/8 \partial 8 }
-SopOneMusic = \relative c'' {
- c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4
+SopOneMusic = \relative {
+ c''8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4
}
SopOneLyrics = \lyricmode {
Let | flee -- cy flocks the | hills a -- dorn, __
}
-SopTwoMusic = \relative c' {
- r8 | r4. r4 c8 | a'8([ g)] f f([ e)] d | e8([ d)] c bes'
+SopTwoMusic = \relative {
+ r8 | r4. r4 c'8 | a'8([ g)] f f([ e)] d | e8([ d)] c bes'
}
SopTwoLyrics = \lyricmode {
Let | flee -- cy flocks the | hills a -- dorn,
@lilypond[quote,verbatim]
keyTime = { \key c \major \time 4/4 \partial 4 }
-SopMusic = \relative c' { c4 | e4. e8 g4 g | a4 a g }
-AltoMusic = \relative c' { c4 | c4. c8 e4 e | f4 f e }
-TenorMusic = \relative c { e4 | g4. g8 c4. b8 | a8 b c d e4 }
-BassMusic = \relative c { c4 | c4. c8 c4 c | f8 g a b c4 }
+SopMusic = \relative { c'4 | e4. e8 g4 g | a4 a g }
+AltoMusic = \relative { c'4 | c4. c8 e4 e | f4 f e }
+TenorMusic = \relative { e4 | g4. g8 c4. b8 | a8 b c d e4 }
+BassMusic = \relative { c4 | c4. c8 c4 c | f8 g a b c4 }
VerseOne =
\lyricmode { E -- | ter -- nal fa -- ther, | strong to save, }
\clef "treble"
\key g \minor
\new Voice { % create voice for RH notes
- \relative c'' { % start of RH notes
- d4 ees16 c8.
+ \relative { % start of RH notes
+ d''4 ees16 c8.
d4 ees16 c8.
} % end of RH notes
} % end of RH voice
\key g \minor
\new Voice { % create LH voice one
\voiceOne
- \relative g { % start of LH voice one notes
+ \relative { % start of LH voice one notes
g8 <bes d> ees, <g c>
g8 <bes d> ees, <g c>
} % end of LH voice one notes
} % end of LH voice one
\new Voice { % create LH voice two
\voiceTwo
- \relative g { % start of LH voice two notes
+ \relative { % start of LH voice two notes
g4 ees
g4 ees
} % end of LH voice two notes
@lilypond[quote,verbatim,ragged-right]
<<
- \new Staff \relative c'' {
- aeses2 aes
+ \new Staff \relative {
+ aeses'2 aes
}
\new Staff \relative c'' {
\set Staff.extraNatural = ##f
@lilypond[quote,verbatim,ragged-right]
<<
- \new Staff \relative c'' {
- aeses2 aes
+ \new Staff \relative {
+ aeses'2 aes
}
\new Staff \relative c'' {
\set Score.extraNatural = ##f
@lilypond[quote,verbatim,ragged-right]
<<
\new Staff
- \relative c'' {
- gisis4 gis aeses aes
+ \relative {
+ gisis'4 gis aeses aes
}
\new Staff \with { extraNatural = ##f } {
- \relative c'' {
- gisis4 gis aeses aes
+ \relative {
+ gisis'4 gis aeses aes
}
}
>>
@lilypond[verbatim,quote]
\score {
\new Staff {
- \relative c'' {
- cisis4 e d cis
+ \relative {
+ cisis''4 e d cis
}
}
\layout {
\score {
<<
\new Staff {
- \relative c'' {
- gisis4 gis aeses aes
+ \relative {
+ gisis'4 gis aeses aes
}
}
\new Staff {
- \relative c'' {
- gisis4 gis aeses aes
+ \relative {
+ gisis'4 gis aeses aes
}
}
>>
\new Staff \with {
\remove "Staff_symbol_engraver"
}
-\relative c' {
- c4 d
+\relative {
+ c'4 d
\set fontSize = #-4 % make note heads smaller
e4 f |
\set fontSize = #2.5 % make note heads larger
\score {
<<
\new Staff {
- \relative c'' {
- c4 a b g
+ \relative {
+ c''4 a b g
}
}
\new Staff {
- \relative c' {
- c4 a b g
+ \relative {
+ c'4 a b g
}
}
\new Staff {
\clef "G_8"
- \relative c' {
- c4 a b g
+ \relative {
+ c'4 a b g
}
}
\new Staff {
\clef "bass"
- \relative c {
+ \relative {
c4 a b g
}
}
@example
\version @w{"@version{}"}
-melody = \relative c' @{
+melody = \relative @{
\clef "treble"
\key c \major
\time 4/4
@example
\version @w{"@version{}"}
-melody = \relative c' @{
+melody = \relative @{
\clef "treble"
\key c \major
\time 4/4
@example
\version @w{"@version{}"}
-SopranNoten = \relative c' @{
+SopranNoten = \relative @{
\clef "treble"
\key c \major
\time 4/4
Aaa Bee Cee Dee
@}
-CelloNoten = \relative c @{
+CelloNoten = \relative @{
\clef "bass"
\key c \major
\time 4/4
Hier also die gesamte Vorlage für Sopran und Cello:
@lilypond[quote,verbatim,ragged-right,addversion]
-sopranoMusic = \relative c' {
+sopranoMusic = \relative {
\clef "treble"
\key c \major
\time 4/4
Aaa Bee Cee Dee
}
-celloMusic = \relative c {
+celloMusic = \relative {
\clef "bass"
\key c \major
\time 4/4
@lilypond[quote,ragged-right]
global = { \key d \major \time 4/4 }
-sopranoMusic = \relative c'' {
+sopranoMusic = \relative {
\clef "treble"
- r4 d2 a4 | d4. d8 a2 | cis4 d cis2 |
+ r4 d''2 a4 | d4. d8 a2 | cis4 d cis2 |
}
sopranoWords = \lyricmode {
Wor -- thy | is the lamb | that was slain |
}
-altoMusic = \relative a' {
+altoMusic = \relative {
\clef "treble"
- r4 a2 a4 | fis4. fis8 a2 | g4 fis e2 |
+ r4 a'2 a4 | fis4. fis8 a2 | g4 fis e2 |
}
altoWords = \sopranoWords
-tenorMusic = \relative c' {
+tenorMusic = \relative {
\clef "G_8"
- r4 fis2 e4 | d4. d8 d2 | e4 a, cis2 |
+ r4 fis'2 e4 | d4. d8 d2 | e4 a, cis2 |
}
tenorWords = \sopranoWords
-bassMusic = \relative c' {
+bassMusic = \relative {
\clef "bass"
- r4 d2 cis4 | b4. b8 fis2 | e4 d a'2 |
+ r4 d'2 cis4 | b4. b8 fis2 | e4 d a'2 |
}
bassWords = \sopranoWords
upper = \relative a' {
\key d \major
\time 4/4
}
-sopranoMusic = \relative c'' {
+sopranoMusic = \relative {
\clef "treble"
- r4 d2 a4 | d4. d8 a2 | cis4 d cis2 |
+ r4 d''2 a4 | d4. d8 a2 | cis4 d cis2 |
}
sopranoWords = \lyricmode {
Wor -- thy | is the lamb | that was slain |
}
-altoMusic = \relative a' {
+altoMusic = \relative {
\clef "treble"
- r4 a2 a4 | fis4. fis8 a2 | g4 fis fis2 |
+ r4 a'2 a4 | fis4. fis8 a2 | g4 fis fis2 |
}
altoWords = \sopranoWords
-tenorMusic = \relative c' {
+tenorMusic = \relative {
\clef "G_8"
- r4 fis2 e4 | d4. d8 d2 | e4 a, cis2 |
+ r4 fis'2 e4 | d4. d8 d2 | e4 a, cis2 |
}
tenorWords = \sopranoWords
-bassMusic = \relative c' {
+bassMusic = \relative {
\clef "bass"
- r4 d2 cis4 | b4. b8 fis2 | e4 d a'2 |
+ r4 d'2 cis4 | b4. b8 fis2 | e4 d a'2 |
}
bassWords = \sopranoWords
upper = \relative a' {
composer = "J S Bach"
}
keyTime = { \key c \minor \time 4/4 }
-ManualOneVoiceOneMusic = \relative g' {
- g4 g f ees |
+ManualOneVoiceOneMusic = \relative {
+ g'4 g f ees |
d2 c2 |
}
-ManualOneVoiceTwoMusic = \relative c' {
- ees16 d ees8~ 16 f ees d c8 d~ d c~ |
+ManualOneVoiceTwoMusic = \relative {
+ ees'16 d ees8~ 16 f ees d c8 d~ d c~ |
8 c4 b8 c8. g16 c b c d |
}
-ManualTwoMusic = \relative c' {
- c16 b c8~ 16 b c g a8 g~ 16 g aes ees |
+ManualTwoMusic = \relative {
+ c'16 b c8~ 16 b c g a8 g~ 16 g aes ees |
f16 ees f d g aes g f ees d e8~ 8es16 f ees d |
}
-PedalOrganMusic = \relative c {
+PedalOrganMusic = \relative {
r8 c16 d ees d ees8~ 16 a, b g c b c8 |
r16 g ees f g f g8 c,2 |
}
Bis jetzt wurde immer derartige Notation vorgestellt:
@lilypond[quote,verbatim,ragged-right]
-hornNotes = \relative c'' { c4 b dis c }
+hornNotes = \relative { c''4 b dis c }
\score {
{
Musik sehr nützlich sein könnte:
@lilypond[quote,verbatim,ragged-right]
-fragmentA = \relative c'' { a4 a8. b16 }
-fragmentB = \relative c'' { a8. gis16 ees4 }
+fragmentA = \relative { a'4 a8. b16 }
+fragmentB = \relative { a'8. gis16 ees4 }
violin = \new Staff {
\fragmentA \fragmentA |
\fragmentB \fragmentA |
\once \override TextScript.padding = #padding
#})
-\relative c''' {
- c4^"piu mosso" b a b |
+\relative {
+ c'''4^"piu mosso" b a b |
\padText #1.8
c4^"piu mosso" d e f |
\padText #2.6
Noten eines Horn/@/Fagott-Duos enthält:
@example
-hornNotes = \relative c @{
+hornNotes = \relative @{
\time 2/4
r4 f8 a | cis4 f | e4 d |
@}
kann in folgender Notenausgabe gesehen werden:
@lilypond[quote,ragged-right]
-\transpose f c' \relative c {
+\transpose f c' \relative {
\time 2/4
r4 f8 a | cis4 f | e4 d |
}
woraus sich ergibt:
@lilypond[quote,ragged-right]
-\relative c <<
+\relative <<
\new Staff {
\clef "treble"
\time 2/4
@include included/generating-output.itexi
-@c \version "2.16.0"
+@c \version "2.19.21"
@c Translators: Till Paala, Reinhold Kainhofer
@c Translation checkers: Hajo Bäß
@c KEEP LY
@lilypond[verbatim,quote]
% Beginnpunkt auf das mittlere C setzen
-\relative c' {
- c d e f
+\relative {
+ c' d e f
g a b c
}
@end lilypond
gebildet werden:
@lilypond[verbatim,quote]
-\relative c' {
- d f a g
+\relative {
+ d' f a g
c b f d
}
@end lilypond
@c KEEP LY
@lilypond[verbatim,quote]
% zweigestrichenes C
-\relative c'' {
- e c a c
+\relative {
+ e'' c a c
}
@end lilypond
@c KEEP LY
@lilypond[verbatim,quote]
-\relative c'' {
- b c % c ist 1 Zeile aufwärts, also c über dem b
+\relative {
+ b' c % c ist 1 Zeile aufwärts, also c über dem b
b d % d ist 2 Zeilen aufwärts, oder 5 runter, also d über dem b
b e % e ist 3 aufwärts oder 4 runter, also e über dem b
b a % a ist 6 aufwärts oder 1 runter, also a unter dem b
direkt hinter dem Notennamen wird die Oktave um eins erhöht, mit einem Komma @code{,} um eins erniedrigt.
@lilypond[verbatim,quote]
-\relative c'' {
- a a, c' f,
+\relative {
+ a' a, c' f,
g g'' a,, f'
}
@end lilypond
verwendet. Für die erste Note ist eine Viertel als Standard definiert.
@lilypond[verbatim,quote]
-\relative c'' {
- a1
+\relative {
+ a'1
a2 a4 a8 a
a16 a a a a32 a a a a64 a a a a a a a a2
}
angegeben werden.
@lilypond[verbatim,quote]
-\relative c'' {
- a4 a a4. a8
+\relative {
+ a'4 a a4. a8
a8. a16 a a8. a8 a4.
}
@end lilypond
Bezeichnung ist @code{r}@tie{}:
@lilypond[verbatim,quote]
-\relative c'' {
- a4 r r2
+\relative {
+ a'4 r r2
r8 a r4 r4. r8
}
@end lilypond
@code{\time}-Befehl definiert werden:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
\time 3/4
- a4 a a
+ a'4 a a
\time 6/8
a4. a
\time 4/4
gesetzt werden:
@lilypond[verbatim,quote]
-\relative c' {
+\relative {
\clef "treble"
- c1
+ c'1
\clef "alto"
c1
\clef "tenor"
@c no verbatim here
@c KEEP LY
@lilypond[quote]
-\relative c'' {
- c4-\markup { \bold \huge { Hier klicken! } }
+\relative {
+ c''4-\markup { \bold \huge { Hier klicken! } }
}
@end lilypond
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@node Die Ausgabe verändern
@chapter Die Ausgabe verändern
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d
+ \relative {
+ r4 g'8 g c4 c8 d
e4 r8
<<
{ f8 c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d
+ \relative {
+ r4 g'8 g c4 c8 d
e4 r8
<<
{ f8 c c }
@lilypond[quote,verbatim,fragment,ragged-right,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d
+ \relative {
+ r4 g'8 g c4 c8 d
e4 r8
<<
{ f8 c c }
@lilypond[quote,verbatim,fragment,ragged-right,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d
+ \relative {
+ r4 g'8 g c4 c8 d
e4 r8
<<
{ f8 c c }
@lilypond[quote,ragged-right,verbatim]
<<
\new Staff {
- \relative c' { c4 a, }
+ \relative { c'4 a, }
}
\new Staff {
- \relative c'''' { c4 a, }
+ \relative { c''''4 a, }
}
>>
@end lilypond
@lilypond[quote,ragged-right,verbatim]
sesquisharp = \markup { \sesquisharp }
- \relative c'' {
- c4
+ \relative {
+ c''4
% This prints a sesquisharp but the spacing is too small
\once \override Accidental.stencil = #ly:text-interface::print
\once \override Accidental.text = #sesquisharp
gebracht:
@lilypond[quote,verbatim,fragment,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<<
- { c2 aes4. bes8 }
+ { c''2 aes4. bes8 }
\\
{ <ees, c>2 des }
\\
@cindex vertikale Verschiebung, Beispiel
@lilypond[quote,verbatim,fragment,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<<
- { c2 aes4. bes8 }
+ { c''2 aes4. bes8 }
\\
{
<ees, c>2
@c This example should not be indexed
@lilypond[quote,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
- \new Voice { r2 c4. g8 |
+rhMusic = \relative {
+ \new Voice { r2 c''4. g8 |
bes1~ |
\time 6/4
bes2. r8
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2 |
+lhMusic = \relative {
+ r2 <c' g ees>2 |
<d g, d>1 |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
bes1~ |
\time 6/4
bes2. r8
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1) |
r2. d,,4 r4 r |
r4
Damit ist auch der zweite Takt vollständig:
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
@cindex staff-position-Eigenschaft, Beispiel
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
aus:
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
@cindex transparent-Eigenschaft, Beispiel
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
global = { \key c \major \time 4/4 \partial 4 }
-SopranoMusic = \relative c' { c4 | e4. e8 g4 g | a4 a g }
-AltoMusic = \relative c' { c4 | c4. c8 e4 e | f4 f e }
-TenorMusic = \relative c { e4 | g4. g8 c4. b8 | a8 b c d e4 }
-BassMusic = \relative c { c4 | c4. c8 c4 c | f8 g a b c4 }
+SopranoMusic = \relative { c'4 | e4. e8 g4 g | a4 a g }
+AltoMusic = \relative { c'4 | c4. c8 e4 e | f4 f e }
+TenorMusic = \relative { e4 | g4. g8 c4. b8 | a8 b c d e4 }
+BassMusic = \relative { c4 | c4. c8 c4 c | f8 g a b c4 }
VerseOne = \lyrics {
E -- | ter -- nal \emphasize Fa -- ther, | \normal strong to save,
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.30"
+@c \version "2.19.21"
@c Translators: Till Paala
@lilypond[quote,ragged-right]
\score {
- \relative c'' {
- a1
+ \relative {
+ a'1
\break
g
}
@lilypond[verbatim,ragged-right]
\include "gregorian.ly"
-chant = \relative c' {
+chant = \relative {
\clef "G_8"
- c\breve c4 b4 a c2 c4 \divisioMaior
+ c'\breve c4 b4 a c2 c4 \divisioMaior
c\breve c4 c f, f \finalis
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.7"
+@c \version "2.19.21"
@c Translators: Till Paala
Weise für die gesamte Dauer des Stückes am Leben gehalten.
@lilypond[quote,verbatim]
-musicA = \relative c'' { d4 d d d }
-musicB = \relative c'' { g4 g g g }
+musicA = \relative { d''4 d d d }
+musicB = \relative { g'4 g g g }
keepVoicesAlive = {
<<
\new Voice = "A" { s1*5 } % Keep Voice "A" alive for 5 bars
würden Begleitung und Melodie natürlich aus mehreren Abschnitten bestehen.
@lilypond[quote,verbatim]
-melody = \relative c'' { a4 a a a }
-accompaniment = \relative c' { d4 d d d }
+melody = \relative { a'4 a a a }
+accompaniment = \relative { d'4 d d d }
words = \lyricmode { These words fol -- low the mel -- o -- dy }
\score {
<<
mit der Begleitung passend auszurichten:
@lilypond[quote,verbatim]
-melody = \relative c'' {
+melody = \relative {
s1 % skip a bar
- a4 a a a
+ a'4 a a a
s1 % skip a bar
a4 a a a
}
-accompaniment = \relative c' {
- d4 d d d
+accompaniment = \relative {
+ d'4 d d d
d4 d d d
d4 d d d
d4 d d d
@lilypond[quote,verbatim]
\score {
- \relative c'' {
- a4^"Thicker stems" a a a
+ \relative {
+ a'4^"Thicker stems" a a a
a4 a a\ff a
}
\layout {
@lilypond[quote,verbatim]
\score {
- \relative c'' {
- a4^"Smaller font" a a a
+ \relative {
+ a'4^"Smaller font" a a a
a4 a a\ff a
}
\layout {
@lilypond[quote,verbatim]
\score {
- \relative c'' {
- a4^"Dynamics above" a a a
+ \relative {
+ a'4^"Dynamics above" a a a
a4 a a\ff a
}
\layout {
\score {
\new Staff {
- \relative c'' {
- a4^"Smaller font" a a a
+ \relative {
+ a'4^"Smaller font" a a a
a4 a a a
}
}
@lilypond[quote,verbatim]
\score {
\new Staff {
- \relative c'' {
- a4^"Smaller font" a a a
+ \relative {
+ a'4^"Smaller font" a a a
a4 a a a
}
}
\override Stem.thickness = #4.0
}
{
- \relative c'' {
- a4^"Thick stems" a a a
+ \relative {
+ a'4^"Thick stems" a a a
a4 a a a
}
}
\score {
<<
\new Staff {
- \relative c'' {
- a4^"Default font" a a a
+ \relative {
+ a'4^"Default font" a a a
a4 a a a
}
}
\with {
fontSize = #-4
} {
- \relative c'' {
- a4^"Smaller font" a a a
+ \relative {
+ a'4^"Smaller font" a a a
a4 a a a
}
}
<<
\new Staff {
\new Voice {
- \relative c'' {
- a4^"Dynamics below" a a a
+ \relative {
+ a'4^"Dynamics below" a a a
a4 a a\ff a
}
}
\new Voice
\with { \dynamicUp }
{
- \relative c'' {
- a4^"Dynamics above" a a a
+ \relative {
+ a'4^"Dynamics above" a a a
a4 a a\ff a
}
}
\accepts "ImproVoice"
}}
-\relative c'' {
- a4 d8 bes8 \new ImproVoice { c4^"ad lib" c
+\relative {
+ a'4 d8 bes8 \new ImproVoice { c4^"ad lib" c
c4 c^"ausziehen" c_"während des Spiels :)" c }
a1
}
notiert werden:
@example
-\relative c'' @{
- a4 d8 bes8
+\relative @{
+ a'4 d8 bes8
\new ImproVoice @{
c4^"ad lib" c
c4 c^"ausziehen"
\musicglyph #"noteheads.s2cross"
}
}
-\relative c'' {
- a a \XinO a a
+\relative {
+ a' a \XinO a a
}
@end lilypond
\once \override TextScript.padding = #padding
#})
-\relative c''' {
- c4^"piu mosso" b a b
+\relative {
+ c'''4^"piu mosso" b a b
\padText #1.8
c4^"piu mosso" d e f
\padText #2.6
#note
#})
-\relative c' { c4 d e f \custosNote g }
+\relative { c'4 d e f \custosNote g }
@end lilypond
Ersetzungsfunktionen mit mehrfachen Argumenten können definiert
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.30"
+@c \version "2.19.21"
@c Translators: Till Paala
@lilypond[verbatim,ragged-right,quote]
<<
- \relative c'' {
- c4 c'8 r8 c,4 c'
+ \relative {
+ c''4 c'8 r8 c,4 c'
}
\new FiguredBass {
\figuremode {
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.11"
+@c \version "2.19.21"
@c Translators: Till Paala
\consists "Horizontal_bracket_engraver"
}
}
-\relative c'' {
- c2\startGroup
+\relative {
+ c''2\startGroup
d\stopGroup
}
@end lilypond
\consists "Horizontal_bracket_engraver"
}
}
-\relative c'' {
- c4\startGroup\startGroup
+\relative {
+ c''4\startGroup\startGroup
d4\stopGroup
e4\startGroup
d4\stopGroup\stopGroup
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.25"
+@c \version "2.19.21"
@c Translators: Till Paala
@lilypond[verbatim,quote]
<<
- \new Staff \relative c' {
- c2 d4 e |
+ \new Staff \relative {
+ c'2 d4 e |
c4 e e,2 |
g'4 a g a |
c1 |
@lilypond[verbatim,quote]
moltoF = \markup { molto \dynamic f }
-\relative c' {
- <d e>16_\moltoF <d e>
+\relative {
+ <d' e>16_\moltoF <d e>
<d e>2..
}
@end lilypond
\center-align \concat { \bold { \italic ( }
\dynamic f \bold { \italic ) } } }
boxF = \markup { \bracket { \dynamic f } }
-\relative c' {
- c1_\roundF
+\relative {
+ c'1_\roundF
c1_\boxF
}
@end lilypond
@lilypond[verbatim,quote]
sfzp = #(make-dynamic-script "sfzp")
-\relative c' {
- c4 c c\sfzp c
+\relative {
+ c'4 c c\sfzp c
}
@end lilypond
roundFdynamic = #(make-dynamic-script roundF)
boxFdynamic = #(make-dynamic-script boxF)
mfEspressDynamic = #(make-dynamic-script mfEspress)
-\relative c' {
- c4_\roundFdynamic\< d e f
+\relative {
+ c'4_\roundFdynamic\< d e f
g,1~_\boxFdynamic\>
g1
g'1~\mfEspressDynamic
moltoF = #(make-dynamic-script
(markup #:normal-text "molto"
#:dynamic "f"))
-\relative c' {
- <d e>16 <d e>
+\relative {
+ <d' e>16 <d e>
<d e>2..\moltoF
}
@end lilypond
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@c Translators: Till Paala
Tabulaturschlüssel wird automatisch hinzugefügt.
@lilypond[quote,ragged-right,verbatim]
-\new TabStaff \relative c' {
+\new TabStaff \relative {
a,8 a' <c e> a
d,8 a' <d f> a
}
@lilypond[quote,ragged-right,verbatim]
\layout { \omit Voice.StringNumber }
\new StaffGroup <<
- \new Staff \relative c {
+ \new Staff \relative {
\clef "treble_8"
\time 2/4
c16 d e f g4
c,16\5 d\5 e\4 f\4 g4\4
c,16 d e f g4
}
- \new TabStaff \relative c {
+ \new TabStaff \relative {
c16 d e f g4
c,16\5 d\5 e\4 f\4 g4\4
\set TabStaff.minimumFret = #5
dass er durch @code{\tabChordRepeats} zur Verfügung gestellt wird.
@lilypond[quote,verbatim]
-guitar = \relative c' {
+guitar = \relative {
r8 <gis-2 cis-3 b-0>~ q4 q8~ 8 q4
}
\omit StringNumber
} {
\clef "bass_8"
- \relative c, {
- c4 d e f
+ \relative {
+ c,4 d e f
}
}
\new TabStaff \with {
stringTunings = #bass-tuning
} {
- \relative c, {
- c4 d e f
+ \relative {
+ c,4 d e f
}
}
>>
unterstützt:
@lilypond[quote,ragged-right,verbatim]
-music = \relative c' {
+music = \relative {
< a\3 \deadNote c\2 a'\1 >4
< b\3 \deadNote d\2 b'\1 >
< c\3 \deadNote e\2 c'\1 >
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@c Translators: Till Paala
@lilypond[papersize=a8landscape]
\book {
\score {
- \relative c' {
- c4 d e f
+ \relative {
+ c'4 d e f
}
}
}
tagline = "... music notation for Everyone"
}
\score {
- \relative c' {
- c4 d e f
+ \relative {
+ c'4 d e f
}
}
}
@lilypond[verbatim,quote,ragged-right,papersize=a8]
\book {
\header { copyright = \markup { "Copyright 1970" } }
- \relative c' {
+ \relative {
a'4-\footnote #'(-3 . 0) \markup { \bold Forte } \f
-\footnote #'(0 . 1.5) \markup { Ein Bogen } (
b8)-\footnote #'(0 . -2) \markup { Balken } [ e]
\book {
\header { tagline = ##f }
\markup { \auto-footnote "Eine einfache Melodie" \italic "Von mir" }
- \relative c' {
+ \relative {
a'4 b8 e c4 d
}
}
@lilypond[verbatim,quote,ragged-right,papersize=a8]
\book {
\header { tagline = ##f }
- \relative c' {
+ \relative {
a'4-\footnote
\markup { \teeny 1 } #'(-3 . 0)
\markup { 1. \bold Forte } \f
\book {
\header { tagline = ##f }
\markup { "Eine einfache Melodie" \footnote "*" \italic "* Von mir" }
- \relative c' {
+ \relative {
a'4 b8 e c4 d4
}
}
Hier ein Beispiel:
@lilypond[verbatim,quote]
-sopranoMusic = \relative c'' { a4 b c b8( a) }
-altoMusic = \relative g' { e4 e e f }
-tenorMusic = \relative c' { c4 b e d8( c) }
-bassMusic = \relative c' { a4 gis a d, }
+sopranoMusic = \relative { a'4 b c b8( a) }
+altoMusic = \relative { e'4 e e f }
+tenorMusic = \relative { c'4 b e d8( c) }
+bassMusic = \relative { a4 gis a d, }
allLyrics = \lyricmode {King of glo -- ry }
<<
\new Staff = "Soprano" \sopranoMusic
zeigt Triller in normaler Notation, die andere zeigt sie ausgeschrieben:
@lilypond[verbatim,quote]
-music = \relative g' {
- g8. c32 d
+music = \relative {
+ g'8. c32 d
\tag #'trills { d8.\trill }
\tag #'expand { \repeat unfold 3 { e32 d } }
c32 d
erfordert manchmal weniger Schreibarbeit:
@lilypond[verbatim,quote]
-music = \relative g' {
- g8. c32 d
+music = \relative {
+ g'8. c32 d
\tag #'trills { d8.\trill }
\tag #'expand {\repeat unfold 3 { e32 d } }
c32 d
à vo -- cê uma can -- ção legal
}
-\relative c' {
- c2 d e f g f e
+\relative {
+ c'2 d e f g f e
}
\addlyrics { \bulgarian }
\addlyrics { \hebrew }
@lilypond[quote,verbatim]
\score {
- \relative c'' {
- c1 \mark \markup { \char ##x03EE }
+ \relative {
+ c''1 \mark \markup { \char ##x03EE }
c1_\markup { \tiny { \char ##x03B1 " to " \char ##x03C9 } }
}
\addlyrics { O \markup { \concat { Ph \char ##x0153 be! } } }
\set Staff.midiInstrument = #"cello"
\set Score.dynamicAbsoluteVolumeFunction = #myDynamics
\new Voice {
- \relative c'' {
- a4\pp b c-\rfz
+ \relative {
+ a'4\pp b c-\rfz
}
}
}
\key g \major
\time 2/2
\set Staff.midiInstrument = #"flute"
- \new Voice \relative c''' {
- r2 g\mp g fis~
+ \new Voice \relative {
+ r2 g''\mp g fis~
4 g8 fis e2~
4 d8 cis d2
}
\new Staff {
\key g \major
\set Staff.midiInstrument = #"clarinet"
- \new Voice \relative c'' {
- b1\p a2. b8 a
+ \new Voice \relative {
+ b'1\p a2. b8 a
g2. fis8 e
fis2 r
}
\set Staff.midiInstrument = #"flute"
\set Staff.midiMinimumVolume = #0.7
\set Staff.midiMaximumVolume = #0.9
- \new Voice \relative c''' {
- r2 g\mp g fis~
+ \new Voice \relative {
+ r2 g''\mp g fis~
4 g8 fis e2~
4 d8 cis d2
}
\set Staff.midiInstrument = #"clarinet"
\set Staff.midiMinimumVolume = #0.3
\set Staff.midiMaximumVolume = #0.6
- \new Voice \relative c'' {
- b1\p a2. b8 a
+ \new Voice \relative {
+ b'1\p a2. b8 a
g2. fis8 e
fis2 r
}
\time 2/2
\set Score.instrumentEqualizer = #my-instrument-equalizer
\set Staff.midiInstrument = #"flute"
- \new Voice \relative c''' {
- r2 g\mp g fis~
+ \new Voice \relative {
+ r2 g''\mp g fis~
4 g8 fis e2~
4 d8 cis d2
}
\new Staff {
\key g \major
\set Staff.midiInstrument = #"clarinet"
- \new Voice \relative c'' {
- b1\p a2. b8 a
+ \new Voice \relative {
+ b'1\p a2. b8 a
g2. fis8 e
fis2 r
}
@c Translators: Till Paala
-@c \version "2.17.6"
+@c \version "2.19.21"
@node Tasteninstrumente und andere Instrumente mit mehreren Systemen
@section Tasteninstrumente und andere Instrumente mit mehreren Systemen
\new Staff = "up" {
\new Voice = "melodieEins" {
\key g \major
- \autochange \relative c' {
+ \autochange \relative {
g8 b a c b d c e
d8 r fis, g a2
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@c Translators: Till Paala
So funktioniert der relative Modus:
@lilypond[verbatim,quote]
-\relative c {
+\relative {
\clef bass
c d e f
g a b c
die größer als eine Quarte sind.
@lilypond[verbatim,quote]
-\relative c'' {
- c g c f,
+\relative {
+ c'' g c f,
c' a, e'' c
}
@end lilypond
aber trotzdem weite Intervalle umfassen:
@lilypond[verbatim,quote]
-\relative c {
+\relative {
c f b e
a d g c
}
der innerste @code{\relative}-Abschnitt.
@lilypond[verbatim,quote]
-\relative c' {
- c d e f
- \relative c'' {
- c d e f
+\relative {
+ c' d e f
+ \relative {
+ c'' d e f
}
}
@end lilypond
es sei denn ein @code{\relativ} wird eingefügt.
@lilypond[verbatim,quote]
-\relative c' {
- d e
+\relative {
+ d' e
\transpose f g {
d e
- \relative c' {
- d e
+ \relative {
+ d' e
}
}
}
aufmerksam, insbesondere die @code{c}-Noten.
@lilypond[verbatim,quote]
-\relative c' {
- c
+\relative {
+ c'
<c e g>
<c' e g'>
<c, e, g''>
Intervall enthält.
@lilypond[verbatim,quote]
-\relative c'' {
- c2 fis
+\relative {
+ c''2 fis
c2 ges
b2 eisis
b2 feses
@lilypond[quote,verbatim]
\language "italiano"
-\relative do' {
- do re mi sib
+\relative {
+ do' re mi sib
}
@end lilypond
wie es die Oktavierungskorrektur markiert.
@lilypond[verbatim,quote]
-\relative c'' {
- c2 d='4 d
+\relative {
+ c''2 d='4 d
e2 f
}
@end lilypond
Folgende Noten sind dann relativ zur @var{Kontrolltonhöhe}.
@lilypond[verbatim,quote]
-\relative c'' {
- c2 d
+\relative {
+ c''2 d
\octaveCheck c'
e2 f
}
einen Fehler aus, die zweite dagegen ist erfolgreich:
@lilypond[verbatim,quote]
-\relative c'' {
- c4 f g f
+\relative {
+ c''4 f g f
c4
\octaveCheck c'
@lilypond[verbatim,quote]
\transpose d e {
- \relative c' {
+ \relative {
\key d \major
- d4 fis a d
+ d'4 fis a d
}
}
@end lilypond
@lilypond[verbatim,quote]
\transpose a c' {
- \relative c' {
+ \relative {
\key c \major
- c4 d e g
+ c'4 d e g
}
}
@end lilypond
Versetzungszeichen Kreuze aus, die zweite dagegen B-Versetzungszeichen.
@lilypond[verbatim,quote]
-music = \relative c' { c d e f }
+music = \relative { c' d e f }
\new Staff {
\transpose c cis { \music }
\transpose c des { \music }
nach @code{@var{nachTonhöhe}} transponiert.
@lilypond[verbatim,quote]
-music = \relative c' { c d e f }
+music = \relative { c' d e f }
\new Staff {
\music
\inversion d' d' \music
zu werden:
@lilypond[verbatim,quote]
-music = \relative c' { c8. ees16( fis8. a16 b8.) gis16 f8. d16 }
+music = \relative { c'8. ees16( fis8. a16 b8.) gis16 f8. d16 }
\new Staff {
\music
@code{@var{vonTonhöhe}} und @code{@var{nachTonhöhe}} entspricht.
@lilypond[verbatim,quote]
-diatonicScale = \relative c' { c d e f g a b }
-motif = \relative c' { c8 d e f g a b c }
+diatonicScale = \relative { c' d e f g a b }
+motif = \relative { c'8 d e f g a b c }
\new Staff {
\motif
definiert werden:
@lilypond[verbatim,quote]
-pentatonicScale = \relative c' { ges aes bes des ees }
-motif = \relative c' { ees8 des ges,4 <ges' bes,> <ges bes,> }
+pentatonicScale = \relative { ges aes bes des ees }
+motif = \relative { ees'8 des ges,4 <ges' bes,> <ges bes,> }
\new Staff {
\motif
dass die Bezeichnungen der eingesetzten Noten definiert werden können:
@lilypond[verbatim,quote]
-chromaticScale = \relative c' { c cis d dis e f fis g gis a ais b }
-motif = \relative c' { c8 d e f g a b c }
+chromaticScale = \relative { c' cis d dis e f fis g gis a ais b }
+motif = \relative { c'8 d e f g a b c }
\new Staff {
\motif
sein.
@lilypond[verbatim,quote]
-octatonicScale = \relative c' { ees f fis gis a b c d }
-motif = \relative c' { c8. ees16 fis8. a16 b8. gis16 f8. d16 }
+octatonicScale = \relative { ees' f fis gis a b c d }
+motif = \relative { c'8. ees16 fis8. a16 b8. gis16 f8. d16 }
\new Staff {
\motif
transponiert. Die beiden Noten klammern sozusagen den Drehpunkt ein.
@lilypond[verbatim,quote]
-scale = \relative c' { c g' }
-motive = \relative c' { c c g' c, }
+scale = \relative { c' g' }
+motive = \relative { c' c g' c, }
\new Staff {
\motive
Krebsumkehrung:
@lilypond[verbatim,quote]
-octatonicScale = \relative c' { ees f fis gis a b c d }
-motif = \relative c' { c8. ees16 fis8. a16 b8. gis16 f8. d16 }
+octatonicScale = \relative { ees' f fis gis a b c d }
+motif = \relative { c'8. ees16 fis8. a16 b8. gis16 f8. d16 }
\new Staff {
\motif
@lilypond[verbatim,quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes'4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes'4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes'4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes'4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes'4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes'4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes'4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes'4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes'4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes'4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes'4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes'4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes'4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes'4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes'4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes'4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes'4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes'4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes'4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes'4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes'4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes'4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes'4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes'4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes'4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes'4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes'4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes'4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes'4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes'4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes'4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes'4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes'4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes'4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
}
}
-\relative c'' {
- aes c e2
+\relative {
+ aes' c e2
cis,1
}
@end lilypond
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.17.11"
+@c \version "2.19.21"
@c Translators: Till Paala
@lilypond[verbatim,quote]
voltaAdLib = \markup { 1. 2. 3... \text \italic { ad lib. } }
-\relative c'' {
- c1
+\relative {
+ c''1
\set Score.repeatCommands =
#(list(list 'volta voltaAdLib) 'start-repeat)
c4 b d e
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@c Translators: Till Paala
inneren Unterteilungen von Takten hinüberreichen:
@lilypond[quote]
-\relative c' {
- r8 c8 ~ 2 r4 |
+\relative {
+ r8 c'8 ~ 2 r4 |
r8^"not" c2 ~ 8 r4
}
@end lilypond
auswirkt.
@lilypond[quote,verbatim]
-\relative c' <<
+\relative <<
\new Staff {
\time 3/4
- c4 c c |
+ c'4 c c |
c4 c c |
}
\new Staff {
% Now each staff has its own time signature.
-\relative c' <<
+\relative <<
\new Staff {
\time 3/4
- c4 c c |
+ c'4 c c |
c4 c c |
}
\new Staff {
\time 7/8
\set Staff.beatStructure = #'(2 3 2)
\new Voice = one {
- \relative c'' {
- a8 a a a a a a
+ \relative {
+ a'8 a a a a a a
}
}
\new Voice = two {
Takte, die genauso lang sind wie der Notenabschnitt.
@lilypond[verbatim,quote]
-MyCadenza = \relative c' {
- c4 d8 e f g g4
+MyCadenza = \relative {
+ c'4 d8 e f g g4
f2 g4 g
}
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@c Translators: Till Paala
\new Voice
\relative c'' {
\chordRepeats #'(articulation-event)
- \relative c''
- { <a-. c\prall e>1\sfz c'4 q2 r8 q8-. } |
+ \relative
+ { <a'-. c\prall e>1\sfz c'4 q2 r8 q8-. } |
q2 c |
}
@end lilypond
Anordnung der Stimmen im Notensystem!}
@lilypond[quote,verbatim]
-\new Staff \relative c'' {
+\new Staff \relative {
%% abbreviated entry
<<
- { f2 } % 1: highest
+ { f''2 } % 1: highest
\\
{ g,2 } % 2: lowest
\\
für die Stimmen und das kombinierte System benutzt.
@lilypond[quote,verbatim]
-instrumentOne = \relative c' {
- c4 d e f |
+instrumentOne = \relative {
+ c'4 d e f |
R1 |
d'4 c b a |
b4 g2 f4 |
e1 |
}
-instrumentTwo = \relative g' {
+instrumentTwo = \relative {
R1 |
- g4 a b c |
+ g'4 a b c |
d4 c b a |
g4 f( e) d |
e1 |
\partcombineApart c2^"apart" \partcombineChordsOnce e^"chord once" |
c2 c |
}
-instrumentTwo = \relative c' {
- c2 c |
+instrumentTwo = \relative {
+ c'2 c |
e2 e |
a,2 c |
c2 c' |
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.19.12"
+@c \version "2.19.21"
@c Translators: Till Paala
tagline = ##f
}
\score {
- \relative c'' { c1 \break c1 \break c1 }
+ \relative { c''1 \break c1 \break c1 }
}
}
@end lilypond
@lilypond[quote,ragged-right,verbatim]
\new Voice \with {
\remove "Forbid_line_break_engraver"
-} \relative c'' {
+} \relative {
<<
- { c2. \tuplet 3/2 { c4 c c } c2. | }
+ { c''2. \tuplet 3/2 { c4 c c } c2. | }
{ s1 | \break s1 | }
>>
}
ragged-bottom = ##t
}
-music = \relative c'' { c8 c c c }
+music = \relative { c''8 c c c }
\score {
\new Staff {
zusammen mit den Noten eingegeben.
@example
-music = \relative c'' @{ c4 c c c @}
+music = \relative @{ c''4 c c c @}
\score @{
\new Staff @{
Umbruchbefehle:
@lilypond[quote,verbatim]
-music = \relative c'' { c4 c c c }
+music = \relative { c''4 c c c }
\score {
\new Staff <<
@ref{Vertikale Abstände}).
@lilypond[quote,verbatim]
-music = \relative c'' { c4 c c c }
+music = \relative { c''4 c c c }
\score {
\new Staff <<
@lilypond[verbatim,line-width=12\cm]
\score {
- \relative c'' {
- g4 e e2 | f4 d d2 | c4 d e f | g4 g g2 |
+ \relative {
+ g'4 e e2 | f4 d d2 | c4 d e f | g4 g g2 |
g4 e e2 | f4 d d2 | c4 e g g | c,1 |
d4 d d d | d4 e f2 | e4 e e e | e4 f g2 |
g4 e e2 | f4 d d2 | c4 e g g | c,1 |
@lilypond[verbatim,line-width=12\cm]
\score {
- \relative c'' {
- g4 e e2 | f4 d d2 | c4 d e f | g4 g g2 |
+ \relative {
+ g'4 e e2 | f4 d d2 | c4 d e f | g4 g g2 |
g4 e e2 | f4 d d2 | c4 e g g | c,1 |
d4 d d d | d4 e f2 | e4 e e e | e4 f g2 |
g4 e e2 | f4 d d2 | c4 e g g | c,1 |
@lilypond[verbatim,quote]
\score {
- \relative c'' {
- g4 e e2 |
+ \relative {
+ g'4 e e2 |
f4 d d2 |
c4 d e f |
g4 g g2 |
@lilypond[verbatim,quote]
\score {
- \relative c'' {
- g4 e e2 |
+ \relative {
+ g'4 e e2 |
f4 d d2 |
c4 d e f |
g4 g g2 |
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@c Translators: Till Paala
\score {
\new StaffGroup <<
\new Staff {
- \relative c'' {
- c4 c c c
+ \relative {
+ c''4 c c c
\break
c4 c c c
}
}
\new Staff {
- \relative c'' {
- c4 c c c
+ \relative {
+ c''4 c c c
\break
c4 c c c
}
erstellt werden:
@lilypond[verbatim,quote]
-\new Staff \relative c'' {
- c4 b d c
+\new Staff \relative {
+ c''4 b d c
<<
{ c4 b d c }
\new Staff { e4 d f e }
bietet sich an, wenn nur einige Ossia-Systeme benötigt werden.
@lilypond[verbatim,quote]
-\new Staff = main \relative c'' {
- c4 b d c
+\new Staff = main \relative {
+ c''4 b d c
<<
{ c4 b d c }
}
{ \stopStaff s1*6 }
- \new Staff \relative c' {
- c4 b c2
+ \new Staff \relative {
+ c'4 b c2
<<
{ e4 f e2 }
\context Staff = ossia {
fontSize = #-3
\override StaffSymbol.staff-space = #(magstep -3)
\override StaffSymbol.thickness = #(magstep -3)
- } \relative c'' {
+ } \relative {
R1*3
- c4 e8 d c2
+ c''4 e8 d c2
}
- \new Staff \relative c' {
- c4 b c2
+ \new Staff \relative {
+ c'4 b c2
e4 f e2
g4 a g2 \break
c4 b c2
\new Staff \with {
\remove "Staff_symbol_engraver"
}
-\relative c''' { a8 f e16 d c b a2 }
+\relative { a''8 f e16 d c b a2 }
@end lilypond
Leere Systeme können versteckt werden, wenn der
}
}
-\relative c' <<
+\relative <<
\new Staff {
- e4 f g a \break
+ e'4 f g a \break
b1 \break
a4 b c2
}
für die Dauer des Zitates.
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- a4 gis g gis | b4^"quoted" r8 ais\p a4( f)
+fluteNotes = \relative {
+ a'4 gis g gis | b4^"quoted" r8 ais\p a4( f)
}
-oboeNotes = \relative c'' {
- c4 cis c b \quoteDuring #"flute" { s1 }
+oboeNotes = \relative {
+ c''4 cis c b \quoteDuring #"flute" { s1 }
}
\addQuote "flute" { \fluteNotes }
polyphone Stelle begonnen, was meistens nicht erwünscht ist:
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- a4 gis g gis | b4^"quoted" r8 ais\p a4( f)
+fluteNotes = \relative {
+ a'4 gis g gis | b4^"quoted" r8 ais\p a4( f)
}
-oboeNotes = \relative c'' {
- c4 cis c b \quoteDuring #"flute" { e4 r8 ais b4 a }
+oboeNotes = \relative {
+ c''4 cis c b \quoteDuring #"flute" { e4 r8 ais b4 a }
}
\addQuote "flute" { \fluteNotes }
b4 ais a ais | cis4^"quoted" r8 bis\p b4( f)
}
-oboeNotes = \relative c'' {
- c4 cis c b \quoteDuring #"clarinet" { s1 }
+oboeNotes = \relative {
+ c''4 cis c b \quoteDuring #"clarinet" { s1 }
}
\addQuote "clarinet" { \clarinetNotes }
Das geschieht mit der @code{quotedEventTypes}-Kontexteigenschaft.
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- a2 g2 |
+fluteNotes = \relative {
+ a'2 g2 |
b4\<^"quoted" r8 ais a4\f( c->)
}
-oboeNotes = \relative c'' {
- c2. b4 |
+oboeNotes = \relative {
+ c''2. b4 |
\quoteDuring #"flute" { s1 }
}
in einem System gesetzt werden.
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- r2. c4 | d8 c d e fis2 | g2 d |
+fluteNotes = \relative {
+ r2. c''4 | d8 c d e fis2 | g2 d |
}
oboeNotes = \relative c'' {
@code{CueVoice}-Kontext gehören würde.}
@lilypond[verbatim,quote]
-oboeNotes = \relative c'' {
- r2 r8 d16(\f f e g f a)
+oboeNotes = \relative {
+ r2 r8 d''16(\f f e g f a)
g8 g16 g g2.
}
\addQuote "oboe" { \oboeNotes }
wieder hergestellt werden.
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- r2. c4 d8 c d e fis2 g2 d2
+fluteNotes = \relative {
+ r2. c''4 d8 c d e fis2 g2 d2
}
bassoonNotes = \relative c {
originale Schlüssel wird automatisch wieder hergesetllt.
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- r2. c4 d8 c d e fis2 g2 d2
+fluteNotes = \relative {
+ r2. c''4 d8 c d e fis2 g2 d2
}
bassoonNotes = \relative c {
Register benutzt:
@lilypond[verbatim,quote]
-piccoloNotes = \relative c''' {
+piccoloNotes = \relative {
\clef "treble^8"
R1
- c8 c c e g2
+ c'''8 c c e g2
c4 g g2
}
siehe @ref{Marken benutzen}.
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- r2. c4 d8 c d e fis2 g2 d2
+fluteNotes = \relative {
+ r2. c''4 d8 c d e fis2 g2 d2
}
bassoonNotes = \relative c {
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.17.6"
+@c \version "2.19.21"
@c Translators: Till Paala
@lilypond[quote,verbatim,relative=1]
c4 d^\markup {
\score {
- \relative c' { c4 d e f }
+ \relative { c'4 d e f }
\layout { }
}
}
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@c Translators: Till Paala
@ref{Sonderzeichen}.
@lilypond[quote,verbatim]
-\relative c'' { d8 c16 a bes8 f e' d c4 }
+\relative { d''8 c16 a bes8 f e' d c4 }
\addlyrics { „Schad’ um das schö -- ne grü -- ne Band, }
@end lilypond
müssen mit einem Backslash und weiteren Anführungszeichen begleitet werden:
@lilypond[quote,verbatim]
-\relative c' { \time 3/4 e4 e4. e8 d4 e d c2. }
+\relative { \time 3/4 e'4 e4. e8 d4 e d c2. }
\addlyrics { "\"I" am so lone -- "ly,\"" said she }
@end lilypond
@lilypond[quote,ragged-right,verbatim]
<<
- \new Voice = "one" \relative c'' {
+ \new Voice = "one" \relative {
\time 2/4
- c4 b8. a16 g4. f8 e4 d c2
+ c''4 b8. a16 g4. f8 e4 d c2
}
% uses previous explicit duration of 2;
@lilypond[verbatim,quote]
{
\time 3/4
- \relative c' { c2 e4 g2. }
+ \relative { c'2 e4 g2. }
\addlyrics { play the game }
}
@end lilypond
@lilypond[ragged-right,verbatim,quote]
{
\time 3/4
- \relative c' { c2 e4 g2. }
+ \relative { c'2 e4 g2. }
\addlyrics { play the game }
\addlyrics { speel het spel }
\addlyrics { joue le jeu }
@lilypond[quote,verbatim,ragged-right]
<<
\new Staff {
- \relative c'' {
- c2 c2
+ \relative {
+ c''2 c2
d1
}
}
}
}
\new Staff {
- \relative c' {
- c8 c c c c c c c
+ \relative {
+ c'8 c c c c c c c
c8 c c c c c c c
}
}
@code{\lyricmode}-Umgebung benutzt werden.
@lilypond[quote,verbatim]
-musicOne = \relative c'' {
- c4 b8. a16 g4. f8 e4 d c2
+musicOne = \relative {
+ c''4 b8. a16 g4. f8 e4 d c2
}
verseOne = \lyricmode {
Joy to the world, the Lord is come.
angefordert werden, auch immer schon definiert sind. Beispielsweise:
@lilypond[quote,verbatim]
-sopranoMusic = \relative c'' { c4 c c c }
-contraltoMusic = \relative c'' { a4 a a a }
+sopranoMusic = \relative { c''4 c c c }
+contraltoMusic = \relative { a'4 a a a }
sopranoWords = \lyricmode { Sop -- ra -- no words }
contraltoWords = \lyricmode { Con -- tral -- to words }
<<
\new Staff {
\new Voice = "melody" {
- \relative c'' { c4 c c c }
+ \relative { c''4 c c c }
}
}
\new Lyrics {
<<
\new Staff = "staff" {
\new Voice = "melody" {
- \relative c'' { c4 c c c }
+ \relative { c''4 c c c }
}
}
\new Lyrics \with { alignAboveContext = "staff" } {
}
\new Staff {
\new Voice = "melody" {
- \relative c'' { c4 c c c }
+ \relative { c''4 c c c }
}
}
\context Lyrics = "lyrics" {
\new ChoirStaff <<
\new Staff {
\new Voice = "sopranos" {
- \relative c'' { c4 c c c }
+ \relative { c''4 c c c }
}
}
\new Lyrics = "sopranos"
}
\new Staff {
\new Voice = "contraltos" {
- \relative c'' { a4 a a a }
+ \relative { a'4 a a a }
}
}
\context Lyrics = "sopranos" {
@lilypond[verbatim,quote,ragged-right]
\score {
- \relative c' {
- c c c c
+ \relative {
+ c' c c c
c c c c
}
\addlyrics {
<<
\new Staff {
\new Voice = "melody" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat volta 2 { b4 b b b }
}
}
<<
\new Staff {
\new Voice = "melody" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat volta 2 { b4 b b b }
}
}
<<
\new Staff {
\new Voice = "melody" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat unfold 2 { b4 b b b }
}
}
<<
\new Staff {
\new Voice = "melody" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat volta 2 { b4 b b b }
}
}
<<
\new Staff {
\new Voice = "singleVoice" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat volta 3 { b4 b b b }
c4 c c c
}
<<
\new Staff {
\new Voice = "melody" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat volta 3 { b4 b b b }
c4 c c c
}
The end sec -- tion.
}
\new Voice = "harmony" {
- \relative c' {
- f4 f f f \repeat volta 2 { g8 g g4 g2 } a4 a8. a16 a2
+ \relative {
+ f'4 f f f \repeat volta 2 { g8 g g4 g2 } a4 a8. a16 a2
}
}
>>
\new Staff {
\time 2/4
\new Voice = "melody" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat volta 2 { b4 b }
\alternative { { b b } { b c } }
}
@lilypond[verbatim,ragged-right,quote]
<<
- \new Voice = melody \relative c' {
- f4 \appoggiatura a32 b4
+ \new Voice = melody \relative {
+ f'4 \appoggiatura a32 b4
\grace { f16 a16 } b2
\afterGrace b2 { f16[ a16] }
\appoggiatura a32 b4
wie das Beispiel zeigt:
@lilypond[ragged-right,verbatim,quote]
-melody = \relative c' {
-e d c d | e e e e |
+melody = \relative {
+e' d c d | e e e e |
d d e d | c1 |
}
Art von Notensatz zu produzieren.
@lilypond[ragged-right,quote,verbatim]
-melody = \relative c' {
- c4 c c c | d d d d
+melody = \relative {
+ c'4 c c c | d d d d
}
text = \lyricmode {
\new ChoirStaff <<
\new Staff {
\new Voice {
- \relative c'' { g4\f g g g }
+ \relative { g'4\f g g g }
}
}
\new Staff {
\new Voice {
- \relative c' { d4 d d\p d }
+ \relative { d'4 d d\p d }
}
}
>>
\new Staff {
\set Staff.vocalName = \markup \smallCaps Kaspar
\set Staff.shortVocalName = \markup \smallCaps Kas.
- \relative c' {
+ \relative {
\clef "G_8"
- c4 c c c
+ c'4 c c c
\break
c4 c c c
}
\set Staff.vocalName = \markup \smallCaps Melchior
\set Staff.shortVocalName = \markup \smallCaps Mel
\clef "bass"
- \relative c' {
+ \relative {
a4 a a a
a4 a a a
}
einige Hilfestellungen.
@lilypond[quote,verbatim]
-flute = \relative c'' {
- s4 s4 e g
+flute = \relative {
+ s4 s4 e'' g
}
\addQuote "flute" { \flute }
-pianoRH = \relative c'' {
- c4. g8
+pianoRH = \relative {
+ c''4. g8
% position name of cue-ing instrument just before the cue notes,
% and above the staff
\new CueVoice {
}
\cueDuring "flute" #UP { g4 bes4 }
}
-pianoLH = \relative c { c4 <c' e> e, <g c> }
+pianoLH = \relative { c4 <c' e> e, <g c> }
\score {
\new PianoStaff <<
\cueDuring "clarinet" #DOWN { c4. g8 }
g4 bes4
}
-pianoLH = \relative c { c4 <c' e> e, <g c> }
+pianoLH = \relative { c4 <c' e> e, <g c> }
\score {
<<
\score {
\new StaffGroup <<
\new Staff {
- \relative c'' {
- a4 b c2 |
+ \relative {
+ a'4 b c2 |
a4 b c2 |
a4 b c2 |
}
}
\new Staff {
- \relative c'' {
- a4 b c2 |
+ \relative {
+ a'4 b c2 |
a4 b c2 |
a4 b c2 |
}
\new ChoirStaff <<
\new Staff
\with { \remove "Bar_engraver" } {
- \relative c'' {
- a4 b c2 |
+ \relative {
+ a'4 b c2 |
a4 b c2 |
a4 b c2 |
}
}
\new Staff {
- \relative c'' {
- a4 b c2 |
+ \relative {
+ a'4 b c2 |
a4 b c2 |
a4 b c2 |
}
}
\score {
- \relative c'' {
- g2 a4 g
+ \relative {
+ g'2 a4 g
\divisioMinima
g2 a4 g
\divisioMaior
@lilypond[verbatim,quote]
\score {
\new Staff {
- \relative c'' {
- a4 b c2 |
+ \relative {
+ a'4 b c2 |
a4 b c2 |
a4 b c2 |
}
zentriert.
@lilypond[verbatim,quote]
-SopranoMusic = \relative g' {
- g1 | c2 b | a1 | \bar "||"
+SopranoMusic = \relative {
+ g'1 | c2 b | a1 | \bar "||"
a1 | d2 c | c b | c1 | \bar "||"
}
-AltoMusic = \relative c' {
- e1 | g2 g | f1 |
+AltoMusic = \relative {
+ e'1 | g2 g | f1 |
f1 | f2 e | d d | e1 |
}
-TenorMusic = \relative a {
- c1 | c2 c | c1 |
+TenorMusic = \relative {
+ c'1 | c2 c | c1 |
d1 | g,2 g | g g | g1 |
}
-BassMusic = \relative c {
+BassMusic = \relative {
c1 | e2 e | f1 |
d1 | b2 c | g' g | c,1 |
}
@c Translators: Till Paala
-@c \version "2.16.0"
+@c \version "2.19.21"
@node Weltmusik
@section Weltmusik
@lilypond[quote,verbatim]
\include "arabic.ly"
-\relative do' {
- do re misb fa sol la sisb do sisb la sol fa misb re do
+\relative {
+ do' re misb fa sol la sisb do sisb la sol fa misb re do
}
@end lilypond
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.16.0"
+@c \version "2.19.21"
@c Translators: Till Paala, Reinhold Kainhofer
@example
\pointAndClickTypes #'note-event
-\relative c' @{
- c2\f( f)
+\relative @{
+ c'2\f( f)
@}
@end example
@example
#(ly:set-option 'point-and-click 'note-event)
-\relative c' @{
- c2\f( f)
+\relative @{
+ c'2\f( f)
@}
@end example
@example
\pointAndClickTypes #'(note-event dynamic-event)
-\relative c' @{
- c2\f( f)
+\relative @{
+ c'2\f( f)
@}
@end example
@example
#(ly:set-option 'point-and-click '(note-event dynamic-event))
-\relative c' @{
- c2\f( f)
+\relative @{
+ c'2\f( f)
@}
@end example
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.11"
+@c \version "2.19.21"
@c Translators: Reinhold Kainhofer
@c Translation checkers: Till Paala
kombinieren. Zum Beispiel:
\begin{lilypond}
-\relative c' {
- c2 e2 \tuplet 3/2 { f8 a b } a2 e4
+\relative {
+ c'2 e2 \tuplet 3/2 { f8 a b } a2 e4
}
\end{lilypond}
kombinieren. Zum Beispiel:
@lilypond
-\relative c' {
- c2 e2 \tuplet 3/2 { f8 a b } a2 e4
+\relative {
+ c'2 e2 \tuplet 3/2 { f8 a b } a2 e4
}
@end lilypond
title = "A scale in LilyPond"
}
- \relative c' {
- c d e f g a b c
+ \relative {
+ c' d e f g a b c
}
}
@end lilypond
wörtlich in das Dokument kopierte LilyPond-Code zeigt den @code{relative}-Befehl jedoch nicht.
@example
-\relative c' @{ % begin verbatim
- c4 e2 g4
+\relative @{ % begin verbatim
+ c'4 e2 g4
f2 e % end verbatim
@}
@end example
Normaler LaTeX-Text.
\begin@{lilypond@}
-\relative c'' @{
- a4 b c d
+\relative @{
+ a'4 b c d
@}
\end@{lilypond@}
Texinfo-Text
@@lilypond
-\relative c' @{
+\relative @{
a4 b c d
@}
@@end lilypond
Dokumente für lilypond-book können Noten und Text frei kombinieren. Zum
Beispiel
<lilypond>
-\relative c'' @{
- a4 b c d
+\relative @{
+ a'4 b c d
@}
</lilypond>
</p>
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.19.21"
@c Translators: Reinhold Kainhofer, Till Paala
@c Translation checkers: Till Paala
@lilypond[quote,verbatim]
\repeat unfold 2 {
- \relative c' { c4 d e f }
+ \relative { c'4 d e f }
}
@end lilypond
@lilypond[quote,verbatim]
\new Voice {
\repeat unfold 2 {
- \relative c' { c4 d e f }
+ \relative { c'4 d e f }
}
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.16.0"
+@c \version "2.19.21"
@node Vorschläge zum Schreiben von LilyPond-Eingabe-Dateien
@chapter Vorschläge zum Schreiben von LilyPond-Eingabe-Dateien
@item @strong{Schreiben Sie immer mit @code{\version} die
Versionsnummer
in jede Datei}. Beachten Sie, dass in allen Vorlagen die Versionsnummer
-@code{\version "2.16.0"} eingetragen ist. Es empfiehlt sich, in alle
+@code{\version "2.19.21"} eingetragen ist. Es empfiehlt sich, in alle
Dateien, unabhängig von ihrer Größe, den @code{\version}-Befehl
einzufügen. Persönliche Erfahrung hat gezeigt, dass es ziemlich
frustrierend sein kann zu erinnern, welche Programmversion man etwa
neuen Programmversion nicht verändern wird.
@example
-violine = \relative c'' @{
-g4 c'8. e16
+violine = \relative @{
+g'4 c'8. e16
@}
...
\score @{
@example
fdannp = _\markup@{
\dynamic f \italic \small @{ 2nd @} \hspace #0.1 \dynamic p @}
-violin = \relative c'' @{
-g4\fdannp c'8. e16
+violin = \relative @{
+g'4\fdannp c'8. e16
@}
@end example
@code{\score}-Abschnitt:
@example
-bass = \relative c' @{
+bass = \relative @{
%@{
- c4 c c c
+ c'4 c c c
d d d d
%@}
@}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@node Grabado musical
@chapter Grabado musical
las tres configuraciones, así que LilyPond selecciona ésta:
@lilypond
-\relative c {
+\relative {
\clef bass
e8[(_"12.04" f] g[ a b d,)] r4
}
temperado de Bach, libro I, BWV 861, cuyo sujeto inicial es
@lilypond
-\relative c' {
+\relative {
\key g \minor
\clef "treble_8"
- r8 d ees g, fis4 g
+ r8 d' ees g, fis4 g
r8 a16 bes c8 bes16 a bes8
}
@end lilypond
@lilypond[quote,fragment]
<<
- \new Staff \relative c'' {
+ \new Staff \relative {
\key g \major
\time 3/4
- d4 g,8 a b c d4 g, g
+ d''4 g,8 a b c d4 g, g
}
- \new Staff \relative c' {
+ \new Staff \relative {
\clef "bass"
\key g \major
<g b d>2 a4 b2.
}
>>
\new Staff = "LH" <<
- \new Voice = "III" \relative c' {
+ \new Voice = "III" \relative {
\time 2/4
\clef "bass"
g4 \stopStaff s
<<
\chords { c2 c f2 c }
\new Staff
- \relative c' {
+ \relative {
\time 2/4
- c4 c g' g a a g2
+ c'4 c g' g a a g2
}
\addlyrics { Cam -- pa ni -- ta del lu -- gar }
>>
version that you are working on. See TRANSLATION for details.
@end ignore
-@c \version "2.19.12"
+@c \version "2.19.21"
@node Interfaces para programadores
@chapter Interfaces para programadores
\revert NoteHead.font-size
}
-\relative c' {
- c2 \AltOn #0.5 c4 c
+\relative {
+ c'2 \AltOn #0.5 c4 c
\AltOn #1.5 c c \AltOff c2
}
@end lilypond
\revert NoteHead.font-size
#})
-\relative c' {
- c2 \withAlt #0.5 { c4 c }
+\relative {
+ c'2 \withAlt #0.5 { c4 c }
\withAlt #1.5 { c c } c2
}
@end lilypond
@lilypond[quote,verbatim,ragged-right]
dyn=#(define-event-function (parser location arg) (markup?)
(make-dynamic-script arg))
-\relative c' { c\dyn pfsss }
+\relative { c'\dyn pfsss }
@end lilypond
Podríamos hacer lo mismo usando una función musical, pero entonces
(< (abs (ly:grob-property grob 'staff-position)) 2))
(set! (ly:grob-property grob 'transparent) #t)))
-\relative c' {
+\relative {
a'4 e8 <<\applyOutput #'Voice #blanker a c d>> b2
}
@end lilypond
@example
F = \tweak font-size #-3 -\flageolet
-\relative c'' @{
- c4^\F c4_\F
+\relative @{
+ c''4^\F c4_\F
@}
@end example
(ly:music-property m 'tweaks)))
m)
-\relative c'' @{
- c4^\F c4_\F
+\relative @{
+ c''4^\F c4_\F
@}
@end example
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.11"
+@c \version "2.19.21"
@node Tutorial de Scheme
@appendix Tutorial de Scheme
\once \override TextScript.padding = #padding
#})
-\relative c''' {
- c4^"piu mosso" b a b
+\relative {
+ c'''4^"piu mosso" b a b
\padText #1.8
c4^"piu mosso" d e f
\padText #2.6
version that you are working on. See TRANSLATION for details.
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@ignore
Tutorial guidelines: (different from policy.txt!)
simultánea:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
<<
- { a2 g }
+ { a'2 g }
{ f2 e }
{ d2 b }
>>
pentagrama.
@lilypond[verbatim,quote]
-\relative c'' {
- c2 <<c e>> |
+\relative {
+ c''2 <<c e>> |
<< { e2 f } { c2 <<b d>> } >> |
}
@end lilypond
con @code{<<} y @code{>>}:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
<<
- \new Staff { \clef "treble" c4 }
+ \new Staff { \clef "treble" c''4 }
\new Staff { \clef "bass" c,,4 }
>>
}
partituras polirrítmicas.
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
<<
- \new Staff { \clef "treble" \key d \major \time 3/4 c4 }
+ \new Staff { \clef "treble" \key d \major \time 3/4 c''4 }
\new Staff { \clef "bass" c,,4 }
>>
}
He aquí un pequeño ejemplo:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
\new PianoStaff <<
- \new Staff { \time 2/4 c4 e | g g, | }
+ \new Staff { \time 2/4 c''4 e | g g, | }
\new Staff { \clef "bass" c,,4 c' | e c | }
>>
}
infantil, @qq{Girls and boys come out to play}:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4
+ d''4 b8 c4 a8 | d4 b8 g4
}
@end lilypond
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4
+ d''4 b8 c4 a8 | d4 b8 g4
}
\addlyrics {
Girls and boys come | out to play,
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4 g8 |
+ d''4 b8 c4 a8 | d4 b8 g4 g8 |
a4 b8 c b a | d4 b8 g4. |
}
\addlyrics {
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4 g8 |
+ d''4 b8 c4 a8 | d4 b8 g4 g8 |
a4 b8 c( b) a | d4 b8 g4. |
}
\addlyrics {
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4 g8 |
+ d''4 b8 c4 a8 | d4 b8 g4 g8 |
a4 b8 c([ b]) a | d4 b8 g4. |
}
\addlyrics {
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4 g8 |
+ d''4 b8 c4 a8 | d4 b8 g4 g8 |
a4 b8 c[ b] a | d4 b8 g4. |
}
\addlyrics {
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \minor
\time 3/2
- g2 a bes | bes2( a) b2 |
+ g'2 a bes | bes2( a) b2 |
c4.( bes8 a4. g8 fis4.) g8 | fis1
}
\addlyrics {
@c but the example is long enough to avoid looking strange.
@lilypond[verbatim,quote,noragged-right]
<<
- \relative c' {
+ \relative {
\clef "bass"
\key c \major
\time 6/8
- c4.~ 8 d b | c8([ d]) b c d b | c8
+ c'4.~ 8 d b | c8([ d]) b c d b | c8
}
\addlyrics {
Lar -- go_al fac -- | to -- tum del -- la cit -- | tà
@lilypond[verbatim,quote]
violin = \new Staff {
- \relative c'' {
- a4 b c b
+ \relative {
+ a'4 b c b
}
}
cello = \new Staff {
- \relative c {
+ \relative {
\clef "bass"
e2 d
}
anterior es mucho más fácil de leer:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
\key a \major
\time 6/8
- cis8. d16 cis8 e4 e8 |
+ cis''8. d16 cis8 e4 e8 |
b8. cis16 b8 d4 d8 |
}
@end lilypond
relativas externa e interna son independientes:
@lilypond[verbatim,quote]
-\relative c { c'4 \relative c'' { f g } c }
+\relative { c'4 \relative { f'' g } c }
@end lilypond
@funindex \absolute
música relativa:
@lilypond[verbatim,quote]
-\relative c { c'4 \absolute { f'' g'' } c }
+\relative { c'4 \absolute { f'' g'' } c }
@end lilypond
@node Más allá del tutorial
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@node Conceptos fundamentales
@chapter Conceptos fundamentales
como esta:
@example
-\relative c'' @{
- c4 a d c
+\relative @{
+ c''4 a d c
@}
@end example
\score @{
\new Staff @{
\new Voice @{
- \relative c'' @{
- c4 a b c
+ \relative @{
+ c''4 a b c
@}
@}
@}
plantillas emplean lo siguiente:
@example
-melodia = \relative c' @{
- c4 a b c
+melodia = \relative @{
+ c'4 a b c
@}
\score @{
escribiendo
@example
-\relative c'' @{
- r4 d8\noBeam g, c4 r
+\relative @{
+ r4 d''8\noBeam g, c4 r
@}
@end example
izquierda, ahora tenemos un fragmento musical de verdad:
@lilypond[verbatim,quote,ragged-right]
-melody = \relative c'' { r4 d8\noBeam g, c4 r }
+melody = \relative { r4 d''8\noBeam g, c4 r }
text = \lyricmode { And God said, }
-upper = \relative c'' { <g d g,>2~ <g d g,> }
-lower = \relative c { b2 e }
+upper = \relative { <g' d g,>2~ <g d g,> }
+lower = \relative { b,2 e }
\score {
<<
@lilypond[verbatim,quote,ragged-right]
\new Staff {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[verbatim,quote,ragged-right]
\new Staff = "main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
correcta.
@lilypond[quote,verbatim]
-\new Staff \relative c' {
+\new Staff \relative {
% Main voice
- c16 d e f
+ c'16 d e f
% Voice "1" Voice "2" Voice "3"
<< { g4 f e } \\ { r8 e4 d c8~ } >> |
<< { d2 e } \\ { c8 b16 a b8 g~ 2 } \\ { s4 b c2 } >> |
construcciones, como se indica aquí en la voz de triángulos azules.
@lilypond[quote,verbatim]
-\new Staff \relative c' {
+\new Staff \relative {
% Main voice
- c16 d e f
+ c'16 d e f
<< % Bar 1
{
\voiceOneStyle
@c The following should appear as music without code
@lilypond[quote,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<< % Voice one
- { c2 aes4. bes8 }
+ { c''2 aes4. bes8 }
\\ % Voice two
{
% Ignore these for now - they are explained in Ch 4
introducir la música del primer compás en tres voces:
@lilypond[quote,verbatim,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<<
- { c2 aes4. bes8 } \\ { <ees, c>2 des } \\ { aes'2 f4 fes }
+ { c''2 aes4. bes8 } \\ { <ees, c>2 des } \\ { aes'2 f4 fes }
>> |
<c ees aes c>1 |
}
Esto se hace escribiendo otro par de barras invertidas (@code{\\}).
@lilypond[quote,verbatim,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<< % Voice one
- { c2 aes4. bes8 }
+ { c''2 aes4. bes8 }
\\ % Voice two
{ <ees, c>2 des }
\\ % Omit Voice three
@example
\new Staff @{
- \relative c' @{
- << @{ e4 f g a @} \\ @{ c,4 d e f @} >>
+ \relative @{
+ << @{ e'4 f g a @} \\ @{ c,4 d e f @} >>
@}
@}
@end example
@example
\new Staff <<
- \new Voice = "1" @{ \voiceOne \relative c' @{ e4 f g a @} @}
- \new Voice = "2" @{ \voiceTwo \relative c' @{ c4 d e f @} @}
+ \new Voice = "1" @{ \voiceOne \relative @{ e'4 f g a @} @}
+ \new Voice = "2" @{ \voiceTwo \relative @{ c'4 d e f @} @}
>>
@end example
@c The following example should not display the code
@lilypond[ragged-right,quote]
\new Staff <<
- \new Voice = "1" { \voiceOne \relative c' { e4 f g a } }
- \new Voice = "2" { \voiceTwo \relative c' { c4 d e f } }
+ \new Voice = "1" { \voiceOne \relative { e'4 f g a } }
+ \new Voice = "2" { \voiceTwo \relative { c'4 d e f } }
>>
@end lilypond
las ligaduras de unión y de expresión y las indicaciones de dinámica:
@lilypond[quote,ragged-right,verbatim]
-\relative c' {
+\relative {
% Default behavior or behavior after \oneVoice
- c4 d8~ 8 e4( f | g4 a) b-> c |
+ c'4 d8~ 8 e4( f | g4 a) b-> c |
}
@end lilypond
de tipografiar la música.
@lilypond[quote,ragged-right,verbatim]
-\new Staff \relative c' {
- c16^( d e f
+\new Staff \relative {
+ c'16^( d e f
<<
{ g4 f e | d2 e) | }
\new Voice {
@lilypond[quote,verbatim]
global = { \key f \major \time 6/8 \partial 8 }
-SopOneMusic = \relative c'' {
- c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4
+SopOneMusic = \relative {
+ c''8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4
}
SopOneLyrics = \lyricmode {
Let | flee -- cy flocks the | hills a -- dorn, __
}
-SopTwoMusic = \relative c' {
- r8 | r4. r4 c8 | a'8([ g)] f f([ e)] d | e8([ d)] c bes'
+SopTwoMusic = \relative {
+ r8 | r4. r4 c'8 | a'8([ g)] f f([ e)] d | e8([ d)] c bes'
}
SopTwoLyrics = \lyricmode {
Let | flee -- cy flocks the | hills a -- dorn,
@lilypond[quote,verbatim]
keyTime = { \key c \major \time 4/4 \partial 4 }
-SopMusic = \relative c' { c4 | e4. e8 g4 g | a4 a g }
-AltoMusic = \relative c' { c4 | c4. c8 e4 e | f4 f e }
-TenorMusic = \relative c { e4 | g4. g8 c4. b8 | a8 b c d e4 }
-BassMusic = \relative c { c4 | c4. c8 c4 c | f8 g a b c4 }
+SopMusic = \relative { c'4 | e4. e8 g4 g | a4 a g }
+AltoMusic = \relative { c'4 | c4. c8 e4 e | f4 f e }
+TenorMusic = \relative { e4 | g4. g8 c4. b8 | a8 b c d e4 }
+BassMusic = \relative { c4 | c4. c8 c4 c | f8 g a b c4 }
VerseOne =
\lyricmode { E -- | ter -- nal fa -- ther, | strong to save, }
\clef "treble"
\key g \minor
\new Voice { % create voice for RH notes
- \relative c'' { % start of RH notes
- d4 ees16 c8. |
+ \relative { % start of RH notes
+ d''4 ees16 c8. |
d4 ees16 c8. |
} % end of RH notes
} % end of RH voice
\key g \minor
\new Voice { % create LH voice one
\voiceOne
- \relative g { % start of LH voice one notes
+ \relative { % start of LH voice one notes
g8 <bes d> ees, <g c> |
g8 <bes d> ees, <g c> |
} % end of LH voice one notes
} % end of LH voice one
\new Voice { % create LH voice two
\voiceTwo
- \relative g { % start of LH voice two notes
+ \relative { % start of LH voice two notes
g4 ees |
g4 ees |
} % end of LH voice two notes
@lilypond[quote,verbatim,ragged-right]
<<
- \new Staff \relative c'' {
- aeses2 aes
+ \new Staff \relative {
+ aeses'2 aes
}
\new Staff \relative c'' {
\set Staff.extraNatural = ##f
@lilypond[quote,verbatim,ragged-right]
<<
- \new Staff \relative c'' {
- aeses2 aes
+ \new Staff \relative {
+ aeses'2 aes
}
\new Staff \relative c'' {
\set Score.extraNatural = ##f
@lilypond[quote,verbatim,ragged-right]
<<
\new Staff {
- \relative c'' {
- gisis4 gis aeses aes
+ \relative {
+ gisis'4 gis aeses aes
}
}
\new Staff \with { extraNatural = ##f } {
- \relative c'' {
- gisis4 gis aeses aes
+ \relative {
+ gisis'4 gis aeses aes
}
}
>>
@lilypond[verbatim,quote]
\score {
\new Staff {
- \relative c'' {
- cisis4 e d cis
+ \relative {
+ cisis''4 e d cis
}
}
\layout {
\score {
<<
\new Staff {
- \relative c'' {
- gisis4 gis aeses aes
+ \relative {
+ gisis'4 gis aeses aes
}
}
\new Staff {
- \relative c'' {
- gisis4 gis aeses aes
+ \relative {
+ gisis'4 gis aeses aes
}
}
>>
\new Staff \with {
\remove "Staff_symbol_engraver"
}
-\relative c' {
- c4 d
+\relative {
+ c'4 d
\set fontSize = #-4 % make note heads smaller
e4 f |
\set fontSize = #2.5 % make note heads larger
\score {
<<
\new Staff {
- \relative c'' {
- c4 a b g
+ \relative {
+ c''4 a b g
}
}
\new Staff {
- \relative c' {
- c4 a b g
+ \relative {
+ c'4 a b g
}
}
\new Staff {
\clef "G_8"
- \relative c' {
- c4 a b g
+ \relative {
+ c'4 a b g
}
}
\new Staff {
\clef "bass"
- \relative c {
+ \relative {
c4 a b g
}
}
@example
\version @w{"@version{}"}
-melodia = \relative c' @{
+melodia = \relative @{
\clef "treble"
\key c \major
\time 4/4
@example
\version @w{"@version{}"}
-melodia = \relative c' @{
+melodia = \relative @{
\clef "treble"
\key c \major
\time 4/4
@example
\version @w{"@version{}"}
-musicaSoprano = \relative c' @{
+musicaSoprano = \relative @{
\clef "treble"
\key c \major
\time 4/4
Aaa Bee Cee Dee
@}
-musicaCello = \relative c @{
+musicaCello = \relative @{
\clef "bass"
\key c \major
\time 4/4
soprano y cello.
@lilypond[quote,verbatim,ragged-right,addversion]
-sopranoMusic = \relative c' {
+sopranoMusic = \relative {
\clef "treble"
\key c \major
\time 4/4
Aaa Bee Cee Dee
}
-celloMusic = \relative c {
+celloMusic = \relative {
\clef "bass"
\key c \major
\time 4/4
@lilypond[quote,ragged-right]
global = { \key d \major \time 4/4 }
-sopranoMusic = \relative c'' {
+sopranoMusic = \relative {
\clef "treble"
- r4 d2 a4 | d4. d8 a2 | cis4 d cis2 |
+ r4 d''2 a4 | d4. d8 a2 | cis4 d cis2 |
}
sopranoWords = \lyricmode {
Wor -- thy | is the lamb | that was slain |
}
-altoMusic = \relative a' {
+altoMusic = \relative {
\clef "treble"
- r4 a2 a4 | fis4. fis8 a2 | g4 fis e2 |
+ r4 a'2 a4 | fis4. fis8 a2 | g4 fis e2 |
}
altoWords = \sopranoWords
-tenorMusic = \relative c' {
+tenorMusic = \relative {
\clef "G_8"
- r4 fis2 e4 | d4. d8 d2 | e4 a, cis2 |
+ r4 fis'2 e4 | d4. d8 d2 | e4 a, cis2 |
}
tenorWords = \sopranoWords
-bassMusic = \relative c' {
+bassMusic = \relative {
\clef "bass"
- r4 d2 cis4 | b4. b8 fis2 | e4 d a'2 |
+ r4 d'2 cis4 | b4. b8 fis2 | e4 d a'2 |
}
bassWords = \sopranoWords
@lilypond[quote,verbatim,ragged-right,addversion]
global = { \key d \major \time 4/4 }
-sopranoMusic = \relative c'' {
+sopranoMusic = \relative {
\clef "treble"
- r4 d2 a4 | d4. d8 a2 | cis4 d cis2 |
+ r4 d''2 a4 | d4. d8 a2 | cis4 d cis2 |
}
sopranoWords = \lyricmode {
Wor -- thy | is the lamb | that was slain |
}
-altoMusic = \relative a' {
+altoMusic = \relative {
\clef "treble"
- r4 a2 a4 | fis4. fis8 a2 | g4 fis fis2 |
+ r4 a'2 a4 | fis4. fis8 a2 | g4 fis fis2 |
}
altoWords = \sopranoWords
-tenorMusic = \relative c' {
+tenorMusic = \relative {
\clef "G_8"
- r4 fis2 e4 | d4. d8 d2 | e4 a, cis2 |
+ r4 fis'2 e4 | d4. d8 d2 | e4 a, cis2 |
}
tenorWords = \sopranoWords
-bassMusic = \relative c' {
+bassMusic = \relative {
\clef "bass"
- r4 d2 cis4 | b4. b8 fis2 | e4 d a'2 |
+ r4 d'2 cis4 | b4. b8 fis2 | e4 d a'2 |
}
bassWords = \sopranoWords
upper = \relative a' {
composer = "J S Bach"
}
keyTime = { \key c \minor \time 4/4 }
-ManualOneVoiceOneMusic = \relative g' {
- g4 g f ees |
+ManualOneVoiceOneMusic = \relative {
+ g'4 g f ees |
d2 c |
}
-ManualOneVoiceTwoMusic = \relative c' {
- ees16 d ees8~ 16 f ees d c8 d~ d c~ |
+ManualOneVoiceTwoMusic = \relative {
+ ees'16 d ees8~ 16 f ees d c8 d~ d c~ |
8 c4 b8 c8. g16 c b c d |
}
-ManualTwoMusic = \relative c' {
- c16 b c8~ 16 b c g a8 g~ 16 g aes ees |
+ManualTwoMusic = \relative {
+ c'16 b c8~ 16 b c g a8 g~ 16 g aes ees |
f16 ees f d g aes g f ees d ees8~ 16 f ees d |
}
-PedalOrganMusic = \relative c {
+PedalOrganMusic = \relative {
r8 c16 d ees d ees8~ 16 a, b g c b c8 |
r16 g ees f g f g8 c,2 |
}
Llegado a este punto, usted ha visto cosas de este tipo:
@lilypond[quote,verbatim,ragged-right]
-hornNotes = \relative c'' { c4 b dis c }
+hornNotes = \relative { c''4 b dis c }
\score {
{
minimalista:
@lilypond[quote,verbatim,ragged-right]
-fragmentA = \relative c'' { a4 a8. b16 }
-fragmentB = \relative c'' { a8. gis16 ees4 }
+fragmentA = \relative { a'4 a8. b16 }
+fragmentB = \relative { a'8. gis16 ees4 }
violin = \new Staff {
\fragmentA \fragmentA |
\once \override TextScript.padding = #padding
#})
-\relative c''' {
- c4^"piu mosso" b a b |
+\relative {
+ c'''4^"piu mosso" b a b |
\padText #1.8
c4^"piu mosso" d e f |
\padText #2.6
siguiente parte de un dúo para trompa y fagot:
@example
-notasTrompa = \relative c @{
+notasTrompa = \relative @{
\time 2/4
r4 f8 a | cis4 f | e4 d |
@}
en@tie{}Fa. La transposición se puede ver en la siguiente salida
@lilypond[quote,ragged-right]
-\transpose f c' \relative c {
+\transpose f c' \relative {
\time 2/4
r4 f8 a | cis4 f | e4 d |
}
lo que nos lleva a
@lilypond[quote,ragged-right]
-\relative c <<
+\relative <<
\new Staff {
\clef "treble"
\time 2/4
@include included/generating-output.itexi
-@c \version "2.16.0"
+@c \version "2.19.21"
@node Tutorial
@chapter Tutorial
@lilypond[verbatim,quote]
% set the starting point to middle C
-\relative c' {
- c d e f
+\relative {
+ c' d e f
g a b c
}
@end lilypond
modo relativo:
@lilypond[verbatim,quote]
-\relative c' {
- d f a g
+\relative {
+ d' f a g
c b f d
}
@end lilypond
@c KEEP LY
@lilypond[verbatim,quote]
% una octava por encima del Do central
-\relative c'' {
- e c a c
+\relative {
+ e'' c a c
}
@end lilypond
@c KEEP LY
@lilypond[verbatim,quote]
-\relative c'' {
- b c % el Do está un espacio por encima, es el Do de arriba
+\relative {
+ b' c % el Do está un espacio por encima, es el Do de arriba
b d % el Re está dos por encima ó 5 por debajo, es el Re de arriba
b e % el Mi está 3 por encima ó 4 por debajo, es el Mi de arriba
b a % el La está 6 por encima ó 1 por debajo, es el La de abajo
nombre de la nota.
@lilypond[verbatim,quote]
-\relative c'' {
- a a, c' f,
+\relative {
+ a' a, c' f,
g g'' a,, f'
}
@end lilypond
negra.
@lilypond[verbatim,quote]
-\relative c'' {
- a1
+\relative {
+ a'1
a2 a4 a8 a
a16 a a a a32 a a a a64 a a a a a a a a2
}
especificar de forma explícita (es decir: mediante un número).
@lilypond[verbatim,quote]
-\relative c'' {
- a4 a a4. a8
+\relative {
+ a'4 a a4. a8
a8. a16 a a8. a8 a4.
}
@end lilypond
nombre @code{r}@tie{}:
@lilypond[verbatim,quote]
-\relative c'' {
- a4 r r2
+\relative {
+ a'4 r r2
r8 a r4 r4. r8
}
@end lilypond
@code{\time} :
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
\time 3/4
- a4 a a
+ a'4 a a
\time 6/8
a4. a
\time 4/4
@code{\clef} :
@lilypond[verbatim,quote]
-\relative c' {
+\relative {
\clef "treble"
- c1
+ c'1
\clef "alto"
c1
\clef "tenor"
@c no verbatim here
@c KEEP LY
@lilypond[quote]
-\relative c'' {
- c4-\markup { \bold \huge { Haga clic aquí. } }
+\relative {
+ c''4-\markup { \bold \huge { Haga clic aquí. } }
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@node Trucar la salida
@chapter Trucar la salida
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,ragged-right,verbatim]
<<
\new Staff {
- \relative c' { c4 a, }
+ \relative { c'4 a, }
}
\new Staff {
- \relative c'''' { c4 a, }
+ \relative { c''''4 a, }
}
>>
@end lilypond
@lilypond[quote,ragged-right,verbatim]
sesquisharp = \markup { \sesquisharp }
-\relative c'' {
- c4
+\relative {
+ c''4
% This prints a sesquisharp but the spacing is too small
\once \override Accidental.stencil = #ly:text-interface::print
\once \override Accidental.text = #sesquisharp
dejamos con este aspecto:
@lilypond[quote,verbatim,fragment,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<<
- { c2 aes4. bes8 }
+ { c''2 aes4. bes8 }
\\
{ <ees, c>2 des }
\\
@cindex force-hshift, propiedad, ejemplo
@lilypond[quote,verbatim,fragment,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<<
- { c2 aes4. bes8 }
+ { c''2 aes4. bes8 }
\\
{ <ees, c>2 \once \override NoteColumn.force-hshift = 0.5 des }
\\
@c This example should not be indexed
@c line-width ensures no break
@lilypond[quote,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4. g8 |
+ r2 c''4. g8 |
bes1~ |
\time 6/4
bes2. r8
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2 |
+lhMusic = \relative {
+ r2 <c' g ees>2 |
<d g, d>1 |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
bes1~ |
\time 6/4
bes2. r8
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1) |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
global = { \key c \major \time 4/4 \partial 4 }
-SopranoMusic = \relative c' { c4 | e4. e8 g4 g | a4 a g }
-AltoMusic = \relative c' { c4 | c4. c8 e4 e | f4 f e }
-TenorMusic = \relative c { e4 | g4. g8 c4. b8 | a8 b c d e4 }
-BassMusic = \relative c { c4 | c4. c8 c4 c | f8 g a b c4 }
+SopranoMusic = \relative { c'4 | e4. e8 g4 g | a4 a g }
+AltoMusic = \relative { c'4 | c4. c8 e4 e | f4 f e }
+TenorMusic = \relative { e4 | g4. g8 c4. b8 | a8 b c d e4 }
+BassMusic = \relative { c4 | c4. c8 c4 c | f8 g a b c4 }
VerseOne = \lyrics {
E -- | ter -- nal \emphasize Fa -- ther, | \normal strong to save,
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.30"
+@c \version "2.19.21"
@node Notación antigua
@lilypond[quote,ragged-right]
\score {
- \relative c'' {
- a1
+ \relative {
+ a'1
\break
g
}
@lilypond[verbatim,ragged-right]
\include "gregorian.ly"
-chant = \relative c' {
+chant = \relative {
\clef "G_8"
- c\breve c4 b4 a c2 c4 \divisioMaior
+ c'\breve c4 b4 a c2 c4 \divisioMaior
c\breve c4 c f, f \finalis
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.7"
+@c \version "2.19.21"
@node Cambiar los valores por omisión
@chapter Cambiar los valores por omisión
% musical content
\context Voice = "one" {
- \relative c'' {
- c4 c c c
+ \relative {
+ c''4 c c c
}
}
\context Voice = "two" {
- \relative c'' {
- g8 g g4 g g
+ \relative {
+ g'8 g g4 g g
}
}
>>
% musical content
\context Voice = "one" {
- \relative c'' {
- c4 c c c
+ \relative {
+ c''4 c c c
}
}
\context Voice = "two" {
- \relative c'' {
- g8 g g4 g g
+ \relative {
+ g'8 g g4 g g
}
}
>>
Scheme especificado con @code{\applyContext}:
@example
-\new Staff \relative c' @{
- c1
+\new Staff \relative @{
+ c'1
\context Timing
\applyContext #(lambda (ctx)
(newline)
vivas de esta manera durante la duración de la pieza:
@lilypond[quote,verbatim]
-musicA = \relative c'' { d4 d d d }
-musicB = \relative c'' { g4 g g g }
+musicA = \relative { d''4 d d d }
+musicB = \relative { g'4 g g g }
keepVoicesAlive = {
<<
\new Voice = "A" { s1*5 } % Keep Voice "A" alive for 5 bars
secciones diferentes.
@lilypond[quote,verbatim]
-melody = \relative c'' { a4 a a a }
-accompaniment = \relative c' { d4 d d d }
+melody = \relative { a'4 a a a }
+accompaniment = \relative { d'4 d d d }
words = \lyricmode { These words fol -- low the mel -- o -- dy }
\score {
<<
acompañamiento:
@lilypond[quote,verbatim]
-melody = \relative c'' {
+melody = \relative {
s1 % skip a bar
- a4 a a a
+ a'4 a a a
s1 % skip a bar
a4 a a a
}
-accompaniment = \relative c' {
- d4 d d d
+accompaniment = \relative {
+ d'4 d d d
d4 d d d
d4 d d d
d4 d d d
\consists "Timing_translator"
\consists "Default_bar_line_engraver"
}
- \relative c'' {
+ \relative {
\time 3/4
- c4 c c c c c
+ c''4 c c c c c
}
\new Staff \with {
\consists "Timing_translator"
\consists "Default_bar_line_engraver"
}
- \relative c'' {
+ \relative {
\time 2/4
- c4 c c c c c
+ c''4 c c c c c
}
>>
\layout {
@lilypond[quote,verbatim]
\score {
- \relative c'' {
- a4^"Thicker stems" a a a
+ \relative {
+ a'4^"Thicker stems" a a a
a4 a a\ff a
}
\layout {
@lilypond[quote,verbatim]
\score {
- \relative c'' {
- a4^"Smaller font" a a a
+ \relative {
+ a'4^"Smaller font" a a a
a4 a a\ff a
}
\layout {
@lilypond[quote,verbatim]
\score {
- \relative c'' {
- a4^"Dynamics above" a a a
+ \relative {
+ a'4^"Dynamics above" a a a
a4 a a\ff a
}
\layout {
\score {
\new Staff {
- \relative c'' {
- a4^"Smaller font" a a a
+ \relative {
+ a'4^"Smaller font" a a a
a4 a a a
}
}
@lilypond[quote,verbatim]
\score {
\new Staff {
- \relative c'' {
- a4^"Smaller font" a a a
+ \relative {
+ a'4^"Smaller font" a a a
a4 a a a
}
}
\new Staff {
\new Voice \with { \override Stem.thickness = #4.0 }
{
- \relative c'' {
- a4^"Thick stems" a a a
+ \relative {
+ a'4^"Thick stems" a a a
a4 a a a
}
}
\score {
<<
\new Staff {
- \relative c'' {
- a4^"Default font" a a a
+ \relative {
+ a'4^"Default font" a a a
a4 a a a
}
}
\new Staff \with { fontSize = #-4 }
{
- \relative c'' {
- a4^"Smaller font" a a a
+ \relative {
+ a'4^"Smaller font" a a a
a4 a a a
}
}
<<
\new Staff {
\new Voice {
- \relative c'' {
- a4^"Dynamics below" a a a
+ \relative {
+ a'4^"Dynamics below" a a a
a4 a a\ff a
}
}
{
\new Voice \with { \dynamicUp }
{
- \relative c'' {
- a4^"Dynamics above" a a a
+ \relative {
+ a'4^"Dynamics above" a a a
a4 a a\ff a
}
}
\accepts "ImproVoice"
}}
-\relative c'' {
- a4 d8 bes8 \new ImproVoice { c4^"ad lib" c
+\relative {
+ a'4 d8 bes8 \new ImproVoice { c4^"ad lib" c
c4 c^"undress" c_"while playing :)" c }
a1
}
puede escribir como
@example
-\relative c'' @{
- a4 d8 bes8
+\relative @{
+ a'4 d8 bes8
\new ImproVoice @{
c4^"ad lib" c
c4 c^"desvístete"
\musicglyph #"noteheads.s2cross"
}
}
-\relative c'' {
- a a \XinO a a
+\relative {
+ a' a \XinO a a
}
@end lilypond
\once \override TextScript.padding = #padding
#})
-\relative c'' {
- c4^"piu mosso" b a b
+\relative {
+ c''4^"piu mosso" b a b
\padText #1.8
c4^"piu mosso" b a b
\padText #2.6
#note
#})
-\relative c' { c4 d e f \custosNote g }
+\relative { c'4 d e f \custosNote g }
@end lilypond
Se pueden definir funciones de sustitución con más de un argumento:
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.30"
+@c \version "2.19.21"
@node Notación de acordes
@section Notación de acordes
inversiones o bajos añadidos:
@lilypond[verbatim,quote]
-chordmusic = \relative c' {
- <c e g>2 <f bes c>
+chordmusic = \relative {
+ <c' e g>2 <f bes c>
<f c' e g>1
\chordmode {
c2 f:sus4 c1:/f
@lilypond[verbatim,ragged-right,quote]
<<
- \relative c'' {
- c4 c'8 r8 c,4 c'
+ \relative {
+ c''4 c'8 r8 c,4 c'
}
\new FiguredBass {
\figuremode {
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.11"
+@c \version "2.19.21"
@node Anotaciones editoriales
@section Anotaciones editoriales
\consists "Horizontal_bracket_engraver"
}
}
-\relative c'' {
- c2\startGroup
+\relative {
+ c''2\startGroup
d\stopGroup
}
@end lilypond
\consists "Horizontal_bracket_engraver"
}
}
-\relative c'' {
- c4\startGroup\startGroup
+\relative {
+ c''4\startGroup\startGroup
d4\stopGroup
e4\startGroup
d4\stopGroup\stopGroup
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.25"
+@c \version "2.19.21"
@node Expresiones
@section Expresiones
@lilypond[verbatim,quote]
<<
- \new Staff \relative c' {
- c2 d4 e |
+ \new Staff \relative {
+ c'2 d4 e |
c4 e e,2 |
g'4 a g a |
c1 |
@lilypond[verbatim,quote]
moltoF = \markup { molto \dynamic f }
-\relative c' {
- <d e>16_\moltoF <d e>
+\relative {
+ <d' e>16_\moltoF <d e>
<d e>2..
}
@end lilypond
\center-align \concat { \bold { \italic ( }
\dynamic f \bold { \italic ) } } }
boxF = \markup { \bracket { \dynamic f } }
-\relative c' {
- c1_\roundF
+\relative {
+ c'1_\roundF
c1_\boxF
}
@end lilypond
@lilypond[verbatim,quote]
sfzp = #(make-dynamic-script "sfzp")
-\relative c' {
- c4 c c\sfzp c
+\relative {
+ c'4 c c\sfzp c
}
@end lilypond
roundFdynamic = #(make-dynamic-script roundF)
boxFdynamic = #(make-dynamic-script boxF)
mfEspressDynamic = #(make-dynamic-script mfEspress)
-\relative c' {
- c4_\roundFdynamic\< d e f
+\relative {
+ c'4_\roundFdynamic\< d e f
g,1~_\boxFdynamic\>
g1
g'1~\mfEspressDynamic
moltoF = #(make-dynamic-script
(markup #:normal-text "molto"
#:dynamic "f"))
-\relative c' {
- <d e>16 <d e>
+\relative {
+ <d' e>16 <d e>
<d e>2..\moltoF
}
@end lilypond
#(make-dynamic-script
(markup #:normal-text "molto"
#:dynamic "f"))
-\relative c' {
- <d e>16 <d e>
+\relative {
+ <d' e>16 <d e>
<d e>2..\moltoF <d e>1
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@node Instrumentos de cuerda con trastes
@section Instrumentos de cuerda con trastes
de tablatura.
@lilypond[quote,ragged-right,verbatim]
-\new TabStaff \relative c' {
+\new TabStaff \relative {
a,8 a' <c e> a
d,8 a' <d f> a
}
@lilypond[quote,ragged-right,verbatim]
\layout { \omit Voice.StringNumber }
\new StaffGroup <<
- \new Staff \relative c {
+ \new Staff \relative {
\clef "treble_8"
\time 2/4
c16 d e f g4
c,16\5 d\5 e\4 f\4 g4\4
c,16 d e f g4
}
- \new TabStaff \relative c {
+ \new TabStaff \relative {
c16 d e f g4
c,16\5 d\5 e\4 f\4 g4\4
\set TabStaff.minimumFret = #5
es tan común que está disponible como @code{\tabChordRepeats}.
@lilypond[quote,verbatim]
-guitar = \relative c' {
+guitar = \relative {
r8 <gis-2 cis-3 b-0>~ q4 q8~ 8 q4
}
\omit StringNumber
} {
\clef "bass_8"
- \relative c, {
- c4 d e f
+ \relative {
+ c,4 d e f
}
}
\new TabStaff \with {
stringTunings = #bass-tuning
} {
- \relative c, {
- c4 d e f
+ \relative {
+ c,4 d e f
}
}
>>
contempladas dentro de los pentagramas normales y de tablatura:
@lilypond[quote,ragged-right,verbatim]
-music = \relative c' {
+music = \relative {
< a\3 \deadNote c\2 a'\1 >4
< b\3 \deadNote d\2 b'\1 >
< c\3 \deadNote e\2 c'\1 >
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@node Entrada y salida generales
@chapter Entrada y salida generales
tagline = "... music notation for Everyone"
}
\score {
- \relative c' {
- c4 d e f
+ \relative {
+ c'4 d e f
}
}
}
@lilypond[quote,verbatim,papersize=a8landscape]
\book {
\header { tagline = ##f }
- \relative c'' {
- a4_\footnote #'(0 . -1) "Ligadura forzada hacia abajo" (
+ \relative {
+ a'4_\footnote #'(0 . -1) "Ligadura forzada hacia abajo" (
b8^\footnote #'(1 . 0.5) "Barra manual forzada hacia arriba" [
b8 ]
c4 )
\auto-footnote "recent" \italic " Aug 2012"
"composition."
}
- \relative c' {
+ \relative {
a'4 b8 e c4 d
}
}
}
"composition."
}
- \relative c' {
+ \relative {
a'4 b8 e c4 d
}
}
}
"composition."
}
- \relative c' {
+ \relative {
a'4 b8 e c4 d
}
}
véase @ref{Combinación automática de las partes}. He aquí un ejemplo:
@lilypond[verbatim,quote]
-sopranoMusic = \relative c'' { a4 b c b8( a) }
-altoMusic = \relative g' { e4 e e f }
-tenorMusic = \relative c' { c4 b e d8( c) }
-bassMusic = \relative c' { a4 gis a d, }
+sopranoMusic = \relative { a'4 b c b8( a) }
+altoMusic = \relative { e'4 e e f }
+tenorMusic = \relative { c'4 b e d8( c) }
+bassMusic = \relative { a4 gis a d, }
allLyrics = \lyricmode {King of glo -- ry }
<<
\new Staff = "Soprano" \sopranoMusic
expandidos explícitamente:
@lilypond[verbatim,quote]
-music = \relative g' {
- g8. c32 d
+music = \relative {
+ g'8. c32 d
\tag #'trills { d8.\trill }
\tag #'expand { \repeat unfold 3 { e32 d } }
c32 d
De forma alternativa, a veces es más fácil excluir secciones de música:
@lilypond[verbatim,quote]
-music = \relative g' {
- g8. c32 d
+music = \relative {
+ g'8. c32 d
\tag #'trills { d8.\trill }
\tag #'expand {\repeat unfold 3 { e32 d } }
c32 d
à vo -- cê uma can -- ção legal
}
-\relative c' {
- c2 d e f g f e
+\relative {
+ c'2 d e f g f e
}
\addlyrics { \bulgarian }
\addlyrics { \hebrew }
@lilypond[quote,verbatim]
\score {
- \relative c'' {
- c1 \mark \markup { \char ##x03EE }
+ \relative {
+ c''1 \mark \markup { \char ##x03EE }
c1_\markup { \tiny { \char ##x03B1 " to " \char ##x03C9 } }
}
\addlyrics { O \markup { \concat { Ph \char ##x0153 be! } } }
\set Staff.midiInstrument = #"cello"
\set Score.dynamicAbsoluteVolumeFunction = #myDynamics
\new Voice {
- \relative c'' {
- a4\pp b c-\rfz
+ \relative {
+ a'4\pp b c-\rfz
}
}
}
\key g \major
\time 2/2
\set Staff.midiInstrument = #"flute"
- \new Voice \relative c''' {
- r2 g\mp g fis~
+ \new Voice \relative {
+ r2 g''\mp g fis~
4 g8 fis e2~
4 d8 cis d2
}
\new Staff {
\key g \major
\set Staff.midiInstrument = #"clarinet"
- \new Voice \relative c'' {
- b1\p a2. b8 a
+ \new Voice \relative {
+ b'1\p a2. b8 a
g2. fis8 e
fis2 r
}
\set Staff.midiInstrument = #"flute"
\set Staff.midiMinimumVolume = #0.7
\set Staff.midiMaximumVolume = #0.9
- \new Voice \relative c''' {
- r2 g\mp g fis~
+ \new Voice \relative {
+ r2 g''\mp g fis~
4 g8 fis e2~
4 d8 cis d2
}
\set Staff.midiInstrument = #"clarinet"
\set Staff.midiMinimumVolume = #0.3
\set Staff.midiMaximumVolume = #0.6
- \new Voice \relative c'' {
- b1\p a2. b8 a
+ \new Voice \relative {
+ b'1\p a2. b8 a
g2. fis8 e
fis2 r
}
\time 2/2
\set Score.instrumentEqualizer = #my-instrument-equalizer
\set Staff.midiInstrument = #"flute"
- \new Voice \relative c''' {
- r2 g\mp g fis~
+ \new Voice \relative {
+ r2 g''\mp g fis~
4 g8 fis e2~
4 d8 cis d2
}
\new Staff {
\key g \major
\set Staff.midiInstrument = #"clarinet"
- \new Voice \relative c'' {
- b1\p a2. b8 a
+ \new Voice \relative {
+ b'1\p a2. b8 a
g2. fis8 e
fis2 r
}
@lilypond[verbatim,quote]
\score {
- \relative c' {
- c4 cih cis cisih
+ \relative {
+ c'4 cih cis cisih
d4 dih ees eeh
e4 eih f fih
fis4 fisih g gih
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.19.21"
@node Teclados y otros instrumentos de varios pentagramas
@section Teclados y otros instrumentos de varios pentagramas
\new Staff = "up" {
\new Voice = "melodiaUno" {
\key g \major
- \autochange \relative c' {
+ \autochange \relative {
g8 b a c b d c e
d8 r fis, g a2
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@node Alturas
básico, por lo que tiende a ser fácil encontrar octavas de
@code{c}. Si nuestra música comienza con @code{gis} (un Sol
sostenido) por encima de @code{c'''}, tendríamos que escribir algo
-como @code{\relative c''' @{ gis' @dots{} @}}
+como @code{\relative @{ gis''' @dots{} @}}
@item una nota que está una o más octavas de la primera nota de dentro
-Escribir @code{\relative gis''' @{ gis @dots{} @}} hace que sea
+Escribir @code{\relative @{ gis''' @dots{} @}} hace que sea
fácil determinar la altura absoluta de la primera nota de dentro.
@item ninguna altura de inicio explícita
Aquí podemos ver el modo relativo en acción:
@lilypond[verbatim,quote]
-\relative c {
+\relative {
\clef bass
c d e f
g a b c
la cuarta:
@lilypond[verbatim,quote]
-\relative c'' {
- c g c f,
+\relative {
+ c'' g c f,
c' a, e'' c
}
@end lilypond
abarcar intervalos muy grandes:
@lilypond[verbatim,quote]
-\relative c {
+\relative {
c f b e
a d g c
}
de aplicación el bloque @code{\relative} más interno.
@lilypond[verbatim,quote]
-\relative c' {
- c d e f
- \relative c'' {
- c d e f
+\relative {
+ c' d e f
+ \relative {
+ c'' d e f
}
}
@end lilypond
no ser que se incluya una instrucción @code{\relative}.
@lilypond[verbatim,quote]
-\relative c' {
- d e
+\relative {
+ d' e
\transpose f g {
d e
- \relative c' {
- d e
+ \relative {
+ d' e
}
}
}
anterior.
@lilypond[verbatim,quote]
-\relative c' {
- c
+\relative {
+ c'
<c e g>
<c' e g'>
<c, e, g''>
independientemente del número de semitonos de cada uno de ellos.
@lilypond[verbatim,quote]
-\relative c'' {
- c2 fis
+\relative {
+ c''2 fis
c2 ges
b2 eisis
b2 feses
@lilypond[quote,verbatim]
\language "italiano"
-\relative do' {
- do re mi sib
+\relative {
+ do' re mi sib
}
@end lilypond
octava.
@lilypond[verbatim,quote]
-\relative c'' {
- c2 d='4 d
+\relative {
+ c''2 d='4 d
e2 f
}
@end lilypond
@code{@var{altura_de_control}}.
@lilypond[verbatim,quote]
-\relative c'' {
- c2 d
+\relative {
+ c''2 d
\octaveCheck c'
e2 f
}
correcta.
@lilypond[verbatim,quote]
-\relative c'' {
- c4 f g f
+\relative {
+ c''4 f g f
c4
\octaveCheck c'
@lilypond[verbatim,quote]
\transpose d e {
- \relative c' {
+ \relative {
\key d \major
- d4 fis a d
+ d'4 fis a d
}
}
@end lilypond
@lilypond[verbatim,quote]
\transpose a c' {
- \relative c' {
+ \relative {
\key c \major
- c4 d e g
+ c'4 d e g
}
}
@end lilypond
imprime bemoles de la nota siguiente.
@lilypond[verbatim,quote]
-music = \relative c' { c d e f }
+music = \relative { c' d e f }
\new Staff {
\transpose c cis { \music }
\transpose c des { \music }
@code{@var{nota-destino}}.
@lilypond[verbatim,quote]
-music = \relative c' { c d e f }
+music = \relative { c' d e f }
\new Staff {
\music
\inversion d' d' \music
retrogradación:
@lilypond[verbatim,quote]
-music = \relative c' { c8. ees16( fis8. a16 b8.) gis16 f8. d16 }
+music = \relative { c'8. ees16( fis8. a16 b8.) gis16 f8. d16 }
\new Staff {
\music
@var{nota-destino} y @var{nota-origen}:
@lilypond[verbatim,quote]
-diatonicScale = \relative c' { c d e f g a b }
-motif = \relative c' { c8 d e f g a b c }
+diatonicScale = \relative { c' d e f g a b }
+motif = \relative { c'8 d e f g a b c }
\new Staff {
\motif
cualesquiera intervalos:
@lilypond[verbatim,quote]
-pentatonicScale = \relative c' { ges aes bes des ees }
-motif = \relative c' { ees8 des ges,4 <ges' bes,> <ges bes,> }
+pentatonicScale = \relative { ges aes bes des ees }
+motif = \relative { ees'8 des ges,4 <ges' bes,> <ges bes,> }
\new Staff {
\motif
de especificar los nombres de las notas que se quieren usar:
@lilypond[verbatim,quote]
-chromaticScale = \relative c' { c cis d dis e f fis g gis a ais b }
-motif = \relative c' { c8 d e f g a b c }
+chromaticScale = \relative { c' cis d dis e f fis g gis a ais b }
+motif = \relative { c'8 d e f g a b c }
\new Staff {
\motif
@var{nota-destino}:
@lilypond[verbatim,quote]
-octatonicScale = \relative c' { ees f fis gis a b c d }
-motif = \relative c' { c8. ees16 fis8. a16 b8. gis16 f8. d16 }
+octatonicScale = \relative { ees' f fis gis a b c d }
+motif = \relative { c'8. ees16 fis8. a16 b8. gis16 f8. d16 }
\new Staff {
\motif
interpretar como que horquillan entre ellas a la nota pivote:
@lilypond[verbatim,quote]
-scale = \relative c' { c g' }
-motive = \relative c' { c c g' c, }
+scale = \relative { c' g' }
+motive = \relative { c' c g' c, }
\new Staff {
\motive
inversión retrógrada:
@lilypond[verbatim,quote]
-octatonicScale = \relative c' { ees f fis gis a b c d }
-motif = \relative c' { c8. ees16 fis8. a16 b8. gis16 f8. d16 }
+octatonicScale = \relative { ees' f fis gis a b c d }
+motif = \relative { c'8. ees16 fis8. a16 b8. gis16 f8. d16 }
\new Staff {
\motif
freygish = #`((0 . ,NATURAL) (1 . ,FLAT) (2 . ,NATURAL)
(3 . ,NATURAL) (4 . ,NATURAL) (5 . ,FLAT) (6 . ,FLAT))
-\relative c' {
- \key c \freygish c4 des e f
+\relative {
+ \key c \freygish c'4 des e f
\bar "||" \key d \freygish d es fis g
}
@end lilypond
@lilypond[verbatim,quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote,staffsize=18]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
}
}
-\relative c'' {
- aes c e2
+\relative {
+ aes' c e2
cis,1
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.11"
+@c \version "2.19.21"
@node Repeticiones
@section Repeticiones
@lilypond[verbatim,quote]
voltaAdLib = \markup { 1. 2. 3... \text \italic { ad lib. } }
-\relative c'' {
- c1
+\relative {
+ c''1
\set Score.repeatCommands =
#(list(list 'volta voltaAdLib) 'start-repeat)
c4 b d e
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@node Duraciones
@section Duraciones
de barrado automático.
@lilypond[quote,verbatim]
-\relative c' <<
+\relative <<
\new Staff {
\time 3/4
- c4 c c |
+ c'4 c c |
c4 c c |
}
\new Staff {
% Now each staff has its own time signature.
-\relative c' <<
+\relative <<
\new Staff {
\time 3/4
- c4 c c |
+ c'4 c c |
c4 c c |
}
\new Staff {
\set Staff.beatStructure = #'(2 3 2)
<<
\new Voice = one {
- \relative c'' {
- a8 a a a a a a
+ \relative {
+ a'8 a a a a a a
}
}
\new Voice = two {
multicompás, de la longitud exacta del fragmento.
@lilypond[verbatim,quote]
-MyCadenza = \relative c' {
- c4 d8 e f g g4
+MyCadenza = \relative {
+ c'4 d8 e f g g4
f2 g4 g
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@c Translation status: post-GDP
\new Voice
\relative c'' {
\chordRepeats #'(articulation-event)
- \relative c''
- { <a-. c\prall e>1\sfz c'4 q2 r8 q8-. } |
+ \relative
+ { <a'-. c\prall e>1\sfz c'4 q2 r8 q8-. } |
q2 c |
}
@end lilypond
el orden vertical de las voces en el pentagrama!}
@lilypond[quote,verbatim]
-\new Staff \relative c'' {
+\new Staff \relative {
%% abbreviated entry
<<
- { f2 } % 1: highest
+ { f''2 } % 1: highest
\\
{ g,2 } % 2: lowest
\\
independientes y el pentagrama combinado.
@lilypond[quote,verbatim]
-instrumentOne = \relative c' {
- c4 d e f |
+instrumentOne = \relative {
+ c'4 d e f |
R1 |
d'4 c b a |
b4 g2 f4 |
e1 |
}
-instrumentTwo = \relative g' {
+instrumentTwo = \relative {
R1 |
- g4 a b c |
+ g'4 a b c |
d4 c b a |
g4 f( e) d |
e1 |
\partcombineApart c2^"apart" \partcombineChordsOnce e^"chord once" |
c2 c |
}
-instrumentTwo = \relative c' {
- c2 c |
+instrumentTwo = \relative {
+ c'2 c |
e2 e |
a,2 c |
c2 c' |
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.12"
+@c \version "2.19.21"
@ignore
GDP TODO list
tagline = ##f
}
\score {
- \relative c'' { c1 \break c1 \break c1 }
+ \relative { c''1 \break c1 \break c1 }
}
}
@end lilypond
@lilypond[quote,ragged-right,verbatim]
\new Voice \with {
\remove "Forbid_line_break_engraver"
-} \relative c'' {
+} \relative {
<<
- { c2. \tuplet 3/2 { c4 c c } c2. | }
+ { c''2. \tuplet 3/2 { c4 c c } c2. | }
{ s1 | \break s1 | }
>>
}
ragged-bottom = ##t
}
-music = \relative c'' { c8 c c c }
+music = \relative { c''8 c c c }
\score {
\new Staff {
directamente entremezclado dentro del código de notas.
@example
-music = \relative c'' @{ c4 c c c @}
+music = \relative @{ c''4 c c c @}
\score @{
\new Staff @{
disposición de los saltos.
@lilypond[quote,verbatim]
-music = \relative c'' { c4 c c c }
+music = \relative { c''4 c c c }
\header { tagline = ##f }
\paper { left-margin = 0\mm }
@ref{Espaciado vertical}.
@lilypond[quote,verbatim]
-music = \relative c'' { c4 c c c }
+music = \relative { c''4 c c c }
\header { tagline = ##f }
\paper { left-margin = 0\mm }
@lilypond[verbatim,line-width=12\cm]
\score {
- \relative c'' {
- g4 e e2 | f4 d d2 | c4 d e f | g4 g g2 |
+ \relative {
+ g'4 e e2 | f4 d d2 | c4 d e f | g4 g g2 |
g4 e e2 | f4 d d2 | c4 e g g | c,1 |
d4 d d d | d4 e f2 | e4 e e e | e4 f g2 |
g4 e e2 | f4 d d2 | c4 e g g | c,1 |
@lilypond[verbatim,line-width=12\cm]
\score {
- \relative c'' {
- g4 e e2 | f4 d d2 | c4 d e f | g4 g g2 |
+ \relative {
+ g'4 e e2 | f4 d d2 | c4 d e f | g4 g g2 |
g4 e e2 | f4 d d2 | c4 e g g | c,1 |
d4 d d d | d4 e f2 | e4 e e e | e4 f g2 |
g4 e e2 | f4 d d2 | c4 e g g | c,1 |
@lilypond[verbatim,quote]
\score {
- \relative c'' {
- g4 e e2 |
+ \relative {
+ g'4 e e2 |
f4 d d2 |
c4 d e f |
g4 g g2 |
@lilypond[verbatim,quote]
\score {
- \relative c'' {
- g4 e e2 |
+ \relative {
+ g'4 e e2 |
f4 d d2 |
c4 d e f |
g4 g g2 |
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@node Notación de los pentagramas
@section Notación de los pentagramas
\score {
\new StaffGroup <<
\new Staff {
- \relative c'' {
- c4 c c c
+ \relative {
+ c''4 c c c
\break
c4 c c c
}
}
\new Staff {
- \relative c'' {
- c4 c c c
+ \relative {
+ c''4 c c c
\break
c4 c c c
}
creación de un pentagrama simultáneo nuevo en la posición adecuada:
@lilypond[verbatim,quote]
-\new Staff \relative c'' {
- c4 b d c
+\new Staff \relative {
+ c''4 b d c
<<
{ c4 b d c }
\new Staff { e4 d f e }
cuando se necesitan sólo algunos pentagramas de ossia.
@lilypond[verbatim,quote]
-\new Staff = "main" \relative c'' {
- c4 b d c
+\new Staff = "main" \relative {
+ c''4 b d c
<<
{ c4 b d c }
}
{ \stopStaff s1*6 }
- \new Staff \relative c' {
- c4 b c2
+ \new Staff \relative {
+ c'4 b c2
<<
{ e4 f e2 }
\context Staff = "ossia" {
fontSize = #-3
\override StaffSymbol.staff-space = #(magstep -3)
\override StaffSymbol.thickness = #(magstep -3)
- } \relative c'' {
+ } \relative {
R1*3
- c4 e8 d c2
+ c''4 e8 d c2
}
- \new Staff \relative c' {
- c4 b c2
+ \new Staff \relative {
+ c'4 b c2
e4 f e2
g4 a g2 \break
c4 b c2
\new Staff \with {
\remove "Staff_symbol_engraver"
}
-\relative c''' { a8 f e16 d c b a2 }
+\relative { a''8 f e16 d c b a2 }
@end lilypond
Se pueden ocultar los pentagramas que están vacíos mediante la
}
}
-\relative c' <<
+\relative <<
\new Staff {
- e4 f g a \break
+ e'4 f g a \break
b1 \break
a4 b c2
}
musical que indica la duración de la cita.
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- a4 gis g gis | b4^"quoted" r8 ais\p a4( f)
+fluteNotes = \relative {
+ a'4 gis g gis | b4^"quoted" r8 ais\p a4( f)
}
-oboeNotes = \relative c'' {
- c4 cis c b \quoteDuring #"flute" { s1 }
+oboeNotes = \relative {
+ c''4 cis c b \quoteDuring #"flute" { s1 }
}
\addQuote "flute" { \fluteNotes }
ser deseable:
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- a4 gis g gis | b4^"quoted" r8 ais\p a4( f)
+fluteNotes = \relative {
+ a'4 gis g gis | b4^"quoted" r8 ais\p a4( f)
}
-oboeNotes = \relative c'' {
- c4 cis c b \quoteDuring #"flute" { e4 r8 ais b4 a }
+oboeNotes = \relative {
+ c''4 cis c b \quoteDuring #"flute" { e4 r8 ais b4 a }
}
\addQuote "flute" { \fluteNotes }
b4 ais a ais | cis4^"quoted" r8 bis\p b4( f)
}
-oboeNotes = \relative c'' {
- c4 cis c b \quoteDuring #"clarinet" { s1 }
+oboeNotes = \relative {
+ c''4 cis c b \quoteDuring #"clarinet" { s1 }
}
\addQuote "clarinet" { \clarinetNotes }
@code{quotedEventTypes}.
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- a2 g2 |
+fluteNotes = \relative {
+ a'2 g2 |
b4\<^"quoted" r8 ais a4\f( c->)
}
-oboeNotes = \relative c'' {
- c2. b4 |
+oboeNotes = \relative {
+ c''2. b4 |
\quoteDuring #"flute" { s1 }
}
voz.
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- r2. c4 | d8 c d e fis2 | g2 d |
+fluteNotes = \relative {
+ r2. c''4 | d8 c d e fis2 | g2 d |
}
oboeNotes = \relative c'' {
pertenecería al contexto @code{CueVoice}.}
@lilypond[verbatim,quote]
-oboeNotes = \relative c'' {
- r2 r8 d16(\f f e g f a)
+oboeNotes = \relative {
+ r2 r8 d''16(\f f e g f a)
g8 g16 g g2.
}
\addQuote "oboe" { \oboeNotes }
pero la clave original se debe restaurar al final de las notas guía.
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- r2. c4 d8 c d e fis2 g2 d2
+fluteNotes = \relative {
+ r2. c''4 d8 c d e fis2 g2 d2
}
bassoonNotes = \relative c {
de notas guía.
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- r2. c4 d8 c d e fis2 g2 d2
+fluteNotes = \relative {
+ r2. c''4 d8 c d e fis2 g2 d2
}
bassoonNotes = \relative c {
completamente diferente.
@lilypond[verbatim,quote]
-piccoloNotes = \relative c''' {
+piccoloNotes = \relative {
\clef "treble^8"
R1
- c8 c c e g2
+ c'''8 c c e g2
c4 g g2
}
de la partitura; véase @ref{Uso de etiquetas}.
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- r2. c4 d8 c d e fis2 g2 d2
+fluteNotes = \relative {
+ r2. c''4 d8 c d e fis2 g2 d2
}
bassoonNotes = \relative c {
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.19.21"
@node Texto
@section Texto
@lilypond[quote,verbatim,relative=1]
c4 d^\markup {
\score {
- \relative c' { c4 d e f }
+ \relative { c'4 d e f }
\layout { }
}
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@node Música vocal
@section Música vocal
@ref{Caracteres especiales}.
@lilypond[quote,verbatim]
-\relative c'' { d8 c16 a bes8 f e' d c4 }
+\relative { d''8 c16 a bes8 f e' d c4 }
\addlyrics { „Schad’ um das schö -- ne grü -- ne Band, }
@end lilypond
conjunto se debe encerrar en otro par de comillas. Por ejemplo,
@lilypond[quote,verbatim]
-\relative c' { \time 3/4 e4 e4. e8 d4 e d c2. }
+\relative { \time 3/4 e'4 e4. e8 d4 e d c2. }
\addlyrics { "\"I" am so lone -- "ly,\"" said she }
@end lilypond
@lilypond[quote,ragged-right,verbatim]
<<
- \new Voice = "one" \relative c'' {
+ \new Voice = "one" \relative {
\time 2/4
- c4 b8. a16 g4. f8 e4 d c2
+ c''4 b8. a16 g4. f8 e4 d c2
}
% uses previous explicit duration of 2;
@lilypond[verbatim,quote]
{
\time 3/4
- \relative c' { c2 e4 g2. }
+ \relative { c'2 e4 g2. }
\addlyrics { play the game }
}
@end lilypond
@lilypond[ragged-right,verbatim,quote]
{
\time 3/4
- \relative c' { c2 e4 g2. }
+ \relative { c'2 e4 g2. }
\addlyrics { play the game }
\addlyrics { speel het spel }
\addlyrics { joue le jeu }
@lilypond[quote,verbatim,ragged-right]
<<
\new Staff {
- \relative c'' {
- c2 c2
+ \relative {
+ c''2 c2
d1
}
}
}
}
\new Staff {
- \relative c' {
- c8 c c c c c c c
+ \relative {
+ c'8 c c c c c c c
c8 c c c c c c c
}
}
introducir en el modo de letra:
@lilypond[quote,verbatim]
-musicOne = \relative c'' {
- c4 b8. a16 g4. f8 e4 d c2
+musicOne = \relative {
+ c''4 b8. a16 g4. f8 e4 d c2
}
verseOne = \lyricmode {
Joy to the world, the Lord is come.
siempre han sido definidas previamente. Por ejemplo:
@lilypond[quote,verbatim]
-sopranoMusic = \relative c'' { c4 c c c }
-contraltoMusic = \relative c'' { a4 a a a }
+sopranoMusic = \relative { c''4 c c c }
+contraltoMusic = \relative { a'4 a a a }
sopranoWords = \lyricmode { Sop -- ra -- no words }
contraltoWords = \lyricmode { Con -- tral -- to words }
<<
\new Staff {
\new Voice = "melody" {
- \relative c'' { c4 c c c }
+ \relative { c''4 c c c }
}
}
\new Lyrics {
<<
\new Staff = "staff" {
\new Voice = "melody" {
- \relative c'' { c4 c c c }
+ \relative { c''4 c c c }
}
}
\new Lyrics \with { alignAboveContext = "staff" } {
}
\new Staff {
\new Voice = "melody" {
- \relative c'' { c4 c c c }
+ \relative { c''4 c c c }
}
}
\context Lyrics = "lyrics" {
\new ChoirStaff <<
\new Staff {
\new Voice = "sopranos" {
- \relative c'' { c4 c c c }
+ \relative { c''4 c c c }
}
}
\new Lyrics = "sopranos"
}
\new Staff {
\new Voice = "contraltos" {
- \relative c'' { a4 a a a }
+ \relative { a'4 a a a }
}
}
\context Lyrics = "sopranos" {
@lilypond[verbatim,quote,ragged-right]
\score {
- \relative c' {
- c c c c
+ \relative {
+ c' c c c
c c c c
}
\addlyrics {
<<
\new Staff {
\new Voice = "melody" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat volta 2 { b4 b b b }
}
}
<<
\new Staff {
\new Voice = "melody" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat volta 2 { b4 b b b }
}
}
<<
\new Staff {
\new Voice = "melody" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat unfold 2 { b4 b b b }
}
}
<<
\new Staff {
\new Voice = "melody" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat volta 2 { b4 b b b }
}
}
<<
\new Staff {
\new Voice = "singleVoice" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat volta 3 { b4 b b b }
c4 c c c
}
<<
\new Staff {
\new Voice = "melody" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat volta 3 { b4 b b b }
c4 c c c
}
The end sec -- tion.
}
\new Voice = "harmony" {
- \relative c' {
- f4 f f f \repeat volta 2 { g8 g g4 g2 } a4 a8. a16 a2
+ \relative {
+ f'4 f f f \repeat volta 2 { g8 g g4 g2 } a4 a8. a16 a2
}
}
>>
\new Staff {
\time 2/4
\new Voice = "melody" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat volta 2 { b4 b }
\alternative { { b b } { b c } }
}
@lilypond[verbatim,ragged-right,quote]
<<
- \new Voice = melody \relative c' {
- f4 \appoggiatura a32 b4
+ \new Voice = melody \relative {
+ f'4 \appoggiatura a32 b4
\grace { f16 a16 } b2
\afterGrace b2 { f16[ a16] }
\appoggiatura a32 b4
de línea al utilizar @code{\markup}.
@lilypond[ragged-right,verbatim,quote]
-melody = \relative c' {
-e d c d | e e e e |
+melody = \relative {
+e' d c d | e e e e |
d d e d | c1 |
}
muestra cómo producir dicha salida en LilyPond.
@lilypond[ragged-right,quote,verbatim]
-melody = \relative c' {
- c4 c c c | d d d d
+melody = \relative {
+ c'4 c c c | d d d d
}
text = \lyricmode {
\new ChoirStaff <<
\new Staff {
\new Voice {
- \relative c'' { g4\f g g g }
+ \relative { g'4\f g g g }
}
}
\new Staff {
\new Voice {
- \relative c' { d4 d d\p d }
+ \relative { d'4 d d\p d }
}
}
>>
\new Staff {
\set Staff.vocalName = \markup \smallCaps Kaspar
\set Staff.shortVocalName = \markup \smallCaps Kas.
- \relative c' {
+ \relative {
\clef "G_8"
- c4 c c c
+ c'4 c c c
\break
c4 c c c
}
\set Staff.vocalName = \markup \smallCaps Melchior
\set Staff.shortVocalName = \markup \smallCaps Mel
\clef "bass"
- \relative c' {
+ \relative {
a4 a a a
a4 a a a
}
muestra cómo se hace esto.
@lilypond[quote,verbatim]
-flute = \relative c'' {
- s4 s4 e g
+flute = \relative {
+ s4 s4 e'' g
}
\addQuote "flute" { \flute }
-pianoRH = \relative c'' {
- c4. g8
+pianoRH = \relative {
+ c''4. g8
% position name of cue-ing instrument just before the cue notes,
% and above the staff
\new CueVoice {
}
\cueDuring "flute" #UP { g4 bes4 }
}
-pianoLH = \relative c { c4 <c' e> e, <g c> }
+pianoLH = \relative { c4 <c' e> e, <g c> }
\score {
\new PianoStaff <<
\cueDuring "clarinet" #DOWN { c4. g8 }
g4 bes4
}
-pianoLH = \relative c { c4 <c' e> e, <g c> }
+pianoLH = \relative { c4 <c' e> e, <g c> }
\score {
<<
\score {
\new StaffGroup <<
\new Staff {
- \relative c'' {
- a4 b c2 |
+ \relative {
+ a'4 b c2 |
a4 b c2 |
a4 b c2 |
}
}
\new Staff {
- \relative c'' {
- a4 b c2 |
+ \relative {
+ a'4 b c2 |
a4 b c2 |
a4 b c2 |
}
\new ChoirStaff <<
\new Staff
\with { \remove "Bar_engraver" } {
- \relative c'' {
- a4 b c2 |
+ \relative {
+ a'4 b c2 |
a4 b c2 |
a4 b c2 |
}
}
\new Staff {
- \relative c'' {
- a4 b c2 |
+ \relative {
+ a'4 b c2 |
a4 b c2 |
a4 b c2 |
}
}
\score {
- \relative c'' {
- g2 a4 g
+ \relative {
+ g'2 a4 g
\divisioMinima
g2 a4 g
\divisioMaior
@lilypond[verbatim,quote]
\score {
\new Staff {
- \relative c'' {
- a4 b c2 |
+ \relative {
+ a'4 b c2 |
a4 b c2 |
a4 b c2 |
}
recitado}. Los cánticos se suelen centrar sobre la página.
@lilypond[verbatim,quote]
-SopranoMusic = \relative g' {
- g1 | c2 b | a1 | \bar "||"
+SopranoMusic = \relative {
+ g'1 | c2 b | a1 | \bar "||"
a1 | d2 c | c b | c1 | \bar "||"
}
-AltoMusic = \relative c' {
- e1 | g2 g | f1 |
+AltoMusic = \relative {
+ e'1 | g2 g | f1 |
f1 | f2 e | d d | e1 |
}
-TenorMusic = \relative a {
- c1 | c2 c | c1 |
+TenorMusic = \relative {
+ c'1 | c2 c | c1 |
d1 | g,2 g | g g | g1 |
}
-BassMusic = \relative c {
+BassMusic = \relative {
c1 | e2 e | f1 |
d1 | b2 c | g' g | c,1 |
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.16.0"
+@c \version "2.19.21"
@node Músicas del mundo
@section Músicas del mundo
@lilypond[quote,verbatim]
\include "arabic.ly"
-\relative do' {
- do re misb fa sol la sisb do sisb la sol fa misb re do
+\relative {
+ do' re misb fa sol la sisb do sisb la sol fa misb re do
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.16.0"
+@c \version "2.19.21"
@node Programas externos
@chapter Programas externos
@example
\pointAndClickTypes #'note-event
-\relative c' @{
- c2\f( f)
+\relative @{
+ c'2\f( f)
@}
@end example
@example
#(ly:set-option 'point-and-click 'note-event)
-\relative c' @{
- c2\f( f)
+\relative @{
+ c'2\f( f)
@}
@end example
@example
\pointAndClickTypes #'(note-event dynamic-event)
-\relative c' @{
- c2\f( f)
+\relative @{
+ c'2\f( f)
@}
@end example
@example
#(ly:set-option 'point-and-click '(note-event dynamic-event))
-\relative c' @{
- c2\f( f)
+\relative @{
+ c'2\f( f)
@}
@end example
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.11"
+@c \version "2.19.21"
@c Note: keep this node named so that `info lilypond-book' brings you here.
@node lilypond-book
música y texto. Por ejemplo:
\begin{lilypond}
-\relative c' {
- c2 e2 \tuplet 3/2 { f8 a b } a2 e4
+\relative {
+ c'2 e2 \tuplet 3/2 { f8 a b } a2 e4
}
\end{lilypond}
música y texto. Por ejemplo:
@lilypond
-\relative c' {
- c2 e2 \tuplet 3/2 { f8 a b } a2 e4
+\relative {
+ c'2 e2 \tuplet 3/2 { f8 a b } a2 e4
}
@end lilypond
title = "Una escala en LilyPond"
}
- \relative c' {
- c d e f g a b c
+ \relative {
+ c' d e f g a b c
}
}
@end lilypond
@code{relative}, es decir
@example
-\relative c' @{ % begin verbatim
- c4 e2 g4
+\relative @{ % begin verbatim
+ c'4 e2 g4
f2 e % end verbatim
@}
@end example
Texto normal en LaTeX.
\begin@{lilypond@}
-\relative c'' @{
- a4 b c d
+\relative @{
+ a'4 b c d
@}
\end@{lilypond@}
Texto en Texinfo
@@lilypond
-\relative c' @{
+\relative @{
a4 b c d
@}
@@end lilypond
Los documentos para lilypond-book pueden mezclar música y texto libremente. Por
ejemplo,
<lilypond>
-\relative c'' @{
- a4 b c d
+\relative @{
+ a'4 b c d
<p>
Otro poco de lilypond, esta vez con opciones:
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.19.21"
@node Ejecutar LilyPond
@lilypond[quote,verbatim]
\repeat unfold 2 {
- \relative c' { c4 d e f }
+ \relative { c'4 d e f }
}
@end lilypond
@lilypond[quote,verbatim]
\new Voice {
\repeat unfold 2 {
- \relative c' { c4 d e f }
+ \relative { c'4 d e f }
}
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.16.0"
+@c \version "2.19.21"
@node Sugerencias para escribir archivos de entrada
@chapter Sugerencias para escribir archivos de entrada
versiones nuevas de LilyPond.
@example
-violin = \relative c'' @{
-g4 c'8. e16
+violin = \relative @{
+g'4 c'8. e16
@}
@dots{}
\score @{
@example
fluegop = _\markup@{
\dynamic f \italic \small @{ 2nd @} \hspace #0.1 \dynamic p @}
-violin = \relative c'' @{
-g4\fluegop c'8. e16
+violin = \relative @{
+g'4\fluegop c'8. e16
@}
@end example
la sección @code{\score} no comentado.
@example
-bajo = \relative c' @{
+bajo = \relative @{
%@{
- c4 c c c
+ c'4 c c c
d d d d
%@}
@}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@node Music engraving
@chapter Music engraving
selects this one:
@lilypond
-\relative c {
+\relative {
\clef bass
e8[(_"12.04" f] g[ a b d,)] r4
}
Well-Tempered Clavier, Book I, BWV 861, whose opening subject is
@lilypond
-\relative c' {
+\relative {
\key g \minor
\clef "treble_8"
- r8 d ees g, fis4 g
+ r8 d' ees g, fis4 g
r8 a16 bes c8 bes16 a bes8
}
@end lilypond
@lilypond[quote,fragment]
<<
- \new Staff \relative c'' {
+ \new Staff \relative {
\key g \major
\time 3/4
- d4 g,8 a b c d4 g, g
+ d''4 g,8 a b c d4 g, g
}
- \new Staff \relative c' {
+ \new Staff \relative {
\clef "bass"
\key g \major
<g b d>2 a4 b2.
}
>>
\new Staff = "LH" <<
- \new Voice = "III" \relative c' {
+ \new Voice = "III" \relative {
\time 2/4
\clef "bass"
g4 \stopStaff s
<<
\chords { c2 c f2 c }
\new Staff
- \relative c' {
+ \relative {
\time 2/4
- c4 c g' g a a g2
+ c'4 c g' g a a g2
}
\addlyrics { twin -- kle twin -- kle lit -- tle star }
>>
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.12"
+@c \version "2.19.21"
@node Interfaces for programmers
@chapter Interfaces for programmers
\revert NoteHead.font-size
}
-\relative c' {
- c2 \AltOn #0.5 c4 c
+\relative {
+ c'2 \AltOn #0.5 c4 c
\AltOn #1.5 c c \AltOff c2
}
@end lilypond
\revert NoteHead.font-size
#})
-\relative c' {
- c2 \withAlt #0.5 { c4 c }
+\relative {
+ c'2 \withAlt #0.5 { c4 c }
\withAlt #1.5 { c c } c2
}
@end lilypond
@lilypond[quote,verbatim,ragged-right]
dyn=#(define-event-function (parser location arg) (markup?)
(make-dynamic-script arg))
-\relative c' { c\dyn pfsss }
+\relative { c'\dyn pfsss }
@end lilypond
You could do the same using a music function, but then you always would
have to write a direction indicator before calling it, like
(ly:context-pushpop-property context grob 'color new-color)))
(for-each desaturate-grob '(NoteHead Stem Beam)))
-\relative g' {
+\relative {
\time 3/4
- g8[ g] \desaturate g[ g] \desaturate g[ g]
+ g'8[ g] \desaturate g[ g] \desaturate g[ g]
\override NoteHead.color = #darkred
\override Stem.color = #darkred
\override Beam.color = #darkred
(< (abs (ly:grob-property grob 'staff-position)) 2))
(set! (ly:grob-property grob 'transparent) #t)))
-\relative c' {
+\relative {
a'4 e8 <<\applyOutput #'Voice #blanker a c d>> b2
}
@end lilypond
@example
F = \tweak font-size #-3 -\flageolet
-\relative c'' @{
- c4^\F c4_\F
+\relative @{
+ c''4^\F c4_\F
@}
@end example
(ly:music-property m 'tweaks)))
m)
-\relative c'' @{
- c4^\F c4_\F
+\relative @{
+ c''4^\F c4_\F
@}
@end example
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.11"
+@c \version "2.19.21"
@node Scheme tutorial
@chapter Scheme tutorial
\once \override TextScript.padding = #padding
#})
-\relative c''' {
- c4^"piu mosso" b a b
+\relative {
+ c'''4^"piu mosso" b a b
\padText #1.8
c4^"piu mosso" d e f
\padText #2.6
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@c Translators: Jean-Charles Malahieude, John Mandereau, Gauvain Pocentek
la sélectionnons.
@lilypond
-\relative c {
+\relative {
\clef bass
e8[(_"12.04" f] g[ a b d,)] r4
}
voici le thème :
@lilypond
-\relative c' {
+\relative {
\key g \minor
\clef "treble_8"
- r8 d ees g, fis4 g
+ r8 d' ees g, fis4 g
r8 a16 bes c8 bes16 a bes8
}
@end lilypond
@lilypond[quote,fragment]
<<
-\new Staff \relative c'' {
+\new Staff \relative {
\key g \major
\time 3/4
- d4 g,8 a b c d4 g, g
+ d''4 g,8 a b c d4 g, g
}
-\new Staff \relative c' {
+\new Staff \relative {
\clef "bass"
\key g \major
<g b d>2 a4 b2.
}
>>
\new Staff = "LH" <<
- \new Voice = "III" \relative c' {
+ \new Voice = "III" \relative {
\time 2/4
\clef "bass"
g4 \stopStaff s
<<
\chords { c2 c f2 c }
\new Staff
- \relative c' {
+ \relative {
\time 2/4
- c4 c g' g a a g2
+ c'4 c g' g a a g2
}
\addlyrics { twin -- kle twin -- kle lit -- tle star }
>>
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.12"
+@c \version "2.19.21"
@c Translators: Valentin Villenave, Jean-Charles Malahieude
@c Translation checkers: Gilles Thibault
\revert NoteHead.font-size
}
-\relative c' {
- c2 \AltOn #0.5 c4 c
+\relative {
+ c'2 \AltOn #0.5 c4 c
\AltOn #1.5 c c \AltOff c2
}
@end lilypond
\revert NoteHead.font-size
#})
-\relative c' {
- c2 \withAlt #0.5 { c4 c }
+\relative {
+ c'2 \withAlt #0.5 { c4 c }
\withAlt #1.5 { c c } c2
}
@end lilypond
@lilypond[quote,verbatim,ragged-right]
dyn=#(define-event-function (parser location arg) (markup?)
(make-dynamic-script arg))
-\relative c' { c\dyn pfsss }
+\relative { c'\dyn pfsss }
@end lilypond
Vous pourriez obtenir le même résultat avec une fonction musicale, à
(ly:context-pushpop-property context grob 'color new-color)))
(for-each desaturate-grob '(NoteHead Stem Beam)))
-\relative g' {
+\relative {
\time 3/4
- g8[ g] \desaturate g[ g] \desaturate g[ g]
+ g'8[ g] \desaturate g[ g] \desaturate g[ g]
\override NoteHead.color = #darkred
\override Stem.color = #darkred
\override Beam.color = #darkred
(< (abs (ly:grob-property grob 'staff-position)) 2))
(set! (ly:grob-property grob 'transparent) #t)))
-\relative c' {
+\relative {
a'4 e8 <<\applyOutput #'Voice #blanker a c d>> b2
}
@end lilypond
@example
F = \tweak font-size #-3 -\flageolet
-\relative c'' @{
- c4^\F c4_\F
+\relative @{
+ c''4^\F c4_\F
@}
@end example
(ly:music-property m 'tweaks)))
m)
-\relative c'' @{
- c4^\F c4_\F
+\relative @{
+ c''4^\F c4_\F
@}
@end example
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.11"
+@c \version "2.19.21"
@c Translators: Jean-Charles Malahieude
\once \override TextScript.padding = #padding
#})
-\relative c''' {
- c4^"piu mosso" b a b
+\relative {
+ c'''4^"piu mosso" b a b
\padText #1.8
c4^"piu mosso" d e f
\padText #2.6
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@c Translators: Nicolas Grandclaude, Ludovic Sardain, Gauvain Pocentek
@c Translation checkers: Jean-Charles Malahieude, Valentin Villenave, John Mandereau
@c This example deliberately produces a warning
@lilypond[verbatim,quote]
-\relative g' {
-g1 | e1 | c2. c' | g4 c g e | c4 r r2 |
+\relative {
+g'1 | e1 | c2. c' | g4 c g e | c4 r r2 |
}
@end lilypond
chacune deux notes distinctes) sont combinées simultanément.
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
<<
- { a2 g }
+ { a'2 g }
{ f2 e }
{ d2 b }
>>
produite sur une unique portée.
@lilypond[verbatim,quote]
-\relative c'' {
- c2 <<c e>> |
+\relative {
+ c''2 <<c e>> |
<< { e2 f } { c <<b d>> } >> |
}
@end lilypond
@code{>>}, comme ci-dessous.
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
<<
- \new Staff { \clef "treble" c4 }
+ \new Staff { \clef "treble" c''4 }
\new Staff { \clef "bass" c,,4 }
>>
}
fréquente que la musique polyrythmique.
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
<<
- \new Staff { \clef "treble" \key d \major \time 3/4 c4 }
+ \new Staff { \clef "treble" \key d \major \time 3/4 c''4 }
\new Staff { \clef "bass" c,,4 }
>>
}
Voici un bref exemple :
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
\new PianoStaff <<
- \new Staff { \time 2/4 c4 e | g g, | }
+ \new Staff { \time 2/4 c''4 e | g g, | }
\new Staff { \clef "bass" c,,4 c' | e c | }
>>
}
come out to play}.
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4
+ d''4 b8 c4 a8 | d4 b8 g4
}
@end lilypond
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4
+ d''4 b8 c4 a8 | d4 b8 g4
}
\addlyrics {
Girls and boys come out to play,
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4 g8 |
+ d''4 b8 c4 a8 | d4 b8 g4 g8 |
a4 b8 c b a | d4 b8 g4. |
}
\addlyrics {
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4 g8 |
+ d''4 b8 c4 a8 | d4 b8 g4 g8 |
a4 b8 c( b) a | d4 b8 g4. |
}
\addlyrics {
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4 g8 |
+ d''4 b8 c4 a8 | d4 b8 g4 g8 |
a4 b8 c([ b]) a | d4 b8 g4. |
}
\addlyrics {
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4 g8 |
+ d''4 b8 c4 a8 | d4 b8 g4 g8 |
a4 b8 c[ b] a | d4 b8 g4. |
}
\addlyrics {
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \minor
\time 3/2
- g2 a bes | bes2( a) b2 |
+ g'2 a bes | bes2( a) b2 |
c4.( bes8 a4. g8 fis4.) g8 | fis1
}
\addlyrics {
@c but the example is long enough to avoid looking strange.
@lilypond[verbatim,quote,noragged-right]
<<
- \relative c' {
+ \relative {
\clef bass
\key c \major
\time 6/8
- c4.~ 8 d b | c8([ d]) b c d b | c8
+ c'4.~ 8 d b | c8([ d]) b c d b | c8
}
\addlyrics {
Lar -- go_al fac -- to -- tum del -- la cit -- tà
@lilypond[verbatim,quote]
violin = \new Staff {
- \relative c'' {
- a4 b c b
+ \relative {
+ a'4 b c b
}
}
cello = \new Staff {
- \relative c {
+ \relative {
\clef bass
e2 d
}
facile à lire et à saisir.
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
\key a \major
\time 6/8
- cis8. d16 cis8 e4 e8 |
+ cis''8. d16 cis8 e4 e8 |
b8. cis16 b8 d4 d8 |
}
@end lilypond
est indépendante de l'autre :
@lilypond[verbatim,quote]
-\relative c { c'4 \relative c'' { f g } c }
+\relative { c'4 \relative { f'' g } c }
@end lilypond
@funindex \absolute
explicitement de la musique relative le fragment en question :
@lilypond[verbatim,quote]
-\relative c { c'4 \absolute { f'' g'' } c }
+\relative { c'4 \absolute { f'' g'' } c }
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.20"
+@c \version "2.19.21"
@c Translators: Valentin Villenave, Jean-Charles Malahieude
@c Translation checkers: John Mandereau
simpliste. LilyPond considère
@example
-\relative c'' @{
- c4 a d c
+\relative @{
+ c''4 a d c
@}
@end example
\score @{
\new Staff @{
\new Voice @{
- \relative c'' @{
- c4 a b c
+ \relative @{
+ c''4 a b c
@}
@}
@}
tous les modèles, vous trouverez :
@example
-melodie = \relative c' @{
- c4 a b c
+melodie = \relative @{
+ c'4 a b c
@}
\score @{
commencer à écrire
@example
-\relative c'' @{
- r4 d8\noBeam g, c4 r
+\relative @{
+ r4 d''8\noBeam g, c4 r
@}
@end example
Avec quelques notes de plus et une clef de fa, nous pourrions avoir :
@lilypond[verbatim,quote,ragged-right]
-melody = \relative c'' { r4 d8\noBeam g, c4 r }
+melody = \relative { r4 d''8\noBeam g, c4 r }
text = \lyricmode { And God said, }
-upper = \relative c'' { <g d g,>2~ <g d g,> }
-lower = \relative c { b2 e2 }
+upper = \relative { <g' d g,>2~ <g d g,> }
+lower = \relative { b,2 e2 }
\score {
<<
@lilypond[verbatim,quote,ragged-right]
\new Staff {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f c c }
@lilypond[verbatim,quote,ragged-right]
\new Staff = "main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f c c }
automatiquement.
@lilypond[quote,verbatim]
-\new Staff \relative c' {
+\new Staff \relative {
% Main voice
- c16 d e f
+ c'16 d e f
% Voice "1" Voice "2" Voice "3"
<< { g4 f e } \\ { r8 e4 d c8~ } >> |
<< { d2 e } \\ { c8 b16 a b8 g~ 2 } \\ { s4 b c2 } >> |
liaison de prolongation entre deux constructions.
@lilypond[quote,verbatim]
-\new Staff \relative c' {
+\new Staff \relative {
% Main voice
- c16 d e f
+ c'16 d e f
<< % Bar 1
{
\voiceOneStyle
@c The following should appear as music without code
@lilypond[quote,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<< % Voice one
- { c2 aes4. bes8 }
+ { c''2 aes4. bes8 }
\\ % Voice two
{
% Ignore these for now - they are explained in Ch 4
saisir la première mesure dans trois voix :
@lilypond[quote,verbatim,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<<
- { c2 aes4. bes8 } \\ { <ees, c>2 des } \\ { aes'2 f4 fes }
+ { c''2 aes4. bes8 } \\ { <ees, c>2 des } \\ { aes'2 f4 fes }
>> |
<c ees aes c>1 |
}
plaçant la musique dans la voix 4 grâce à un @code{\\} supplémentaire :
@lilypond[quote,verbatim,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<< % Voice one
- { c2 aes4. bes8 }
+ { c''2 aes4. bes8 }
\\ % Voice two
{ <ees, c>2 des }
\\ % Omit Voice three
@example
\new Staff @{
- \relative c' @{
- << @{ e4 f g a @} \\ @{ c,4 d e f @} >>
+ \relative @{
+ << @{ e'4 f g a @} \\ @{ c,4 d e f @} >>
@}
@}
@end example
@example
\new Staff <<
- \new Voice = "1" @{ \voiceOne \relative c' @{ e4 f g a @} @}
- \new Voice = "2" @{ \voiceTwo \relative c' @{ c4 d e f @} @}
+ \new Voice = "1" @{ \voiceOne \relative @{ e'4 f g a @} @}
+ \new Voice = "2" @{ \voiceTwo \relative @{ c'4 d e f @} @}
>>
@end example
@c The following example should not display the code
@lilypond[ragged-right,quote]
\new Staff <<
- \new Voice = "1" { \voiceOne \relative c' { e4 f g a } }
- \new Voice = "2" { \voiceTwo \relative c' { c4 d e f } }
+ \new Voice = "1" { \voiceOne \relative { e'4 f g a } }
+ \new Voice = "2" { \voiceTwo \relative { c'4 d e f } }
>>
@end lilypond
annotations, liaisons de prolongation ou de phrasé, et sur les nuances.
@lilypond[quote,ragged-right,verbatim]
-\relative c' {
+\relative {
% Default behavior or behavior after \oneVoice
- c4 d8~ 8 e4( f | g4 a) b-> c |
+ c'4 d8~ 8 e4( f | g4 a) b-> c |
}
@end lilypond
plus naturelle de saisir la musique :
@lilypond[quote,ragged-right,verbatim]
-\new Staff \relative c' {
- c16^( d e f
+\new Staff \relative {
+ c'16^( d e f
<<
{ g4 f e | d2 e) | }
\new Voice {
@lilypond[quote,verbatim]
global = { \key f \major \time 6/8 \partial 8 }
-SopOneMusic = \relative c'' {
- c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4
+SopOneMusic = \relative {
+ c''8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4
}
SopOneLyrics = \lyricmode {
Let | flee -- cy flocks the | hills a -- dorn, __
}
-SopTwoMusic = \relative c' {
- r8 | r4. r4 c8 | a'8([ g)] f f([ e)] d | e8([ d)] c bes'
+SopTwoMusic = \relative {
+ r8 | r4. r4 c'8 | a'8([ g)] f f([ e)] d | e8([ d)] c bes'
}
SopTwoLyrics = \lyricmode {
Let | flee -- cy flocks the | hills a -- dorn,
@lilypond[quote,verbatim]
keyTime = { \key c \major \time 4/4 \partial 4 }
-SopMusic = \relative c' { c4 | e4. e8 g4 g | a4 a g }
-AltoMusic = \relative c' { c4 | c4. c8 e4 e | f4 f e }
-TenorMusic = \relative c { e4 | g4. g8 c4. b8 | a8 b c d e4 }
-BassMusic = \relative c { c4 | c4. c8 c4 c | f8 g a b c4 }
+SopMusic = \relative { c'4 | e4. e8 g4 g | a4 a g }
+AltoMusic = \relative { c'4 | c4. c8 e4 e | f4 f e }
+TenorMusic = \relative { e4 | g4. g8 c4. b8 | a8 b c d e4 }
+BassMusic = \relative { c4 | c4. c8 c4 c | f8 g a b c4 }
VerseOne =
\lyricmode { E -- | ter -- nal fa -- ther, | strong to save, }
\key g \minor
\clef "treble"
\new Voice { % create voice for RH notes
- \relative c'' { % start of RH notes
- d4 ees16 c8. |
+ \relative { % start of RH notes
+ d''4 ees16 c8. |
d4 ees16 c8. |
} % end of RH notes
} % end of RH voice
\clef "bass"
\new Voice { % create LH voice one
\voiceOne
- \relative g { % start of LH voice one notes
+ \relative { % start of LH voice one notes
g8 <bes d> ees, <g c> |
g8 <bes d> ees, <g c> |
} % end of LH voice one notes
} % end of LH voice one
\new Voice { % create LH voice two
\voiceTwo
- \relative g { % start of LH voice two notes
+ \relative { % start of LH voice two notes
g4 ees |
g4 ees |
} % end of LH voice two notes
@lilypond[quote,verbatim,ragged-right]
<<
- \new Staff \relative c'' {
- aeses2 aes
+ \new Staff \relative {
+ aeses'2 aes
}
\new Staff \relative c'' {
\set Staff.extraNatural = ##f
@lilypond[quote,verbatim,ragged-right]
<<
- \new Staff \relative c'' {
- aeses2 aes
+ \new Staff \relative {
+ aeses'2 aes
}
\new Staff \relative c'' {
\set Score.extraNatural = ##f
@lilypond[quote,verbatim,ragged-right]
<<
\new Staff
- \relative c'' {
- gisis4 gis aeses aes
+ \relative {
+ gisis'4 gis aeses aes
}
\new Staff \with { extraNatural = ##f } {
- \relative c'' {
- gisis4 gis aeses aes
+ \relative {
+ gisis'4 gis aeses aes
}
}
>>
@lilypond[verbatim,quote]
\score {
\new Staff {
- \relative c'' {
- cisis4 e d cis
+ \relative {
+ cisis''4 e d cis
}
}
\layout {
\score {
<<
\new Staff {
- \relative c'' {
- gisis4 gis aeses aes
+ \relative {
+ gisis'4 gis aeses aes
}
}
\new Staff {
- \relative c'' {
- gisis4 gis aeses aes
+ \relative {
+ gisis'4 gis aeses aes
}
}
>>
\new Staff \with {
\remove "Staff_symbol_engraver"
}
-\relative c' {
- c4 d
+\relative {
+ c'4 d
\set fontSize = #-4 % make note heads smaller
e4 f |
\set fontSize = #2.5 % make note heads larger
\score {
<<
\new Staff {
- \relative c'' {
- c4 a b g
+ \relative {
+ c''4 a b g
}
}
\new Staff {
- \relative c' {
- c4 a b g
+ \relative {
+ c'4 a b g
}
}
\new Staff {
\clef "G_8"
- \relative c' {
- c4 a b g
+ \relative {
+ c'4 a b g
}
}
\new Staff {
\clef "bass"
- \relative c {
+ \relative {
c4 a b g
}
}
@example
\version @w{"@version{}"}
-melodie = \relative c' @{
+melodie = \relative @{
\clef "treble"
\key c \major
\time 4/4
@example
\version @w{"@version{}"}
-melodie = \relative c' @{
+melodie = \relative @{
\clef "treble"
\key c \major
\time 4/4
@example
\version @w{"@version{}"}
-sopranoMusique = \relative c' @{
+sopranoMusique = \relative @{
\clef "treble"
\key c \major
\time 4/4
Laaa Siii Dooo Rééé
@}
-violoncelleMusique = \relative c @{
+violoncelleMusique = \relative @{
\clef "bass"
\key c \major
\time 4/4
soprano et violoncelle au complet :
@lilypond[quote,verbatim,ragged-right,addversion]
-sopranoMusic = \relative c' {
+sopranoMusic = \relative {
\clef "treble"
\key c \major
\time 4/4
Aaa Bee Cee Dee
}
-celloMusic = \relative c {
+celloMusic = \relative {
\clef "bass"
\key c \major
\time 4/4
@lilypond[quote,ragged-right]
global = { \key d \major \time 4/4 }
-sopranoMusic = \relative c'' {
+sopranoMusic = \relative {
\clef "treble"
- r4 d2 a4 | d4. d8 a2 | cis4 d cis2 |
+ r4 d''2 a4 | d4. d8 a2 | cis4 d cis2 |
}
sopranoWords = \lyricmode {
Wor -- thy | is the lamb | that was slain |
}
-altoMusic = \relative a' {
+altoMusic = \relative {
\clef "treble"
- r4 a2 a4 | fis4. fis8 a2 | g4 fis e2 |
+ r4 a'2 a4 | fis4. fis8 a2 | g4 fis e2 |
}
altoWords = \sopranoWords
-tenorMusic = \relative c' {
+tenorMusic = \relative {
\clef "G_8"
- r4 fis2 e4 | d4. d8 d2 | e4 a, cis2 |
+ r4 fis'2 e4 | d4. d8 d2 | e4 a, cis2 |
}
tenorWords = \sopranoWords
-bassMusic = \relative c' {
+bassMusic = \relative {
\clef "bass"
- r4 d2 cis4 | b4. b8 fis2 | e4 d a'2 |
+ r4 d'2 cis4 | b4. b8 fis2 | e4 d a'2 |
}
bassWords = \sopranoWords
@lilypond[quote,verbatim,ragged-right,addversion]
global = { \key d \major \time 4/4 }
-sopranoMusic = \relative c'' {
+sopranoMusic = \relative {
\clef "treble"
- r4 d2 a4 | d4. d8 a2 | cis4 d cis2 |
+ r4 d''2 a4 | d4. d8 a2 | cis4 d cis2 |
}
sopranoWords = \lyricmode {
Wor -- thy | is the lamb | that was slain |
}
-altoMusic = \relative a' {
+altoMusic = \relative {
\clef "treble"
- r4 a2 a4 | fis4. fis8 a2 | g4 fis fis2 |
+ r4 a'2 a4 | fis4. fis8 a2 | g4 fis fis2 |
}
altoWords = \sopranoWords
-tenorMusic = \relative c' {
+tenorMusic = \relative {
\clef "G_8"
- r4 fis2 e4 | d4. d8 d2 | e4 a, cis2 |
+ r4 fis'2 e4 | d4. d8 d2 | e4 a, cis2 |
}
tenorWords = \sopranoWords
-bassMusic = \relative c' {
+bassMusic = \relative {
\clef "bass"
- r4 d2 cis4 | b4. b8 fis2 | e4 d a'2 |
+ r4 d'2 cis4 | b4. b8 fis2 | e4 d a'2 |
}
bassWords = \sopranoWords
upper = \relative a' {
composer = "J S Bach"
}
keyTime = { \key c \minor \time 4/4 }
-ManualOneVoiceOneMusic = \relative g' {
- g4 g f ees |
+ManualOneVoiceOneMusic = \relative {
+ g'4 g f ees |
d2 c |
}
-ManualOneVoiceTwoMusic = \relative c' {
- ees16 d ees8~ 16 f ees d c8 d~ d c~ |
+ManualOneVoiceTwoMusic = \relative {
+ ees'16 d ees8~ 16 f ees d c8 d~ d c~ |
8 c4 b8 c8. g16 c b c d |
}
-ManualTwoMusic = \relative c' {
- c16 b c8~ 16 b c g a8 g~ 16 g aes ees |
+ManualTwoMusic = \relative {
+ c'16 b c8~ 16 b c g a8 g~ 16 g aes ees |
f16 ees f d g aes g f ees d ees8~ 16 f ees d |
}
-PedalOrganMusic = \relative c {
+PedalOrganMusic = \relative {
r8 c16 d ees d ees8~ 16 a, b g c b c8 |
r16 g ees f g f g8 c,2 |
}
Jusqu'à maintenant, vous avez vu ce type de code :
@lilypond[quote,verbatim,ragged-right]
-hornNotes = \relative c'' { c4 b dis c }
+hornNotes = \relative { c''4 b dis c }
\score {
{
\hornNotes
musique minimaliste :
@lilypond[quote,verbatim,ragged-right]
-fragmentA = \relative c'' { a4 a8. b16 }
-fragmentB = \relative c'' { a8. gis16 ees4 }
+fragmentA = \relative { a'4 a8. b16 }
+fragmentB = \relative { a'8. gis16 ees4 }
violin = \new Staff { \fragmentA \fragmentA \fragmentB \fragmentA }
\once \override TextScript.padding = #padding
#})
-\relative c'' {
- c4^"piu mosso" b a b
+\relative {
+ c''4^"piu mosso" b a b
\padText #1.8
c4^"piu mosso" b a b
\padText #2.6
partie suivante pour un duo cor/@/basson.
@example
-notesCor = \relative c @{
+notesCor = \relative @{
\time 2/4
r4 f8 a | cis4 f | e d |
@}
transposition est visible comme suit :
@lilypond[quote,ragged-right]
-\transpose f c' \relative c {
+\transpose f c' \relative {
\time 2/4
r4 f8 a | cis4 f | e d |
}
instruction, on obtient le résultat suivant :
@lilypond[quote,ragged-right]
-\compressMMRests \transpose f c' \relative c {
+\compressMMRests \transpose f c' \relative {
\time 2/4
R2*3 |
r4 f8 a | cis4 f | e d |
ce qui équivaut à
@lilypond[quote,ragged-right]
-\relative c <<
+\relative <<
\new Staff {
\clef "treble"
\time 2/4
@include included/generating-output.itexi
-@c \version "2.16.0"
+@c \version "2.19.21"
@c Translators: Nicolas Grandclaude, Ludovic Sardain, Gauvain Pocentek
@c Translation checkers: Jean-Charles Malahieude, Valentin Villenave, John Mandereau
@lilypond[verbatim,quote]
% set the starting point to middle C
-\relative c' {
- c d e f
+\relative {
+ c' d e f
g a b c
}
@end lilypond
@code{\relative} :
@lilypond[verbatim,quote]
-\relative c' {
- d f a g
+\relative {
+ d' f a g
c b f d
}
@end lilypond
@lilypond[verbatim,quote]
% one octave above middle C
-\relative c'' {
- e c a c
+\relative {
+ e'' c a c
}
@end lilypond
plus à une quarte descendante du si.
@lilypond[verbatim,quote]
-\relative c'' {
- b c % c is 1 staff space up, so is the c above
+\relative {
+ b' c % c is 1 staff space up, so is the c above
b d % d is 2 up or 5 down, so is the d above
b e % e is 3 up or 4 down, so is the e above
b a % a is 6 up or 1 down, so is the a below
hauteur d'une octave -- au nom de la note.
@lilypond[verbatim,quote]
-\relative c'' {
- a a, c' f,
+\relative {
+ a' a, c' f,
g g'' a,, f'
}
@end lilypond
est une noire.
@lilypond[verbatim,quote]
-\relative c'' {
- a1
+\relative {
+ a'1
a2 a4 a8 a
a16 a a a a32 a a a a64 a a a a a a a a2
}
la durée de base.
@lilypond[verbatim,quote]
-\relative c'' {
- a a a4. a8
+\relative {
+ a' a a4. a8
a8. a16 a a8. a8 a4.
}
@end lilypond
lettre @code{r} (pour @emph{rest}).
@lilypond[verbatim,quote]
-\relative c'' {
- a r r2
+\relative {
+ a' r r2
r8 a r4 r4. r8
}
@end lilypond
peut être définie à l'aide de la commande @code{\time} :
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
\time 3/4
- a4 a a
+ a'4 a a
\time 6/8
a4. a
\time 4/4
@code{\clef} :
@lilypond[verbatim,quote]
-\relative c' {
+\relative {
\clef "treble"
- c1
+ c'1
\clef "alto"
c1
\clef "tenor"
vus :
@lilypond[verbatim,quote]
-\relative c, {
+\relative {
\clef "bass"
\time 3/4
- c2 e8 c'
+ c,2 e8 c'
g'2.
f4 e d
c4 c, r
@c no verbatim here
@c KEEP LY
@lilypond[quote,ragged-right]
-\relative c'' {
- c-\markup { \bold \huge { Cliquez ici. } }
+\relative {
+ c''-\markup { \bold \huge { Cliquez ici. } }
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.16"
+@c \version "2.19.21"
@c Translators: Valentin Villenave, Nicolas Klutchnikoff, Damien Heurtebise
@c Translation checkers: Jean-Charles Malahieude, John Mandereau
\override NoteHead.color = #red
\override NoteHead.font-size = 2
}
-\relative c'' {
- c4 a \once \emphNoteHead f d |
+\relative {
+ c''4 a \once \emphNoteHead f d |
}
@end lilypond
\override NoteHead.color = #red
\override NoteHead.font-size = 2
}
-\relative c'' {
- <c a \single \emphNoteHead f d>4
+\relative {
+ <c'' a \single \emphNoteHead f d>4
}
@end lilypond
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,ragged-right,verbatim]
<<
\new Staff {
- \relative c' { c4 a, }
+ \relative { c'4 a, }
}
\new Staff {
- \relative c'''' { c4 a, }
+ \relative { c''''4 a, }
}
>>
@end lilypond
@lilypond[quote,ragged-right,verbatim]
sesquisharp = \markup { \sesquisharp }
-\relative c'' {
- c4
+\relative {
+ c''4
% This prints a sesquisharp but the spacing is too small
\once \override Accidental.stencil = #ly:text-interface::print
\once \override Accidental.text = #sesquisharp
nous avions laissé dans cet état :
@lilypond[quote,verbatim,fragment,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<<
- { c2 aes4. bes8 }
+ { c''2 aes4. bes8 }
\\
{ <ees, c>2 des }
\\
@cindex force-hshift, exemple d'utilisation de la propriété
@lilypond[quote,verbatim,fragment,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<<
- { c2 aes4. bes8 }
+ { c''2 aes4. bes8 }
\\
{ <ees, c>2 \once \override NoteColumn.force-hshift = #0.5 des }
\\
@c This example should not be indexed
@c line-width ensures no break
@lilypond[quote,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4. g8 |
+ r2 c''4. g8 |
bes1~ |
\time 6/4
bes2. r8
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2 |
+lhMusic = \relative {
+ r2 <c' g ees>2 |
<d g, d>1 |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
bes1~ |
\time 6/4
bes2. r8
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1) |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
global = { \key c \major \time 4/4 \partial 4 }
-SopranoMusic = \relative c' { c4 | e4. e8 g4 g | a4 a g }
-AltoMusic = \relative c' { c4 | c4. c8 e4 e | f4 f e }
-TenorMusic = \relative c { e4 | g4. g8 c4. b8 | a8 b c d e4 }
-BassMusic = \relative c { c4 | c4. c8 c4 c | f8 g a b c4 }
+SopranoMusic = \relative { c'4 | e4. e8 g4 g | a4 a g }
+AltoMusic = \relative { c'4 | c4. c8 e4 e | f4 f e }
+TenorMusic = \relative { e4 | g4. g8 c4. b8 | a8 b c d e4 }
+BassMusic = \relative { c4 | c4. c8 c4 c | f8 g a b c4 }
VerseOne = \lyrics {
E -- | ter -- nal \emphasize Fa -- ther, | \normal strong to save,
@end ignore
-@c \version "2.17.30"
+@c \version "2.19.21"
@c Translators: Jean-Charles Malahieude
@lilypond[quote,ragged-right]
\score {
- \relative c'' {
- a1
+ \relative {
+ a'1
\break
g
}
@lilypond[verbatim,ragged-right]
\include "gregorian.ly"
-chant = \relative c' {
+chant = \relative {
\clef "G_8"
- c\breve c4 b4 a c2 c4 \divisioMaior
+ c'\breve c4 b4 a c2 c4 \divisioMaior
c\breve c4 c f, f \finalis
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.20"
+@c \version "2.19.21"
@c Translators: Valentin Villenave, Jean-Charles Malahieude
@c Translation checkers: Gilles Thibault
% musical content
\context Voice = "one" {
- \relative c'' {
- c4 c c c
+ \relative {
+ c''4 c c c
}
}
\context Voice = "two" {
- \relative c'' {
- g8 g g4 g g
+ \relative {
+ g'8 g g4 g g
}
}
>>
% musical content
\context Voice = "one" {
- \relative c'' {
- c4 c c c
+ \relative {
+ c''4 c c c
}
}
\context Voice = "two" {
- \relative c'' {
- g8 g g4 g g
+ \relative {
+ g'8 g g4 g g
}
}
>>
@code{\applyContext} devra s'exécuter.
@example
-\new Staff \relative c' @{
- c1
+\new Staff \relative @{
+ c'1
\context Timing
\applyContext #(lambda (ctx)
(newline)
jusqu'à la fin du morceau :
@lilypond[quote,verbatim]
-musicA = \relative c'' { d4 d d d }
-musicB = \relative c'' { g4 g g g }
+musicA = \relative { d''4 d d d }
+musicB = \relative { g'4 g g g }
keepVoicesAlive = {
<<
\new Voice = "A" { s1*5 } % Keep Voice "A" alive for 5 bars
réalité, mélodie et accompagnement feraient l'objet de portées séparées.
@lilypond[quote,verbatim]
-melody = \relative c'' { a4 a a a }
-accompaniment = \relative c' { d4 d d d }
+melody = \relative { a'4 a a a }
+accompaniment = \relative { d'4 d d d }
words = \lyricmode { These words fol -- low the mel -- o -- dy }
\score {
<<
silences invisibles tout au long de l'accompagnement :
@lilypond[quote,verbatim]
-melody = \relative c'' {
+melody = \relative {
s1 % skip a bar
- a4 a a a
+ a'4 a a a
s1 % skip a bar
a4 a a a
}
-accompaniment = \relative c' {
- d4 d d d
+accompaniment = \relative {
+ d'4 d d d
d4 d d d
d4 d d d
d4 d d d
\consists "Timing_translator"
\consists "Default_bar_line_engraver"
}
- \relative c'' {
+ \relative {
\time 3/4
- c4 c c c c c
+ c''4 c c c c c
}
\new Staff \with {
\consists "Timing_translator"
\consists "Default_bar_line_engraver"
}
- \relative c'' {
+ \relative {
\time 2/4
- c4 c c c c c
+ c''4 c c c c c
}
>>
\layout {
@c KEEP LY
@lilypond[quote,verbatim]
\score {
- \relative c'' {
- a4^"Hampes épaisses" a a a
+ \relative {
+ a'4^"Hampes épaisses" a a a
a4 a a\ff a
}
\layout {
@c KEEP LY
@lilypond[quote,verbatim]
\score {
- \relative c'' {
- a4^"Fontes plus petites" a a a
+ \relative {
+ a'4^"Fontes plus petites" a a a
a4 a a\ff a
}
\layout {
@c KEEP LY
@lilypond[quote,verbatim]
\score {
- \relative c'' {
- a4^"Nuance en surplomb" a a a
+ \relative {
+ a'4^"Nuance en surplomb" a a a
a4 a a\ff a
}
\layout {
\score {
\new Staff {
- \relative c'' {
- a4^"Petite police" a a a
+ \relative {
+ a'4^"Petite police" a a a
a4 a a a
}
}
@lilypond[quote,verbatim]
\score {
\new Staff {
- \relative c'' {
- a4^"Petite police" a a a
+ \relative {
+ a'4^"Petite police" a a a
a4 a a a
}
}
\new Staff {
\new Voice \with { \override Stem.thickness = #4.0 }
{
- \relative c'' {
- a4^"Hampes épaisses" a a a
+ \relative {
+ a'4^"Hampes épaisses" a a a
a4 a a a
}
}
\score {
<<
\new Staff {
- \relative c'' {
- a4^"Default font" a a a
+ \relative {
+ a'4^"Default font" a a a
a4 a a a
}
}
\new Staff \with { fontSize = #-4 }
{
- \relative c'' {
- a4^"Smaller font" a a a
+ \relative {
+ a'4^"Smaller font" a a a
a4 a a a
}
}
<<
\new Staff {
\new Voice {
- \relative c'' {
- a4^"Nuances en dessous" a a a
+ \relative {
+ a'4^"Nuances en dessous" a a a
a4 a a\ff a
}
}
{
\new Voice \with { \dynamicUp }
{
- \relative c'' {
- a4^"Nuances en surplomb" a a a
+ \relative {
+ a'4^"Nuances en surplomb" a a a
a4 a a\ff a
}
}
\accepts "ImproVoice"
}}
-\relative c'' {
- a4 d8 bes8 \new ImproVoice { c4^"ad lib" c
+\relative {
+ a'4 d8 bes8 \new ImproVoice { c4^"ad lib" c
c4 c^"dévêtez-vous" c_"tout en jouant :)" c }
a1
}
On peut alors saisir la musique, comme dans l'exemple plus haut :
@example
-\relative c'' @{
- a4 d8 bes8
+\relative @{
+ a'4 d8 bes8
\new ImproVoice @{
c4^"ad lib" c
c4 c^"dévêtez-vous"
\musicglyph #"noteheads.s2cross"
}
}
-\relative c'' {
- a a \XinO a a
+\relative {
+ a' a \XinO a a
}
@end lilypond
\once \override TextScript.padding = #padding
#})
-\relative c'' {
- c4^"piu mosso" b a b
+\relative {
+ c''4^"piu mosso" b a b
\padText #1.8
c4^"piu mosso" b a b
\padText #2.6
#note
#})
-\relative c' { c4 d e f \custosNote g }
+\relative { c'4 d e f \custosNote g }
@end lilypond
Une fonction de substitution peut traiter plusieurs arguments :
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.30"
+@c \version "2.19.21"
@c Translators: Valentin Villenave,Jean-Charles Malahieude
@c Translation checkers: Jean-Charles Malahieude, John Mandereau
la basse.
@lilypond[verbatim,quote]
-chordmusic = \relative c' {
- <c e g>2 <f bes c>
+chordmusic = \relative {
+ <c' e g>2 <f bes c>
<f c' e g>1
\chordmode {
c2 f:sus4 c1:/f
@lilypond[verbatim,ragged-right,quote]
<<
- \relative c'' {
- c4 c'8 r8 c,4 c'
+ \relative {
+ c''4 c'8 r8 c,4 c'
}
\new FiguredBass {
\figuremode {
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.18.0"
+@c \version "2.19.21"
@c Translators: Jean-Charles Malahieude
\consists "Horizontal_bracket_engraver"
}
}
-\relative c'' {
- c2\startGroup
+\relative {
+ c''2\startGroup
d\stopGroup
}
@end lilypond
\consists "Horizontal_bracket_engraver"
}
}
-\relative c'' {
- c4\startGroup\startGroup
+\relative {
+ c''4\startGroup\startGroup
d4\stopGroup
e4\startGroup
d4\stopGroup\stopGroup
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.18.0"
+@c \version "2.19.21"
@c Translators: Valentin Villenave, Jean-Charles Malahieude
@c Translation checkers: Jean-Charles Malahieude, John Mandereau
@lilypond[verbatim,quote]
<<
- \new Staff \relative c' {
- c2 d4 e |
+ \new Staff \relative {
+ c'2 d4 e |
c4 e e,2 |
g'4 a g a |
c1 |
@lilypond[verbatim,quote]
moltoF = \markup { molto \dynamic f }
-\relative c' {
- <d e>16_\moltoF <d e>
+\relative {
+ <d' e>16_\moltoF <d e>
<d e>2..
}
@end lilypond
\center-align \concat { \bold { \italic ( }
\dynamic f \bold { \italic ) } } }
boxF = \markup { \bracket { \dynamic f } }
-\relative c' {
- c1_\roundF
+\relative {
+ c'1_\roundF
c1_\boxF
}
@end lilypond
@lilypond[verbatim,quote]
sfzp = #(make-dynamic-script "sfzp")
-\relative c' {
- c4 c c\sfzp c
+\relative {
+ c'4 c c\sfzp c
}
@end lilypond
roundFdynamic = #(make-dynamic-script roundF)
boxFdynamic = #(make-dynamic-script boxF)
mfEspressDynamic = #(make-dynamic-script mfEspress)
-\relative c' {
- c4_\roundFdynamic\< d e f
+\relative {
+ c'4_\roundFdynamic\< d e f
g,1~_\boxFdynamic\>
g
g'~\mfEspressDynamic
moltoF = #(make-dynamic-script
(markup #:normal-text "molto"
#:dynamic "f"))
-\relative c' {
- <d e>16 <d e>
+\relative {
+ <d' e>16 <d e>
<d e>2..\moltoF
}
@end lilypond
#(make-dynamic-script
(markup #:normal-text "molto"
#:dynamic "f"))
-\relative c' {
- <d e>16 <d e>
+\relative {
+ <d' e>16 <d e>
<d e>2..\moltoF <d e>1
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@c Translators: Matthieu Jacquot
@c Translation checkers: Jean-Charles Malahieude
automatiquement.
@lilypond[quote,ragged-right,verbatim]
-\new TabStaff \relative c' {
+\new TabStaff \relative {
a,8 a' <c e> a
d,8 a' <d f> a
}
@lilypond[quote,ragged-right,verbatim]
\layout { \omit Voice.StringNumber }
\new StaffGroup <<
- \new Staff \relative c {
+ \new Staff \relative {
\clef "treble_8"
\time 2/4
c16 d e f g4
c,16\5 d\5 e\4 f\4 g4\4
c,16 d e f g4
}
- \new TabStaff \relative c {
+ \new TabStaff \relative {
c16 d e f g4
c,16\5 d\5 e\4 f\4 g4\4
\set TabStaff.minimumFret = #5
instruction est abrégée en @code{\tabChordRepeats}.
@lilypond[quote,verbatim]
-guitar = \relative c' {
+guitar = \relative {
r8 <gis-2 cis-3 b-0>~ q4 q8~ 8 q4
}
\omit StringNumber
} {
\clef "bass_8"
- \relative c, {
- c4 d e f
+ \relative {
+ c,4 d e f
}
}
\new TabStaff \with {
stringTunings = #bass-tuning
} {
- \relative c, {
- c4 d e f
+ \relative {
+ c,4 d e f
}
}
>>
bien sur une portée normale que dans une tablature :
@lilypond[quote,ragged-right,verbatim]
-music = \relative c' {
+music = \relative {
< a\3 \deadNote c\2 a'\1 >4
< b\3 \deadNote d\2 b'\1 >
< c\3 \deadNote e\2 c'\1 >
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@c Translators: Jean-Charles Malahieude, Valentin Villenave
tagline = "... music notation for Everyone"
}
\score {
- \relative c' {
- c4 d e f
+ \relative {
+ c'4 d e f
}
}
}
@lilypond[quote,verbatim,papersize=a8landscape]
\book {
\header { tagline = ##f }
- \relative c'' {
- a4_\footnote #'(0 . -1) "Une liaison arbitrairement en dessous" (
+ \relative {
+ a'4_\footnote #'(0 . -1) "Une liaison arbitrairement en dessous" (
b8^\footnote #'(1 . 0.5) "Une ligature manuelle forcée en haut" [
b8 ]
c4 )
\auto-footnote "recent" \italic " Aug 2012"
"composition."
}
- \relative c' {
+ \relative {
a'4 b8 e c4 d
}
}
}
"composition."
}
- \relative c' {
+ \relative {
a'4 b8 e c4 d
}
}
}
"composition."
}
- \relative c' {
+ \relative {
a'4 b8 e c4 d
}
}
@ref{Regroupement automatique de parties}. Prenons l'exemple suivant :
@lilypond[verbatim,quote]
-sopranoMusic = \relative c'' { a4 b c b8( a) }
-altoMusic = \relative g' { e4 e e f }
-tenorMusic = \relative c' { c4 b e d8( c) }
-bassMusic = \relative c' { a4 gis a d, }
+sopranoMusic = \relative { a'4 b c b8( a) }
+altoMusic = \relative { e'4 e e f }
+tenorMusic = \relative { c'4 b e d8( c) }
+bassMusic = \relative { a4 gis a d, }
allLyrics = \lyricmode {King of glo -- ry }
<<
\new Staff = "Soprano" \sopranoMusic
comportera les ornements développés.
@lilypond[verbatim,quote]
-music = \relative g' {
- g8. c32 d
+music = \relative {
+ g'8. c32 d
\tag #'trills { d8.\trill }
\tag #'expand { \repeat unfold 3 { e32 d } }
c32 d
Il est parfois plus aisé d'exclure des fragments :
@lilypond[verbatim,quote]
-music = \relative g' {
- g8. c32 d
+music = \relative {
+ g'8. c32 d
\tag #'trills { d8.\trill }
\tag #'expand {\repeat unfold 3 { e32 d } }
c32 d
à vo -- cê uma can -- ção legal
}
-\relative c' {
- c2 d e f g f e
+\relative {
+ c'2 d e f g f e
}
\addlyrics { \bulgarian }
\addlyrics { \hebrew }
@lilypond[quote,verbatim]
\score {
- \relative c'' {
- c1 \mark \markup { \char ##x03EE }
+ \relative {
+ c''1 \mark \markup { \char ##x03EE }
c1_\markup { \tiny { \char ##x03B1 " to " \char ##x03C9 } }
}
\addlyrics { O \markup { \concat { Ph \char ##x0153 be! } } }
\set Staff.midiInstrument = #"cello"
\set Score.dynamicAbsoluteVolumeFunction = #myDynamics
\new Voice {
- \relative c'' {
- a4\pp b c-\rfz
+ \relative {
+ a'4\pp b c-\rfz
}
}
}
\key g \major
\time 2/2
\set Staff.midiInstrument = #"flute"
- \new Voice \relative c''' {
- r2 g\mp g fis~
+ \new Voice \relative {
+ r2 g''\mp g fis~
4 g8 fis e2~
4 d8 cis d2
}
\new Staff {
\key g \major
\set Staff.midiInstrument = #"clarinet"
- \new Voice \relative c'' {
- b1\p a2. b8 a
+ \new Voice \relative {
+ b'1\p a2. b8 a
g2. fis8 e
fis2 r
}
\set Staff.midiInstrument = #"flute"
\set Staff.midiMinimumVolume = #0.7
\set Staff.midiMaximumVolume = #0.9
- \new Voice \relative c''' {
- r2 g\mp g fis~
+ \new Voice \relative {
+ r2 g''\mp g fis~
4 g8 fis e2~
4 d8 cis d2
}
\set Staff.midiInstrument = #"clarinet"
\set Staff.midiMinimumVolume = #0.3
\set Staff.midiMaximumVolume = #0.6
- \new Voice \relative c'' {
- b1\p a2. b8 a
+ \new Voice \relative {
+ b'1\p a2. b8 a
g2. fis8 e
fis2 r
}
\time 2/2
\set Score.instrumentEqualizer = #my-instrument-equalizer
\set Staff.midiInstrument = #"flute"
- \new Voice \relative c''' {
- r2 g\mp g fis~
+ \new Voice \relative {
+ r2 g''\mp g fis~
4 g8 fis e2~
4 d8 cis d2
}
\new Staff {
\key g \major
\set Staff.midiInstrument = #"clarinet"
- \new Voice \relative c'' {
- b1\p a2. b8 a
+ \new Voice \relative {
+ b'1\p a2. b8 a
g2. fis8 e
fis2 r
}
@lilypond[verbatim,quote]
\score {
- \relative c' {
- c4 cih cis cisih
+ \relative {
+ c'4 cih cis cisih
d4 dih ees eeh
e4 eih f fih
fis4 fisih g gih
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.19.21"
@c Translators: Valentin Villenave, Jean-Charles Malahieude
@c Translation checkers: Jean-Charles Malahieude, John Mandereau
\new Staff = "up" {
\new Voice = "melodieUn" {
\key g \major
- \autochange \relative c' {
+ \autochange \relative {
g8 b a c b d c e
d8 r fis, g a2
}
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@c Translators: Frédéric Chiasson
@c Translation checkers: Valentin Villenave, Jean-Charles Malahieude
il est de fait aisé de déterminer d'autres octaves de @code{c}.
Pour une musique qui commencerait par un sol dièse (@code{gis}) au
dessus du do suraigu (@code{c'''}), vous écririez quelque chose
-comme @code{\relative c''' @{ gis' @dots{} @}}
+comme @code{\relative @{ gis''' @dots{} @}}
@item une octave de la première note de l'expression
-Écrire @code{\relative gis''' @{ gis @dots{} @}} permet de
+Écrire @code{\relative @{ gis''' @dots{} @}} permet de
déterminer facilement la hauteur absolue de la première note de
l'expression.
Voici le mode @code{\relative} en action.
@lilypond[verbatim,quote]
-\relative c {
+\relative {
\clef bass
c d e f
g a b c
dépassant la quarte.
@lilypond[verbatim,quote]
-\relative c'' {
- c g c f,
+\relative {
+ c'' g c f,
c' a, e'' c
}
@end lilypond
de notes peut tout à fait couvrir un intervalle important.
@lilypond[verbatim,quote]
-\relative c {
+\relative {
c f b e
a d g c
}
dernière clause @code{\relative} qui est prise en compte.
@lilypond[verbatim,quote]
-\relative c' {
- c d e f
- \relative c'' {
- c d e f
+\relative {
+ c' d e f
+ \relative {
+ c'' d e f
}
}
@end lilypond
bloc @code{\transpose}.
@lilypond[verbatim,quote]
-\relative c' {
- d e
+\relative {
+ d' e
\transpose f g {
d e
- \relative c' {
- d e
+ \relative {
+ d' e
}
}
}
particulièrement le positionnement des do.
@lilypond[verbatim,quote]
-\relative c' {
- c
+\relative {
+ c'
<c e g>
<c' e g'>
<c, e, g''>
et la quinte diminuée de seulement six demi-tons.
@lilypond[verbatim,quote]
-\relative c'' {
- c2 fis
+\relative {
+ c''2 fis
c2 ges
b2 eisis
b2 feses
@lilypond[quote,verbatim]
\language "italiano"
-\relative do' {
- do re mi sib
+\relative {
+ do' re mi sib
}
@end lilypond
fonction de ce @code{d'} et non de @code{d''}.
@lilypond[verbatim,quote]
-\relative c'' {
- c2 d='4 d
+\relative {
+ c''2 d='4 d
e2 f
}
@end lilypond
contre, positionnées relativement à @code{@var{hauteur_référence}}.
@lilypond[verbatim,quote]
-\relative c'' {
- c2 d
+\relative {
+ c''2 d
\octaveCheck c'
e2 f
}
@code{\octaveCheck} échouent, mais le deuxième est concluant.
@lilypond[verbatim,quote]
-\relative c'' {
- c4 f g f
+\relative {
+ c''4 f g f
c4
\octaveCheck c'
@lilypond[verbatim,quote]
\transpose d e {
- \relative c' {
+ \relative {
\key d \major
- d4 fis a d
+ d'4 fis a d
}
}
@end lilypond
@lilypond[verbatim,quote]
\transpose a c' {
- \relative c' {
+ \relative {
\key c \major
- c4 d e g
+ c'4 d e g
}
}
@end lilypond
écrira des dièses et la deuxième des bémols.
@lilypond[verbatim,quote]
-music = \relative c' { c d e f }
+music = \relative { c' d e f }
\new Staff {
\transpose c cis { \music }
\transpose c des { \music }
@code{@var{hauteur-pivot}} devienne @code{@var{hauteur-arrivée}}.
@lilypond[verbatim,quote]
-music = \relative c' { c d e f }
+music = \relative { c' d e f }
\new Staff {
\music
\inversion d' d' \music
rétrograde :
@lilypond[verbatim,quote]
-music = \relative c' { c8. ees16( fis8. a16 b8.) gis16 f8. d16 }
+music = \relative { c'8. ees16( fis8. a16 b8.) gis16 f8. d16 }
\new Staff {
\music
et @var{hauteur-arrivée} :
@lilypond[verbatim,quote]
-diatonicScale = \relative c' { c d e f g a b }
-motif = \relative c' { c8 d e f g a b c }
+diatonicScale = \relative { c' d e f g a b }
+motif = \relative { c'8 d e f g a b c }
\new Staff {
\motif
l'amplitude et les différents intervalles :
@lilypond[verbatim,quote]
-pentatonicScale = \relative c' { ges aes bes des ees }
-motif = \relative c' { ees8 des ges,4 <ges' bes,> <ges bes,> }
+pentatonicScale = \relative { ges aes bes des ees }
+motif = \relative { ees'8 des ges,4 <ges' bes,> <ges bes,> }
\new Staff {
\motif
notes seront alors prédéterminées :
@lilypond[verbatim,quote]
-chromaticScale = \relative c' { c cis d dis e f fis g gis a ais b }
-motif = \relative c' { c8 d e f g a b c }
+chromaticScale = \relative { c' cis d dis e f fis g gis a ais b }
+motif = \relative { c'8 d e f g a b c }
\new Staff {
\motif
@var{hauteur-arrivée} :
@lilypond[verbatim,quote]
-octatonicScale = \relative c' { ees f fis gis a b c d }
-motif = \relative c' { c8. ees16 fis8. a16 b8. gis16 f8. d16 }
+octatonicScale = \relative { ees' f fis gis a b c d }
+motif = \relative { c'8. ees16 fis8. a16 b8. gis16 f8. d16 }
\new Staff {
\motif
notes spécifiées peuvent s'interpréter comme étant les bornes du pivot.
@lilypond[verbatim,quote]
-scale = \relative c' { c g' }
-motive = \relative c' { c c g' c, }
+scale = \relative { c' g' }
+motive = \relative { c' c g' c, }
\new Staff {
\motive
une rétrogradation inversée :
@lilypond[verbatim,quote]
-octatonicScale = \relative c' { ees f fis gis a b c d }
-motif = \relative c' { c8. ees16 fis8. a16 b8. gis16 f8. d16 }
+octatonicScale = \relative { ees' f fis gis a b c d }
+motif = \relative { c'8. ees16 fis8. a16 b8. gis16 f8. d16 }
\new Staff {
\motif
freygish = #`((0 . ,NATURAL) (1 . ,FLAT) (2 . ,NATURAL)
(3 . ,NATURAL) (4 . ,NATURAL) (5 . ,FLAT) (6 . ,FLAT))
-\relative c' {
- \key c \freygish c4 des e f
+\relative {
+ \key c \freygish c'4 des e f
\bar "||" \key d \freygish d es fis g
}
@end lilypond
@lilypond[verbatim,quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote,staffsize=18]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
}
}
-\relative c'' {
- aes c e2
+\relative {
+ aes' c e2
cis,1
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.11"
+@c \version "2.19.21"
@c Translators: Valentin Villenave, Jean-Charles Malahieude
@c Translation checkers: Jean-Charles Malahieude, John Mandereau
@lilypond[verbatim,quote]
voltaAdLib = \markup { 1. 2. 3... \text \italic { ad lib. } }
-\relative c'' {
- c1
+\relative {
+ c''1
\set Score.repeatCommands =
#(list(list 'volta voltaAdLib) 'start-repeat)
c4 b d e
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.20"
+@c \version "2.19.21"
@c Translators: Frédéric Chiasson, Jean-Charles Malahieude
@c Translation checkers: Valentin Villenave, François Martin, Xavier Scheuer
les règles de ligature automatique.
@lilypond[quote,verbatim]
-\relative c' <<
+\relative <<
\new Staff {
\time 3/4
- c4 c c |
+ c'4 c c |
c4 c c |
}
\new Staff {
% Now each staff has its own time signature.
-\relative c' <<
+\relative <<
\new Staff {
\time 3/4
- c4 c c |
+ c'4 c c |
c4 c c |
}
\new Staff {
\set Staff.beatStructure = #'(2 3 2)
<<
\new Voice = one {
- \relative c'' {
- a8 a a a a a a
+ \relative {
+ a'8 a a a a a a
}
}
\new Voice = two {
silence multimesure d'une durée correspondant à ce fragment.
@lilypond[verbatim,quote]
-MyCadenza = \relative c' {
- c4 d8 e f g g4
+MyCadenza = \relative {
+ c'4 d8 e f g g4
f2 g4 g
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.16"
+@c \version "2.19.21"
@c Translators: Frédéric Chiasson, Valentin Villenave, Jean-Charles Malahieude
@c Translation checkers: Jean-Charles Malahieude, John Mandereau
\new Voice
\relative c'' {
\chordRepeats #'(articulation-event)
- \relative c''
- { <a-. c\prall e>1\sfz c'4 q2 r8 q8-. } |
+ \relative
+ { <a'-. c\prall e>1\sfz c'4 q2 r8 q8-. } |
q2 c |
}
@end lilypond
@c KEEP LY
@lilypond[quote,verbatim]
-\new Staff \relative c'' {
+\new Staff \relative {
%% saisie abrégée
<<
- { f2 } % 1 : extrême haute
+ { f''2 } % 1 : extrême haute
\\
{ g,2 } % 2 : extrême basse
\\
sont les mêmes pour la combinaison et les parties séparées.
@lilypond[quote,verbatim]
-instrumentOne = \relative c' {
- c4 d e f |
+instrumentOne = \relative {
+ c'4 d e f |
R1 |
d'4 c b a |
b4 g2 f4 |
e1 |
}
-instrumentTwo = \relative g' {
+instrumentTwo = \relative {
R1 |
- g4 a b c |
+ g'4 a b c |
d4 c b a |
g4 f( e) d |
e1 |
\partcombineApart c2^"apart" \partcombineChordsOnce e^"chord once" |
c2 c |
}
-instrumentTwo = \relative c' {
- c2 c |
+instrumentTwo = \relative {
+ c'2 c |
e2 e |
a,2 c |
c2 c' |
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.12"
+@c \version "2.19.21"
@c Translators: Frédéric Chiasson, Jean-Charles Malahieude
tagline = ##f
}
\score {
- \relative c'' { c1 \break c1 \break c1 }
+ \relative { c''1 \break c1 \break c1 }
}
}
@end lilypond
@lilypond[quote,ragged-right,verbatim]
\new Voice \with {
\remove "Forbid_line_break_engraver"
-} \relative c'' {
+} \relative {
<<
- { c2. \tuplet 3/2 { c4 c c } c2. | }
+ { c''2. \tuplet 3/2 { c4 c c } c2. | }
{ s1 | \break s1 | }
>>
}
@lilypond[verbatim,line-width=12\cm]
\score {
- \relative c'' {
- g4 e e2 | f4 d d2 | c4 d e f | g4 g g2 |
+ \relative {
+ g'4 e e2 | f4 d d2 | c4 d e f | g4 g g2 |
g4 e e2 | f4 d d2 | c4 e g g | c,1 |
d4 d d d | d4 e f2 | e4 e e e | e4 f g2 |
g4 e e2 | f4 d d2 | c4 e g g | c,1 |
@lilypond[verbatim,line-width=12\cm]
\score {
- \relative c'' {
- g4 e e2 | f4 d d2 | c4 d e f | g4 g g2 |
+ \relative {
+ g'4 e e2 | f4 d d2 | c4 d e f | g4 g g2 |
g4 e e2 | f4 d d2 | c4 e g g | c,1 |
d4 d d d | d4 e f2 | e4 e e e | e4 f g2 |
g4 e e2 | f4 d d2 | c4 e g g | c,1 |
@lilypond[verbatim,quote]
\score {
- \relative c'' {
- g4 e e2 |
+ \relative {
+ g'4 e e2 |
f4 d d2 |
c4 d e f |
g4 g g2 |
@lilypond[verbatim,quote]
\score {
- \relative c'' {
- g4 e e2 |
+ \relative {
+ g'4 e e2 |
f4 d d2 |
c4 d e f |
g4 g g2 |
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@c Translators: Valentin Villenave, Jean-Charles Malahieude
@c Translation checkers: John Mandereau
\score {
\new StaffGroup <<
\new Staff {
- \relative c'' {
- c4 c c c
+ \relative {
+ c''4 c c c
\break
c4 c c c
}
}
\new Staff {
- \relative c'' {
- c4 c c c
+ \relative {
+ c''4 c c c
\break
c4 c c c
}
à l'endroit approprié, une nouvelle portée simultanée :
@lilypond[verbatim,quote]
-\new Staff \relative c'' {
- c4 b d c
+\new Staff \relative {
+ c''4 b d c
<<
{ c4 b d c }
\new Staff { e4 d f e }
lorsqu'il y a un nombre restreint d'ossias.
@lilypond[verbatim,quote]
-\new Staff = "main" \relative c'' {
- c4 b d c
+\new Staff = "main" \relative {
+ c''4 b d c
<<
{ c4 b d c }
}
{ \stopStaff s1*6 }
- \new Staff \relative c' {
- c4 b c2
+ \new Staff \relative {
+ c'4 b c2
<<
{ e4 f e2 }
\context Staff = "ossia" {
\remove "Time_signature_engraver"
\hide Clef
\magnifyStaff #2/3
- } \relative c'' {
+ } \relative {
R1*3
- c4 e8 d c2
+ c''4 e8 d c2
}
- \new Staff \relative c' {
- c4 b c2
+ \new Staff \relative {
+ c'4 b c2
e4 f e2
g4 a g2 \break
c4 b c2
\new Staff \with {
\remove "Staff_symbol_engraver"
}
-\relative c''' { a8 f e16 d c b a2 }
+\relative { a''8 f e16 d c b a2 }
@end lilypond
L'instruction @code{\Staff \RemoveEmptyStaves} placée dans un bloc
}
}
-\relative c' <<
+\relative <<
\new Staff {
- e4 f g a \break
+ e'4 f g a \break
b1 \break
a4 b c2
}
shortInstrumentName = #"Flt."
midiInstrument = #"flute"
}
-\relative c'' {
- g1 g g g \break
+\relative {
+ g'1 g g g \break
g1 g \prepPiccolo R R \break
\setPiccolo
g1 g g g \break
cette citation.
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- a4 gis g gis | b4^"quoted" r8 ais\p a4( f)
+fluteNotes = \relative {
+ a'4 gis g gis | b4^"quoted" r8 ais\p a4( f)
}
-oboeNotes = \relative c'' {
- c4 cis c b \quoteDuring #"flute" { s1 }
+oboeNotes = \relative {
+ c''4 cis c b \quoteDuring #"flute" { s1 }
}
\addQuote "flute" { \fluteNotes }
polyphonique, ce qui n'est pas le but recherché :
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- a4 gis g gis | b4^"quoted" r8 ais\p a4( f)
+fluteNotes = \relative {
+ a'4 gis g gis | b4^"quoted" r8 ais\p a4( f)
}
-oboeNotes = \relative c'' {
- c4 cis c b \quoteDuring #"flute" { e4 r8 ais b4 a }
+oboeNotes = \relative {
+ c''4 cis c b \quoteDuring #"flute" { e4 r8 ais b4 a }
}
\addQuote "flute" { \fluteNotes }
b4 ais a ais | cis4^"quoted" r8 bis\p b4( f)
}
-oboeNotes = \relative c'' {
- c4 cis c b \quoteDuring #"clarinet" { s1 }
+oboeNotes = \relative {
+ c''4 cis c b \quoteDuring #"clarinet" { s1 }
}
\addQuote "clarinet" { \clarinetNotes }
seront reproduits.
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- a2 g2 |
+fluteNotes = \relative {
+ a'2 g2 |
b4\<^"quoted" r8 ais a4\f( c->)
}
-oboeNotes = \relative c'' {
- c2. b4 |
+oboeNotes = \relative {
+ c''2. b4 |
\quoteDuring #"flute" { s1 }
}
pour la première, @code{DOWN} pour la seconde.
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- r2. c4 | d8 c d e fis2 | g2 d |
+fluteNotes = \relative {
+ r2. c''4 | d8 c d e fis2 | g2 d |
}
oboeNotes = \relative c'' {
@code{CueVoice}.}
@lilypond[verbatim,quote]
-oboeNotes = \relative c'' {
- r2 r8 d16(\f f e g f a)
+oboeNotes = \relative {
+ r2 r8 d''16(\f f e g f a)
g8 g16 g g2.
}
\addQuote "oboe" { \oboeNotes }
comme l'originale qui devra être rappelée en fin de citation.
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- r2. c4 d8 c d e fis2 g2 d2
+fluteNotes = \relative {
+ r2. c''4 d8 c d e fis2 g2 d2
}
bassoonNotes = \relative c {
nécessaire à la citation et le retour à la clef originelle.
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- r2. c4 d8 c d e fis2 g2 d2
+fluteNotes = \relative {
+ r2. c''4 d8 c d e fis2 g2 d2
}
bassoonNotes = \relative c {
en hauteur absolue.
@lilypond[verbatim,quote]
-piccoloNotes = \relative c''' {
+piccoloNotes = \relative {
\clef "treble^8"
R1
- c8 c c e g2
+ c'''8 c c e g2
c4 g g2
}
sujet.
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- r2. c4 d8 c d e fis2 g2 d2
+fluteNotes = \relative {
+ r2. c''4 d8 c d e fis2 g2 d2
}
bassoonNotes = \relative c {
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.19.21"
@c Translators: Jean-Charles Malahieude
@c Translation checkers: Valentin Villenave, John Mandereau
@lilypond[quote,verbatim,relative=1]
c4 d^\markup {
\score {
- \relative c' { c4 d e f }
+ \relative { c'4 d e f }
\layout { }
}
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@c Translators: Valentin Villenave, Jean-Charles Malahieude
@c Translation checkers: Jean-Jacques Gerbaud
Voir à ce sujet @ref{Caractères spéciaux} pour plus de détails.
@lilypond[quote,verbatim]
-\relative c'' { d8 c16 a bes8 f ees' d c4 }
+\relative { d''8 c16 a bes8 f ees' d c4 }
\addlyrics { „Schad’ um das schö -- ne grü -- ne Band, }
@end lilypond
guillemets la syllabe ainsi composée :
@lilypond[quote,verbatim]
-\relative c' { \time 3/4 e4 e4. e8 d4 e d c2. }
+\relative { \time 3/4 e'4 e4. e8 d4 e d c2. }
\addlyrics { "\"I" am so lone- "ly\"" said she }
@end lilypond
@lilypond[quote,ragged-right,verbatim]
<<
- \new Voice = "one" \relative c'' {
+ \new Voice = "one" \relative {
\time 2/4
- c4 b8. a16 g4. f8 e4 d c2
+ c''4 b8. a16 g4. f8 e4 d c2
}
% uses previous explicit duration of 2;
@lilypond[verbatim,quote]
{
\time 3/4
- \relative c' { c2 e4 g2. }
+ \relative { c'2 e4 g2. }
\addlyrics { play the game }
}
@end lilypond
@lilypond[ragged-right,verbatim,quote]
{
\time 3/4
- \relative c' { c2 e4 g2. }
+ \relative { c'2 e4 g2. }
\addlyrics { play the game }
\addlyrics { speel het spel }
\addlyrics { joue le jeu }
@lilypond[quote,verbatim,ragged-right]
<<
\new Staff {
- \relative c'' {
- c2 c2
+ \relative {
+ c''2 c2
d1
}
}
}
}
\new Staff {
- \relative c' {
- c8 c c c c c c c
+ \relative {
+ c'8 c c c c c c c
c8 c c c c c c c
}
}
vous faites appel au mode approprié :
@lilypond[quote,verbatim]
-musicOne = \relative c'' {
- c4 b8. a16 g4. f8 e4 d c2
+musicOne = \relative {
+ c''4 b8. a16 g4. f8 e4 d c2
}
verseOne = \lyricmode {
Joy to the world, the Lord is come.
préalablement définie, comme dans l'exemple suivant :
@lilypond[quote,verbatim]
-sopranoMusic = \relative c'' { c4 c c c }
-contraltoMusic = \relative c'' { a4 a a a }
+sopranoMusic = \relative { c''4 c c c }
+contraltoMusic = \relative { a'4 a a a }
sopranoWords = \lyricmode { Sop -- ra -- no words }
contraltoWords = \lyricmode { Con -- tral -- to words }
<<
\new Staff {
\new Voice = "melody" {
- \relative c'' { c4 c c c }
+ \relative { c''4 c c c }
}
}
\new Lyrics {
<<
\new Staff = "staff" {
\new Voice = "melody" {
- \relative c'' { c4 c c c }
+ \relative { c''4 c c c }
}
}
\new Lyrics \with { alignAboveContext = "staff" } {
}
\new Staff {
\new Voice = "melody" {
- \relative c'' { c4 c c c }
+ \relative { c''4 c c c }
}
}
\context Lyrics = "lyrics" {
\new ChoirStaff <<
\new Staff {
\new Voice = "sopranos" {
- \relative c'' { c4 c c c }
+ \relative { c''4 c c c }
}
}
\new Lyrics = "sopranos"
}
\new Staff {
\new Voice = "contraltos" {
- \relative c'' { a4 a a a }
+ \relative { a'4 a a a }
}
}
\context Lyrics = "sopranos" {
@lilypond[verbatim,quote,ragged-right]
\score {
- \relative c' {
- c c c c
+ \relative {
+ c' c c c
c c c c
}
\addlyrics {
<<
\new Staff {
\new Voice = "melody" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat volta 2 { b4 b b b }
}
}
<<
\new Staff {
\new Voice = "melody" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat volta 2 { b4 b b b }
}
}
<<
\new Staff {
\new Voice = "melody" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat unfold 2 { b4 b b b }
}
}
<<
\new Staff {
\new Voice = "melody" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat volta 2 { b4 b b b }
}
}
<<
\new Staff {
\new Voice = "singleVoice" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat volta 3 { b4 b b b }
c4 c c c
}
<<
\new Staff {
\new Voice = "melody" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat volta 3 { b4 b b b }
c4 c c c
}
The end sec -- tion.
}
\new Voice = "harmony" {
- \relative c' {
- f4 f f f \repeat volta 2 { g8 g g4 g2 } a4 a8. a16 a2
+ \relative {
+ f'4 f f f \repeat volta 2 { g8 g g4 g2 } a4 a8. a16 a2
}
}
>>
\new Staff {
\time 2/4
\new Voice = "melody" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat volta 2 { b4 b }
\alternative { { b b } { b c } }
}
@lilypond[verbatim,ragged-right,quote]
<<
- \new Voice = melody \relative c' {
- f4 \appoggiatura a32 b4
+ \new Voice = melody \relative {
+ f'4 \appoggiatura a32 b4
\grace { f16 a16 } b2
\afterGrace b2 { f16[ a16] }
\appoggiatura a32 b4
@c KEEP LY
@lilypond[ragged-right,verbatim,quote]
-melody = \relative c'' {
+melody = \relative {
\time 2/4
- g4 g8 b | b a b a |
+ g'4 g8 b | b a b a |
g4 g8 b | b a b4 |
}
@c KEEP LY
@lilypond[ragged-right,quote,verbatim]
-melody = \relative c'' {
+melody = \relative {
\time 2/4
- g4 g8 b | b a b a |
+ g'4 g8 b | b a b a |
g4 g8 b | b a b4 |
}
\new ChoirStaff <<
\new Staff {
\new Voice {
- \relative c'' { g4\f g g g }
+ \relative { g'4\f g g g }
}
}
\new Staff {
\new Voice {
- \relative c' { d4 d d\p d }
+ \relative { d'4 d d\p d }
}
}
>>
\new Staff {
\set Staff.vocalName = \markup \smallCaps Kaspar
\set Staff.shortVocalName = \markup \smallCaps Kas.
- \relative c' {
+ \relative {
\clef "G_8"
- c4 c c c
+ c'4 c c c
\break
c4 c c c
}
\set Staff.vocalName = \markup \smallCaps Melchior
\set Staff.shortVocalName = \markup \smallCaps Mel
\clef "bass"
- \relative c' {
+ \relative {
a4 a a a
a4 a a a
}
procéder en pareil cas :
@lilypond[quote,verbatim]
-flute = \relative c'' {
- s4 s4 e g
+flute = \relative {
+ s4 s4 e'' g
}
\addQuote "flute" { \flute }
-pianoRH = \relative c'' {
- c4. g8
+pianoRH = \relative {
+ c''4. g8
% position name of cue-ing instrument just before the cue notes,
% and above the staff
<>^\markup { \right-align { \tiny "Flute" } }
\cueDuring "flute" #UP { g4 bes4 }
}
-pianoLH = \relative c { c4 <c' e> e, <g c> }
+pianoLH = \relative { c4 <c' e> e, <g c> }
\score {
\new PianoStaff <<
\cueDuring "clarinet" #DOWN { c4. g8 }
g4 bes4
}
-pianoLH = \relative c { c4 <c' e> e, <g c> }
+pianoLH = \relative { c4 <c' e> e, <g c> }
\score {
<<
\score {
\new StaffGroup <<
\new Staff {
- \relative c'' {
- a4 b c2 |
+ \relative {
+ a'4 b c2 |
a4 b c2 |
a4 b c2 |
}
}
\new Staff {
- \relative c'' {
- a4 b c2 |
+ \relative {
+ a'4 b c2 |
a4 b c2 |
a4 b c2 |
}
\new ChoirStaff <<
\new Staff
\with { \remove "Bar_engraver" } {
- \relative c'' {
- a4 b c2 |
+ \relative {
+ a'4 b c2 |
a4 b c2 |
a4 b c2 |
}
}
\new Staff {
- \relative c'' {
- a4 b c2 |
+ \relative {
+ a'4 b c2 |
a4 b c2 |
a4 b c2 |
}
}
\score {
- \relative c'' {
- g2 a4 g
+ \relative {
+ g'2 a4 g
\divisioMinima
g2 a4 g
\divisioMaior
@lilypond[verbatim,quote]
\score {
\new Staff {
- \relative c'' {
- a4 b c2 |
+ \relative {
+ a'4 b c2 |
a4 b c2 |
a4 b c2 |
}
centrés sur la page.
@lilypond[verbatim,quote]
-SopranoMusic = \relative g' {
- g1 | c2 b | a1 | \bar "||"
+SopranoMusic = \relative {
+ g'1 | c2 b | a1 | \bar "||"
a1 | d2 c | c b | c1 | \bar "||"
}
-AltoMusic = \relative c' {
- e1 | g2 g | f1 |
+AltoMusic = \relative {
+ e'1 | g2 g | f1 |
f1 | f2 e | d d | e1 |
}
-TenorMusic = \relative a {
- c1 | c2 c | c1 |
+TenorMusic = \relative {
+ c'1 | c2 c | c1 |
d1 | g,2 g | g g | g1 |
}
-BassMusic = \relative c {
+BassMusic = \relative {
c1 | e2 e | f1 |
d1 | b2 c | g' g | c,1 |
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.16.0"
+@c \version "2.19.21"
@c Translators: Jean-Jacques Gerbaud, Valentin Villenave
@c Translation checkers: Jean-Charles Malahieude
@lilypond[quote,verbatim]
\include "arabic.ly"
-\relative do' {
- do re misb fa sol la sisb do sisb la sol fa misb re do
+\relative {
+ do' re misb fa sol la sisb do sisb la sol fa misb re do
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.16.0"
+@c \version "2.19.21"
@c Translators: Jean-Charles Malahieude
@example
\pointAndClickTypes #'note-event
-\relative c' @{
- c2\f( f)
+\relative @{
+ c'2\f( f)
@}
@end example
@example
#(ly:set-option 'point-and-click 'note-event)
-\relative c' @{
- c2\f( f)
+\relative @{
+ c'2\f( f)
@}
@end example
@example
\pointAndClickTypes #'(note-event dynamic-event)
-\relative c' @{
- c2\f( f)
+\relative @{
+ c'2\f( f)
@}
@end example
@example
#(ly:set-option 'point-and-click '(note-event dynamic-event))
-\relative c' @{
- c2\f( f)
+\relative @{
+ c'2\f( f)
@}
@end example
@end ignore
-@c \version "2.17.11"
+@c \version "2.19.21"
@c Translators: Jean-Charles Malahieude
@c Translation checkers:
Par exemple,
\begin{lilypond}
-\relative c' {
- c2 e2 \tuplet 3/2 { f8 a b } a2 e4
+\relative {
+ c'2 e2 \tuplet 3/2 { f8 a b } a2 e4
}
\end{lilypond}
Par exemple,
@lilypond
-\relative c' {
- c2 e2 \tuplet 3/2 { f8 a b } a2 e4
+\relative {
+ c'2 e2 \tuplet 3/2 { f8 a b } a2 e4
}
@end lilypond
title = "LilyPond fait ses gammes"
}
- \relative c' {
- c d e f g a b c
+ \relative {
+ c' d e f g a b c
}
}
@end lilypond
comportera pas l'assertion du bloc @code{relative} :
@example
-\relative c' @{ % begin verbatim
- c4 e2 g4
+\relative @{ % begin verbatim
+ c'4 e2 g4
f2 e % end verbatim
@}
@end example
Des bananes alitées sur du LaTeX.
\begin@{lilypond@}
-\relative c'' @{
- a4 b c d
+\relative @{
+ a'4 b c d
@}
\end@{lilypond@}
Du verbiage à la mode Texinfo
@@lilypond
-\relative c' @{
+\relative @{
a4 b c d
@}
@@end lilypond
Un document pour lilypond-book peut absolument mélanger musique et
texte. Par exemple,
<lilypond>
-\relative c'' @{
- a4 b c d
+\relative @{
+ a'4 b c d
@}
</lilypond>
</p>
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.16.0"
+@c \version "2.19.21"
@c Translators: Ludovic Sardain, Jean-Charles Malahieude
@c Translation checkers: Jean-Yves Baudais, Valentin Villenave, John Mandereau
@example
\new Staff @{
- \relative g' @{
- r4 g8 g c8 c4 d |
+ \relative @{
+ r4 g'8 g c8 c4 d |
e4 r8 |
% Ossia section
<<
est bien plus facile à appréhender que
@example
-\new Staff @{ \relative g' @{ r4 g8 g c4 c8 d | e4 r8
+\new Staff @{ \relative @{ r4 g'8 g c4 c8 d | e4 r8
% Ossia section
<< @{ f8 c c @} \new Staff @{ f8 f c @} >> r4 | @} @}
@end example
@code{violon} l'est beaucoup moins.
@example
-violon = \relative c'' @{
-g4 c'8. e16
+violon = \relative @{
+g'4 c'8. e16
@}
@dots{}
\score @{
@example
fpuisp = _\markup@{
\dynamic f \italic \small @{ 2nd @} \hspace #0.1 \dynamic p @}
-violon = \relative c'' @{
-g4\fpuisp c'8. e16
+violon = \relative @{
+g'4\fpuisp c'8. e16
@}
@end example
@code{\basse} décommenté dans le bloc @code{\score}.
@example
-basse = \relative c' @{
+basse = \relative @{
%@{
- c4 c c c
+ c'4 c c c
d d d d
%@}
@}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@node A kottaszedés
@chapter A kottaszedés
selects this one:
@lilypond
-\relative c {
+\relative {
\clef bass
e8[(_"12.04" f] g[ a b d,)] r4
}
Well-Tempered Clavier, Book I, BWV 861, whose opening subject is
@lilypond
-\relative c' {
+\relative {
\key g \minor
\clef "treble_8"
- r8 d ees g, fis4 g
+ r8 d' ees g, fis4 g
r8 a16 bes c8 bes16 a bes8
}
@end lilypond
@lilypond[quote,fragment]
<<
- \new Staff \relative c'' {
+ \new Staff \relative {
\key g \major
\time 3/4
- d4 g,8 a b c d4 g, g
+ d''4 g,8 a b c d4 g, g
}
- \new Staff \relative c' {
+ \new Staff \relative {
\clef "bass"
\key g \major
<g b d>2 a4 b2.
}
>>
\new Staff = "LH" <<
- \new Voice = "III" \relative c' {
+ \new Voice = "III" \relative {
\time 2/4
\clef "bass"
g4 \stopStaff s
<<
\chords { c2 c f2 c }
\new Staff
- \relative c' {
+ \relative {
\time 2/4
- c4 c g' g a a g2
+ c'4 c g' g a a g2
}
\addlyrics { twin -- kle twin -- kle lit -- tle star }
>>
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@node Elemi kottaírás
@chapter Elemi kottaírás
három szólammá:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
<<
- { a4 g }
+ { a'4 g }
{ f e }
{ d b }
>>
hoz létre, ha igen, többet.
@lilypond[verbatim,quote]
-\relative c'' {
- c2 <<c e>>
+\relative {
+ c''2 <<c e>>
<< { e f } { c <<b d>> } >>
}
@end lilypond
@code{>>} jelekkel kell összekombinálni:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
<<
- \new Staff { \clef treble c }
+ \new Staff { \clef treble c'' }
\new Staff { \clef bass c,, }
>>
}
mint a poliritmikus.
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
<<
- \new Staff { \clef treble \key d \major \time 3/4 c }
+ \new Staff { \clef treble \key d \major \time 3/4 c'' }
\new Staff { \clef bass c,, }
>>
}
Egy rövid zongoradarab-részlet:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
\new PianoStaff <<
- \new Staff { \time 2/4 c4 e g g, }
+ \new Staff { \time 2/4 c''4 e g g, }
\new Staff { \clef bass c,, c' e c }
>>
}
kezdődik:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 d4 b8 g4
+ d''4 b8 c4 a8 d4 b8 g4
}
@end lilypond
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 d4 b8 g4
+ d''4 b8 c4 a8 d4 b8 g4
}
\addlyrics {
Girls and boys come out to play,
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 d4 b8 g4
+ d''4 b8 c4 a8 d4 b8 g4
g8 a4 b8 c b a d4 b8 g4.
}
\addlyrics {
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 d4 b8 g4
+ d''4 b8 c4 a8 d4 b8 g4
g8 a4 b8 c( b) a d4 b8 g4.
}
\addlyrics {
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 d4 b8 g4
+ d''4 b8 c4 a8 d4 b8 g4
g8 a4 b8 c([ b]) a d4 b8 g4.
}
\addlyrics {
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 d4 b8 g4
+ d''4 b8 c4 a8 d4 b8 g4
g8 a4 b8 c[ b] a d4 b8 g4.
}
\addlyrics {
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \minor
\time 3/2
- g2 a bes bes( a)
+ g'2 a bes bes( a)
b c4.( bes8 a4. g8 fis4.) g8 fis1
}
\addlyrics {
@c but the example is long enough to avoid looking strange.
@lilypond[verbatim,quote,noragged-right]
<<
- \relative c' {
+ \relative {
\clef bass
\key c \major
\time 6/8
- c4.~ 8 d b c([ d]) b c d b c
+ c'4.~ 8 d b c([ d]) b c d b c
}
\addlyrics {
Lar -- go_al fac -- to -- tum del -- la cit -- tà
@c KEEP LY
@lilypond[verbatim,quote]
hegedű = \new Staff {
- \relative c'' {
- a4 b c b
+ \relative {
+ a'4 b c b
}
}
cselló = \new Staff {
- \relative c {
+ \relative {
\clef bass
e2 d
}
begépelni:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
\key a \major
\time 6/8
- cis8. d16 cis8 e4 e8
+ cis''8. d16 cis8 e4 e8
b8. cis16 b8 d4 d8
}
@end lilypond
@c Translators: Griechisch Erika, Harmath Dénes
@c -*- coding: utf-8; mode: texinfo; -*-
-@c \version "2.19.2"
+@c \version "2.19.21"
@node Alapfogalmak
@chapter Alapfogalmak
@translationof Fundamental concepts
parancsokat. A következő bemenet például:
@example
-\relative c'' @{
- c4 a d c
+\relative @{
+ c''4 a d c
@}
@end example
\score @{
\new Staff @{
\new Voice @{
- \relative c'' @{
- c4 a b c
+ \relative @{
+ c''4 a b c
@}
@}
@}
a módszert használjuk:
@example
-dallam = \relative c' @{
- c4 a b c
+dallam = \relative @{
+ c'4 a b c
@}
\score @{
kontextus belsejébe beleírni, hogy:
@example
-\relative c'' @{
- r4 d8\noBeam g, c4 r
+\relative @{
+ r4 d''8\noBeam g, c4 r
@}
@end example
basszuskulccsal láttuk el a balkezet, kész egy valódi mű kezdete:
@lilypond[verbatim,quote,ragged-right]
-dallam = \relative c'' { r4 d8\noBeam g, c4 r }
+dallam = \relative { r4 d''8\noBeam g, c4 r }
dalszöveg = \lyricmode { Szólt az Úr, }
-jobbkéz = \relative c'' { <g d g,>2~ <g d g,> }
-balkéz = \relative c { b2 e2 }
+jobbkéz = \relative { <g' d g,>2~ <g d g,> }
+balkéz = \relative { b,2 e2 }
\score {
<<
@lilypond[verbatim,quote,ragged-right]
\new Staff {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f c c }
@lilypond[verbatim,quote,ragged-right]
\new Staff = "main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f c c }
@lilypond[quote,verbatim,fragment]
-\new Staff \relative c' {
+\new Staff \relative {
% Fő hang
- c16 d e f
+ c'16 d e f
% 1. szólam 2. szólam 3. szólam
<< { g4 f e } \\ { r8 e4 d c8~ } >>
<< { d2 e2 } \\ { c8 b16 a b8 g~ g2 } \\ { s4 b4 c2 } >>
@lilypond[quote,verbatim]
-\new Staff \relative c' {
+\new Staff \relative {
% Fő szólam
- c16 d e f
+ c'16 d e f
<< % 1. ütem
{
\voiceOneStyle
@c The following should appear as music without code
@lilypond[quote,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<< % 1. szólam
- { c2 aes4. bes8 }
+ { c''2 aes4. bes8 }
\\ % 2. szólam
{ aes2 f4 fes }
\\ % Nincs 3. szólam
Gépeljük be a három szólam első ütemét:
@lilypond[quote,verbatim,fragment,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<<
- { c2 aes4. bes8 } \\ { aes2 f4 fes } \\ { <ees c>2 des2 }
+ { c''2 aes4. bes8 } \\ { aes2 f4 fes } \\ { <ees c>2 des2 }
>>
<c ees aes c>1
}
@lilypond[quote,verbatim,fragment,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<< % 1. szólam
- { c2 aes4. bes8 }
+ { c''2 aes4. bes8 }
\\ % 2. szólam
{ aes2 f4 fes }
\\ % 3. szólam - elhagyjuk
@example
\new Staff @{
- \relative c' @{
- << @{ e4 f g a @} \\ @{ c,4 d e f @} >>
+ \relative @{
+ << @{ e'4 f g a @} \\ @{ c,4 d e f @} >>
@}
@}
@end example
@example
\new Staff <<
- \new Voice = "1" @{ \voiceOne \relative c' @{ e4 f g a @} @}
- \new Voice = "2" @{ \voiceTwo \relative c' @{ c4 d e f @} @}
+ \new Voice = "1" @{ \voiceOne \relative @{ e'4 f g a @} @}
+ \new Voice = "2" @{ \voiceTwo \relative @{ c'4 d e f @} @}
>>
@end example
@c The following example should not display the code
@lilypond[ragged-right,quote]
\new Staff <<
- \new Voice = "1" { \voiceOne \relative c' { e4 f g a } }
- \new Voice = "2" { \voiceTwo \relative c' { c4 d e f } }
+ \new Voice = "1" { \voiceOne \relative { e'4 f g a } }
+ \new Voice = "2" { \voiceTwo \relative { c'4 d e f } }
>>
@end lilypond
Létrehozhatunk többszörösen beágyazott polifón szerkezetet is, és ha a szólamok rövidek, az alábbi módon természetesebbnek tűnik a leírásuk:
@lilypond[quote,ragged-right,verbatim]
-\new Staff \relative c' {
- c16^( d e f
+\new Staff \relative {
+ c'16^( d e f
<<
{ g4 f e | d2 e2) | }
\new Voice {
@lilypond[quote,verbatim]
global = { \time 6/8 \partial 8 \key f \major}
-SopOneMusic = \relative c'' {
- c8 | c([ bes)] a a([ g)] f | f'4. b, | c4.~ 4 | }
-SopTwoMusic = \relative c' {
- r8 | r4. r4 c8 | a'([ g)] f f([ e)] d | e([ d)] c bes' | }
+SopOneMusic = \relative {
+ c''8 | c([ bes)] a a([ g)] f | f'4. b, | c4.~ 4 | }
+SopTwoMusic = \relative {
+ r8 | r4. r4 c'8 | a'([ g)] f f([ e)] d | e([ d)] c bes' | }
SopOneLyrics = \lyricmode {
Let | flee -- cy flocks the | hills a -- dorn, __ | }
SopTwoLyrics = \lyricmode {
@lilypond[quote,verbatim]
TimeKey = { \time 4/4 \partial 4 \key c \major}
-SopMusic = \relative c' { c4 | e4. e8 g4 g | a a g | }
-AltoMusic = \relative c' { c4 | c4. c8 e4 e | f f e | }
-TenorMusic = \relative c { e4 | g4. g8 c4. b8 | a8 b c d e4 | }
-BassMusic = \relative c { c4 | c4. c8 c4 c | f8 g a b c4 | }
+SopMusic = \relative { c'4 | e4. e8 g4 g | a a g | }
+AltoMusic = \relative { c'4 | c4. c8 e4 e | f f e | }
+TenorMusic = \relative { e4 | g4. g8 c4. b8 | a8 b c d e4 | }
+BassMusic = \relative { c4 | c4. c8 c4 c | f8 g a b c4 | }
VerseOne = \lyricmode {
E -- | ter -- nal fa -- ther, | strong to save, | }
VerseTwo = \lyricmode {
start them at the same time:
@lilypond[quote,verbatim,ragged-right]
-versenotes = \relative c'' {
+versenotes = \relative {
\clef "treble"
\key g \major
\time 3/4
- g g g | b b b |
+ g' g g | b b b |
}
versewords = \lyricmode {
One two three four five six
how the parallel section is positioned within the verse Voice:
@lilypond[quote,verbatim, ragged-right]
-versenotes = \relative c'' {
+versenotes = \relative {
\clef "treble"
\key g \major
\time 3/4
- g g g | b b b |
+ g' g g | b b b |
}
-refrainnotesA = \relative c'' {
+refrainnotesA = \relative {
\time 2/4
- c c | g g \bar "|."
+ c'' c | g g \bar "|."
}
-refrainnotesB = \relative c {
+refrainnotesB = \relative {
\clef "bass"
\key g \major
c e | d d |
follows:
@lilypond[quote,verbatim,ragged-right]
-versenotes = \relative c'' {
+versenotes = \relative {
\clef "treble"
\key g \major
\time 3/4
- g g g | b b b |
+ g' g g | b b b |
}
-refrainnotesA = \relative c'' {
+refrainnotesA = \relative {
\time 2/4
- c c | g g \bar "|."
+ c'' c | g g \bar "|."
}
-refrainnotesB = \relative c {
+refrainnotesB = \relative {
\clef "bass"
\key g \major
c e | d d |
\key g \minor
\clef "treble"
\new Voice { % create voice for RH notes
- \relative c'' { % start of RH notes
- d4 ees16 c8.
+ \relative { % start of RH notes
+ d''4 ees16 c8.
d4 ees16 c8.
} % end of RH notes
} % end of RH voice
\clef "bass"
\new Voice { % create LH voice one
\voiceOne
- \relative g { % start of LH voice one notes
+ \relative { % start of LH voice one notes
g8 <bes d> ees, <g c>
g8 <bes d> ees, <g c>
} % end of LH voice one notes
} % end of LH voice one
\new Voice { % create LH voice two
\voiceTwo
- \relative g { % start of LH voice two notes
+ \relative { % start of LH voice two notes
g4 ees
g4 ees
} % end of LH voice two notes
@lilypond[quote,verbatim,ragged-right]
<<
- \new Staff \relative c'' {
- ais4 aes
+ \new Staff \relative {
+ ais'4 aes
}
\new Staff \relative c'' {
\set Staff.extraNatural = ##f
@lilypond[quote,verbatim,ragged-right]
<<
- \new Staff \relative c'' {
- ais4 aes
+ \new Staff \relative {
+ ais'4 aes
}
\new Staff \relative c'' {
\set Score.extraNatural = ##f
@lilypond[quote,verbatim,ragged-right]
<<
\new Staff
- \relative c'' {
- gis ges aes ais
+ \relative {
+ gis' ges aes ais
}
\new Staff \with { extraNatural = ##f }
- \relative c'' {
- gis ges aes ais
+ \relative {
+ gis' ges aes ais
}
>>
@end lilypond
\score {
\new Score \with { extraNatural = ##f } <<
\new Staff {
- \relative c'' {
- gis ges aes ais
+ \relative {
+ gis' ges aes ais
}
}
\new Staff {
- \relative c'' {
- gis ges aes ais
+ \relative {
+ gis' ges aes ais
}
}
>>
@lilypond[verbatim,quote]
\score {
\new Staff {
- \relative c'' {
- cis4 e d ces
+ \relative {
+ cis''4 e d ces
}
}
\layout {
\new Staff \with {
\remove "Staff_symbol_engraver"
}
-\relative c' {
- c4
+\relative {
+ c'4
\set fontSize = #-4 % make note heads smaller
d e
\set fontSize = #2.5 % make note heads larger
\score {
<<
\new Staff <<
- \relative c'' {
- c a b g
+ \relative {
+ c'' a b g
}
>>
\new Staff <<
- \relative c' {
- c a b g
+ \relative {
+ c' a b g
}
>>
\new Staff <<
\clef "G_8"
- \relative c' {
- c a b g
+ \relative {
+ c' a b g
}
>>
\new Staff <<
\clef "bass"
- \relative c {
+ \relative {
c a b g
}
>>
@example
\version @w{"@version{}"}
-melody = \relative c' @{
+melody = \relative @{
\clef treble
\key c \major
\time 4/4
@example
\version @w{"@version{}"}
-melody = \relative c' @{
+melody = \relative @{
\clef treble
\key c \major
\time 4/4
@example
\version @w{"@version{}"}
-sopranoMusic = \relative c' @{
+sopranoMusic = \relative @{
\clef treble
\key c \major
\time 4/4
Aaa Bee Cee Dee
@}
-celloMusic = \relative c @{
+celloMusic = \relative @{
\clef bass
\key c \major
\time 4/4
easily fixed. Here's the complete soprano and cello template.
@lilypond[quote,verbatim,ragged-right,addversion]
-sopranoMusic = \relative c' {
+sopranoMusic = \relative {
\clef treble
\key c \major
\time 4/4
Aaa Bee Cee Dee
}
-celloMusic = \relative c {
+celloMusic = \relative {
\clef bass
\key c \major
\time 4/4
@c The following should appear as music without code
@lilypond[quote,ragged-right]
global = { \key d \major \time 4/4 }
-sopranoMusic = \relative c'' {
+sopranoMusic = \relative {
\clef "treble"
- r4 d2 a4 | d4. d8 a2 | cis4 d cis2 |
+ r4 d''2 a4 | d4. d8 a2 | cis4 d cis2 |
}
sopranoWords = \lyricmode {
Wor -- thy is the lamb that was slain
}
-altoMusic = \relative a' {
+altoMusic = \relative {
\clef "treble"
- r4 a2 a4 | fis4. fis8 a2 | g4 fis e2 |
+ r4 a'2 a4 | fis4. fis8 a2 | g4 fis e2 |
}
altoWords = \sopranoWords
-tenorMusic = \relative c' {
+tenorMusic = \relative {
\clef "G_8"
- r4 fis2 e4 | d4. d8 d2 | e4 a, cis2 |
+ r4 fis'2 e4 | d4. d8 d2 | e4 a, cis2 |
}
tenorWords = \sopranoWords
-bassMusic = \relative c' {
+bassMusic = \relative {
\clef "bass"
- r4 d2 cis4 | b4. b8 fis2 | e4 d a'2 |
+ r4 d'2 cis4 | b4. b8 fis2 | e4 d a'2 |
}
bassWords = \sopranoWords
upper = \relative a' {
\key d \major
\time 4/4
}
-sopranoMusic = \relative c'' {
+sopranoMusic = \relative {
\clef "treble"
- r4 d2 a4 | d4. d8 a2 | cis4 d cis2 |
+ r4 d''2 a4 | d4. d8 a2 | cis4 d cis2 |
}
sopranoWords = \lyricmode {
Wor -- thy is the lamb that was slain
}
-altoMusic = \relative a' {
+altoMusic = \relative {
\clef "treble"
- r4 a2 a4 | fis4. fis8 a2 | g4 fis fis2 |
+ r4 a'2 a4 | fis4. fis8 a2 | g4 fis fis2 |
}
altoWords = \sopranoWords
-tenorMusic = \relative c' {
+tenorMusic = \relative {
\clef "G_8"
- r4 fis2 e4 | d4. d8 d2 | e4 a, cis2 |
+ r4 fis'2 e4 | d4. d8 d2 | e4 a, cis2 |
}
tenorWords = \sopranoWords
-bassMusic = \relative c' {
+bassMusic = \relative {
\clef "bass"
- r4 d2 cis4 | b4. b8 fis2 | e4 d a'2 |
+ r4 d'2 cis4 | b4. b8 fis2 | e4 d a'2 |
}
bassWords = \sopranoWords
upper = \relative a' {
\time 4/4
\key c \minor
}
-ManualOneVoiceOneMusic = \relative g' {
- g4 g f ees
+ManualOneVoiceOneMusic = \relative {
+ g'4 g f ees
d2 c2
}
-ManualOneVoiceTwoMusic = \relative c' {
- ees16 d ees8~ 16 f ees d c8 d~ d c~
+ManualOneVoiceTwoMusic = \relative {
+ ees'16 d ees8~ 16 f ees d c8 d~ d c~
c c4 b8 c8. g16 c b c d
}
-ManualTwoMusic = \relative c' {
- c16 b c8~ 16 b c g a8 g~ 16 g aes ees
+ManualTwoMusic = \relative {
+ c'16 b c8~ 16 b c g a8 g~ 16 g aes ees
f ees f d g aes g f ees d e8~ 8es16 f ees d
}
-PedalOrganMusic = \relative c {
+PedalOrganMusic = \relative {
r8 c16 d ees d ees8~ 16 a, b g c b c8
r16 g ees f g f g8 c,2
}
By this point, you've seen this kind of thing:
@lilypond[quote,verbatim,ragged-right]
-hornNotes = \relative c'' { c4 b dis c }
+hornNotes = \relative { c''4 b dis c }
\score {
{
\hornNotes
You may even realize that this could be useful in minimalist music:
@lilypond[quote,verbatim,ragged-right]
-fragmentA = \relative c'' { a4 a8. b16 }
-fragmentB = \relative c'' { a8. gis16 ees4 }
+fragmentA = \relative { a'4 a8. b16 }
+fragmentB = \relative { a'8. gis16 ees4 }
violin = \new Staff {
\fragmentA
\fragmentA
\once \override TextScript.padding = #padding
#})
-\relative c''' {
- c4^"piu mosso" b a b
+\relative {
+ c'''4^"piu mosso" b a b
\padText #1.8
c4^"piu mosso" d e f
\padText #2.6
of a horn/@/bassoon duo
@example
-hornNotes = \relative c @{
+hornNotes = \relative @{
\time 2/4
r4 f8 a cis4 f e d
@}
in the following output
@lilypond[quote,ragged-right]
-\transpose f c' \relative c {
+\transpose f c' \relative {
\time 2/4
r4 f8 a cis4 f e d
}
leading to
@lilypond[quote,ragged-right]
-\relative c <<
+\relative <<
\new Staff {
\time 2/4
R2*3
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.16.0"
+@c \version "2.19.21"
@node Első lecke
@chapter Első lecke
@c KEEP LY
@lilypond[verbatim,quote]
% megadjuk, hogy az első viszonyítási hang az egyvonalas c legyen
-\relative c' {
- c d e f
+\relative {
+ c' d e f
g a b c
}
@end lilypond
legegyszerűbben.
@lilypond[verbatim,quote]
-\relative c' {
- d f a g
+\relative {
+ d' f a g
c b f d
}
@end lilypond
@c KEEP LY
@lilypond[verbatim,quote]
% kétvonalas oktáv
-\relative c'' {
- e c a c
+\relative {
+ e'' c a c
}
@end lilypond
@c KEEP LY
@lilypond[verbatim,quote]
-\relative c'' {
- b c % felfelé szekund, lefelé szeptim, így: felső c
+\relative {
+ b' c % felfelé szekund, lefelé szeptim, így: felső c
b d % felfelé terc, lefelé szext, így: felső d
b e % felfelé kvárt, lefelé kvint, így: felső e
b a % felfelé szeptim, lefelé szekund, így: alsó a
emelkedést, a @code{,} egy oktávnyi süllyedést jelent.
@lilypond[verbatim,quote]
-\relative c'' {
- a a, c' f,
+\relative {
+ a' a, c' f,
g g'' a,, f'
}
@end lilypond
Az első hang alapértelmezetten negyed hosszúságú.
@lilypond[verbatim,quote]
-\relative c'' {
- a1
+\relative {
+ a'1
a2 a4 a8 a
a16 a a a a32 a a a a64 a a a a a a a a2
}
adni számmal.
@lilypond[verbatim,quote]
-\relative c'' {
- a a a4. a8
+\relative {
+ a' a a4. a8
a8. a16 a a8. a8 a4.
}
@end lilypond
csak a hangmagasság megjelölése helyett @code{r}@tie{} betűt kell írni:
@lilypond[verbatim,quote]
-\relative c'' {
- a r r2
+\relative {
+ a' r r2
r8 a r4 r4. r8
}
@end lilypond
Az @notation{ütemmutató} beállítására a @code{\time} parancs szolgál:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
\time 3/4
- a4 a a
+ a'4 a a
\time 6/8
a4. a
\time 4/4
A @notation{kulcs} beállítása a @code{\clef} paranccsal lehetséges:
@lilypond[verbatim,quote]
-\relative c' {
+\relative {
\clef treble
- c1
+ c'1
\clef alto
c1
\clef tenor
Alább látható egy rövid példa, mely az eddig tanult elemeket mutatja be:
@lilypond[verbatim,quote]
-\relative c, {
+\relative {
\time 3/4
\clef bass
- c2 e8 c' g'2.
+ c,2 e8 c' g'2.
f4 e d c4 c, r4
}
@end lilypond
@c no verbatim here
@c KEEP LY
@lilypond[quote]
-\relative c'' {
- c-\markup { \bold \huge { Ide kell kattintani! } }
+\relative {
+ c''-\markup { \bold \huge { Ide kell kattintani! } }
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.11"
+@c \version "2.19.21"
@c Note: keep this node named so that `info lilypond-book' brings you here.
@node lilypond-book
kottapéldákat tartalmazhatnak. Például:
\begin{lilypond}
-\relative c' {
- c2 e2 \tuplet 3/2 { f8 a b } a2 e4
+\relative {
+ c'2 e2 \tuplet 3/2 { f8 a b } a2 e4
}
\end{lilypond}
kottapéldákat tartalmazhatnak. Például:
@lilypond
-\relative c' {
- c2 e2 \tuplet 3/2 { f8 a b } a2 e4
+\relative {
+ c'2 e2 \tuplet 3/2 { f8 a b } a2 e4
}
@end lilypond
verbatim quote will not show the @code{relative} block, i.e.
@example
-\relative c' @{ % begin verbatim
- c4 e2 g4
+\relative @{ % begin verbatim
+ c'4 e2 g4
f2 e % end verbatim
@}
@end example
Normal LaTeX text.
\begin@{lilypond@}
-\relative c'' @{
- a4 b c d
+\relative @{
+ a'4 b c d
@}
\end@{lilypond@}
Texinfo text
@@lilypond
-\relative c' @{
+\relative @{
a4 b c d
@}
@@end lilypond
Documents for lilypond-book may freely mix music and text. For
example,
<lilypond>
-\relative c'' @{
- a4 b c d
+\relative @{
+ a'4 b c d
@}
</lilypond>
</p>
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.19.21"
@node A lilypond használata
@lilypond[quote,verbatim]
\repeat unfold 2 {
- \relative c' { c d e f }
+ \relative { c' d e f }
}
@end lilypond
%% texidoc = "Include file for engraver example."
-\version "2.16.0"
-topVoice = \relative c' {
+\version "2.19.21"
+topVoice = \relative {
\key d \major
- es8([ g] a[ fis])
+ es'8([ g] a[ fis])
b4
b16[-. b-. b-. cis-.]
d4->
}
-botVoice = \relative c' {
+botVoice = \relative {
\key d \major
- c8[( f] b[ a)]
+ c'8[( f] b[ a)]
es4
es16[-. es-. es-. fis-.]
b4->
}
-hoom = \relative c {
+hoom = \relative {
\key d \major
\clef bass
- g8-. r
+ g,8-. r
r4
fis8-.
r8
b'4->
}
-pah = \relative c' {
+pah = \relative {
r8 b-.
r4
r8 g8-.
}
-\version "2.17.6"
+\version "2.19.21"
\paper {
myStaffSize = 20
(/ myStaffSize 20))
}
-sampleMusic = \relative c'' {
- a4-\trill_\sfz b8 c16 d32
+sampleMusic = \relative {
+ a'4-\trill_\sfz b8 c16 d32
}
%% A simple piece in LilyPond, a scale.
-\relative c' {
- c d e f g a b c
+\relative {
+ c' d e f g a b c
}
%% Optional helper for automatic updating by convert-ly.
%% May be omitted.
-\version "2.16.0"
+\version "2.19.21"
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@ignore
Tutorial guidelines: (different from policy.txt!)
separate) vengono combinate in simultanea:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
<<
- { a2 g }
+ { a'2 g }
{ f2 e }
{ d2 b }
>>
su un singolo rigo.
@lilypond[verbatim,quote]
-\relative c'' {
- c2 <<c e>> |
+\relative {
+ c''2 <<c e>> |
<< { e2 f } { c2 <<b d>> } >>
}
@end lilypond
e @code{>>}:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
<<
- \new Staff { \clef "treble" c4 }
+ \new Staff { \clef "treble" c''4 }
\new Staff { \clef "bass" c,,4 }
>>
}
frequenti delle partiture poliritmiche.
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
<<
- \new Staff { \clef "treble" \key d \major \time 3/4 c4 }
+ \new Staff { \clef "treble" \key d \major \time 3/4 c''4 }
\new Staff { \clef "bass" c,,4 }
>>
}
Ecco un piccolo esempio:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
\new PianoStaff <<
- \new Staff { \time 2/4 c4 e | g g, | }
+ \new Staff { \time 2/4 c''4 e | g g, | }
\new Staff { \clef "bass" c,,4 c' | e c | }
>>
}
filastrocca, @notation{Girls and boys come out to play}:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4
+ d''4 b8 c4 a8 | d4 b8 g4
}
@end lilypond
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4
+ d''4 b8 c4 a8 | d4 b8 g4
}
\addlyrics {
Girls and boys come | out to play,
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4 g8 |
+ d''4 b8 c4 a8 | d4 b8 g4 g8 |
a4 b8 c b a | d4 b8 g4. |
}
\addlyrics {
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4 g8 |
+ d''4 b8 c4 a8 | d4 b8 g4 g8 |
a4 b8 c( b) a | d4 b8 g4. |
}
\addlyrics {
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4 g8 |
+ d''4 b8 c4 a8 | d4 b8 g4 g8 |
a4 b8 c([ b]) a | d4 b8 g4. |
}
\addlyrics {
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4 g8 |
+ d''4 b8 c4 a8 | d4 b8 g4 g8 |
a4 b8 c[ b] a | d4 b8 g4. |
}
\addlyrics {
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \minor
\time 3/2
- g2 a bes | bes2( a) b2 |
+ g'2 a bes | bes2( a) b2 |
c4.( bes8 a4. g8 fis4.) g8 | fis1
}
\addlyrics {
@c but the example is long enough to avoid looking strange.
@lilypond[verbatim,quote,noragged-right]
<<
- \relative c' {
+ \relative {
\clef "bass"
\key c \major
\time 6/8
- c4.~ 8 d b | c8([ d]) b c d b | c8
+ c'4.~ 8 d b | c8([ d]) b c d b | c8
}
\addlyrics {
Lar -- go_al fac -- | to -- tum del -- la cit -- | tà
@lilypond[verbatim,quote]
violin = \new Staff {
- \relative c'' {
- a4 b c b
+ \relative {
+ a'4 b c b
}
}
cello = \new Staff {
- \relative c {
+ \relative {
\clef "bass"
e2 d
}
semplice da leggere e scrivere:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
\key a \major
\time 6/8
- cis8. d16 cis8 e4 e8
+ cis''8. d16 cis8 e4 e8
b8. cis16 b8 d4 d8
}
@end lilypond
@code{\relative} è indipendente:
@lilypond[verbatim,quote]
-\relative c { c'4 \relative c'' { f g } c }
+\relative { c'4 \relative { f'' g } c }
@end lilypond
@funindex \absolute
impedire che diventi parte della musica relativa:
@lilypond[verbatim,quote]
-\relative c { c'4 \absolute { f'' g'' } c }
+\relative { c'4 \absolute { f'' g'' } c }
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@node Concetti fondamentali
@chapter Concetti fondamentali
necessari. LilyPond tratta un input come questo:
@example
-\relative c'' @{
- c4 a d c
+\relative @{
+ c''4 a d c
@}
@end example
\score @{
\new Staff @{
\new Voice @{
- \relative c'' @{
- c4 a b c
+ \relative @{
+ c''4 a b c
@}
@}
@}
i modelli usano questa forma
@example
-melodia = \relative c' @{
- c4 a b c
+melodia = \relative @{
+ c'4 a b c
@}
\score @{
graffe vicine a @code{\new Voice = "vocal"}, possiamo iniziare a scrivere
@example
-\relative c'' @{
- r4 d8\noBeam g, c4 r
+\relative @{
+ r4 d''8\noBeam g, c4 r
@}
@end example
sinistra, otteniamo un brano musicale vero e proprio:
@lilypond[verbatim,quote,ragged-right]
-melody = \relative c'' { r4 d8\noBeam g, c4 r }
+melody = \relative { r4 d''8\noBeam g, c4 r }
text = \lyricmode { And God said, }
-upper = \relative c'' { <g d g,>2~ <g d g,> }
-lower = \relative c { b2 e }
+upper = \relative { <g' d g,>2~ <g d g,> }
+lower = \relative { b,2 e }
\score {
<<
@lilypond[verbatim,quote,ragged-right]
\new Staff {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[verbatim,quote,ragged-right]
\new Staff = "main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
legature di valore, dinamica, etc., è impostata correttamente.
@lilypond[quote,verbatim]
-\new Staff \relative c' {
+\new Staff \relative {
% Main voice
- c16 d e f
+ c'16 d e f
% Voice "1" Voice "2" Voice "3"
<< { g4 f e } \\ { r8 e4 d c8~ } >> |
<< { d2 e } \\ { c8 b16 a b8 g~ 2 } \\ { s4 b c2 } >> |
voce con i triangoli blu.
@lilypond[quote,verbatim]
-\new Staff \relative c' {
+\new Staff \relative {
% Main voice
- c16 d e f
+ c'16 d e f
<< % Bar 1
{
\voiceOneStyle
@c The following should appear as music without code
@lilypond[quote,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<< % Prima voce
- { c2 aes4. bes8 }
+ { c''2 aes4. bes8 }
\\ % Voce due
{
% Puoi ignorare questi per ora, saranno spiegati nel capitolo 4
della prima battuta in tre voci:
@lilypond[quote,verbatim,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<<
- { c2 aes4. bes8 } \\ { <ees, c>2 des } \\ { aes'2 f4 fes }
+ { c''2 aes4. bes8 } \\ { <ees, c>2 des } \\ { aes'2 f4 fes }
>> |
<c ees aes c>1 |
}
paio di @code{\\}:
@lilypond[quote,verbatim,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<< % Voice one
- { c2 aes4. bes8 }
+ { c''2 aes4. bes8 }
\\ % Voice two
{ <ees, c>2 des }
\\ % Omit Voice three
@example
\new Staff @{
- \relative c' @{
- << @{ e4 f g a @} \\ @{ c,4 d e f @} >>
+ \relative @{
+ << @{ e'4 f g a @} \\ @{ c,4 d e f @} >>
@}
@}
@end example
@example
\new Staff <<
- \new Voice = "1" @{ \voiceOne \relative c' @{ e4 f g a @} @}
- \new Voice = "2" @{ \voiceTwo \relative c' @{ c4 d e f @} @}
+ \new Voice = "1" @{ \voiceOne \relative @{ e'4 f g a @} @}
+ \new Voice = "2" @{ \voiceTwo \relative @{ c'4 d e f @} @}
>>
@end example
@c The following example should not display the code
@lilypond[ragged-right,quote]
\new Staff <<
- \new Voice = "1" { \voiceOne \relative c' { e4 f g a } }
- \new Voice = "2" { \voiceTwo \relative c' { c4 d e f } }
+ \new Voice = "1" { \voiceOne \relative { e'4 f g a } }
+ \new Voice = "2" { \voiceTwo \relative { c'4 d e f } }
>>
@end lilypond
di scrivere lo spartito:
@lilypond[quote,ragged-right,verbatim]
-\new Staff \relative c' {
- c16^( d e f
+\new Staff \relative {
+ c'16^( d e f
<<
{ g4 f e | d2 e) | }
\new Voice {
@lilypond[quote,verbatim]
global = { \key f \major \time 6/8 \partial 8 }
-SopOneMusic = \relative c'' {
- c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4
+SopOneMusic = \relative {
+ c''8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4
}
SopOneLyrics = \lyricmode {
Let | flee -- cy flocks the | hills a -- dorn, __
}
-SopTwoMusic = \relative c' {
- r8 | r4. r4 c8 | a'8([ g)] f f([ e)] d | e8([ d)] c bes'
+SopTwoMusic = \relative {
+ r8 | r4. r4 c'8 | a'8([ g)] f f([ e)] d | e8([ d)] c bes'
}
SopTwoLyrics = \lyricmode {
Let | flee -- cy flocks the | hills a -- dorn,
@lilypond[quote,verbatim]
keyTime = { \key c \major \time 4/4 \partial 4 }
-SopMusic = \relative c' { c4 | e4. e8 g4 g | a4 a g }
-AltoMusic = \relative c' { c4 | c4. c8 e4 e | f4 f e }
-TenorMusic = \relative c { e4 | g4. g8 c4. b8 | a8 b c d e4 }
-BassMusic = \relative c { c4 | c4. c8 c4 c | f8 g a b c4 }
+SopMusic = \relative { c'4 | e4. e8 g4 g | a4 a g }
+AltoMusic = \relative { c'4 | c4. c8 e4 e | f4 f e }
+TenorMusic = \relative { e4 | g4. g8 c4. b8 | a8 b c d e4 }
+BassMusic = \relative { c4 | c4. c8 c4 c | f8 g a b c4 }
VerseOne =
\lyricmode { E -- | ter -- nal fa -- ther, | strong to save, }
\clef "treble"
\key g \minor
\new Voice { % create voice for RH notes
- \relative c'' { % start of RH notes
- d4 ees16 c8. |
+ \relative { % start of RH notes
+ d''4 ees16 c8. |
d4 ees16 c8. |
} % end of RH notes
} % end of RH voice
\key g \minor
\new Voice { % create LH voice one
\voiceOne
- \relative g { % start of LH voice one notes
+ \relative { % start of LH voice one notes
g8 <bes d> ees, <g c> |
g8 <bes d> ees, <g c> |
} % end of LH voice one notes
} % end of LH voice one
\new Voice { % create LH voice two
\voiceTwo
- \relative g { % start of LH voice two notes
+ \relative { % start of LH voice two notes
g4 ees |
g4 ees |
} % end of LH voice two notes
@lilypond[quote,verbatim,ragged-right]
<<
- \new Staff \relative c'' {
- aeses2 aes
+ \new Staff \relative {
+ aeses'2 aes
}
\new Staff \relative c'' {
\set Staff.extraNatural = ##f
@lilypond[quote,verbatim,ragged-right]
<<
- \new Staff \relative c'' {
- aeses2 aes
+ \new Staff \relative {
+ aeses'2 aes
}
\new Staff \relative c'' {
\set Score.extraNatural = ##f
@lilypond[quote,verbatim,ragged-right]
<<
\new Staff {
- \relative c'' {
- gisis4 gis aeses aes
+ \relative {
+ gisis'4 gis aeses aes
}
}
\new Staff \with { extraNatural = ##f } {
- \relative c'' {
- gisis4 gis aeses aes
+ \relative {
+ gisis'4 gis aeses aes
}
}
>>
@lilypond[verbatim,quote]
\score {
\new Staff {
- \relative c'' {
- cisis4 e d cis
+ \relative {
+ cisis''4 e d cis
}
}
\layout {
\score {
<<
\new Staff {
- \relative c'' {
- gisis4 gis aeses aes
+ \relative {
+ gisis'4 gis aeses aes
}
}
\new Staff {
- \relative c'' {
- gisis4 gis aeses aes
+ \relative {
+ gisis'4 gis aeses aes
}
}
>>
\new Staff \with {
\remove "Staff_symbol_engraver"
}
-\relative c' {
- c4 d
+\relative {
+ c'4 d
\set fontSize = #-4 % make note heads smaller
e4 f |
\set fontSize = #2.5 % make note heads larger
\score {
<<
\new Staff {
- \relative c'' {
- c4 a b g
+ \relative {
+ c''4 a b g
}
}
\new Staff {
- \relative c' {
- c4 a b g
+ \relative {
+ c'4 a b g
}
}
\new Staff {
\clef "G_8"
- \relative c' {
- c4 a b g
+ \relative {
+ c'4 a b g
}
}
\new Staff {
\clef "bass"
- \relative c {
+ \relative {
c4 a b g
}
}
@example
\version @w{"@version{}"}
-melodia = \relative c' @{
+melodia = \relative @{
\clef "treble"
\key c \major
\time 4/4
@example
\version @w{"@version{}"}
-melodia = \relative c' @{
+melodia = \relative @{
\clef "treble"
\key c \major
\time 4/4
@example
\version @w{"@version{}"}
-musicaSoprano = \relative c' @{
+musicaSoprano = \relative @{
\clef "treble"
\key c \major
\time 4/4
Aaa Bee Cee Dee
@}
-musicaVioloncello = \relative c @{
+musicaVioloncello = \relative @{
\clef "bass"
\key c \major
\time 4/4
e violoncello.
@lilypond[quote,verbatim,ragged-right,addversion]
-musicaSoprano = \relative c' {
+musicaSoprano = \relative {
\clef "treble"
\key c \major
\time 4/4
Aaa Bee Cee Dee
}
-musicaVioloncello = \relative c {
+musicaVioloncello = \relative {
\clef "bass"
\key c \major
\time 4/4
@lilypond[quote,ragged-right]
global = { \key d \major \time 4/4 }
-sopranoMusic = \relative c'' {
+sopranoMusic = \relative {
\clef "treble"
- r4 d2 a4 | d4. d8 a2 | cis4 d cis2 |
+ r4 d''2 a4 | d4. d8 a2 | cis4 d cis2 |
}
sopranoWords = \lyricmode {
Wor -- thy | is the lamb | that was slain |
}
-altoMusic = \relative a' {
+altoMusic = \relative {
\clef "treble"
- r4 a2 a4 | fis4. fis8 a2 | g4 fis e2 |
+ r4 a'2 a4 | fis4. fis8 a2 | g4 fis e2 |
}
altoWords = \sopranoWords
-tenorMusic = \relative c' {
+tenorMusic = \relative {
\clef "G_8"
- r4 fis2 e4 | d4. d8 d2 | e4 a, cis2 |
+ r4 fis'2 e4 | d4. d8 d2 | e4 a, cis2 |
}
tenorWords = \sopranoWords
-bassMusic = \relative c' {
+bassMusic = \relative {
\clef "bass"
- r4 d2 cis4 | b4. b8 fis2 | e4 d a'2 |
+ r4 d'2 cis4 | b4. b8 fis2 | e4 d a'2 |
}
bassWords = \sopranoWords
@lilypond[quote,verbatim,ragged-right,addversion]
global = { \key d \major \time 4/4 }
-sopranoMusic = \relative c'' {
+sopranoMusic = \relative {
\clef "treble"
- r4 d2 a4 | d4. d8 a2 | cis4 d cis2 |
+ r4 d''2 a4 | d4. d8 a2 | cis4 d cis2 |
}
sopranoWords = \lyricmode {
Wor -- thy | is the lamb | that was slain |
}
-altoMusic = \relative a' {
+altoMusic = \relative {
\clef "treble"
- r4 a2 a4 | fis4. fis8 a2 | g4 fis fis2 |
+ r4 a'2 a4 | fis4. fis8 a2 | g4 fis fis2 |
}
altoWords = \sopranoWords
-tenorMusic = \relative c' {
+tenorMusic = \relative {
\clef "G_8"
- r4 fis2 e4 | d4. d8 d2 | e4 a, cis2 |
+ r4 fis'2 e4 | d4. d8 d2 | e4 a, cis2 |
}
tenorWords = \sopranoWords
-bassMusic = \relative c' {
+bassMusic = \relative {
\clef "bass"
- r4 d2 cis4 | b4. b8 fis2 | e4 d a'2 |
+ r4 d'2 cis4 | b4. b8 fis2 | e4 d a'2 |
}
bassWords = \sopranoWords
upper = \relative a' {
composer = "J S Bach"
}
keyTime = { \key c \minor \time 4/4 }
-ManualOneVoiceOneMusic = \relative g' {
- g4 g f ees |
+ManualOneVoiceOneMusic = \relative {
+ g'4 g f ees |
d2 c |
}
-ManualOneVoiceTwoMusic = \relative c' {
- ees16 d ees8~ 16 f ees d c8 d~ d c~ |
+ManualOneVoiceTwoMusic = \relative {
+ ees'16 d ees8~ 16 f ees d c8 d~ d c~ |
8 c4 b8 c8. g16 c b c d |
}
-ManualTwoMusic = \relative c' {
- c16 b c8~ 16 b c g a8 g~ 16 g aes ees |
+ManualTwoMusic = \relative {
+ c'16 b c8~ 16 b c g a8 g~ 16 g aes ees |
f16 ees f d g aes g f ees d ees8~ 16 f ees d |
}
-PedalOrganMusic = \relative c {
+PedalOrganMusic = \relative {
r8 c16 d ees d ees8~ 16 a, b g c b c8 |
r16 g ees f g f g8 c,2 |
}
Finora hai visto questo tipo di cose:
@lilypond[quote,verbatim,ragged-right]
-hornNotes = \relative c'' { c4 b dis c }
+hornNotes = \relative { c''4 b dis c }
\score {
{
\hornNotes
Potresti anche essere accorto che questo può essere utile nella musica minimalista:
@lilypond[quote,verbatim,ragged-right]
-fragmentA = \relative c'' { a4 a8. b16 }
-fragmentB = \relative c'' { a8. gis16 ees4 }
+fragmentA = \relative { a'4 a8. b16 }
+fragmentB = \relative { a'8. gis16 ees4 }
violin = \new Staff {
\fragmentA \fragmentA |
\once \override TextScript.padding = #padding
#})
-\relative c''' {
- c4^"piu mosso" b a b |
+\relative {
+ c'''4^"piu mosso" b a b |
\padText #1.8
c4^"piu mosso" d e f |
\padText #2.6
di un duetto per corno e fagotto
@example
-hornNotes = \relative c @{
+hornNotes = \relative @{
\time 2/4
r4 f8 a | cis4 f | e4 d |
@}
nel seguente output
@lilypond[quote,ragged-right]
-\transpose f c' \relative c {
+\transpose f c' \relative {
\time 2/4
r4 f8 a | cis4 f | e4 d |
}
ovvero
@lilypond[quote,ragged-right]
-\relative c <<
+\relative <<
\new Staff {
\clef "treble"
\time 2/4
@include included/generating-output.itexi
-@c \version "2.16.0"
+@c \version "2.19.21"
@node Tutorial
@chapter Tutorial
@lilypond[verbatim,quote]
% set the starting point to middle C
-\relative c' {
- c d e f
+\relative {
+ c' d e f
g a b c
}
@end lilypond
intervalli più ampi, sempre usando soltanto il modo @code{\relative}:
@lilypond[verbatim,quote]
-\relative c' {
- d f a g
+\relative {
+ d' f a g
c b f d
}
@end lilypond
@lilypond[verbatim,quote]
% one octave above middle C
-\relative c'' {
- e c a c
+\relative {
+ e'' c a c
}
@end lilypond
o il Fa si troveranno sotto.
@lilypond[verbatim,quote]
-\relative c'' {
- b c % c is 1 staff space up, so is the c above
+\relative {
+ b' c % c is 1 staff space up, so is the c above
b d % d is 2 up or 5 down, so is the d above
b e % e is 3 up or 4 down, so is the e above
b a % a is 6 up or 1 down, so is the a below
aggiungendo al nome della nota una virgola @code{,}.
@lilypond[verbatim,quote]
-\relative c'' {
- a a, c' f,
+\relative {
+ a' a, c' f,
g g'' a,, f'
}
@end lilypond
quarto.
@lilypond[verbatim,quote]
-\relative c'' {
- a1
+\relative {
+ a'1
a2 a4 a8 a
a16 a a a a32 a a a a64 a a a a a a a a2
}
esplicitamente (cioè con un numero).
@lilypond[verbatim,quote]
-\relative c'' {
- a a a4. a8
+\relative {
+ a' a a4. a8
a8. a16 a a8. a8 a4.
}
@end lilypond
@code{r}@tie{}:
@lilypond[verbatim,quote]
-\relative c'' {
- a4 r r2
+\relative {
+ a'4 r r2
r8 a r4 r4. r8
}
@end lilypond
Il @notation{tempo} si imposta con il comando @code{\time}:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
\time 3/4
- a4 a a
+ a'4 a a
\time 6/8
a4. a
\time 4/4
La @notation{chiave} si imposta con il comando @code{\clef}:
@lilypond[verbatim,quote]
-\relative c' {
+\relative {
\clef treble
- c1
+ c'1
\clef alto
c1
\clef tenor
@c no verbatim here
@lilypond[quote]
-\relative c'' {
- c4-\markup { \bold \huge { Clicca qui. } }
+\relative {
+ c''4-\markup { \bold \huge { Clicca qui. } }
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@node Modifica dell'output
@chapter Modifica dell'output
\override NoteHead.color = #red
\override NoteHead.font-size = 2
}
-\relative c'' {
- c4 a \once \emphNoteHead f d |
+\relative {
+ c''4 a \once \emphNoteHead f d |
}
@end lilypond
\override NoteHead.color = #red
\override NoteHead.font-size = 2
}
-\relative c'' {
- <c a \single \emphNoteHead f d>4
+\relative {
+ <c'' a \single \emphNoteHead f d>4
}
@end lilypond
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,ragged-right,verbatim]
<<
\new Staff {
- \relative c' { c4 a, }
+ \relative { c'4 a, }
}
\new Staff {
- \relative c'''' { c4 a, }
+ \relative { c''''4 a, }
}
>>
@end lilypond
@lilypond[quote,ragged-right,verbatim]
sesquisharp = \markup { \sesquisharp }
-\relative c'' {
- c4
+\relative {
+ c''4
% Mostra un triesis (alterazione ascendente di tre quarti di tono) ma lo spazio è troppo stretto
\once \override Accidental.stencil = #ly:text-interface::print
\once \override Accidental.text = #sesquisharp
lasciato così:
@lilypond[quote,verbatim,fragment,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<<
- { c2 aes4. bes8 }
+ { c''2 aes4. bes8 }
\\
{ <ees, c>2 des }
\\
@cindex force-hshift, esempio
@lilypond[quote,verbatim,fragment,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<<
- { c2 aes4. bes8 }
+ { c''2 aes4. bes8 }
\\
{ <ees, c>2 \once \override NoteColumn.force-hshift =
0.5 des }
@c This example should not be indexed
@c line-width ensures no break
@lilypond[quote,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4. g8 |
+ r2 c''4. g8 |
bes1~ |
\time 6/4
bes2. r8
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2 |
+lhMusic = \relative {
+ r2 <c' g ees>2 |
<d g, d>1 |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
bes1~ |
\time 6/4
bes2. r8
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1) |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
global = { \key c \major \time 4/4 \partial 4 }
-SopranoMusic = \relative c' { c4 | e4. e8 g4 g | a4 a g }
-AltoMusic = \relative c' { c4 | c4. c8 e4 e | f4 f e }
-TenorMusic = \relative c { e4 | g4. g8 c4. b8 | a8 b c d e4 }
-BassMusic = \relative c { c4 | c4. c8 c4 c | f8 g a b c4 }
+SopranoMusic = \relative { c'4 | e4. e8 g4 g | a4 a g }
+AltoMusic = \relative { c'4 | c4. c8 e4 e | f4 f e }
+TenorMusic = \relative { e4 | g4. g8 c4. b8 | a8 b c d e4 }
+BassMusic = \relative { c4 | c4. c8 c4 c | f8 g a b c4 }
VerseOne = \lyrics {
E -- | ter -- nal \emphasize Fa -- ther, | \normal strong to save,
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.18.0"
+@c \version "2.19.21"
@c Translators: Federico Bruni
@c Translation checkers:
\consists "Horizontal_bracket_engraver"
}
}
-\relative c'' {
- c2\startGroup
+\relative {
+ c''2\startGroup
d\stopGroup
}
@end lilypond
\consists "Horizontal_bracket_engraver"
}
}
-\relative c'' {
- c4\startGroup\startGroup
+\relative {
+ c''4\startGroup\startGroup
d4\stopGroup
e4\startGroup
d4\stopGroup\stopGroup
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.18.0"
+@c \version "2.19.21"
@c Translators: Federico Bruni
@c Translation checkers: Luca Rossetto Casel
@lilypond[verbatim,quote]
<<
- \new Staff \relative c' {
- c2 d4 e |
+ \new Staff \relative {
+ c'2 d4 e |
c4 e e,2 |
g'4 a g a |
c1 |
@lilypond[verbatim,quote]
moltoF = \markup { molto \dynamic f }
-\relative c' {
- <d e>16_\moltoF <d e>
+\relative {
+ <d' e>16_\moltoF <d e>
<d e>2..
}
@end lilypond
\center-align \concat { \bold { \italic ( }
\dynamic f \bold { \italic ) } } }
boxF = \markup { \bracket { \dynamic f } }
-\relative c' {
- c1_\roundF
+\relative {
+ c'1_\roundF
c1_\boxF
}
@end lilypond
@lilypond[verbatim,quote]
sfzp = #(make-dynamic-script "sfzp")
-\relative c' {
- c4 c c\sfzp c
+\relative {
+ c'4 c c\sfzp c
}
@end lilypond
roundFdynamic = #(make-dynamic-script roundF)
boxFdynamic = #(make-dynamic-script boxF)
mfEspressDynamic = #(make-dynamic-script mfEspress)
-\relative c' {
- c4_\roundFdynamic\< d e f
+\relative {
+ c'4_\roundFdynamic\< d e f
g,1~_\boxFdynamic\>
g1
g'1~\mfEspressDynamic
moltoF = #(make-dynamic-script
(markup #:normal-text "molto"
#:dynamic "f"))
-\relative c' {
- <d e>16 <d e>
+\relative {
+ <d' e>16 <d e>
<d e>2..\moltoF
}
@end lilypond
#(make-dynamic-script
(markup #:normal-text "molto"
#:dynamic "f"))
-\relative c' {
- <d e>16 <d e>
+\relative {
+ <d' e>16 <d e>
<d e>2..\moltoF <d e>1
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@c Translators: Federico Bruni
@c Translation checkers: Luca Rossetto Casel
Identificare il Do centrale con @code{c'} è molto semplice, quindi trovare
le ottave del @code{c} (Do) sarà altrettanto semplice. Se la musica inizia
con @code{gis} sopra @code{c'''}, si scriverà qualcosa simile a
-@code{\relative c''' @{ gis' @dots{} @}}
+@code{\relative @{ gis''' @dots{} @}}
@item un'ottava della prima nota
-Scrivere @code{\relative gis''' @{ gis @dots{} @}} è un modo semplice per
+Scrivere @code{\relative @{ gis''' @dots{} @}} è un modo semplice per
determinare l'altezza assoluta della prima nota dell'espressione musicale.
@item nessuna altezza di riferimento esplicita
Ecco il modo relativo in azione:
@lilypond[verbatim,quote]
-\relative c {
+\relative {
\clef bass
c d e f
g a b c
di quello di quarta:
@lilypond[verbatim,quote]
-\relative c'' {
- c g c f,
+\relative {
+ c'' g c f,
c' a, e'' c
}
@end lilypond
comprendere intervalli di grande estensione:
@lilypond[verbatim,quote]
-\relative c {
+\relative {
c f b e
a d g c
}
considera il blocco @code{\relative} più interno.
@lilypond[verbatim,quote]
-\relative c' {
- c d e f
- \relative c'' {
- c d e f
+\relative {
+ c' d e f
+ \relative {
+ c'' d e f
}
}
@end lilypond
blocco @code{\relative}.
@lilypond[verbatim,quote]
-\relative c' {
- d e
+\relative {
+ d' e
\transpose f g {
d e
- \relative c' {
- d e
+ \relative {
+ d' e
}
}
}
particolare le note @code{c}.
@lilypond[verbatim,quote]
-\relative c' {
- c
+\relative {
+ c'
<c e g>
<c' e g'>
<c, e, g''>
in ogni intervallo.
@lilypond[verbatim,quote]
-\relative c'' {
- c2 fis
+\relative {
+ c''2 fis
c2 ges
b2 eisis
b2 feses
@lilypond[quote,verbatim]
\language "italiano"
-\relative do' {
- do re mi sib
+\relative {
+ do' re mi sib
}
@end lilypond
@code{d''} invece di @code{d'}, come indicato dalla correzione di ottava.
@lilypond[verbatim,quote]
-\relative c'' {
- c2 d='4 d
+\relative {
+ c''2 d='4 d
e2 f
}
@end lilypond
sono relative all'@code{@var{altezza_di_controllo}}.
@lilypond[verbatim,quote]
-\relative c'' {
- c2 d
+\relative {
+ c''2 d
\octaveCheck c'
e2 f
}
falliscono, mentre il secondo non fallisce.
@lilypond[verbatim,quote]
-\relative c'' {
- c4 f g f
+\relative {
+ c''4 f g f
c4
\octaveCheck c'
@lilypond[verbatim,quote]
\transpose d e {
- \relative c' {
+ \relative {
\key d \major
- d4 fis a d
+ d'4 fis a d
}
}
@end lilypond
@lilypond[verbatim,quote]
\transpose a c' {
- \relative c' {
+ \relative {
\key c \major
- c4 d e g
+ c'4 d e g
}
}
@end lilypond
versione mostrerà i bemolle sul grado superiore della scala.
@lilypond[verbatim,quote]
-music = \relative c' { c d e f }
+music = \relative { c' d e f }
\new Staff {
\transpose c cis { \music }
\transpose c des { \music }
@code{@var{altezza-di-arrivo}}.
@lilypond[verbatim,quote]
-music = \relative c' { c d e f }
+music = \relative { c' d e f }
\new Staff {
\music
\inversion d' d' \music
retrogrado:
@lilypond[verbatim,quote]
-music = \relative c' { c8. ees16( fis8. a16 b8.) gis16 f8. d16 }
+music = \relative { c'8. ees16( fis8. a16 b8.) gis16 f8. d16 }
\new Staff {
\music
e @var{altezza-di-partenza}:
@lilypond[verbatim,quote]
-diatonicScale = \relative c' { c d e f g a b }
-motif = \relative c' { c8 d e f g a b c }
+diatonicScale = \relative { c' d e f g a b }
+motif = \relative { c'8 d e f g a b c }
\new Staff {
\motif
intervallo:
@lilypond[verbatim,quote]
-pentatonicScale = \relative c' { ges aes bes des ees }
-motif = \relative c' { ees8 des ges,4 <ges' bes,> <ges bes,> }
+pentatonicScale = \relative { ges aes bes des ees }
+motif = \relative { ees'8 des ges,4 <ges' bes,> <ges bes,> }
\new Staff {
\motif
di specificare i nomi delle note da usare:
@lilypond[verbatim,quote]
-chromaticScale = \relative c' { c cis d dis e f fis g gis a ais b }
-motif = \relative c' { c8 d e f g a b c }
+chromaticScale = \relative { c' cis d dis e f fis g gis a ais b }
+motif = \relative { c'8 d e f g a b c }
\new Staff {
\motif
usare il medesimo valore per @var{altezza-cardine} e @var{altezza-di-arrivo}:
@lilypond[verbatim,quote]
-octatonicScale = \relative c' { ees f fis gis a b c d }
-motif = \relative c' { c8. ees16 fis8. a16 b8. gis16 f8. d16 }
+octatonicScale = \relative { ees' f fis gis a b c d }
+motif = \relative { c'8. ees16 fis8. a16 b8. gis16 f8. d16 }
\new Staff {
\motif
note specificate possono essere interpretate come parentesi del punto cardine:
@lilypond[verbatim,quote]
-scale = \relative c' { c g' }
-motive = \relative c' { c c g' c, }
+scale = \relative { c' g' }
+motive = \relative { c' c g' c, }
\new Staff {
\motive
retrogradazione inversa:
@lilypond[verbatim,quote]
-octatonicScale = \relative c' { ees f fis gis a b c d }
-motif = \relative c' { c8. ees16 fis8. a16 b8. gis16 f8. d16 }
+octatonicScale = \relative { ees' f fis gis a b c d }
+motif = \relative { c'8. ees16 fis8. a16 b8. gis16 f8. d16 }
\new Staff {
\motif
freygish = #`((0 . ,NATURAL) (1 . ,FLAT) (2 . ,NATURAL)
(3 . ,NATURAL) (4 . ,NATURAL) (5 . ,FLAT) (6 . ,FLAT))
-\relative c' {
- \key c \freygish c4 des e f
+\relative {
+ \key c \freygish c'4 des e f
\bar "||" \key d \freygish d es fis g
}
@end lilypond
@lilypond[verbatim,quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote,staffsize=18]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
}
}
-\relative c'' {
- aes c e2
+\relative {
+ aes' c e2
cis,1
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.11"
+@c \version "2.19.21"
@c Translators: Federico Bruni
@c Translation checkers: Luca Rossetto Casel
@lilypond[verbatim,quote]
voltaAdLib = \markup { 1. 2. 3... \text \italic { ad lib. } }
-\relative c'' {
- c1
+\relative {
+ c''1
\set Score.repeatCommands =
#(list(list 'volta voltaAdLib) 'start-repeat)
c4 b d e
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@c Translators: Federico Bruni
@c Translation checkers: Luca Rossetto Casel
unire note dalle durate superiori all'unità di suddivisione della misura:
@lilypond[verbatim,quote]
-\relative c' {
- r8 c~ 2 r4 |
+\relative {
+ r8 c'~ 2 r4 |
r8^"non" c2~ 8 r4
}
@end lilypond
durate influenzerà le regole della disposizione automatica delle travature.
@lilypond[quote,verbatim]
-\relative c' <<
+\relative <<
\new Staff {
\time 3/4
- c4 c c |
+ c'4 c c |
c4 c c |
}
\new Staff {
% Ora ogni rigo ha la sua indicazione di tempo.
-\relative c' <<
+\relative <<
\new Staff {
\time 3/4
- c4 c c |
+ c'4 c c |
c4 c c |
}
\new Staff {
\set Staff.beatStructure = #'(2 3 2)
<<
\new Voice = one {
- \relative c'' {
- a8 a a a a a a
+ \relative {
+ a'8 a a a a a a
}
}
\new Voice = two {
una pausa multipla o @code{\skip} della lunghezza esatta del brano.
@lilypond[verbatim,quote]
-MyCadenza = \relative c' {
- c4 d8 e f g g4
+MyCadenza = \relative {
+ c'4 d8 e f g g4
f2 g4 g
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@c Translators: Federico Bruni
@c Translation checkers: Luca Rossetto Casel
\new Voice
\relative c'' {
\chordRepeats #'(articulation-event)
- \relative c''
- { <a-. c\prall e>1\sfz c'4 q2 r8 q8-. } |
+ \relative
+ { <a'-. c\prall e>1\sfz c'4 q2 r8 q8-. } |
q2 c |
}
@end lilypond
voci del rigo!}
@lilypond[quote,verbatim]
-\new Staff \relative c'' {
+\new Staff \relative {
%% inserimento abbreviato
<<
- { f2 } % 1: più alta
+ { f''2 } % 1: più alta
\\
{ g,2 } % 2: più bassa
\\
per le parti indipendenti e il rigo combinato.
@lilypond[quote,verbatim]
-instrumentOne = \relative c' {
- c4 d e f |
+instrumentOne = \relative {
+ c'4 d e f |
R1 |
d'4 c b a |
b4 g2 f4 |
e1 |
}
-instrumentTwo = \relative g' {
+instrumentTwo = \relative {
R1 |
- g4 a b c |
+ g'4 a b c |
d4 c b a |
g4 f( e) d |
e1 |
\partcombineApart c2^"separato" \partcombineChordsOnce e^"accordo una volta sola" |
c2 c |
}
-instrumentTwo = \relative c' {
- c2 c |
+instrumentTwo = \relative {
+ c'2 c |
e2 e |
a,2 c |
c2 c' |
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@c Translators: Federico Bruni
@c Translation checkers:
\score {
\new StaffGroup <<
\new Staff {
- \relative c'' {
- c4 c c c
+ \relative {
+ c''4 c c c
\break
c4 c c c
}
}
\new Staff {
- \relative c'' {
- c4 c c c
+ \relative {
+ c''4 c c c
\break
c4 c c c
}
simultaneo nel punto giusto:
@lilypond[verbatim,quote]
-\new Staff \relative c'' {
- c4 b d c
+\new Staff \relative {
+ c''4 b d c
<<
{ c4 b d c }
\new Staff { e4 d f e }
righi ossia.
@lilypond[verbatim,quote]
-\new Staff = "main" \relative c'' {
- c4 b d c
+\new Staff = "main" \relative {
+ c''4 b d c
<<
{ c4 b d c }
}
{ \stopStaff s1*6 }
- \new Staff \relative c' {
- c4 b c2
+ \new Staff \relative {
+ c'4 b c2
<<
{ e4 f e2 }
\context Staff = "ossia" {
\remove "Time_signature_engraver"
\hide Clef
\magnifyStaff #2/3
- } \relative c'' {
+ } \relative {
R1*3
- c4 e8 d c2
+ c''4 e8 d c2
}
- \new Staff \relative c' {
- c4 b c2
+ \new Staff \relative {
+ c'4 b c2
e4 f e2
g4 a g2 \break
c4 b c2
\new Staff \with {
\remove "Staff_symbol_engraver"
}
-\relative c''' { a8 f e16 d c b a2 }
+\relative { a''8 f e16 d c b a2 }
@end lilypond
}
}
-\relative c' <<
+\relative <<
\new Staff {
- e4 f g a \break
+ e'4 f g a \break
b1 \break
a4 b c2
}
della citazione.
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- a4 gis g gis | b4^"quoted" r8 ais\p a4( f)
+fluteNotes = \relative {
+ a'4 gis g gis | b4^"quoted" r8 ais\p a4( f)
}
-oboeNotes = \relative c'' {
- c4 cis c b \quoteDuring #"flute" { s1 }
+oboeNotes = \relative {
+ c''4 cis c b \quoteDuring #"flute" { s1 }
}
\addQuote "flute" { \fluteNotes }
e potrebbe causare risultati indesiderati.
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- a4 gis g gis | b4^"quoted" r8 ais\p a4( f)
+fluteNotes = \relative {
+ a'4 gis g gis | b4^"quoted" r8 ais\p a4( f)
}
-oboeNotes = \relative c'' {
- c4 cis c b \quoteDuring #"flute" { e4 r8 ais b4 a }
+oboeNotes = \relative {
+ c''4 cis c b \quoteDuring #"flute" { e4 r8 ais b4 a }
}
\addQuote "flute" { \fluteNotes }
b4 ais a ais | cis4^"quoted" r8 bis\p b4( f)
}
-oboeNotes = \relative c'' {
- c4 cis c b \quoteDuring #"clarinet" { s1 }
+oboeNotes = \relative {
+ c''4 cis c b \quoteDuring #"clarinet" { s1 }
}
\addQuote "clarinet" { \clarinetNotes }
far apparire usando la proprietà di contesto @code{quotedEventTypes}.
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- a2 g2 |
+fluteNotes = \relative {
+ a'2 g2 |
b4\<^"quoted" r8 ais a4\f( c->)
}
-oboeNotes = \relative c'' {
- c2. b4 |
+oboeNotes = \relative {
+ c''2. b4 |
\quoteDuring #"flute" { s1 }
}
come le notine appaiono in relazione all'altra voce.
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- r2. c4 | d8 c d e fis2 | g2 d |
+fluteNotes = \relative {
+ r2. c''4 | d8 c d e fis2 | g2 d |
}
oboeNotes = \relative c'' {
contesto @code{CueVoice}.}
@lilypond[verbatim,quote]
-oboeNotes = \relative c'' {
- r2 r8 d16(\f f e g f a)
+oboeNotes = \relative {
+ r2 r8 d''16(\f f e g f a)
g8 g16 g g2.
}
\addQuote "oboe" { \oboeNotes }
delle citazioni.
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- r2. c4 d8 c d e fis2 g2 d2
+fluteNotes = \relative {
+ r2. c''4 d8 c d e fis2 g2 d2
}
bassoonNotes = \relative c {
citazioni sono finite.
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- r2. c4 d8 c d e fis2 g2 d2
+fluteNotes = \relative {
+ r2. c''4 d8 c d e fis2 g2 d2
}
bassoonNotes = \relative c {
da uno strumento che ha un registro completamente diverso.
@lilypond[verbatim,quote]
-piccoloNotes = \relative c''' {
+piccoloNotes = \relative {
\clef "treble^8"
R1
- c8 c c e g2
+ c'''8 c c e g2
c4 g g2
}
partitura; si veda @ref{Using tags}.
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- r2. c4 d8 c d e fis2 g2 d2
+fluteNotes = \relative {
+ r2. c''4 d8 c d e fis2 g2 d2
}
bassoonNotes = \relative c {
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.19.21"
@c Translators: Federico Bruni
@c Translation checkers:
@lilypond[quote,verbatim,relative=1]
c4 d^\markup {
\score {
- \relative c' { c4 d e f }
+ \relative { c'4 d e f }
\layout { }
}
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@c Translators: Federico Bruni
@c Translation checkers:
Ulteriori informazioni in @ref{Special characters}.
@lilypond[quote,verbatim]
-\relative c'' { d8 c16 a bes8 f e' d c4 }
+\relative { d''8 c16 a bes8 f e' d c4 }
\addlyrics { „Schad’ um das schö -- ne grü -- ne Band, }
@end lilypond
sillaba deve essere racchiusa tra altre virgolette. Per esempio,
@lilypond[quote,verbatim]
-\relative c' { \time 3/4 e4 e4. e8 d4 e d c2. }
+\relative { \time 3/4 e'4 e4. e8 d4 e d c2. }
\addlyrics { "\"I" am so lone -- "ly,\"" said she }
@end lilypond
@lilypond[quote,ragged-right,verbatim]
<<
- \new Voice = "one" \relative c'' {
+ \new Voice = "one" \relative {
\time 2/4
- c4 b8. a16 g4. f8 e4 d c2
+ c''4 b8. a16 g4. f8 e4 d c2
}
% usa la durata esplicita precedente di 2;
@lilypond[verbatim,quote]
{
\time 3/4
- \relative c' { c2 e4 g2. }
+ \relative { c'2 e4 g2. }
\addlyrics { play the game }
}
@end lilypond
@lilypond[ragged-right,verbatim,quote]
{
\time 3/4
- \relative c' { c2 e4 g2. }
+ \relative { c'2 e4 g2. }
\addlyrics { play the game }
\addlyrics { speel het spel }
\addlyrics { joue le jeu }
@lilypond[quote,verbatim,ragged-right]
<<
\new Staff {
- \relative c'' {
- c2 c2
+ \relative {
+ c''2 c2
d1
}
}
}
}
\new Staff {
- \relative c' {
- c8 c c c c c c c
+ \relative {
+ c'8 c c c c c c c
c8 c c c c c c c
}
}
deve essere inserito in modalità testo vocale:
@lilypond[quote,verbatim]
-musicOne = \relative c'' {
- c4 b8. a16 g4. f8 e4 d c2
+musicOne = \relative {
+ c''4 b8. a16 g4. f8 e4 d c2
}
verseOne = \lyricmode {
Joy to the world, the Lord is come.
state definite prima. Per esempio:
@lilypond[quote,verbatim]
-sopranoMusic = \relative c'' { c4 c c c }
-contraltoMusic = \relative c'' { a4 a a a }
+sopranoMusic = \relative { c''4 c c c }
+contraltoMusic = \relative { a'4 a a a }
sopranoWords = \lyricmode { Sop -- ra -- no words }
contraltoWords = \lyricmode { Con -- tral -- to words }
<<
\new Staff {
\new Voice = "melody" {
- \relative c'' { c4 c c c }
+ \relative { c''4 c c c }
}
}
\new Lyrics {
<<
\new Staff = "staff" {
\new Voice = "melody" {
- \relative c'' { c4 c c c }
+ \relative { c''4 c c c }
}
}
\new Lyrics \with { alignAboveContext = "staff" } {
}
\new Staff {
\new Voice = "melody" {
- \relative c'' { c4 c c c }
+ \relative { c''4 c c c }
}
}
\context Lyrics = "lyrics" {
\new ChoirStaff <<
\new Staff {
\new Voice = "sopranos" {
- \relative c'' { c4 c c c }
+ \relative { c''4 c c c }
}
}
\new Lyrics = "sopranos"
}
\new Staff {
\new Voice = "contraltos" {
- \relative c'' { a4 a a a }
+ \relative { a'4 a a a }
}
}
\context Lyrics = "sopranos" {
@lilypond[verbatim,quote,ragged-right]
\score {
- \relative c' {
- c c c c
+ \relative {
+ c' c c c
c c c c
}
\addlyrics {
<<
\new Staff {
\new Voice = "melody" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat volta 2 { b4 b b b }
}
}
<<
\new Staff {
\new Voice = "melody" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat volta 2 { b4 b b b }
}
}
<<
\new Staff {
\new Voice = "melody" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat unfold 2 { b4 b b b }
}
}
<<
\new Staff {
\new Voice = "melody" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat volta 2 { b4 b b b }
}
}
<<
\new Staff {
\new Voice = "singleVoice" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat volta 3 { b4 b b b }
c4 c c c
}
<<
\new Staff {
\new Voice = "melody" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat volta 3 { b4 b b b }
c4 c c c
}
La sezione fi -- nale.
}
\new Voice = "harmony" {
- \relative c' {
- f4 f f f \repeat volta 2 { g8 g g4 g2 } a4 a8. a16 a2
+ \relative {
+ f'4 f f f \repeat volta 2 { g8 g g4 g2 } a4 a8. a16 a2
}
}
>>
\new Staff {
\time 2/4
\new Voice = "melody" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat volta 2 { b4 b }
\alternative { { b b } { b c } }
}
@lilypond[verbatim,ragged-right,quote]
<<
- \new Voice = melody \relative c' {
- f4 \appoggiatura a32 b4
+ \new Voice = melody \relative {
+ f'4 \appoggiatura a32 b4
\grace { f16 a16 } b2
\afterGrace b2 { f16[ a16] }
\appoggiatura a32 b4
le interruzioni di linea in un blocco @code{\markup}.
@lilypond[ragged-right,verbatim,quote]
-melody = \relative c' {
-e d c d | e e e e |
+melody = \relative {
+e' d c d | e e e e |
d d e d | c1 |
}
riprodurre questo output in LilyPond.
@lilypond[ragged-right,quote,verbatim]
-melody = \relative c' {
- c4 c c c | d d d d
+melody = \relative {
+ c'4 c c c | d d d d
}
text = \lyricmode {
\new ChoirStaff <<
\new Staff {
\new Voice {
- \relative c'' { g4\f g g g }
+ \relative { g'4\f g g g }
}
}
\new Staff {
\new Voice {
- \relative c' { d4 d d\p d }
+ \relative { d'4 d d\p d }
}
}
>>
\new Staff {
\set Staff.vocalName = \markup \smallCaps Kaspar
\set Staff.shortVocalName = \markup \smallCaps Kas.
- \relative c' {
+ \relative {
\clef "G_8"
- c4 c c c
+ c'4 c c c
\break
c4 c c c
}
\set Staff.vocalName = \markup \smallCaps Melchior
\set Staff.shortVocalName = \markup \smallCaps Mel
\clef "bass"
- \relative c' {
+ \relative {
a4 a a a
a4 a a a
}
(@qq{cue notes}). L'esempio seguente mostra come si fa.
@lilypond[quote,verbatim]
-flute = \relative c'' {
- s4 s4 e g
+flute = \relative {
+ s4 s4 e'' g
}
\addQuote "flute" { \flute }
-pianoRH = \relative c'' {
- c4. g8
+pianoRH = \relative {
+ c''4. g8
% posiziona il nome dello strumento citato proprio prima delle citazioni in corpo piccolo,
% e sopra il rigo
\new CueVoice {
}
\cueDuring "flute" #UP { g4 bes4 }
}
-pianoLH = \relative c { c4 <c' e> e, <g c> }
+pianoLH = \relative { c4 <c' e> e, <g c> }
\score {
\new PianoStaff <<
\cueDuring "clarinet" #DOWN { c4. g8 }
g4 bes4
}
-pianoLH = \relative c { c4 <c' e> e, <g c> }
+pianoLH = \relative { c4 <c' e> e, <g c> }
\score {
<<
\score {
\new StaffGroup <<
\new Staff {
- \relative c'' {
- a4 b c2 |
+ \relative {
+ a'4 b c2 |
a4 b c2 |
a4 b c2 |
}
}
\new Staff {
- \relative c'' {
- a4 b c2 |
+ \relative {
+ a'4 b c2 |
a4 b c2 |
a4 b c2 |
}
\new ChoirStaff <<
\new Staff
\with { \remove "Bar_engraver" } {
- \relative c'' {
- a4 b c2 |
+ \relative {
+ a'4 b c2 |
a4 b c2 |
a4 b c2 |
}
}
\new Staff {
- \relative c'' {
- a4 b c2 |
+ \relative {
+ a'4 b c2 |
a4 b c2 |
a4 b c2 |
}
}
\score {
- \relative c'' {
- g2 a4 g
+ \relative {
+ g'2 a4 g
\divisioMinima
g2 a4 g
\divisioMaior
@lilypond[verbatim,quote]
\score {
\new Staff {
- \relative c'' {
- a4 b c2 |
+ \relative {
+ a'4 b c2 |
a4 b c2 |
a4 b c2 |
}
sulla pagina.
@lilypond[verbatim,quote]
-SopranoMusic = \relative g' {
- g1 | c2 b | a1 | \bar "||"
+SopranoMusic = \relative {
+ g'1 | c2 b | a1 | \bar "||"
a1 | d2 c | c b | c1 | \bar "||"
}
-AltoMusic = \relative c' {
- e1 | g2 g | f1 |
+AltoMusic = \relative {
+ e'1 | g2 g | f1 |
f1 | f2 e | d d | e1 |
}
-TenorMusic = \relative a {
- c1 | c2 c | c1 |
+TenorMusic = \relative {
+ c'1 | c2 c | c1 |
d1 | g,2 g | g g | g1 |
}
-BassMusic = \relative c {
+BassMusic = \relative {
c1 | e2 e | f1 |
d1 | b2 c | g' g | c,1 |
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.16.0"
+@c \version "2.19.21"
@node Programmi esterni
@chapter Programmi esterni
@example
\pointAndClickTypes #'note-event
-\relative c' @{
- c2\f( f)
+\relative @{
+ c'2\f( f)
@}
@end example
@example
#(ly:set-option 'point-and-click 'note-event)
-\relative c' @{
- c2\f( f)
+\relative @{
+ c'2\f( f)
@}
@end example
@example
\pointAndClickTypes #'(note-event dynamic-event)
-\relative c' @{
- c2\f( f)
+\relative @{
+ c'2\f( f)
@}
@end example
@example
#(ly:set-option 'point-and-click '(note-event dynamic-event))
-\relative c' @{
- c2\f( f)
+\relative @{
+ c'2\f( f)
@}
@end example
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.11"
+@c \version "2.19.21"
@c Note: keep this node named so that `info lilypond-book' brings you here.
@node lilypond-book
Ad esempio,
\begin{lilypond}
-\relative c' {
- c2 e2 \tuplet 3/2 { f8 a b } a2 e4
+\relative {
+ c'2 e2 \tuplet 3/2 { f8 a b } a2 e4
}
\end{lilypond}
Ad esempio,
@lilypond
-\relative c' {
- c2 e2 \tuplet 3/2 { f8 a b } a2 e4
+\relative {
+ c'2 e2 \tuplet 3/2 { f8 a b } a2 e4
}
@end lilypond
title = "Una scala in LilyPond"
}
- \relative c' {
- c d e f g a b c
+ \relative {
+ c' d e f g a b c
}
}
@end lilypond
testuale non mostrerà il blocco @code{relative}, ovvero
@example
-\relative c' @{ % begin verbatim
- c4 e2 g4
+\relative @{ % begin verbatim
+ c'4 e2 g4
f2 e % end verbatim
@}
@end example
Normale testo LaTeX.
\begin@{lilypond@}
-\relative c'' @{
- a4 b c d
+\relative @{
+ a'4 b c d
@}
\end@{lilypond@}
Testo Texinfo
@@lilypond
-\relative c' @{
+\relative @{
a4 b c d
@}
@@end lilypond
I documenti per lilypond-book possono combinare liberamente musica e testo. Ad
esempio,
<lilypond>
-\relative c'' @{
- a4 b c d
+\relative @{
+ a'4 b c d
@}
</lilypond>
</p>
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.16.0"
+@c \version "2.19.21"
@node Consigli su come scrivere i file
@chapter Consigli su come scrivere i file
in una nuova versione di LilyPond.
@example
-violin = \relative c'' @{
-g4 c'8. e16
+violin = \relative @{
+g'4 c'8. e16
@}
@dots{}
\score @{
@example
fthenp = _\markup@{
\dynamic f \italic \small @{ 2nd @} \hspace #0.1 \dynamic p @}
-violin = \relative c'' @{
-g4\fthenp c'8. e16
+violin = \relative @{
+g'4\fthenp c'8. e16
@}
@end example
@code{\bass} in @code{\score} non commentato).
@example
-bass = \relative c' @{
+bass = \relative @{
%@{
- c4 c c c
+ c'4 c c c
d d d d
%@}
@}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@ignore
Tutorial guidelines: (different from policy.txt!)
保持しています) が同時進行するように組み合わされています:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
<<
- { a2 g }
+ { a'2 g }
{ f2 e }
{ d2 b }
>>
以下の例は複雑な表記を持ちますが、単一の表記で始まっているため譜表も 1 つです。
@lilypond[verbatim,quote]
-\relative c'' {
- c2 <<c e>> |
+\relative {
+ c''2 <<c e>> |
<< { e2 f } { c2 <<b d>> } >> |
}
@end lilypond
これらの @code{Staff} 要素は @code{<<} と @code{>>} で並列に組み合わされます:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
<<
- \new Staff { \clef "treble" c4 }
+ \new Staff { \clef "treble" c''4 }
\new Staff { \clef "bass" c,,4 }
>>
}
複合リズム (polyrhythmic) の楽譜よりも一般的だからです。
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
<<
- \new Staff { \clef "treble" \key d \major \time 3/4 c4 }
+ \new Staff { \clef "treble" \key d \major \time 3/4 c''4 }
\new Staff { \clef "bass" c,,4 }
>>
}
小さな例を挙げます:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
\new PianoStaff <<
- \new Staff { \time 2/4 c4 e | g g, | }
+ \new Staff { \time 2/4 c''4 e | g g, | }
\new Staff { \clef "bass" c,,4 c' | e c | }
>>
}
歌詞は @notation{Girls and boys come out to play} です:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4
+ d''4 b8 c4 a8 | d4 b8 g4
}
@end lilypond
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4
+ d''4 b8 c4 a8 | d4 b8 g4
}
\addlyrics {
Girls and boys come | out to play,
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4 g8 |
+ d''4 b8 c4 a8 | d4 b8 g4 g8 |
a4 b8 c b a | d4 b8 g4. |
}
\addlyrics {
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4 g8 |
+ d''4 b8 c4 a8 | d4 b8 g4 g8 |
a4 b8 c( b) a | d4 b8 g4. |
}
\addlyrics {
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4 g8 |
+ d''4 b8 c4 a8 | d4 b8 g4 g8 |
a4 b8 c([ b]) a | d4 b8 g4. |
}
\addlyrics {
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4 g8 |
+ d''4 b8 c4 a8 | d4 b8 g4 g8 |
a4 b8 c[ b] a | d4 b8 g4. |
}
\addlyrics {
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \minor
\time 3/2
- g2 a bes | bes2( a) b2 |
+ g'2 a bes | bes2( a) b2 |
c4.( bes8 a4. g8 fis4.) g8 | fis1
}
\addlyrics {
@c but the example is long enough to avoid looking strange.
@lilypond[verbatim,quote,noragged-right]
<<
- \relative c' {
+ \relative {
\clef "bass"
\key c \major
\time 6/8
- c4.~ 8 d b | c8([ d]) b c d b | c8
+ c'4.~ 8 d b | c8([ d]) b c d b | c8
}
\addlyrics {
Lar -- go_al fac -- | to -- tum del -- la cit -- | tÃ
@lilypond[verbatim,quote]
violin = \new Staff {
- \relative c'' {
- a4 b c b
+ \relative {
+ a'4 b c b
}
}
cello = \new Staff {
- \relative c {
+ \relative {
\clef "bass"
e2 d
}
@code{\relative} を使うことで、上の例はずっと読みやすく、入力しやすくなります:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
\key a \major
\time 6/8
- cis8. d16 cis8 e4 e8 |
+ cis''8. d16 cis8 e4 e8 |
b8. cis16 b8 d4 d8 |
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@c Translators: Yoshiki Sawada
@c Translation status: post-GDP
LilyPond は以下のような入力:
@example
-\relative c'' @{
- c4 a d c
+\relative @{
+ c''4 a d c
@}
@end example
\score @{
\new Staff @{
\new Voice @{
- \relative c'' @{
- c4 a b c
+ \relative @{
+ c''4 a b c
@}
@}
@}
すべてのテンプレートがこれを使っています:
@example
-melody = \relative c' @{
- c4 a b c
+melody = \relative @{
+ c'4 a b c
@}
\score @{
@code{\new Voice = "vocal"} の後の波括弧の中に、以下を書き加えることができます:
@example
-\relative c'' @{
- r4 d8\noBeam g, c4 r
+\relative @{
+ r4 d''8\noBeam g, c4 r
@}
@end example
これで、実際の楽譜の一部ができます:
@lilypond[verbatim,quote,ragged-right]
-melody = \relative c'' { r4 d8\noBeam g, c4 r }
+melody = \relative { r4 d''8\noBeam g, c4 r }
text = \lyricmode { And God said, }
-upper = \relative c'' { <g d g,>2~ <g d g,> }
-lower = \relative c { b2 e }
+upper = \relative { <g' d g,>2~ <g d g,> }
+lower = \relative { b,2 e }
\score {
<<
@lilypond[verbatim,quote,ragged-right]
\new Staff {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[verbatim,quote,ragged-right]
\new Staff = "main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
向きは適切にセットされます。
@lilypond[quote,verbatim,fragment]
-\new Staff \relative c' {
+\new Staff \relative {
% Main voice
- c16 d e f
+ c'16 d e f
% Voice "1" Voice "2" Voice "3"
<< { g4 f e } \\ { r8 e4 d c8 ~ } >> |
<< { d2 e2 } \\ { c8 b16 a b8 g ~ 2 } \\ { s4 b4 c2 } >> |
またがって分かれるかもしれないということに注意してください。
@lilypond[quote,verbatim]
-\new Staff \relative c' {
+\new Staff \relative {
% Main voice
- c16 d e f
+ c'16 d e f
<< % Bar 1
{
\voiceOneStyle
@c The following should appear as music without code
@lilypond[quote,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<< % Voice one
- { c2 aes4. bes8 }
+ { c''2 aes4. bes8 }
\\ % Voice two
{
% Ignore these for now - they are explained in Ch 4
@c ignore
@lilypond[quote,verbatim,fragment,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<<
- { c2 aes4. bes8 } \\ { <ees, c>2 des } \\ { aes'2 f4 fes }
+ { c''2 aes4. bes8 } \\ { <ees, c>2 des } \\ { aes'2 f4 fes }
>>
<c ees aes c>1
}
ボイス 3 を省略するには、@code{\\} を 2 つ記述します:
@lilypond[quote,verbatim,fragment,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<< % Voice one
- { c2 aes4. bes8 }
+ { c''2 aes4. bes8 }
\\ % Voice two
{ <ees, c>2 des }
\\ % Omit Voice three
@example
\new Staff @{
- \relative c' @{
- << @{ e4 f g a @} \\ @{ c,4 d e f @} >>
+ \relative @{
+ << @{ e'4 f g a @} \\ @{ c,4 d e f @} >>
@}
@}
@end example
@example
\new Staff <<
- \new Voice = "1" @{ \voiceOne \relative c' @{ e4 f g a @} @}
- \new Voice = "2" @{ \voiceTwo \relative c' @{ c4 d e f @} @}
+ \new Voice = "1" @{ \voiceOne \relative @{ e'4 f g a @} @}
+ \new Voice = "2" @{ \voiceTwo \relative @{ c'4 d e f @} @}
>>
@end example
@c The following example should not display the code
@lilypond[ragged-right,quote]
\new Staff <<
- \new Voice = "1" { \voiceOne \relative c' { e4 f g a } }
- \new Voice = "2" { \voiceTwo \relative c' { c4 d e f } }
+ \new Voice = "1" { \voiceOne \relative { e'4 f g a } }
+ \new Voice = "2" { \voiceTwo \relative { c'4 d e f } }
>>
@end lilypond
マークアップ、タイ、スラー、強弱記号に与える影響を見ていきましょう:
@lilypond[quote,ragged-right,verbatim]
-\relative c' {
+\relative {
% Default behavior or behavior after \oneVoice
- c4 d8~ 8 e4( f | g4 a) b-> c |
+ c'4 d8~ 8 e4( f | g4 a) b-> c |
}
@end lilypond
@cindex voices, nesting (ボイスをネストさせる)
@lilypond[quote,ragged-right,verbatim]
-\new Staff \relative c' {
- c16^( d e f
+\new Staff \relative {
+ c'16^( d e f
<<
{ g4 f e | d2 e) | }
\new Voice {
@lilypond[quote,verbatim]
global = { \key f \major \time 6/8 \partial 8 }
-SopOneMusic = \relative c'' {
- c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4
+SopOneMusic = \relative {
+ c''8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4
}
SopOneLyrics = \lyricmode {
Let | flee -- cy flocks the | hills a -- dorn, __
}
-SopTwoMusic = \relative c' {
- r8 | r4. r4 c8 | a'8([ g)] f f([ e)] d | e8([ d)] c bes'
+SopTwoMusic = \relative {
+ r8 | r4. r4 c'8 | a'8([ g)] f f([ e)] d | e8([ d)] c bes'
}
SopTwoLyrics = \lyricmode {
Let | flee -- cy flocks the | hills a -- dorn,
@lilypond[quote,verbatim]
keyTime = { \key c \major \time 4/4 \partial 4 }
-SopMusic = \relative c' { c4 | e4. e8 g4 g | a4 a g }
-AltoMusic = \relative c' { c4 | c4. c8 e4 e | f4 f e }
-TenorMusic = \relative c { e4 | g4. g8 c4. b8 | a8 b c d e4 }
-BassMusic = \relative c { c4 | c4. c8 c4 c | f8 g a b c4 }
+SopMusic = \relative { c'4 | e4. e8 g4 g | a4 a g }
+AltoMusic = \relative { c'4 | c4. c8 e4 e | f4 f e }
+TenorMusic = \relative { e4 | g4. g8 c4. b8 | a8 b c d e4 }
+BassMusic = \relative { c4 | c4. c8 c4 c | f8 g a b c4 }
VerseOne =
\lyricmode { E -- | ter -- nal fa -- ther, | strong to save, }
\clef "treble"
\key g \minor
\new Voice { % 右手の音符用のボイスを作成します
- \relative c'' { % 右手の音符の開始点
- d4 ees16 c8. |
+ \relative { % 右手の音符の開始点
+ d''4 ees16 c8. |
d4 ees16 c8. |
} % 右手の音符の終了点
} % 右手のボイスの終了点
\key g \minor
\new Voice { % 左手のボイス 1 を作成します
\voiceOne
- \relative g { % 左手のボイス 1 の音符の開始点
+ \relative { % 左手のボイス 1 の音符の開始点
g8 <bes d> ees, <g c> |
g8 <bes d> ees, <g c> |
} % 左手のボイス 1 の音符の終了点
} % 左手のボイス 1 の終了点
\new Voice { % 左手のボイス 2 を作成します
\voiceTwo
- \relative g { % 左手のボイス 2 の音符の開始点
+ \relative { % 左手のボイス 2 の音符の開始点
g4 ees |
g4 ees |
} % 左手のボイス 2 の音符の終了点
@lilypond[quote,verbatim,ragged-right]
<<
- \new Staff \relative c'' {
- aeses2 aes
+ \new Staff \relative {
+ aeses'2 aes
}
\new Staff \relative c'' {
\set Staff.extraNatural = ##f
@lilypond[quote,verbatim,ragged-right]
<<
- \new Staff \relative c'' {
- aeses2 aes
+ \new Staff \relative {
+ aeses'2 aes
}
\new Staff \relative c'' {
\set Score.extraNatural = ##f
@lilypond[quote,verbatim,ragged-right]
<<
\new Staff {
- \relative c'' {
- gisis4 gis aeses aes
+ \relative {
+ gisis'4 gis aeses aes
}
}
\new Staff \with { extraNatural = ##f } {
- \relative c'' {
- gisis4 gis aeses aes
+ \relative {
+ gisis'4 gis aeses aes
}
}
>>
@lilypond[verbatim,quote]
\score {
\new Staff {
- \relative c'' {
- cisis4 e d cis
+ \relative {
+ cisis''4 e d cis
}
}
\layout {
\score {
<<
\new Staff {
- \relative c'' {
- gisis4 gis aeses aes
+ \relative {
+ gisis'4 gis aeses aes
}
}
\new Staff {
- \relative c'' {
- gisis4 gis aeses aes
+ \relative {
+ gisis'4 gis aeses aes
}
}
>>
\new Staff \with {
\remove "Staff_symbol_engraver"
}
-\relative c' {
- c4 d
+\relative {
+ c'4 d
\set fontSize = #-4 % 符頭を小さくします
e4 f |
\set fontSize = #2.5 % 符頭を大きくします
\score {
<<
\new Staff {
- \relative c'' {
- c4 a b g
+ \relative {
+ c''4 a b g
}
}
\new Staff {
- \relative c' {
- c4 a b g
+ \relative {
+ c'4 a b g
}
}
\new Staff {
\clef "G_8"
- \relative c' {
- c4 a b g
+ \relative {
+ c'4 a b g
}
}
\new Staff {
\clef "bass"
- \relative c {
+ \relative {
c4 a b g
}
}
@example
\version @w{"@version{}"}
-melody = \relative c' @{
+melody = \relative @{
\clef "treble"
\key c \major
\time 4/4
@example
\version @w{"@version{}"}
-melody = \relative c' @{
+melody = \relative @{
\clef "treble"
\key c \major
\time 4/4
@example
\version @w{"@version{}"}
-sopranoMusic = \relative c' @{
+sopranoMusic = \relative @{
\clef "treble"
\key c \major
\time 4/4
Aaa Bee Cee Dee
@}
-celloMusic = \relative c @{
+celloMusic = \relative @{
\clef "bass"
\key c \major
\time 4/4
ここで、完成したソプラノとチェロ用のテンプレートを挙げます。
@lilypond[quote,verbatim,ragged-right,addversion]
-sopranoMusic = \relative c' {
+sopranoMusic = \relative {
\clef "treble"
\key c \major
\time 4/4
Aaa Bee Cee Dee
}
-celloMusic = \relative c {
+celloMusic = \relative {
\clef "bass"
\key c \major
\time 4/4
@lilypond[quote,ragged-right]
global = { \key d \major \time 4/4 }
-sopranoMusic = \relative c'' {
+sopranoMusic = \relative {
\clef "treble"
- r4 d2 a4 | d4. d8 a2 | cis4 d cis2 |
+ r4 d''2 a4 | d4. d8 a2 | cis4 d cis2 |
}
sopranoWords = \lyricmode {
Wor -- thy | is the lamb | that was slain |
}
-altoMusic = \relative a' {
+altoMusic = \relative {
\clef "treble"
- r4 a2 a4 | fis4. fis8 a2 | g4 fis e2 |
+ r4 a'2 a4 | fis4. fis8 a2 | g4 fis e2 |
}
altoWords = \sopranoWords
-tenorMusic = \relative c' {
+tenorMusic = \relative {
\clef "G_8"
- r4 fis2 e4 | d4. d8 d2 | e4 a, cis2 |
+ r4 fis'2 e4 | d4. d8 d2 | e4 a, cis2 |
}
tenorWords = \sopranoWords
-bassMusic = \relative c' {
+bassMusic = \relative {
\clef "bass"
- r4 d2 cis4 | b4. b8 fis2 | e4 d a'2 |
+ r4 d'2 cis4 | b4. b8 fis2 | e4 d a'2 |
}
bassWords = \sopranoWords
@c KEEP LY
@lilypond[quote,verbatim,ragged-right,addversion]
global = { \key d \major \time 4/4 }
-sopranoMusic = \relative c'' {
+sopranoMusic = \relative {
\clef "treble"
- r4 d2 a4 | d4. d8 a2 | cis4 d cis2 |
+ r4 d''2 a4 | d4. d8 a2 | cis4 d cis2 |
}
sopranoWords = \lyricmode {
Wor -- thy | is the lamb | that was slain |
}
-altoMusic = \relative a' {
+altoMusic = \relative {
\clef "treble"
- r4 a2 a4 | fis4. fis8 a2 | g4 fis fis2 |
+ r4 a'2 a4 | fis4. fis8 a2 | g4 fis fis2 |
}
altoWords = \sopranoWords
-tenorMusic = \relative c' {
+tenorMusic = \relative {
\clef "G_8"
- r4 fis2 e4 | d4. d8 d2 | e4 a, cis2 |
+ r4 fis'2 e4 | d4. d8 d2 | e4 a, cis2 |
}
tenorWords = \sopranoWords
-bassMusic = \relative c' {
+bassMusic = \relative {
\clef "bass"
- r4 d2 cis4 | b4. b8 fis2 | e4 d a'2 |
+ r4 d'2 cis4 | b4. b8 fis2 | e4 d a'2 |
}
bassWords = \sopranoWords
upper = \relative a' {
composer = "J S Bach"
}
keyTime = { \key c \minor \time 4/4 }
-ManualOneVoiceOneMusic = \relative g' {
- g4 g f ees |
+ManualOneVoiceOneMusic = \relative {
+ g'4 g f ees |
d2 c |
}
-ManualOneVoiceTwoMusic = \relative c' {
- ees16 d ees8~ 16 f ees d c8 d~ d c~ |
+ManualOneVoiceTwoMusic = \relative {
+ ees'16 d ees8~ 16 f ees d c8 d~ d c~ |
8 c4 b8 c8. g16 c b c d |
}
-ManualTwoMusic = \relative c' {
- c16 b c8~ 16 b c g a8 g~ 16 g aes ees |
+ManualTwoMusic = \relative {
+ c'16 b c8~ 16 b c g a8 g~ 16 g aes ees |
f16 ees f d g aes g f ees d ees8~ 16 f ees d |
}
-PedalOrganMusic = \relative c {
+PedalOrganMusic = \relative {
r8 c16 d ees d ees8~ 16 a, b g c b c8 |
r16 g ees f g f g8 c,2 |
}
これまでに、以下のような記述を見てきました:
@lilypond[quote,verbatim,ragged-right]
-hornNotes = \relative c'' { c4 b dis c }
+hornNotes = \relative { c''4 b dis c }
\score {
{
気付くかもしれません:
@lilypond[quote,verbatim,ragged-right]
-fragmentA = \relative c'' { a4 a8. b16 }
-fragmentB = \relative c'' { a8. gis16 ees4 }
+fragmentA = \relative { a'4 a8. b16 }
+fragmentB = \relative { a'8. gis16 ees4 }
violin = \new Staff {
\fragmentA \fragmentA |
\once \override TextScript.padding = #padding
#})
-\relative c''' {
- c4^"piu mosso" b a b |
+\relative {
+ c'''4^"piu mosso" b a b |
\padText #1.8
c4^"piu mosso" d e f |
\padText #2.6
以下のホルン/@/バスーン デュオのパートを保持しているとします:
@example
-hornNotes = \relative c @{
+hornNotes = \relative @{
\time 2/4
r4 f8 a | cis4 f | e4 d |
@}
この移調により出力は以下のようになります:
@lilypond[quote,ragged-right]
-\transpose f c' \relative c {
+\transpose f c' \relative {
\time 2/4
r4 f8 a | cis4 f | e4 d |
}
そして、以下のような楽譜になります:
@lilypond[quote,ragged-right]
-\relative c <<
+\relative <<
\new Staff {
\clef "treble"
\time 2/4
@include included/generating-output.itexi
-@c \version "2.16.0"
+@c \version "2.19.21"
@c Translators: Yoshiki Sawada
@c Translation status: post-GDP
@lilypond[verbatim,quote]
% set the starting point to middle C
-\relative c' {
- c d e f
+\relative {
+ c' d e f
g a b c
}
@end lilypond
より大きな音程を持つ旋律を作ることができます:
@lilypond[verbatim,quote]
-\relative c' {
- d f a g
+\relative {
+ d' f a g
c b f d
}
@end lilypond
@lilypond[verbatim,quote]
% one octave above middle C
-\relative c'' {
- e c a c
+\relative {
+ e'' c a c
}
@end lilypond
@c KEEP LY
@lilypond[verbatim,quote]
-\relative c'' {
- b c % c は b よりも 1 譜表スペース上なので、c は b の上になります
+\relative {
+ b' c % c は b よりも 1 譜表スペース上なので、c は b の上になります
b d % d は 2 つ上または 5 つ下なので、d は上になります
b e % e は 3 つ上または 4 つ下なので、e は上になります
b a % a は 6 つ上または 1 つ下なので、a は下になります
下げることができます。
@lilypond[verbatim,quote]
-\relative c'' {
- a a, c' f,
+\relative {
+ a' a, c' f,
g g'' a,, f'
}
@end lilypond
最初の音符のデフォルトの演奏時間は 4 分音符です。
@lilypond[verbatim,quote]
-\relative c'' {
- a1
+\relative {
+ a'1
a2 a4 a8 a
a16 a a a a32 a a a a64 a a a a a a a a2
}
付点音符の演奏時間は明記されなければなりません (つまり、数字で)。
@lilypond[verbatim,quote]
-\relative c'' {
- a4 a a4. a8
+\relative {
+ a'4 a a4. a8
a8. a16 a a8. a8 a4.
}
@end lilypond
@notation{休符}は @code{r} という名前の音符のような形で入力されます:
@lilypond[verbatim,quote]
-\relative c'' {
- a r r2
+\relative {
+ a' r r2
r8 a r4 r4. r8
}
@end lilypond
@notation{拍子記号}は @code{\time} コマンドでセットすることができます:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
\time 3/4
- a4 a a
+ a'4 a a
\time 6/8
a4. a
\time 4/4
@notation{音部記号}は @code{\clef} コマンドを使ってセットすることができます:
@lilypond[verbatim,quote]
-\relative c' {
+\relative {
\clef treble
- c1
+ c'1
\clef alto
c1
\clef tenor
@c no verbatim here
@lilypond[quote]
-\relative c'' {
- c-\markup { \bold \huge { ここをクリックしてください } }
+\relative {
+ c''-\markup { \bold \huge { ここをクリックしてください } }
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@c Translators: Yoshiki Sawada
@c Translation status: post-GDP
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@c KEEP LY
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@c KEEP LY
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,ragged-right,verbatim]
<<
\new Staff {
- \relative c' { c4 a, }
+ \relative { c'4 a, }
}
\new Staff {
- \relative c'''' { c4 a, }
+ \relative { c''''4 a, }
}
>>
@end lilypond
@c KEEP LY
@lilypond[quote,ragged-right,verbatim]
sesquisharp = \markup { \sesquisharp }
-\relative c'' {
- c4
+\relative {
+ c''4
% これは 1.5 倍シャープを譜刻しますが、スペースが小さすぎます
\once \override Accidental.stencil = #ly:text-interface::print
\once \override Accidental.text = #sesquisharp
この例は以下のような状態でした:
@lilypond[quote,verbatim,fragment,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<<
- { c2 aes4. bes8 }
+ { c''2 aes4. bes8 }
\\
{ <ees, c>2 des }
\\
@cindex force-hshift property, example (force-hshift プロパティの例)
@lilypond[quote,verbatim,fragment,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<<
- { c2 aes4. bes8 }
+ { c''2 aes4. bes8 }
\\
{
<ees, c>2
@c line-width ensures no break
@c KEEP LY
@lilypond[quote,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@c KEEP LY
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4. g8 |
+ r2 c''4. g8 |
bes1~ |
\time 6/4
bes2. r8
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2 |
+lhMusic = \relative {
+ r2 <c' g ees>2 |
<d g, d>1 |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@c KEEP LY
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
bes1~ |
\time 6/4
bes2. r8
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1) |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@c KEEP LY
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@c KEEP LY
@lilypond[quote,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@c KEEP LY
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@c KEEP LY
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
global = { \key c \major \time 4/4 \partial 4 }
-SopranoMusic = \relative c' { c4 | e4. e8 g4 g | a4 a g }
-AltoMusic = \relative c' { c4 | c4. c8 e4 e | f4 f e }
-TenorMusic = \relative c { e4 | g4. g8 c4. b8 | a8 b c d e4 }
-BassMusic = \relative c { c4 | c4. c8 c4 c | f8 g a b c4 }
+SopranoMusic = \relative { c'4 | e4. e8 g4 g | a4 a g }
+AltoMusic = \relative { c'4 | c4. c8 e4 e | f4 f e }
+TenorMusic = \relative { e4 | g4. g8 c4. b8 | a8 b c d e4 }
+BassMusic = \relative { c4 | c4. c8 c4 c | f8 g a b c4 }
VerseOne = \lyrics {
E -- | ter -- nal \emphasize Fa -- ther, | \normal strong to save,
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.7"
+@c \version "2.19.21"
@c Translators: Yoshiki Sawada
@c Translation status: post-GDP
% 音楽コンテンツ
\context Voice = "one" {
- \relative c'' {
- c4 c c c
+ \relative {
+ c''4 c c c
}
}
\context Voice = "two" {
- \relative c'' {
- g8 g g4 g g
+ \relative {
+ g'8 g g4 g g
}
}
>>
% 音楽コンテンツ
\context Voice = "one" {
- \relative c'' {
- c4 c c c
+ \relative {
+ c''4 c c c
}
}
\context Voice = "two" {
- \relative c'' {
- g8 g g4 g g
+ \relative {
+ g'8 g g4 g g
}
}
>>
プロシージャを実行させるのに用いられます:
@example
-\new Staff \relative c' @{
- c1
+\new Staff \relative @{
+ c'1
\context Timing
\applyContext #(lambda (ctx)
(newline)
@c KEEP LY
@lilypond[quote,verbatim]
-musicA = \relative c'' { d4 d d d }
-musicB = \relative c'' { g4 g g g }
+musicA = \relative { d''4 d d d }
+musicB = \relative { g'4 g g g }
keepVoicesAlive = {
<<
\new Voice = "A" { s1*5 } % Voice "A" を 5 小節の間、維持する
@c KEEP LY
@lilypond[quote,verbatim]
-melody = \relative c'' { a4 a a a }
-accompaniment = \relative c' { d4 d d d }
+melody = \relative { a'4 a a a }
+accompaniment = \relative { d'4 d d d }
words = \lyricmode { These words fol -- low the mel -- o -- dy }
\score {
<<
@c KEEP LY
@lilypond[quote,verbatim]
-melody = \relative c'' {
+melody = \relative {
s1 % 1 小節スキップします
- a4 a a a
+ a'4 a a a
s1 % 1 小節スキップします
a4 a a a
}
-accompaniment = \relative c' {
- d4 d d d
+accompaniment = \relative {
+ d'4 d d d
d4 d d d
d4 d d d
d4 d d d
@lilypond[quote,verbatim]
\score {
- \relative c'' {
- a4^"Thicker stems" a a a
+ \relative {
+ a'4^"Thicker stems" a a a
a4 a a\ff a
}
\layout {
@lilypond[quote,verbatim]
\score {
- \relative c'' {
- a4^"Smaller font" a a a
+ \relative {
+ a'4^"Smaller font" a a a
a4 a a\ff a
}
\layout {
@lilypond[quote,verbatim]
\score {
- \relative c'' {
- a4^"Dynamics above" a a a
+ \relative {
+ a'4^"Dynamics above" a a a
a4 a a\ff a
}
\layout {
\score {
\new Staff {
- \relative c'' {
- a4^"Smaller font" a a a
+ \relative {
+ a'4^"Smaller font" a a a
a4 a a a
}
}
@lilypond[quote,verbatim]
\score {
\new Staff {
- \relative c'' {
- a4^"Smaller font" a a a
+ \relative {
+ a'4^"Smaller font" a a a
a4 a a a
}
}
\override Stem.thickness = #4.0
}
{
- \relative c'' {
- a4^"Thick stems" a a a
+ \relative {
+ a'4^"Thick stems" a a a
a4 a a a
}
}
\score {
<<
\new Staff {
- \relative c'' {
- a4^"Default font" a a a
+ \relative {
+ a'4^"Default font" a a a
a4 a a a
}
}
\with {
fontSize = #-4
} {
- \relative c'' {
- a4^"Smaller font" a a a
+ \relative {
+ a'4^"Smaller font" a a a
a4 a a a
}
}
<<
\new Staff {
\new Voice {
- \relative c'' {
- a4^"Dynamics below" a a a
+ \relative {
+ a'4^"Dynamics below" a a a
a4 a a\ff a
}
}
\new Voice
\with { \dynamicUp }
{
- \relative c'' {
- a4^"Dynamics above" a a a
+ \relative {
+ a'4^"Dynamics above" a a a
a4 a a\ff a
}
}
\accepts "ImproVoice"
}}
-\relative c'' {
- a4 d8 bes8 \new ImproVoice { c4^"ad lib" c
+\relative {
+ a'4 d8 bes8 \new ImproVoice { c4^"ad lib" c
c4 c^"undress" c_"while playing :)" c }
a1
}
それから、このサブセクションの最初にあった出力を入力します:
@example
-\relative c'' @{
- a4 d8 bes8
+\relative @{
+ a'4 d8 bes8
\new ImproVoice @{
c4^"ad lib" c
c4 c^"undress"
\musicglyph #"noteheads.s2cross"
}
}
-\relative c'' {
- a a \XinO a a
+\relative {
+ a' a \XinO a a
}
@end lilypond
\once \override TextScript.padding = $padding
#})
-\relative c''' {
- c4^"piu mosso" b a b
+\relative {
+ c'''4^"piu mosso" b a b
\padText #1.8
c4^"piu mosso" d e f
\padText #2.6
#note
#})
-\relative c' { c4 d e f \custosNote g }
+\relative { c'4 d e f \custosNote g }
@end lilypond
複数の引数をとる置換関数を定義することもできます:
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.30"
+@c \version "2.19.21"
@c Translators: Yoshiki Sawada
@c Translation status: post-GDP
@lilypond[verbatim,ragged-right,quote]
<<
- \relative c'' {
- c4 c'8 r8 c,4 c'
+ \relative {
+ c''4 c'8 r8 c,4 c'
}
\new FiguredBass {
\figuremode {
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.11"
+@c \version "2.19.21"
@c Translators: Yoshiki Sawada
\consists "Horizontal_bracket_engraver"
}
}
-\relative c'' {
- c2\startGroup
+\relative {
+ c''2\startGroup
d\stopGroup
}
@end lilypond
\consists "Horizontal_bracket_engraver"
}
}
-\relative c'' {
- c4\startGroup\startGroup
+\relative {
+ c''4\startGroup\startGroup
d4\stopGroup
e4\startGroup
d4\stopGroup\stopGroup
version that you are working on. For details, see the Contributors'
Guide, node Updating translation committishes..@end ignore
-@c \version "2.17.25"
+@c \version "2.19.21"
@c Translators: Yoshiki Sawada
@lilypond[verbatim,quote]
<<
- \new Staff \relative c' {
- c2 d4 e |
+ \new Staff \relative {
+ c'2 d4 e |
c4 e e,2 |
g'4 a g a |
c1 |
@lilypond[verbatim,quote]
moltoF = \markup { molto \dynamic f }
-\relative c' {
- <d e>16_\moltoF <d e>
+\relative {
+ <d' e>16_\moltoF <d e>
<d e>2..
}
@end lilypond
\center-align \concat { \bold { \italic ( }
\dynamic f \bold { \italic ) } } }
boxF = \markup { \bracket { \dynamic f } }
-\relative c' {
- c1_\roundF
+\relative {
+ c'1_\roundF
c1_\boxF
}
@end lilypond
@lilypond[verbatim,quote]
sfzp = #(make-dynamic-script "sfzp")
-\relative c' {
- c4 c c\sfzp c
+\relative {
+ c'4 c c\sfzp c
}
@end lilypond
roundFdynamic = #(make-dynamic-script roundF)
boxFdynamic = #(make-dynamic-script boxF)
mfEspressDynamic = #(make-dynamic-script mfEspress)
-\relative c' {
- c4_\roundFdynamic\< d e f
+\relative {
+ c'4_\roundFdynamic\< d e f
g,1~_\boxFdynamic\>
g1
g'1~\mfEspressDynamic
moltoF = #(make-dynamic-script
(markup #:normal-text "molto"
#:dynamic "f"))
-\relative c' {
- <d e>16 <d e>
+\relative {
+ <d' e>16 <d e>
<d e>2..\moltoF
}
@end lilypond
#(make-dynamic-script
(markup #:normal-text "molto"
#:dynamic "f"))
-\relative c' {
- <d e>16 <d e>
+\relative {
+ <d' e>16 <d e>
<d e>2..\moltoF <d e>1
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@c Translators: Yoshiki Sawada
@c Translation status: post-GDP
筆記体のタブ譜の音部記号が自動的に付け加えられます。
@lilypond[quote,ragged-right,verbatim]
-\new TabStaff \relative c' {
+\new TabStaff \relative {
a,8 a' <c e> a
d,8 a' <d f> a
}
@lilypond[quote,ragged-right,verbatim]
\layout { \omit Voice.StringNumber }
\new StaffGroup <<
- \new Staff \relative c {
+ \new Staff \relative {
\clef "treble_8"
\time 2/4
c16 d e f g4
c,16\5 d\5 e\4 f\4 g4\4
c,16 d e f g4
}
- \new TabStaff \relative c {
+ \new TabStaff \relative {
c16 d e f g4
c,16\5 d\5 e\4 f\4 g4\4
\set TabStaff.minimumFret = #5
@code{\tabChordRepeats} でも用いることができます。
@lilypond[quote,verbatim]
-guitar = \relative c' {
+guitar = \relative {
r8 <gis-2 cis-3 b-0>~ q4 q8~ 8 q4
}
\omit StringNumber
} {
\clef "bass_8"
- \relative c, {
- c4 d e f
+ \relative {
+ c,4 d e f
}
}
\new TabStaff \with {
stringTunings = #bass-tuning
} {
- \relative c, {
- c4 d e f
+ \relative {
+ c,4 d e f
}
}
>>
通常の譜とタブ譜でサポートされます:
@lilypond[quote,ragged-right,verbatim]
-music = \relative c' {
+music = \relative {
< a\3 \deadNote c\2 a'\1 >4
< b\3 \deadNote d\2 b'\1 >
< c\3 \deadNote e\2 c'\1 >
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@c Translators: Yoshiki Sawada
@lilypond[papersize=a8landscape]
\book {
\score {
- \relative c' {
- c4 d e f
+ \relative {
+ c'4 d e f
}
}
}
tagline = "... music notation for Everyone"
}
\score {
- \relative c' {
- c4 d e f
+ \relative {
+ c'4 d e f
}
}
}
@lilypond[verbatim,quote,ragged-right,papersize=a8]
\book {
\header { copyright = \markup { "Copyright 1970" } }
- \relative c' {
+ \relative {
a'4-\footnote #'(-3 . 0) \markup { \bold Forte } \f
-\footnote #'(0 . 1.5) \markup { スラー } (
b8)-\footnote #'(0 . -2) \markup { 連桁 } [ e]
\book {
\header { tagline = ##f }
\markup { \auto-footnote "A simple tune" \italic "By me" }
- \relative c' {
+ \relative {
a'4 b8 e c4 d
}
}
@lilypond[verbatim,quote,ragged-right,papersize=a8]
\book {
\header { tagline = ##f }
- \relative c' {
+ \relative {
a'4-\footnote
\markup { \teeny 1 } #'(-3 . 0)
\markup { 1. \bold フォルテ } \f
\book {
\header { tagline = ##f }
\markup { "A simple tune" \footnote "*" \italic "* By me" }
- \relative c' {
+ \relative {
a'4 b8 e c4 d4
}
}
ここに例を挙げます:
@lilypond[verbatim,quote]
-sopranoMusic = \relative c'' { a4 b c b8( a) }
-altoMusic = \relative g' { e4 e e f }
-tenorMusic = \relative c' { c4 b e d8( c) }
-bassMusic = \relative c' { a4 gis a d, }
+sopranoMusic = \relative { a'4 b c b8( a) }
+altoMusic = \relative { e'4 e e f }
+tenorMusic = \relative { c'4 b e d8( c) }
+bassMusic = \relative { a4 gis a d, }
allLyrics = \lyricmode {King of glo -- ry }
<<
\new Staff = "Soprano" \sopranoMusic
もう 1 つはトリルを明示的に展開しています:
@lilypond[verbatim,quote]
-music = \relative g' {
- g8. c32 d
+music = \relative {
+ g'8. c32 d
\tag #'trills {d8.\trill }
\tag #'expand {\repeat unfold 3 {e32 d} }
c32 d
音楽セクションを排除する方が楽な場合もあります:
@lilypond[verbatim,quote]
-music = \relative g' {
- g8. c32 d
+music = \relative {
+ g'8. c32 d
\tag #'trills {d8.\trill }
\tag #'expand {\repeat unfold 3 {e32 d} }
c32 d
à vo -- cê uma can -- ção legal
}
-\relative c' {
- c2 d e f g f e
+\relative {
+ c'2 d e f g f e
}
\addlyrics { \bulgarian }
\addlyrics { \hebrew }
@lilypond[quote,verbatim]
\score {
- \relative c'' {
- c1 \mark \markup { \char ##x03EE }
+ \relative {
+ c''1 \mark \markup { \char ##x03EE }
c1_\markup { \tiny { \char ##x03B1 " to " \char ##x03C9 } }
}
\addlyrics { O \markup { \concat { Ph \char ##x0153 be! } } }
\set Staff.midiInstrument = #"cello"
\set Score.dynamicAbsoluteVolumeFunction = #myDynamics
\new Voice {
- \relative c'' {
- a4\pp b c-\rfz
+ \relative {
+ a'4\pp b c-\rfz
}
}
}
\key g \major
\time 2/2
\set Staff.midiInstrument = #"flute"
- \new Voice \relative c''' {
- r2 g\mp g fis~
+ \new Voice \relative {
+ r2 g''\mp g fis~
4 g8 fis e2~
4 d8 cis d2
}
\new Staff {
\key g \major
\set Staff.midiInstrument = #"clarinet"
- \new Voice \relative c'' {
- b1\p a2. b8 a
+ \new Voice \relative {
+ b'1\p a2. b8 a
g2. fis8 e
fis2 r
}
\set Staff.midiInstrument = #"flute"
\set Staff.midiMinimumVolume = #0.7
\set Staff.midiMaximumVolume = #0.9
- \new Voice \relative c''' {
- r2 g\mp g fis~
+ \new Voice \relative {
+ r2 g''\mp g fis~
4 g8 fis e2~
4 d8 cis d2
}
\set Staff.midiInstrument = #"clarinet"
\set Staff.midiMinimumVolume = #0.3
\set Staff.midiMaximumVolume = #0.6
- \new Voice \relative c'' {
- b1\p a2. b8 a
+ \new Voice \relative {
+ b'1\p a2. b8 a
g2. fis8 e
fis2 r
}
\time 2/2
\set Score.instrumentEqualizer = #my-instrument-equalizer
\set Staff.midiInstrument = #"flute"
- \new Voice \relative c''' {
- r2 g\mp g fis ~
+ \new Voice \relative {
+ r2 g''\mp g fis ~
4 g8 fis e2 ~
4 d8 cis d2
}
\new Staff {
\key g \major
\set Staff.midiInstrument = #"clarinet"
- \new Voice \relative c'' {
- b1\p a2. b8 a
+ \new Voice \relative {
+ b'1\p a2. b8 a
g2. fis8 e
fis2 r
}
@lilypond[verbatim,quote]
\score {
- \relative c' {
- c cih cis cisih
+ \relative {
+ c' cih cis cisih
d dih ees eeh
e eih f fih
fis fisih g gih
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.19.21"
@c Translators: Yoshiki Sawada
@c Translation status: post-GDP
\new Staff = "up" {
\new Voice = "melOne" {
\key g \major
- \autochange \relative c' {
+ \autochange \relative {
g8 b a c b d c e
d8 r fis, g a2
}
version that you are working on. See TRANSLATION for details.
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@c Translators: Yoshiki Sawada
@c Translation status: post-GDP
ここで、実際に相対モードの例を挙げます:
@lilypond[verbatim,quote]
-\relative c {
+\relative {
\clef bass
c d e f
g a b c
オクターブ変更記号は 4 度よりも大きな音程に対して使用されます:
@lilypond[verbatim,quote]
-\relative c {
+\relative {
\clef bass
c d e f
g a b c
大きな音程に広がる可能性があります:
@lilypond[verbatim,quote]
-\relative c {
+\relative {
c f b e
a d g c
}
最も内側の @code{\relative} ブロックが適用されます。
@lilypond[verbatim,quote]
-\relative c' {
- c d e f
- \relative c'' {
- c d e f
+\relative {
+ c' d e f
+ \relative {
+ c'' d e f
}
}
@end lilypond
絶対モードになります。
@lilypond[verbatim,quote]
-\relative c' {
- d e
+\relative {
+ d' e
\transpose f g {
d e
- \relative c' {
- d e
+ \relative {
+ d' e
}
}
}
次の例を、@code{c} の音符に気を付けて、注意深く検証してください。
@lilypond[verbatim,quote]
-\relative c' {
- c
+\relative {
+ c'
<c e g>
<c' e g'>
<c, e, g''>
-- それぞれの音程に含まれる半音の数に関係無く -- と見なされます。
@lilypond[verbatim,quote]
-\relative c'' {
- c2 fis
+\relative {
+ c''2 fis
c2 ges
b2 eisis
b2 feses
@lilypond[quote,verbatim]
\language "italiano"
-\relative do' {
- do re mi sib
+\relative {
+ do' re mi sib
}
@end lilypond
警告を発し (そしてピッチを変更し) ます。
@lilypond[verbatim,quote]
-\relative c'' {
- c2 d='4 d
+\relative {
+ c''2 d='4 d
e2 f
}
@end lilypond
その後に続く音符は @code{@var{controlpitch}} から算出されます。
@lilypond[verbatim,quote]
-\relative c'' {
- c2 d
+\relative {
+ c''2 d
\octaveCheck c'
e2 f
}
2 番目のチェックは失敗していません。
@lilypond[verbatim,quote]
-\relative c'' {
- c4 f g f
+\relative {
+ c''4 f g f
c4
\octaveCheck c'
@lilypond[verbatim,quote]
\transpose d e {
- \relative c' {
+ \relative {
\key d \major
- d4 fis a d
+ d'4 fis a d
}
}
@end lilypond
@lilypond[verbatim,quote]
\transpose a c' {
- \relative c' {
+ \relative {
\key c \major
- c4 d e g
+ c'4 d e g
}
}
@end lilypond
2 番目の移調はフラットを譜刻し、音符の五線譜上での位置は上に上がります。
@lilypond[verbatim,quote]
-music = \relative c' { c d e f }
+music = \relative { c' d e f }
\new Staff {
\transpose c cis { \music }
\transpose c des { \music }
マッピングされるように移調されます。
@lilypond[verbatim,quote]
-music = \relative c' { c d e f }
+music = \relative { c' d e f }
\new Staff {
\music
\inversion d' d' \music
音楽表記を後ろから前に演奏する逆行を作り出すことができます:
@lilypond[verbatim,quote]
-music = \relative c' { c8. ees16( fis8. a16 b8.) gis16 f8. d16 }
+music = \relative { c'8. ees16( fis8. a16 b8.) gis16 f8. d16 }
\new Staff {
\music
間の音程の度数の分だけシフトされます:
@lilypond[verbatim,quote]
-diatonicScale = \relative c' { c d e f g a b }
-motif = \relative c' { c8 d e f g a b c }
+diatonicScale = \relative { c' d e f g a b }
+motif = \relative { c'8 d e f g a b c }
\new Staff {
\motif
上昇する音階の長さは任意であり、指定する音程も任意です:
@lilypond[verbatim,quote]
-pentatonicScale = \relative c' { ges aes bes des ees }
-motif = \relative c' { ees8 des ges,4 <ges' bes,> <ges bes,> }
+pentatonicScale = \relative { ges aes bes des ees }
+motif = \relative { ees'8 des ges,4 <ges' bes,> <ges bes,> }
\new Staff {
\motif
できます:
@lilypond[verbatim,quote]
-chromaticScale = \relative c' { c cis d dis e f fis g gis a ais b }
-motif = \relative c' { c8 d e f g a b c }
+chromaticScale = \relative { c' cis d dis e f fis g gis a ais b }
+motif = \relative { c'8 d e f g a b c }
\new Staff {
\motif
@var{to-pitch} で同じ値を使用します:
@lilypond[verbatim,quote]
-octatonicScale = \relative c' { ees f fis gis a b c d }
-motif = \relative c' { c8. ees16 fis8. a16 b8. gis16 f8. d16 }
+octatonicScale = \relative { ees' f fis gis a b c d }
+motif = \relative { c'8. ees16 fis8. a16 b8. gis16 f8. d16 }
\new Staff {
\motif
指定された 2 つの音符が旋回点を囲んでいると解釈することができます:
@lilypond[verbatim,quote]
-scale = \relative c' { c g' }
-motive = \relative c' { c c g' c, }
+scale = \relative { c' g' }
+motive = \relative { c' c g' c, }
\new Staff {
\motive
反転と逆行の操作を組み合わせると逆行-反転になります:
@lilypond[verbatim,quote]
-octatonicScale = \relative c' { ees f fis gis a b c d }
-motif = \relative c' { c8. ees16 fis8. a16 b8. gis16 f8. d16 }
+octatonicScale = \relative { ees' f fis gis a b c d }
+motif = \relative { c'8. ees16 fis8. a16 b8. gis16 f8. d16 }
\new Staff {
\motif
freygish = #`((0 . ,NATURAL) (1 . ,FLAT) (2 . ,NATURAL)
(3 . ,NATURAL) (4 . ,NATURAL) (5 . ,FLAT) (6 . ,FLAT))
-\relative c' {
- \key c\freygish c4 des e f
+\relative {
+ \key c\freygish c'4 des e f
\bar "||" \key d\freygish d es fis g
}
@end lilypond
@lilypond[verbatim,quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote,staffsize=18]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
}
}
-\relative c'' {
- aes c e2
+\relative {
+ aes' c e2
cis,1
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.11"
+@c \version "2.19.21"
@c Translators: Yoshiki Sawada
@lilypond[verbatim,quote]
voltaAdLib = \markup { 1. 2. 3... \text \italic { ad lib. } }
-\relative c'' {
- c1
+\relative {
+ c''1
\set Score.repeatCommands =
#(list(list 'volta voltaAdLib) 'start-repeat)
c4 b d e
version that you are working on. See TRANSLATION for details.
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@c Translators: Yoshiki Sawada
@c Translation status: post-GDP
@c KEEP LY
@lilypond[verbatim,quote]
-\relative c' {
- r8 c8 ~ 2 r4 |
+\relative {
+ r8 c'8 ~ 2 r4 |
r8^"こうすべきではありません" c2 ~ 8 r4
}
@end lilypond
手動で連桁を付ける必要があるかもしれません。
@lilypond[quote,verbatim]
-\relative c' <<
+\relative <<
\new Staff {
\time 3/4
- c4 c c |
+ c'4 c c |
c4 c c |
}
\new Staff {
% 以上で、各譜はそれぞれに拍子を持つようになります
-\relative c' <<
+\relative <<
\new Staff {
\time 3/4
- c4 c c |
+ c'4 c c |
c4 c c |
}
\new Staff {
\set Staff.beatStructure = #'(2 3 2)
<<
\new Voice = one {
- \relative c'' {
- a8 a a a a a a
+ \relative {
+ a'8 a a a a a a
}
}
\new Voice = two {
その音楽表記と同じ長さの複数小節休符または @code{\skip} を生成します。
@lilypond[verbatim,quote]
-MyCadenza = \relative c' {
- c4 d8 e f g g4
+MyCadenza = \relative {
+ c'4 d8 e f g g4
f2 g4 g
}
version that you are working on. See TRANSLATION for details.
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@c Translators: Yoshiki Sawada
\new Voice
\relative c'' {
\chordRepeats #'(articulation-event)
- \relative c''
- { <a-. c\prall e>1\sfz c'4 q2 r8 q8-. } |
+ \relative
+ { <a'-. c\prall e>1\sfz c'4 q2 r8 q8-. } |
q2 c |
}
@end lilypond
@c KEEP LY
@lilypond[quote,verbatim]
-\new Staff \relative c'' {
+\new Staff \relative {
%% 簡略化された入力
<<
- { f2 } % 1: 最上段
+ { f''2 } % 1: 最上段
\\
{ g,2 } % 2: 最下段
\\
個々のパート譜と結合譜で同じ変数が使用されています。
@lilypond[quote,verbatim]
-instrumentOne = \relative c' {
- c4 d e f |
+instrumentOne = \relative {
+ c'4 d e f |
R1 |
d'4 c b a |
b4 g2 f4 |
e1 |
}
-instrumentTwo = \relative g' {
+instrumentTwo = \relative {
R1 |
- g4 a b c |
+ g'4 a b c |
d4 c b a |
g4 f( e) d |
e1 |
\partcombineApart c2^"apart" \partcombineChordsOnce e^"chord once" |
c2 c |
}
-instrumentTwo = \relative c' {
- c2 c |
+instrumentTwo = \relative {
+ c'2 c |
e2 e |
a,2 c |
c2 c' |
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.12"
+@c \version "2.19.21"
@c Translators: Yoshiki Sawada
tagline = ##f
}
\score {
- \relative c'' { c1 \break c1 \break c1 }
+ \relative { c''1 \break c1 \break c1 }
}
}
@end lilypond
@lilypond[quote,ragged-right,verbatim]
\new Voice \with {
\remove "Forbid_line_break_engraver"
-} \relative c'' {
+} \relative {
<<
- { c2. \tuplet 3/2 { c4 c c } c2. | }
+ { c''2. \tuplet 3/2 { c4 c c } c2. | }
{ s1 | \break s1 | }
>>
}
ragged-bottom = ##t
}
-music = \relative c'' { c8 c c c }
+music = \relative { c''8 c c c }
\score {
\new Staff {
通常、改行/改ページ情報は音符入力部分に直接入力します。
@example
-music = \relative c'' @{ c4 c c c @}
+music = \relative @{ c''4 c c c @}
\score @{
\new Staff @{
その他の改行/改ページ情報だけを保持します。
@lilypond[quote,verbatim]
-music = \relative c'' { c4 c c c }
+music = \relative { c''4 c c c }
\score {
\new Staff <<
他の有用だが長いプロパティを上書きするときに、非常に役に立ちます。
@lilypond[quote,verbatim]
-music = \relative c'' { c4 c c c }
+music = \relative { c''4 c c c }
\score {
\new Staff <<
@lilypond[verbatim,line-width=12\cm]
\score {
- \relative c'' {
- g4 e e2 | f4 d d2 | c4 d e f | g4 g g2 |
+ \relative {
+ g'4 e e2 | f4 d d2 | c4 d e f | g4 g g2 |
g4 e e2 | f4 d d2 | c4 e g g | c,1 |
d4 d d d | d4 e f2 | e4 e e e | e4 f g2 |
g4 e e2 | f4 d d2 | c4 e g g | c,1 |
@lilypond[verbatim,line-width=12\cm]
\score {
- \relative c'' {
- g4 e e2 | f4 d d2 | c4 d e f | g4 g g2 |
+ \relative {
+ g'4 e e2 | f4 d d2 | c4 d e f | g4 g g2 |
g4 e e2 | f4 d d2 | c4 e g g | c,1 |
d4 d d d | d4 e f2 | e4 e e e | e4 f g2 |
g4 e e2 | f4 d d2 | c4 e g g | c,1 |
@lilypond[verbatim,quote]
\score {
- \relative c'' {
- g4 e e2 |
+ \relative {
+ g'4 e e2 |
f4 d d2 |
c4 d e f |
g4 g g2 |
@lilypond[verbatim,quote]
\score {
- \relative c'' {
- g4 e e2 |
+ \relative {
+ g'4 e e2 |
f4 d d2 |
c4 d e f |
g4 g g2 |
version that you are working on. See TRANSLATION for details.
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@c Translators: Yoshiki Sawada
\score {
\new StaffGroup <<
\new Staff {
- \relative c'' {
- c4 c c c
+ \relative {
+ c''4 c c c
\break
c4 c c c
}
}
\new Staff {
- \relative c'' {
- c4 c c c
+ \relative {
+ c''4 c c c
\break
c4 c c c
}
@notation{オッシア} 譜をセットすることができます:
@lilypond[verbatim,quote]
-\new Staff \relative c'' {
- c4 b d c
+\new Staff \relative {
+ c''4 b d c
<<
{ c4 b d c }
\new Staff { e4 d f e }
最も適切な方法です。
@lilypond[verbatim,quote]
-\new Staff = main \relative c'' {
- c4 b d c
+\new Staff = main \relative {
+ c''4 b d c
<<
{ c4 b d c }
}
{ \stopStaff s1*6 }
- \new Staff \relative c' {
- c4 b c2
+ \new Staff \relative {
+ c'4 b c2
<<
{ e4 f e2 }
\context Staff = ossia {
fontSize = #-3
\override StaffSymbol.staff-space = #(magstep -3)
\override StaffSymbol.thickness = #(magstep -3)
- } \relative c'' {
+ } \relative {
R1*3
- c4 e8 d c2
+ c''4 e8 d c2
}
- \new Staff \relative c' {
- c4 b c2
+ \new Staff \relative {
+ c'4 b c2
e4 f e2
g4 a g2 \break
c4 b c2
\new Staff \with {
\remove "Staff_symbol_engraver"
}
-\relative c''' { a8 f e16 d c b a2 }
+\relative { a''8 f e16 d c b a2 }
@end lilypond
@c 未訳: Frenched Score
}
}
-\relative c' <<
+\relative <<
\new Staff {
- e4 f g a \break
+ e'4 f g a \break
b1 \break
a4 b c2
}
引用部分の演奏時間を示す音楽表記です。
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- a4 gis g gis | b4^"quoted" r8 ais\p a4( f)
+fluteNotes = \relative {
+ a'4 gis g gis | b4^"quoted" r8 ais\p a4( f)
}
-oboeNotes = \relative c'' {
- c4 cis c b \quoteDuring #"flute" { s1 }
+oboeNotes = \relative {
+ c''4 cis c b \quoteDuring #"flute" { s1 }
}
\addQuote "flute" { \fluteNotes }
引用は多声となり、予期しない結果となる可能性があります。
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- a4 gis g gis | b4^"quoted" r8 ais\p a4( f)
+fluteNotes = \relative {
+ a'4 gis g gis | b4^"quoted" r8 ais\p a4( f)
}
-oboeNotes = \relative c'' {
- c4 cis c b \quoteDuring #"flute" { e4 r8 ais b4 a }
+oboeNotes = \relative {
+ c''4 cis c b \quoteDuring #"flute" { e4 r8 ais b4 a }
}
\addQuote "flute" { \fluteNotes }
b4 ais a ais | cis4^"quoted" r8 bis\p b4( f)
}
-oboeNotes = \relative c'' {
- c4 cis c b \quoteDuring #"clarinet" { s1 }
+oboeNotes = \relative {
+ c''4 cis c b \quoteDuring #"clarinet" { s1 }
}
\addQuote "clarinet" { \clarinetNotes }
引用される音楽から引用するオブジェクトを選択することが可能です。
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- a2 g2 |
+fluteNotes = \relative {
+ a'2 g2 |
b4\<^"quoted" r8 ais a4\f( c->)
}
-oboeNotes = \relative c'' {
- c2. b4 |
+oboeNotes = \relative {
+ c''2. b4 |
\quoteDuring #"flute" { s1 }
}
@code{UP} は第 1 ボイスに相当し、@code{DOWN} は第 2 ボイスに相当します。
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- r2. c4 | d8 c d e fis2 | g2 d |
+fluteNotes = \relative {
+ r2. c''4 | d8 c d e fis2 | g2 d |
}
oboeNotes = \relative c'' {
そうしないと音楽表記全体が @code{CueVoice} コンテキストに属してしまいます。}
@lilypond[verbatim,quote]
-oboeNotes = \relative c'' {
- r2 r8 d16(\f f e g f a)
+oboeNotes = \relative {
+ r2 r8 d''16(\f f e g f a)
g8 g16 g g2.
}
\addQuote "oboe" { \oboeNotes }
合図音符が終わったところで手動で元の音部記号に戻す必要がありｍす。
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- r2. c4 d8 c d e fis2 g2 d2
+fluteNotes = \relative {
+ r2. c''4 d8 c d e fis2 g2 d2
}
bassoonNotes = \relative c {
合図音部が終了したところで元の音部記号を自動的に譜刻します。
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- r2. c4 d8 c d e fis2 g2 d2
+fluteNotes = \relative {
+ r2. c''4 d8 c d e fis2 g2 d2
}
bassoonNotes = \relative c {
これは、全く別の場所で登録された楽器から合図を取る場合に有用です。
@lilypond[verbatim,quote]
-piccoloNotes = \relative c''' {
+piccoloNotes = \relative {
\clef "treble^8"
R1
- c8 c c e g2
+ c'''8 c c e g2
c4 g g2
}
@ref{Using tags} を参照してください。
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- r2. c4 d8 c d e fis2 g2 d2
+fluteNotes = \relative {
+ r2. c''4 d8 c d e fis2 g2 d2
}
bassoonNotes = \relative c {
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.19.21"
@c Translators: Yoshiki Sawada
@lilypond[quote,verbatim,relative=1]
c4 d^\markup {
\score {
- \relative c' { c4 d e f }
+ \relative { c'4 d e f }
\layout { }
}
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@c Translators: Yoshiki Sawada
@c Translation status: post-GDP
さらなる情報は、@ref{Special characters} を参照してください。
@lilypond[quote,verbatim]
-\relative c'' { d8 c16 a bes8 f e' d c4 }
+\relative { d''8 c16 a bes8 f e' d c4 }
\addlyrics { „Schad’ um das schö -- ne grü -- ne Band, }
@end lilypond
例を挙げます:
@lilypond[quote,verbatim]
-\relative c' { \time 3/4 e4 e4. e8 d4 e d c2. }
+\relative { \time 3/4 e'4 e4. e8 d4 e d c2. }
\addlyrics { "\"I" am so lone -- "ly,\"" said she }
@end lilypond
@c KEEP LY
@lilypond[quote,ragged-right,verbatim]
<<
- \new Voice = "one" \relative c'' {
+ \new Voice = "one" \relative {
\time 2/4
- c4 b8. a16 g4. f8 e4 d c2
+ c''4 b8. a16 g4. f8 e4 d c2
}
% 前で指定された演奏時間 2 を用います
@lilypond[verbatim,quote]
{
\time 3/4
- \relative c' { c2 e4 g2. }
+ \relative { c'2 e4 g2. }
\addlyrics { play the game }
}
@end lilypond
@lilypond[ragged-right,verbatim,quote]
{
\time 3/4
- \relative c' { c2 e4 g2. }
+ \relative { c'2 e4 g2. }
\addlyrics { play the game }
\addlyrics { speel het spel }
\addlyrics { joue le jeu }
@lilypond[quote,verbatim,ragged-right]
<<
\new Staff {
- \relative c'' {
- c2 c2
+ \relative {
+ c''2 c2
d1
}
}
}
}
\new Staff {
- \relative c' {
- c8 c c c c c c c
+ \relative {
+ c'8 c c c c c c c
c8 c c c c c c c
}
}
歌詞は歌詞モードで入力する必要があります:
@lilypond[quote,verbatim]
-musicOne = \relative c'' {
- c4 b8. a16 g4. f8 e4 d c2
+musicOne = \relative {
+ c''4 b8. a16 g4. f8 e4 d c2
}
verseOne = \lyricmode {
Joy to the world, the Lord is come.
例を挙げます:
@lilypond[quote,verbatim]
-sopranoMusic = \relative c'' { c4 c c c }
-contraltoMusic = \relative c'' { a4 a a a }
+sopranoMusic = \relative { c''4 c c c }
+contraltoMusic = \relative { a'4 a a a }
sopranoWords = \lyricmode { Sop -- ra -- no words }
contraltoWords = \lyricmode { Con -- tral -- to words }
<<
\new Staff {
\new Voice = "melody" {
- \relative c'' { c4 c c c }
+ \relative { c''4 c c c }
}
}
\new Lyrics {
<<
\new Staff = "staff" {
\new Voice = "melody" {
- \relative c'' { c4 c c c }
+ \relative { c''4 c c c }
}
}
\new Lyrics \with { alignAboveContext = "staff" } {
}
\new Staff {
\new Voice = "melody" {
- \relative c'' { c4 c c c }
+ \relative { c''4 c c c }
}
}
\context Lyrics = "lyrics" {
\new ChoirStaff <<
\new Staff {
\new Voice = "sopranos" {
- \relative c'' { c4 c c c }
+ \relative { c''4 c c c }
}
}
\new Lyrics = "sopranos"
}
\new Staff {
\new Voice = "contraltos" {
- \relative c'' { a4 a a a }
+ \relative { a'4 a a a }
}
}
\context Lyrics = "sopranos" {
@lilypond[verbatim,quote,ragged-right]
\score {
- \relative c' {
- c c c c
+ \relative {
+ c' c c c
c c c c
}
\addlyrics {
<<
\new Staff {
\new Voice = "melody" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat volta 2 { b4 b b b }
}
}
<<
\new Staff {
\new Voice = "melody" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat volta 2 { b4 b b b }
}
}
<<
\new Staff {
\new Voice = "melody" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat unfold 2 { b4 b b b }
}
}
<<
\new Staff {
\new Voice = "melody" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat volta 2 { b4 b b b }
}
}
<<
\new Staff {
\new Voice = "singleVoice" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat volta 3 { b4 b b b }
c4 c c c
}
<<
\new Staff {
\new Voice = "melody" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat volta 3 { b4 b b b }
c4 c c c
}
The end sec -- tion.
}
\new Voice = "harmony" {
- \relative c' {
- f4 f f f \repeat volta 2 { g8 g g4 g2 } a4 a8. a16 a2
+ \relative {
+ f'4 f f f \repeat volta 2 { g8 g g4 g2 } a4 a8. a16 a2
}
}
>>
\new Staff {
\time 2/4
\new Voice = "melody" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat volta 2 { b4 b }
\alternative { { b b } { b c } }
}
@lilypond[verbatim,ragged-right,quote]
<<
- \new Voice = melody \relative c' {
- f4 \appoggiatura a32 b4
+ \new Voice = melody \relative {
+ f'4 \appoggiatura a32 b4
\grace { f16 a16 } b2
\afterGrace b2 { f16[ a16] }
\appoggiatura a32 b4
@code{\markup} で 2 つの方法で改行していることに注意してください。
@lilypond[ragged-right,verbatim,quote]
-melody = \relative c' {
-e d c d | e e e e |
+melody = \relative {
+e' d c d | e e e e |
d d e d | c1 |
}
@c KEEP LY
@lilypond[ragged-right,quote,verbatim]
-melody = \relative c' {
- c4 c c c | d d d d
+melody = \relative {
+ c'4 c c c | d d d d
}
text = \lyricmode {
\new ChoirStaff <<
\new Staff {
\new Voice {
- \relative c'' { g4\f g g g }
+ \relative { g'4\f g g g }
}
}
\new Staff {
\new Voice {
- \relative c' { d4 d d\p d }
+ \relative { d'4 d d\p d }
}
}
>>
\new Staff {
\set Staff.vocalName = \markup \smallCaps Kaspar
\set Staff.shortVocalName = \markup \smallCaps Kas.
- \relative c' {
+ \relative {
\clef "G_8"
- c4 c c c
+ c'4 c c c
\break
c4 c c c
}
\set Staff.vocalName = \markup \smallCaps Melchior
\set Staff.shortVocalName = \markup \smallCaps Mel
\clef "bass"
- \relative c' {
+ \relative {
a4 a a a
a4 a a a
}
@c KEEP LY
@lilypond[quote,verbatim]
-flute = \relative c'' {
- s4 s4 e g
+flute = \relative {
+ s4 s4 e'' g
}
\addQuote "flute" { \flute }
-pianoRH = \relative c'' {
- c4. g8
+pianoRH = \relative {
+ c''4. g8
% 合図音符の楽器名を、合図音符の直前、かつ譜の上に配置します
\new CueVoice {
\override InstrumentSwitch.self-alignment-X = #RIGHT
}
\cueDuring "flute" #UP { g4 bes4 }
}
-pianoLH = \relative c { c4 <c' e> e, <g c> }
+pianoLH = \relative { c4 <c' e> e, <g c> }
\score {
\new PianoStaff <<
\cueDuring "clarinet" #DOWN { c4. g8 }
g4 bes4
}
-pianoLH = \relative c { c4 <c' e> e, <g c> }
+pianoLH = \relative { c4 <c' e> e, <g c> }
\score {
<<
\score {
\new StaffGroup <<
\new Staff {
- \relative c'' {
- a4 b c2 |
+ \relative {
+ a'4 b c2 |
a4 b c2 |
a4 b c2 |
}
}
\new Staff {
- \relative c'' {
- a4 b c2 |
+ \relative {
+ a'4 b c2 |
a4 b c2 |
a4 b c2 |
}
\new ChoirStaff <<
\new Staff
\with { \remove "Bar_engraver" } {
- \relative c'' {
- a4 b c2 |
+ \relative {
+ a'4 b c2 |
a4 b c2 |
a4 b c2 |
}
}
\new Staff {
- \relative c'' {
- a4 b c2 |
+ \relative {
+ a'4 b c2 |
a4 b c2 |
a4 b c2 |
}
}
\score {
- \relative c'' {
- g2 a4 g
+ \relative {
+ g'2 a4 g
\divisioMinima
g2 a4 g
\divisioMaior
@lilypond[verbatim,quote]
\score {
\new Staff {
- \relative c'' {
- a4 b c2 |
+ \relative {
+ a'4 b c2 |
a4 b c2 |
a4 b c2 |
}
@c KEEP LY
@lilypond[verbatim,quote]
-SopranoMusic = \relative g' {
- g1 | c2 b | a1 | \bar "||"
+SopranoMusic = \relative {
+ g'1 | c2 b | a1 | \bar "||"
a1 | d2 c | c b | c1 | \bar "||"
}
-AltoMusic = \relative c' {
- e1 | g2 g | f1 |
+AltoMusic = \relative {
+ e'1 | g2 g | f1 |
f1 | f2 e | d d | e1 |
}
-TenorMusic = \relative a {
- c1 | c2 c | c1 |
+TenorMusic = \relative {
+ c'1 | c2 c | c1 |
d1 | g,2 g | g g | g1 |
}
-BassMusic = \relative c {
+BassMusic = \relative {
c1 | e2 e | f1 |
d1 | b2 c | g' g | c,1 |
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.16.0"
+@c \version "2.19.21"
@c Translators: Yoshiki Sawada
@lilypond[quote,verbatim]
\include "arabic.ly"
-\relative do' {
- do re misb fa sol la sisb do sisb la sol fa misb re do
+\relative {
+ do' re misb fa sol la sisb do sisb la sol fa misb re do
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.16.0"
+@c \version "2.19.21"
@c Translators: Yoshiki Sawada
@c Translation status: post-GDP
@example
\pointAndClickTypes #'note-event
-\relative c' @{
- c2\f( f)
+\relative @{
+ c'2\f( f)
@}
@end example
@example
#(ly:set-option 'point-and-click 'note-event)
-\relative c' @{
- c2\f( f)
+\relative @{
+ c'2\f( f)
@}
@end example
@example
\pointAndClickTypes #'(note-event dynamic-event)
-\relative c' @{
- c2\f( f)
+\relative @{
+ c'2\f( f)
@}
@end example
@example
#(ly:set-option 'point-and-click '(note-event dynamic-event))
-\relative c' @{
- c2\f( f)
+\relative @{
+ c'2\f( f)
@}
@end example
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.11"
+@c \version "2.19.21"
@c Translators: Yoshiki Sawada
例えば、以下のように:
\begin{lilypond}
-\relative c' {
- c2 e2 \tuplet 3/2 { f8 a b } a2 e4
+\relative {
+ c'2 e2 \tuplet 3/2 { f8 a b } a2 e4
}
\end{lilypond}
例えば、以下のように:
@lilypond
-\relative c' {
- c2 e2 \tuplet 3/2 { f8 a b } a2 e4
+\relative {
+ c'2 e2 \tuplet 3/2 { f8 a b } a2 e4
}
@end lilypond
title = "A scale in LilyPond"
}
- \relative c' {
- c d e f g a b c
+ \relative {
+ c' d e f g a b c
}
}
@end lilypond
つまり、
@example
-\relative c' @{ % begin verbatim
- c4 e2 g4
+\relative @{ % begin verbatim
+ c'4 e2 g4
f2 e % end verbatim
@}
@end example
通常の LaTeX テキスト。
\begin@{lilypond@}
-\relative c'' @{
- a4 b c d
+\relative @{
+ a'4 b c d
@}
\end@{lilypond@}
Texinfo テキスト
@@lilypond
-\relative c' @{
+\relative @{
a4 b c d
@}
@@end lilypond
以下のように、lilypond-book 用のドキュメントには自由に楽譜と
テキストを組み合わせることができます。
<lilypond>
-\relative c'' @{
- a4 b c d
+\relative @{
+ a'4 b c d
@}
</lilypond>
</p>
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.19.21"
@c Translators: Yoshiki Sawada
@c Translation status: post-GDP
@lilypond[quote,verbatim]
\repeat unfold 2 {
- \relative c' { c4 d e f }
+ \relative { c'4 d e f }
}
@end lilypond
@lilypond[quote,verbatim]
\new Voice {
\repeat unfold 2 {
- \relative c' { c4 d e f }
+ \relative { c'4 d e f }
}
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.16.0"
+@c \version "2.19.21"
@c Translators: Yoshiki Sawada
@c Translation status: post-GDP
変更される可能性はまずありません。
@example
-violin = \relative c'' @{
-g4 c'8. e16
+violin = \relative @{
+g'4 c'8. e16
@}
...
\score @{
@example
fthenp = _\markup@{
\dynamic f \italic \small @{ 2nd @} \hspace #0.1 \dynamic p @}
-violin = \relative c'' @{
-g4\fthenp c'8. e16
+violin = \relative @{
+g'4\fthenp c'8. e16
@}
@end example
外したままにしておきます)。
@example
-bass = \relative c' @{
+bass = \relative @{
%@{
- c4 c c c
+ c'4 c c c
d d d d
%@}
@}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@ignore
Tutorial guidelines: (different from policy.txt!)
@c This example deliberately produces a warning
@lilypond[verbatim,quote]
-\relative g' {
- g1 | e1 | c2. c' | g4 c g e | c4 r r2 |
+\relative {
+ g'1 | e1 | c2. c' | g4 c g e | c4 r r2 |
}
@end lilypond
notes) are combined simultaneously:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
<<
- { a2 g }
+ { a'2 g }
{ f2 e }
{ d2 b }
>>
out on a single staff.
@lilypond[verbatim,quote]
-\relative c'' {
- c2 <<c e>> |
+\relative {
+ c''2 <<c e>> |
<< { e2 f } { c2 <<b d>> } >> |
}
@end lilypond
and @code{>>}:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
<<
- \new Staff { \clef "treble" c4 }
+ \new Staff { \clef "treble" c''4 }
\new Staff { \clef "bass" c,,4 }
>>
}
than polyrhythmic scores.
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
<<
- \new Staff { \clef "treble" \key d \major \time 3/4 c4 }
+ \new Staff { \clef "treble" \key d \major \time 3/4 c''4 }
\new Staff { \clef "bass" c,,4 }
>>
}
Here is a small example:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
\new PianoStaff <<
- \new Staff { \time 2/4 c4 e | g g, | }
+ \new Staff { \time 2/4 c''4 e | g g, | }
\new Staff { \clef "bass" c,,4 c' | e c | }
>>
}
rhyme, @notation{Girls and boys come out to play}:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4
+ d''4 b8 c4 a8 | d4 b8 g4
}
@end lilypond
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4
+ d''4 b8 c4 a8 | d4 b8 g4
}
\addlyrics {
Girls and boys come out to play,
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4 g8 |
+ d''4 b8 c4 a8 | d4 b8 g4 g8 |
a4 b8 c b a | d4 b8 g4. |
}
\addlyrics {
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4 g8 |
+ d''4 b8 c4 a8 | d4 b8 g4 g8 |
a4 b8 c( b) a | d4 b8 g4. |
}
\addlyrics {
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4 g8 |
+ d''4 b8 c4 a8 | d4 b8 g4 g8 |
a4 b8 c([ b]) a | d4 b8 g4. |
}
\addlyrics {
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4 g8 |
+ d''4 b8 c4 a8 | d4 b8 g4 g8 |
a4 b8 c[ b] a | d4 b8 g4. |
}
\addlyrics {
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \minor
\time 3/2
- g2 a bes | bes2( a) b2 |
+ g'2 a bes | bes2( a) b2 |
c4.( bes8 a4. g8 fis4.) g8 | fis1
}
\addlyrics {
@c but the example is long enough to avoid looking strange.
@lilypond[verbatim,quote,noragged-right]
<<
- \relative c' {
+ \relative {
\clef "bass"
\key c \major
\time 6/8
- c4.~ 8 d b | c8([ d]) b c d b | c8
+ c'4.~ 8 d b | c8([ d]) b c d b | c8
}
\addlyrics {
Lar -- go_al fac -- to -- tum del -- la cit -- tà
@lilypond[verbatim,quote]
violin = \new Staff {
- \relative c'' {
- a4 b c b
+ \relative {
+ a'4 b c b
}
}
cello = \new Staff {
- \relative c {
+ \relative {
\clef "bass"
e2 d
}
easier to read and type:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
\key a \major
\time 6/8
- cis8. d16 cis8 e4 e8 |
+ cis''8. d16 cis8 e4 e8 |
b8. cis16 b8 d4 d8 |
}
@end lilypond
inner relative sections are independent:
@lilypond[verbatim,quote]
-\relative c { c'4 \relative c'' { f g } c }
+\relative { c'4 \relative { f'' g } c }
@end lilypond
@funindex \absolute
it from becoming part of the relative music:
@lilypond[verbatim,quote]
-\relative c { c'4 \absolute { f'' g'' } c }
+\relative { c'4 \absolute { f'' g'' } c }
@end lilypond
@node After the tutorial
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.20"
+@c \version "2.19.21"
@node Fundamental concepts
@chapter Fundamental concepts
input. LilyPond treats input like this:
@example
-\relative c'' @{
- c4 a d c
+\relative @{
+ c''4 a d c
@}
@end example
\score @{
\new Staff @{
\new Voice @{
- \relative c'' @{
- c4 a b c
+ \relative @{
+ c''4 a b c
@}
@}
@}
templates use this:
@example
-melody = \relative c' @{
- c4 a b c
+melody = \relative @{
+ c'4 a b c
@}
\score @{
braces next to @code{\new Voice = "vocal"}, we could start writing
@example
-\relative c'' @{
- r4 d8\noBeam g, c4 r
+\relative @{
+ r4 d''8\noBeam g, c4 r
@}
@end example
have a piece of real music:
@lilypond[verbatim,quote,ragged-right]
-melody = \relative c'' { r4 d8\noBeam g, c4 r }
+melody = \relative { r4 d''8\noBeam g, c4 r }
text = \lyricmode { And God said, }
-upper = \relative c'' { <g d g,>2~ <g d g,> }
-lower = \relative c { b2 e }
+upper = \relative { <g' d g,>2~ <g d g,> }
+lower = \relative { b,2 e }
\score {
<<
@lilypond[verbatim,quote,ragged-right]
\new Staff {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[verbatim,quote,ragged-right]
\new Staff = "main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
of slurs, stems, ties, dynamics etc., is set appropriately.
@lilypond[quote,verbatim]
-\new Staff \relative c' {
+\new Staff \relative {
% Main voice
- c16 d e f
+ c'16 d e f
% Voice "1" Voice "2" Voice "3"
<< { g4 f e } \\ { r8 e4 d c8~ } >> |
<< { d2 e } \\ { c8 b16 a b8 g~ 2 } \\ { s4 b c2 } >> |
blue triangle voice.
@lilypond[quote,verbatim]
-\new Staff \relative c' {
+\new Staff \relative {
% Main voice
- c16 d e f
+ c'16 d e f
<< % Bar 1
{
\voiceOneStyle
@c The following should appear as music without code
@lilypond[quote,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<< % Voice one
- { c2 aes4. bes8 }
+ { c''2 aes4. bes8 }
\\ % Voice two
{
% Ignore these for now - they are explained in Ch 4
enter the music of the first bar in three voices:
@lilypond[quote,verbatim,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<<
- { c2 aes4. bes8 } \\ { <ees, c>2 des } \\ { aes'2 f4 fes }
+ { c''2 aes4. bes8 } \\ { <ees, c>2 des } \\ { aes'2 f4 fes }
>> |
<c ees aes c>1 |
}
adding another pair of @code{\\}.
@lilypond[quote,verbatim,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<< % Voice one
- { c2 aes4. bes8 }
+ { c''2 aes4. bes8 }
\\ % Voice two
{ <ees, c>2 des }
\\ % Omit Voice three
@example
\new Staff @{
- \relative c' @{
- << @{ e4 f g a @} \\ @{ c,4 d e f @} >>
+ \relative @{
+ << @{ e'4 f g a @} \\ @{ c,4 d e f @} >>
@}
@}
@end example
@example
\new Staff <<
- \new Voice = "1" @{ \voiceOne \relative c' @{ e4 f g a @} @}
- \new Voice = "2" @{ \voiceTwo \relative c' @{ c4 d e f @} @}
+ \new Voice = "1" @{ \voiceOne \relative @{ e'4 f g a @} @}
+ \new Voice = "2" @{ \voiceTwo \relative @{ c'4 d e f @} @}
>>
@end example
@c The following example should not display the code
@lilypond[ragged-right,quote]
\new Staff <<
- \new Voice = "1" { \voiceOne \relative c' { e4 f g a } }
- \new Voice = "2" { \voiceTwo \relative c' { c4 d e f } }
+ \new Voice = "1" { \voiceOne \relative { e'4 f g a } }
+ \new Voice = "2" { \voiceTwo \relative { c'4 d e f } }
>>
@end lilypond
markup, ties, slurs, and dynamics:
@lilypond[quote,ragged-right,verbatim]
-\relative c' {
+\relative {
% Default behavior or behavior after \oneVoice
- c4 d8~ 8 e4( f | g4 a) b-> c |
+ c'4 d8~ 8 e4( f | g4 a) b-> c |
}
@end lilypond
typeset the music:
@lilypond[quote,ragged-right,verbatim]
-\new Staff \relative c' {
- c16^( d e f
+\new Staff \relative {
+ c'16^( d e f
<<
{ g4 f e | d2 e) | }
\new Voice {
@lilypond[quote,verbatim]
global = { \key f \major \time 6/8 \partial 8 }
-SopOneMusic = \relative c'' {
- c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4
+SopOneMusic = \relative {
+ c''8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4
}
SopOneLyrics = \lyricmode {
Let | flee -- cy flocks the | hills a -- dorn, __
}
-SopTwoMusic = \relative c' {
- r8 | r4. r4 c8 | a'8([ g)] f f([ e)] d | e8([ d)] c bes'
+SopTwoMusic = \relative {
+ r8 | r4. r4 c'8 | a'8([ g)] f f([ e)] d | e8([ d)] c bes'
}
SopTwoLyrics = \lyricmode {
Let | flee -- cy flocks the | hills a -- dorn,
@lilypond[quote,verbatim]
keyTime = { \key c \major \time 4/4 \partial 4 }
-SopMusic = \relative c' { c4 | e4. e8 g4 g | a4 a g }
-AltoMusic = \relative c' { c4 | c4. c8 e4 e | f4 f e }
-TenorMusic = \relative c { e4 | g4. g8 c4. b8 | a8 b c d e4 }
-BassMusic = \relative c { c4 | c4. c8 c4 c | f8 g a b c4 }
+SopMusic = \relative { c'4 | e4. e8 g4 g | a4 a g }
+AltoMusic = \relative { c'4 | c4. c8 e4 e | f4 f e }
+TenorMusic = \relative { e4 | g4. g8 c4. b8 | a8 b c d e4 }
+BassMusic = \relative { c4 | c4. c8 c4 c | f8 g a b c4 }
VerseOne =
\lyricmode { E -- | ter -- nal fa -- ther, | strong to save, }
\clef "treble"
\key g \minor
\new Voice { % create voice for RH notes
- \relative c'' { % start of RH notes
- d4 ees16 c8. |
+ \relative { % start of RH notes
+ d''4 ees16 c8. |
d4 ees16 c8. |
} % end of RH notes
} % end of RH voice
\key g \minor
\new Voice { % create LH voice one
\voiceOne
- \relative g { % start of LH voice one notes
+ \relative { % start of LH voice one notes
g8 <bes d> ees, <g c> |
g8 <bes d> ees, <g c> |
} % end of LH voice one notes
} % end of LH voice one
\new Voice { % create LH voice two
\voiceTwo
- \relative g { % start of LH voice two notes
+ \relative { % start of LH voice two notes
g4 ees |
g4 ees |
} % end of LH voice two notes
@lilypond[quote,verbatim,ragged-right]
<<
- \new Staff \relative c'' {
- aeses2 aes
+ \new Staff \relative {
+ aeses'2 aes
}
\new Staff \relative c'' {
\set Staff.extraNatural = ##f
@lilypond[quote,verbatim,ragged-right]
<<
- \new Staff \relative c'' {
- aeses2 aes
+ \new Staff \relative {
+ aeses'2 aes
}
\new Staff \relative c'' {
\set Score.extraNatural = ##f
@lilypond[quote,verbatim,ragged-right]
<<
\new Staff {
- \relative c'' {
- gisis4 gis aeses aes
+ \relative {
+ gisis'4 gis aeses aes
}
}
\new Staff \with { extraNatural = ##f } {
- \relative c'' {
- gisis4 gis aeses aes
+ \relative {
+ gisis'4 gis aeses aes
}
}
>>
@lilypond[verbatim,quote]
\score {
\new Staff {
- \relative c'' {
- cisis4 e d cis
+ \relative {
+ cisis''4 e d cis
}
}
\layout {
\score {
<<
\new Staff {
- \relative c'' {
- gisis4 gis aeses aes
+ \relative {
+ gisis'4 gis aeses aes
}
}
\new Staff {
- \relative c'' {
- gisis4 gis aeses aes
+ \relative {
+ gisis'4 gis aeses aes
}
}
>>
\new Staff \with {
\remove "Staff_symbol_engraver"
}
-\relative c' {
- c4 d
+\relative {
+ c'4 d
\set fontSize = #-4 % make note heads smaller
e4 f |
\set fontSize = #2.5 % make note heads larger
\score {
<<
\new Staff {
- \relative c'' {
- c4 a b g
+ \relative {
+ c''4 a b g
}
}
\new Staff {
- \relative c' {
- c4 a b g
+ \relative {
+ c'4 a b g
}
}
\new Staff {
\clef "G_8"
- \relative c' {
- c4 a b g
+ \relative {
+ c'4 a b g
}
}
\new Staff {
\clef "bass"
- \relative c {
+ \relative {
c4 a b g
}
}
@example
\version @w{"@version{}"}
-melody = \relative c' @{
+melody = \relative @{
\clef "treble"
\key c \major
\time 4/4
@example
\version @w{"@version{}"}
-melody = \relative c' @{
+melody = \relative @{
\clef "treble"
\key c \major
\time 4/4
@example
\version @w{"@version{}"}
-sopranoMusic = \relative c' @{
+sopranoMusic = \relative @{
\clef "treble"
\key c \major
\time 4/4
Aaa Bee Cee Dee
@}
-celloMusic = \relative c @{
+celloMusic = \relative @{
\clef "bass"
\key c \major
\time 4/4
easily fixed. Here's the complete soprano and cello template.
@lilypond[quote,verbatim,ragged-right,addversion]
-sopranoMusic = \relative c' {
+sopranoMusic = \relative {
\clef "treble"
\key c \major
\time 4/4
Aaa Bee Cee Dee
}
-celloMusic = \relative c {
+celloMusic = \relative {
\clef "bass"
\key c \major
\time 4/4
@lilypond[quote,ragged-right]
global = { \key d \major \time 4/4 }
-sopranoMusic = \relative c'' {
+sopranoMusic = \relative {
\clef "treble"
- r4 d2 a4 | d4. d8 a2 | cis4 d cis2 |
+ r4 d''2 a4 | d4. d8 a2 | cis4 d cis2 |
}
sopranoWords = \lyricmode {
Wor -- thy | is the lamb | that was slain |
}
-altoMusic = \relative a' {
+altoMusic = \relative {
\clef "treble"
- r4 a2 a4 | fis4. fis8 a2 | g4 fis e2 |
+ r4 a'2 a4 | fis4. fis8 a2 | g4 fis e2 |
}
altoWords = \sopranoWords
-tenorMusic = \relative c' {
+tenorMusic = \relative {
\clef "G_8"
- r4 fis2 e4 | d4. d8 d2 | e4 a, cis2 |
+ r4 fis'2 e4 | d4. d8 d2 | e4 a, cis2 |
}
tenorWords = \sopranoWords
-bassMusic = \relative c' {
+bassMusic = \relative {
\clef "bass"
- r4 d2 cis4 | b4. b8 fis2 | e4 d a'2 |
+ r4 d'2 cis4 | b4. b8 fis2 | e4 d a'2 |
}
bassWords = \sopranoWords
@lilypond[quote,verbatim,ragged-right,addversion]
global = { \key d \major \time 4/4 }
-sopranoMusic = \relative c'' {
+sopranoMusic = \relative {
\clef "treble"
- r4 d2 a4 | d4. d8 a2 | cis4 d cis2 |
+ r4 d''2 a4 | d4. d8 a2 | cis4 d cis2 |
}
sopranoWords = \lyricmode {
Wor -- thy | is the lamb | that was slain |
}
-altoMusic = \relative a' {
+altoMusic = \relative {
\clef "treble"
- r4 a2 a4 | fis4. fis8 a2 | g4 fis fis2 |
+ r4 a'2 a4 | fis4. fis8 a2 | g4 fis fis2 |
}
altoWords = \sopranoWords
-tenorMusic = \relative c' {
+tenorMusic = \relative {
\clef "G_8"
- r4 fis2 e4 | d4. d8 d2 | e4 a, cis2 |
+ r4 fis'2 e4 | d4. d8 d2 | e4 a, cis2 |
}
tenorWords = \sopranoWords
-bassMusic = \relative c' {
+bassMusic = \relative {
\clef "bass"
- r4 d2 cis4 | b4. b8 fis2 | e4 d a'2 |
+ r4 d'2 cis4 | b4. b8 fis2 | e4 d a'2 |
}
bassWords = \sopranoWords
upper = \relative a' {
composer = "J S Bach"
}
keyTime = { \key c \minor \time 4/4 }
-ManualOneVoiceOneMusic = \relative g' {
- g4 g f ees |
+ManualOneVoiceOneMusic = \relative {
+ g'4 g f ees |
d2 c |
}
-ManualOneVoiceTwoMusic = \relative c' {
- ees16 d ees8~ 16 f ees d c8 d~ d c~ |
+ManualOneVoiceTwoMusic = \relative {
+ ees'16 d ees8~ 16 f ees d c8 d~ d c~ |
8 c4 b8 c8. g16 c b c d |
}
-ManualTwoMusic = \relative c' {
- c16 b c8~ 16 b c g a8 g~ 16 g aes ees |
+ManualTwoMusic = \relative {
+ c'16 b c8~ 16 b c g a8 g~ 16 g aes ees |
f16 ees f d g aes g f ees d ees8~ 16 f ees d |
}
-PedalOrganMusic = \relative c {
+PedalOrganMusic = \relative {
r8 c16 d ees d ees8~ 16 a, b g c b c8 |
r16 g ees f g f g8 c,2 |
}
By this point, you've seen this kind of thing:
@lilypond[quote,verbatim,ragged-right]
-hornNotes = \relative c'' { c4 b dis c }
+hornNotes = \relative { c''4 b dis c }
\score {
{
You may even realize that this could be useful in minimalist music:
@lilypond[quote,verbatim,ragged-right]
-fragmentA = \relative c'' { a4 a8. b16 }
-fragmentB = \relative c'' { a8. gis16 ees4 }
+fragmentA = \relative { a'4 a8. b16 }
+fragmentB = \relative { a'8. gis16 ees4 }
violin = \new Staff {
\fragmentA \fragmentA |
\once \override TextScript.padding = #padding
#})
-\relative c'' {
- c4^"piu mosso" b a b
+\relative {
+ c''4^"piu mosso" b a b
\padText #1.8
c4^"piu mosso" b a b
\padText #2.6
of a horn/@/bassoon duo
@example
-hornNotes = \relative c @{
+hornNotes = \relative @{
\time 2/4
r4 f8 a | cis4 f | e4 d |
@}
in the following output
@lilypond[quote,ragged-right]
-\transpose f c' \relative c {
+\transpose f c' \relative {
\time 2/4
r4 f8 a | cis4 f | e4 d |
}
Applying this to @code{hornNotes} gives:
@lilypond[quote,ragged-right]
-\compressMMRests \transpose f c' \relative c {
+\compressMMRests \transpose f c' \relative {
\time 2/4
R2*3 |
r4 f8 a | cis4 f | e4 d |
leading to
@lilypond[quote,ragged-right]
-\relative c <<
+\relative <<
\new Staff {
\clef "treble"
\time 2/4
@include included/generating-output.itexi
-@c \version "2.16.0"
+@c \version "2.19.21"
@node Tutorial
@chapter Tutorial
@lilypond[verbatim,quote]
% set the starting point to middle C
-\relative c' {
- c d e f
+\relative {
+ c' d e f
g a b c
}
@end lilypond
larger intervals, still using only @code{\relative} mode:
@lilypond[verbatim,quote]
-\relative c' {
- d f a g
+\relative {
+ d' f a g
c b f d
}
@end lilypond
@lilypond[verbatim,quote]
% one octave above middle C
-\relative c'' {
- e c a c
+\relative {
+ e'' c a c
}
@end lilypond
above the B, and an A, G or F will be assumed to be below.
@lilypond[verbatim,quote]
-\relative c'' {
- b c % c is 1 staff space up, so is the c above
+\relative {
+ b' c % c is 1 staff space up, so is the c above
b d % d is 2 up or 5 down, so is the d above
b e % e is 3 up or 4 down, so is the e above
b a % a is 6 up or 1 down, so is the a below
comma @code{,} to the note name.
@lilypond[verbatim,quote]
-\relative c'' {
- a a, c' f,
+\relative {
+ a' a, c' f,
g g'' a,, f'
}
@end lilypond
quarter note.
@lilypond[verbatim,quote]
-\relative c'' {
- a1
+\relative {
+ a'1
a2 a4 a8 a
a16 a a a a32 a a a a64 a a a a a a a a2
}
explicitly (i.e., with a number).
@lilypond[verbatim,quote]
-\relative c'' {
- a4 a a4. a8
+\relative {
+ a'4 a a4. a8
a8. a16 a a8. a8 a4.
}
@end lilypond
@code{r}@tie{}:
@lilypond[verbatim,quote]
-\relative c'' {
- a4 r r2
+\relative {
+ a'4 r r2
r8 a r4 r4. r8
}
@end lilypond
command:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
\time 3/4
- a4 a a
+ a'4 a a
\time 6/8
a4. a
\time 4/4
The @notation{clef} can be set using the @code{\clef} command:
@lilypond[verbatim,quote]
-\relative c' {
+\relative {
\clef "treble"
- c1
+ c'1
\clef "alto"
c1
\clef "tenor"
@c no verbatim here
@lilypond[quote]
-\relative c'' {
- c4-\markup { \bold \huge { Click here. } }
+\relative {
+ c''4-\markup { \bold \huge { Click here. } }
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.16"
+@c \version "2.19.21"
@node Tweaking output
@chapter Tweaking output
\override NoteHead.color = #red
\override NoteHead.font-size = 2
}
-\relative c'' {
- c4 a \once \emphNoteHead f d |
+\relative {
+ c''4 a \once \emphNoteHead f d |
}
@end lilypond
\override NoteHead.color = #red
\override NoteHead.font-size = 2
}
-\relative c'' {
- <c a \single \emphNoteHead f d>4
+\relative {
+ <c'' a \single \emphNoteHead f d>4
}
@end lilypond
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,ragged-right,verbatim]
<<
\new Staff {
- \relative c' { c4 a, }
+ \relative { c'4 a, }
}
\new Staff {
- \relative c'''' { c4 a, }
+ \relative { c''''4 a, }
}
>>
@end lilypond
@lilypond[quote,ragged-right,verbatim]
sesquisharp = \markup { \sesquisharp }
-\relative c'' {
- c4
+\relative {
+ c''4
% This prints a sesquisharp but the spacing is too small
\once \override Accidental.stencil = #ly:text-interface::print
\once \override Accidental.text = #sesquisharp
was left looking like this:
@lilypond[quote,verbatim,fragment,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<<
- { c2 aes4. bes8 }
+ { c''2 aes4. bes8 }
\\
{ <ees, c>2 des }
\\
@cindex force-hshift property, example
@lilypond[quote,verbatim,fragment,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<<
- { c2 aes4. bes8 }
+ { c''2 aes4. bes8 }
\\
{ <ees, c>2 \once \override NoteColumn.force-hshift = 0.5 des }
\\
@c This example should not be indexed
@c line-width ensures no break
@lilypond[quote,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4. g8 |
+ r2 c''4. g8 |
bes1~ |
\time 6/4
bes2. r8
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2 |
+lhMusic = \relative {
+ r2 <c' g ees>2 |
<d g, d>1 |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
bes1~ |
\time 6/4
bes2. r8
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1) |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
global = { \key c \major \time 4/4 \partial 4 }
-SopranoMusic = \relative c' { c4 | e4. e8 g4 g | a4 a g }
-AltoMusic = \relative c' { c4 | c4. c8 e4 e | f4 f e }
-TenorMusic = \relative c { e4 | g4. g8 c4. b8 | a8 b c d e4 }
-BassMusic = \relative c { c4 | c4. c8 c4 c | f8 g a b c4 }
+SopranoMusic = \relative { c'4 | e4. e8 g4 g | a4 a g }
+AltoMusic = \relative { c'4 | c4. c8 e4 e | f4 f e }
+TenorMusic = \relative { e4 | g4. g8 c4. b8 | a8 b c d e4 }
+BassMusic = \relative { c4 | c4. c8 c4 c | f8 g a b c4 }
VerseOne = \lyrics {
E -- | ter -- nal \emphasize Fa -- ther, | \normal strong to save,
-\version "2.19.2"
+\version "2.19.21"
\include "example-header.ily"
\paper {
mes or ai _ _
}
-motetusNotes = \relative c' {
+motetusNotes = \relative {
\clef "treble_8"
- c2. c8\startGroup b8 \slash c\stopGroup | % 1
+ c'2. c8\startGroup b8 \slash c\stopGroup | % 1
a2. c4. | d2. e4. | % 2-3
f2. f8 e d | % 4
c2. ~ 4. | r2. r4. | % 5-6
}
-tenorNotes = \relative c {
+tenorNotes = \relative {
\clef "treble_8"
f2. | a2. | g2. | r2. | % 1-4
c2. | b2. | c2. | % 5-7
-\version "2.19.0"
+\version "2.19.21"
\header {
tagline = ##f
R1*9/8 |
}
- flutes = \relative c'''' {
+ flutes = \relative {
\clef treble \key ees \minor \time 6/8
R2.
- <ges, c,>16(\mf\< <ees bes> <c ges> <ees bes> <ges c,> <bes ees,>) <c ges>( <bes ees,> <ges c,> <bes ees,> <c ges> <ees bes>) |
+ <ges'' c,>16(\mf\< <ees bes> <c ges> <ees bes> <ges c,> <bes ees,>) <c ges>( <bes ees,> <ges c,> <bes ees,> <c ges> <ees bes>) |
<ges c,>8-.->\!\ff \offCr r r r4 r8 | R2. |
\time 9/8
R1*9/8 |
}
- oboes = \relative c''' {
+ oboes = \relative {
\clef treble \key ees \minor \time 6/8
R2. |
- <ges, c,>4(\mf\< <bes ees,>8 <c ges>4 <ees bes>8) |
+ <ges' c,>4(\mf\< <bes ees,>8 <c ges>4 <ees bes>8) |
<ges c,>-.->\!\ff \offCr r r r4 r8 | R2. |
\time 9/8
R1*9/8 |
R1*9/8 |
}
- bassoons = \relative c, {
+ bassoons = \relative {
\clef bass \key ees \minor \time 6/8
- <ees bes'>4.\pp\< c'^"a2" |
+ <ees, bes'>4.\pp\< c'^"a2" |
bes8-. bes-. bes-. ges-. ges-. ges-. |
ees-.->\!\ff \offCr <ees bes'>4\pp ~ <ees bes'>4. ~ | <ees bes'>2. |
\time 9/8
R1*9/8 |
}
- trombones = \relative c' {
+ trombones = \relative {
\clef tenor \key ees \minor \time 6/8
r4 r8 <ges c>4.\mp\< ~ |
<ges c>8-. <ges c>-. <ges c>-. <ges c>-. <ges c>-. <ges c>-. |
R1*9/8 |
}
- tuba = \relative c,, {
+ tuba = \relative {
\clef bass \key ees \minor \time 6/8
- <ees' ees'>4.(\pp\< <c c'> |
+ <ees, ees'>4.(\pp\< <c c'> |
<bes bes'>8-.) <bes bes'>-. <bes bes'>-. <ges ges'>-. <ges ges'>-. <ges ges'>-. |
<ees ees'>-.->\!\ff \offCr r r r4 r8 | R2. |
\time 9/8
R1*9/8 |
}
- timpani = \relative c {
+ timpani = \relative {
\clef bass \key ees \minor \time 6/8
ees8\< ees ees ees ees ees |
bes bes bes bes bes bes |
}
- violinI = \relative c'''' {
+ violinI = \relative {
\clef treble \key ees \minor \time 6/8
- ges,,16(\pp\< ees c ees ges bes) c( bes ges bes c ees) |
+ ges'16(\pp\< ees c ees ges bes) c( bes ges bes c ees) |
ges( ees c ees ges bes) c( bes ges bes c ees) |
ges8-.->\!\ff \offCr r r r4 r8 | R2. |
\time 9/8
R1*9/8 |
}
- violinII = \relative c''' {
+ violinII = \relative {
\clef treble \key ees \minor \time 6/8
- c,,16(\pp\< bes ges bes c ees) ges( ees c ees ges bes) |
+ c'16(\pp\< bes ges bes c ees) ges( ees c ees ges bes) |
c( bes ges bes c ees) ges( ees c ees ges bes) |
c8-.->\!\ff \offCr r r r4 r8 | R2. |
\time 9/8
r4 r8 \repeat tremolo 6 { c,,32->\pp^\pont e } r4 r8 |
}
- viola = \relative c {
+ viola = \relative {
\clef alto \key ees \minor \time 6/8
<ees bes'>8-.\pp\< <ees bes'>-. <ees bes'>-. <ges c>-. <ges c>-. <ges c>-. |
<bes ees>-. <bes ees>-. <bes ees>-. <c ges'>-. <c ges'>-. <c ges'>-. |
\repeat tremolo 12 { ges,32->^\pont bes } \repeat tremolo 6 {ges->( bes) } |
}
- cello = \relative c {
+ cello = \relative {
\clef bass \key ees \minor \time 6/8
<c ges'>8-.\pp\< <c ges'>-. <c ges'>-. <bes ees>-. <bes ees>-. <bes ees>-. |
<c ges'>-. <c ges'>-. <c ges'>-. <c ges'>-. <c ges'>-. <c ges'>-. |
@c Translation checker:
@c Translation checker committish:
-@c \version "2.19.2"
+@c \version "2.19.21"
@ignore
Tutorial guidelines: (different from policy.txt!)
samengesteld:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
<<
- { a2 g }
+ { a'2 g }
{ f2 e }
{ d2 b }
>>
genoteerd op een enkele notenbalk.
@lilypond[verbatim,quote]
-\relative c'' {
- c2 <<c e>> |
+\relative {
+ c''2 <<c e>> |
<< { e2 f } { c2 <<b d>> } >> |
}
@end lilypond
met @code{<<} en @code{>>}:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
<<
- \new Staff { \clef "treble" c4 }
+ \new Staff { \clef "treble" c''4 }
\new Staff { \clef "bass" c,,4 }
>>
}
partituren.
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
<<
- \new Staff { \clef "treble" \key d \major \time 3/4 c4 }
+ \new Staff { \clef "treble" \key d \major \time 3/4 c''4 }
\new Staff { \clef "bass" c,,4 }
>>
}
Hier is een voorbeeldje:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
\new PianoStaff <<
- \new Staff { \time 2/4 c4 e | g g, | }
+ \new Staff { \time 2/4 c''4 e | g g, | }
\new Staff { \clef bass c,,4 c' | e c | }
>>
}
@notation{Girls and boys come out to play}:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4
+ d''4 b8 c4 a8 | d4 b8 g4
}
@end lilypond
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4
+ d''4 b8 c4 a8 | d4 b8 g4
}
\addlyrics {
Girls and boys come | out to play,
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4 g8 |
+ d''4 b8 c4 a8 | d4 b8 g4 g8 |
a4 b8 c b a | d4 b8 g4. |
}
\addlyrics {
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4 g8 |
+ d''4 b8 c4 a8 | d4 b8 g4 g8 |
a4 b8 c( b) a | d4 b8 g4. |
}
\addlyrics {
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4 g8 |
+ d''4 b8 c4 a8 | d4 b8 g4 g8 |
a4 b8 c([ b]) a | d4 b8 g4. |
}
\addlyrics {
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4 g8 |
+ d''4 b8 c4 a8 | d4 b8 g4 g8 |
a4 b8 c[ b] a | d4 b8 g4. |
}
\addlyrics {
@lilypond[verbatim,quote]
<<
- \relative c'' {
+ \relative {
\key g \minor
\time 3/2
- g2 a bes | bes2( a) b2 |
+ g'2 a bes | bes2( a) b2 |
c4.( bes8 a4. g8 fis4.) g8 | fis1
}
\addlyrics {
@c but the example is long enough to avoid looking strange.
@lilypond[verbatim,quote,noragged-right]
<<
- \relative c' {
+ \relative {
\clef "bass"
\key c \major
\time 6/8
- c4.~ 8 d b | c8([ d]) b c d b | c8
+ c'4.~ 8 d b | c8([ d]) b c d b | c8
}
\addlyrics {
Lar -- go_al fac -- | to -- tum del -- la cit -- | tà
@c KEEP LY
@lilypond[verbatim,quote]
viool = \new Staff {
- \relative c'' {
- a4 b c b
+ \relative {
+ a'4 b c b
}
}
cello = \new Staff {
- \relative c {
+ \relative {
\clef "bass"
e2 d
}
een stuk leesbaarder en ook eenvoudiger in te voeren:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
\key a \major
\time 6/8
- cis8. d16 cis8 e4 e8 |
+ cis''8. d16 cis8 e4 e8 |
b8. cis16 b8 d4 d8 |
}
@end lilypond
@c Translation checker:
@c Translation checker committish:
-@c \version "2.19.2"
+@c \version "2.19.21"
@node Fundamentele concepten
@translationof Fundamental concepts
zoals dit:
@example
-\relative c'' @{
- c4 a d c
+\relative @{
+ c''4 a d c
@}
@end example
\score @{
\new Staff @{
\new Voice @{
- \relative c'' @{
- c4 a b c
+ \relative @{
+ c''4 a b c
@}
@}
@}
variabelen}. Alle sjablonen gebruiken dat:
@example
-melodie = \relative c' @{
- c4 a b c
+melodie = \relative @{
+ c'4 a b c
@}
\score @{
braces next to @code{\new Voice = "vocal"}, we could start writing
@example
-\relative c'' @{
- r4 d8\noBeam g, c4 r
+\relative @{
+ r4 d''8\noBeam g, c4 r
@}
@end example
have a piece of real music:
@lilypond[verbatim,quote,ragged-right]
-melody = \relative c'' { r4 d8\noBeam g, c4 r }
+melody = \relative { r4 d''8\noBeam g, c4 r }
text = \lyricmode { And God said, }
-upper = \relative c'' { <g d g,>2~ <g d g,> }
-lower = \relative c { b2 e }
+upper = \relative { <g' d g,>2~ <g d g,> }
+lower = \relative { b,2 e }
\score {
<<
@lilypond[verbatim,quote,ragged-right]
\new Staff {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[verbatim,quote,ragged-right]
\new Staff = "main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
of slurs, stems, ties, dynamics etc., is set appropriately.
@lilypond[quote,verbatim]
-\new Staff \relative c' {
+\new Staff \relative {
% Main voice
- c16 d e f
+ c'16 d e f
% Voice "1" Voice "2" Voice "3"
<< { g4 f e } \\ { r8 e4 d c8~ } >> |
<< { d2 e } \\ { c8 b16 a b8 g~ 2 } \\ { s4 b c2 } >> |
blue triangle voice.
@lilypond[quote,verbatim]
-\new Staff \relative c' {
+\new Staff \relative {
% Main voice
- c16 d e f
+ c'16 d e f
<< % Bar 1
{
\voiceOneStyle
@c The following should appear as music without code
@lilypond[quote,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<< % Voice one
- { c2 aes4. bes8 }
+ { c''2 aes4. bes8 }
\\ % Voice two
{
% Ignore these for now - they are explained in Ch 4
enter the music of the first bar in three voices:
@lilypond[quote,verbatim,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<<
- { c2 aes4. bes8 } \\ { <ees, c>2 des } \\ { aes'2 f4 fes }
+ { c''2 aes4. bes8 } \\ { <ees, c>2 des } \\ { aes'2 f4 fes }
>> |
<c ees aes c>1 |
}
adding another pair of @code{\\}.
@lilypond[quote,verbatim,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<< % Voice one
- { c2 aes4. bes8 }
+ { c''2 aes4. bes8 }
\\ % Voice two
{ <ees, c>2 des }
\\ % Omit Voice three
@example
\new Staff @{
- \relative c' @{
- << @{ e4 f g a @} \\ @{ c,4 d e f @} >>
+ \relative @{
+ << @{ e'4 f g a @} \\ @{ c,4 d e f @} >>
@}
@}
@end example
@example
\new Staff <<
- \new Voice = "1" @{ \voiceOne \relative c' @{ e4 f g a @} @}
- \new Voice = "2" @{ \voiceTwo \relative c' @{ c4 d e f @} @}
+ \new Voice = "1" @{ \voiceOne \relative @{ e'4 f g a @} @}
+ \new Voice = "2" @{ \voiceTwo \relative @{ c'4 d e f @} @}
>>
@end example
@c The following example should not display the code
@lilypond[ragged-right,quote]
\new Staff <<
- \new Voice = "1" { \voiceOne \relative c' { e4 f g a } }
- \new Voice = "2" { \voiceTwo \relative c' { c4 d e f } }
+ \new Voice = "1" { \voiceOne \relative { e'4 f g a } }
+ \new Voice = "2" { \voiceTwo \relative { c'4 d e f } }
>>
@end lilypond
markup, ties, slurs, and dynamics:
@lilypond[quote,ragged-right,verbatim]
-\relative c' {
+\relative {
% Default behavior or behavior after \oneVoice
- c4 d8~ 8 e4( f | g4 a) b-> c |
+ c'4 d8~ 8 e4( f | g4 a) b-> c |
}
@end lilypond
typeset the music:
@lilypond[quote,ragged-right,verbatim]
-\new Staff \relative c' {
- c16^( d e f
+\new Staff \relative {
+ c'16^( d e f
<<
{ g4 f e | d2 e) | }
\new Voice {
@lilypond[quote,verbatim]
global = { \key f \major \time 6/8 \partial 8 }
-SopOneMusic = \relative c'' {
- c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4
+SopOneMusic = \relative {
+ c''8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4
}
SopOneLyrics = \lyricmode {
Let | flee -- cy flocks the | hills a -- dorn, __
}
-SopTwoMusic = \relative c' {
- r8 | r4. r4 c8 | a'8([ g)] f f([ e)] d | e8([ d)] c bes'
+SopTwoMusic = \relative {
+ r8 | r4. r4 c'8 | a'8([ g)] f f([ e)] d | e8([ d)] c bes'
}
SopTwoLyrics = \lyricmode {
Let | flee -- cy flocks the | hills a -- dorn,
@lilypond[quote,verbatim]
keyTime = { \key c \major \time 4/4 \partial 4 }
-SopMusic = \relative c' { c4 | e4. e8 g4 g | a4 a g }
-AltoMusic = \relative c' { c4 | c4. c8 e4 e | f4 f e }
-TenorMusic = \relative c { e4 | g4. g8 c4. b8 | a8 b c d e4 }
-BassMusic = \relative c { c4 | c4. c8 c4 c | f8 g a b c4 }
+SopMusic = \relative { c'4 | e4. e8 g4 g | a4 a g }
+AltoMusic = \relative { c'4 | c4. c8 e4 e | f4 f e }
+TenorMusic = \relative { e4 | g4. g8 c4. b8 | a8 b c d e4 }
+BassMusic = \relative { c4 | c4. c8 c4 c | f8 g a b c4 }
VerseOne =
\lyricmode { E -- | ter -- nal fa -- ther, | strong to save, }
\clef "treble"
\key g \minor
\new Voice { % create voice for RH notes
- \relative c'' { % start of RH notes
- d4 ees16 c8. |
+ \relative { % start of RH notes
+ d''4 ees16 c8. |
d4 ees16 c8. |
} % end of RH notes
} % end of RH voice
\key g \minor
\new Voice { % create LH voice one
\voiceOne
- \relative g { % start of LH voice one notes
+ \relative { % start of LH voice one notes
g8 <bes d> ees, <g c> |
g8 <bes d> ees, <g c> |
} % end of LH voice one notes
} % end of LH voice one
\new Voice { % create LH voice two
\voiceTwo
- \relative g { % start of LH voice two notes
+ \relative { % start of LH voice two notes
g4 ees |
g4 ees |
} % end of LH voice two notes
@lilypond[quote,verbatim,ragged-right]
<<
- \new Staff \relative c'' {
- aeses2 aes
+ \new Staff \relative {
+ aeses'2 aes
}
\new Staff \relative c'' {
\set Staff.extraNatural = ##f
@lilypond[quote,verbatim,ragged-right]
<<
- \new Staff \relative c'' {
- aeses2 aes
+ \new Staff \relative {
+ aeses'2 aes
}
\new Staff \relative c'' {
\set Score.extraNatural = ##f
@lilypond[quote,verbatim,ragged-right]
<<
\new Staff {
- \relative c'' {
- gisis4 gis aeses aes
+ \relative {
+ gisis'4 gis aeses aes
}
}
\new Staff \with { extraNatural = ##f } {
- \relative c'' {
- gisis4 gis aeses aes
+ \relative {
+ gisis'4 gis aeses aes
}
}
>>
@lilypond[verbatim,quote]
\score {
\new Staff {
- \relative c'' {
- cisis4 e d cis
+ \relative {
+ cisis''4 e d cis
}
}
\layout {
\score {
<<
\new Staff {
- \relative c'' {
- gisis4 gis aeses aes
+ \relative {
+ gisis'4 gis aeses aes
}
}
\new Staff {
- \relative c'' {
- gisis4 gis aeses aes
+ \relative {
+ gisis'4 gis aeses aes
}
}
>>
\new Staff \with {
\remove "Staff_symbol_engraver"
}
-\relative c' {
- c4 d
+\relative {
+ c'4 d
\set fontSize = #-4 % make note heads smaller
e4 f |
\set fontSize = #2.5 % make note heads larger
\score {
<<
\new Staff {
- \relative c'' {
- c4 a b g
+ \relative {
+ c''4 a b g
}
}
\new Staff {
- \relative c' {
- c4 a b g
+ \relative {
+ c'4 a b g
}
}
\new Staff {
\clef "G_8"
- \relative c' {
- c4 a b g
+ \relative {
+ c'4 a b g
}
}
\new Staff {
\clef "bass"
- \relative c {
+ \relative {
c4 a b g
}
}
@example
\version @w{"@version{}"}
-melody = \relative c' @{
+melody = \relative @{
\clef "treble"
\key c \major
\time 4/4
@example
\version @w{"@version{}"}
-melody = \relative c' @{
+melody = \relative @{
\clef "treble"
\key c \major
\time 4/4
@example
\version @w{"@version{}"}
-sopranoMusic = \relative c' @{
+sopranoMusic = \relative @{
\clef "treble"
\key c \major
\time 4/4
Aaa Bee Cee Dee
@}
-celloMusic = \relative c @{
+celloMusic = \relative @{
\clef "bass"
\key c \major
\time 4/4
easily fixed. Here's the complete soprano and cello template.
@lilypond[quote,verbatim,ragged-right,addversion]
-sopranoMusic = \relative c' {
+sopranoMusic = \relative {
\clef "treble"
\key c \major
\time 4/4
Aaa Bee Cee Dee
}
-celloMusic = \relative c {
+celloMusic = \relative {
\clef "bass"
\key c \major
\time 4/4
@lilypond[quote,ragged-right]
global = { \key d \major \time 4/4 }
-sopranoMusic = \relative c'' {
+sopranoMusic = \relative {
\clef "treble"
- r4 d2 a4 | d4. d8 a2 | cis4 d cis2 |
+ r4 d''2 a4 | d4. d8 a2 | cis4 d cis2 |
}
sopranoWords = \lyricmode {
Wor -- thy | is the lamb | that was slain |
}
-altoMusic = \relative a' {
+altoMusic = \relative {
\clef "treble"
- r4 a2 a4 | fis4. fis8 a2 | g4 fis e2 |
+ r4 a'2 a4 | fis4. fis8 a2 | g4 fis e2 |
}
altoWords = \sopranoWords
-tenorMusic = \relative c' {
+tenorMusic = \relative {
\clef "G_8"
- r4 fis2 e4 | d4. d8 d2 | e4 a, cis2 |
+ r4 fis'2 e4 | d4. d8 d2 | e4 a, cis2 |
}
tenorWords = \sopranoWords
-bassMusic = \relative c' {
+bassMusic = \relative {
\clef "bass"
- r4 d2 cis4 | b4. b8 fis2 | e4 d a'2 |
+ r4 d'2 cis4 | b4. b8 fis2 | e4 d a'2 |
}
bassWords = \sopranoWords
@lilypond[quote,verbatim,ragged-right,addversion]
global = { \key d \major \time 4/4 }
-sopranoMusic = \relative c'' {
+sopranoMusic = \relative {
\clef "treble"
- r4 d2 a4 | d4. d8 a2 | cis4 d cis2 |
+ r4 d''2 a4 | d4. d8 a2 | cis4 d cis2 |
}
sopranoWords = \lyricmode {
Wor -- thy | is the lamb | that was slain |
}
-altoMusic = \relative a' {
+altoMusic = \relative {
\clef "treble"
- r4 a2 a4 | fis4. fis8 a2 | g4 fis fis2 |
+ r4 a'2 a4 | fis4. fis8 a2 | g4 fis fis2 |
}
altoWords = \sopranoWords
-tenorMusic = \relative c' {
+tenorMusic = \relative {
\clef "G_8"
- r4 fis2 e4 | d4. d8 d2 | e4 a, cis2 |
+ r4 fis'2 e4 | d4. d8 d2 | e4 a, cis2 |
}
tenorWords = \sopranoWords
-bassMusic = \relative c' {
+bassMusic = \relative {
\clef "bass"
- r4 d2 cis4 | b4. b8 fis2 | e4 d a'2 |
+ r4 d'2 cis4 | b4. b8 fis2 | e4 d a'2 |
}
bassWords = \sopranoWords
upper = \relative a' {
composer = "J S Bach"
}
keyTime = { \key c \minor \time 4/4 }
-ManualOneVoiceOneMusic = \relative g' {
- g4 g f ees |
+ManualOneVoiceOneMusic = \relative {
+ g'4 g f ees |
d2 c |
}
-ManualOneVoiceTwoMusic = \relative c' {
- ees16 d ees8~ 16 f ees d c8 d~ d c~ |
+ManualOneVoiceTwoMusic = \relative {
+ ees'16 d ees8~ 16 f ees d c8 d~ d c~ |
8 c4 b8 c8. g16 c b c d |
}
-ManualTwoMusic = \relative c' {
- c16 b c8~ 16 b c g a8 g~ 16 g aes ees |
+ManualTwoMusic = \relative {
+ c'16 b c8~ 16 b c g a8 g~ 16 g aes ees |
f16 ees f d g aes g f ees d ees8~ 16 f ees d |
}
-PedalOrganMusic = \relative c {
+PedalOrganMusic = \relative {
r8 c16 d ees d ees8~ 16 a, b g c b c8 |
r16 g ees f g f g8 c,2 |
}
By this point, you've seen this kind of thing:
@lilypond[quote,verbatim,ragged-right]
-hornNotes = \relative c'' { c4 b dis c }
+hornNotes = \relative { c''4 b dis c }
\score {
{
You may even realize that this could be useful in minimalist music:
@lilypond[quote,verbatim,ragged-right]
-fragmentA = \relative c'' { a4 a8. b16 }
-fragmentB = \relative c'' { a8. gis16 ees4 }
+fragmentA = \relative { a'4 a8. b16 }
+fragmentB = \relative { a'8. gis16 ees4 }
violin = \new Staff {
\fragmentA \fragmentA |
\once \override TextScript.padding = #padding
#})
-\relative c''' {
- c4^"piu mosso" b a b |
+\relative {
+ c'''4^"piu mosso" b a b |
\padText #1.8
c4^"piu mosso" d e f |
\padText #2.6
of a horn/@/bassoon duo
@example
-hornNotes = \relative c @{
+hornNotes = \relative @{
\time 2/4
r4 f8 a | cis4 f | e4 d |
@}
in the following output
@lilypond[quote,ragged-right]
-\transpose f c' \relative c {
+\transpose f c' \relative {
\time 2/4
r4 f8 a | cis4 f | e4 d |
}
leading to
@lilypond[quote,ragged-right]
-\relative c <<
+\relative <<
\new Staff {
\clef "treble"
\time 2/4
@include included/generating-output.itexi
-@c \version "2.16.0"
+@c \version "2.19.21"
@node Leerboek
@translationof Tutorial
@lilypond[verbatim,quote]
% zet het beginpunt op de centrale C
-\relative c' {
- c d e f
+\relative {
+ c' d e f
g a b c
}
@end lilypond
modus:
@lilypond[verbatim,quote]
-\relative c' {
- d f a g
+\relative {
+ d' f a g
c b f d
}
@end lilypond
@lilypond[verbatim,quote]
% één octaaf boven de centrale C
-\relative c'' {
- e c a c
+\relative {
+ e'' c a c
}
@end lilypond
lager is.
@lilypond[verbatim,quote]
-\relative c'' {
- b c % c is 1 notenbalk-ruimte omhoog, dus de c hoger
+\relative {
+ b' c % c is 1 notenbalk-ruimte omhoog, dus de c hoger
b d % d is 2 omhoog of 5 omlaag, dus de d hoger
b e % e is 3 omhoog of 4 omlaag, dus de e hoger
b a % a is 6 omhoog of 1 omlaag, dus de a lager
een komma @code{,} aan de notenaam toe toe voegen.
@lilypond[verbatim,quote]
-\relative c'' {
- a a, c' f,
+\relative {
+ a' a, c' f,
g g'' a,, f'
}
@end lilypond
noot is standaard een kwartnoot.
@lilypond[verbatim,quote]
-\relative c'' {
- a1
+\relative {
+ a'1
a2 a4 a8 a
a16 a a a a32 a a a a64 a a a a a a a a2
}
altijd ook met een getal).
@lilypond[verbatim,quote]
-\relative c'' {
- a4 a a4. a8
+\relative {
+ a'4 a a4. a8
a8. a16 a a8. a8 a4.
}
@end lilypond
naam @code{r}@tie{}:
@lilypond[verbatim,quote]
-\relative c'' {
- a4 r r2
+\relative {
+ a'4 r r2
r8 a r4 r4. r8
}
@end lilypond
De @notation{maatsoort} kun je aangeven met het @code{\time}-commando:
@lilypond[verbatim,quote]
-\relative c'' {
+\relative {
\time 3/4
- a4 a a
+ a'4 a a
\time 6/8
a4. a
\time 4/4
commando:
@lilypond[verbatim,quote]
-\relative c' {
+\relative {
\clef "treble"
- c1
+ c'1
\clef "alto"
c1
\clef "tenor"
@c no verbatim here
@lilypond[quote]
-\relative c'' {
- c4-\markup { \bold \huge { Klik hier. } }
+\relative {
+ c''4-\markup { \bold \huge { Klik hier. } }
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@node Tweaking output
@chapter Tweaking output
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
\new Staff ="main" {
- \relative g' {
- r4 g8 g c4 c8 d |
+ \relative {
+ r4 g'8 g c4 c8 d |
e4 r8
<<
{ f8 c c }
@lilypond[quote,ragged-right,verbatim]
<<
\new Staff {
- \relative c' { c4 a, }
+ \relative { c'4 a, }
}
\new Staff {
- \relative c'''' { c4 a, }
+ \relative { c''''4 a, }
}
>>
@end lilypond
@lilypond[quote,ragged-right,verbatim]
sesquisharp = \markup { \sesquisharp }
-\relative c'' {
- c4
+\relative {
+ c''4
% This prints a sesquisharp but the spacing is too small
\once \override Accidental.stencil = #ly:text-interface::print
\once \override Accidental.text = #sesquisharp
was left looking like this:
@lilypond[quote,verbatim,fragment,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<<
- { c2 aes4. bes8 }
+ { c''2 aes4. bes8 }
\\
{ <ees, c>2 des }
\\
@cindex force-hshift property, example
@lilypond[quote,verbatim,fragment,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
\key aes \major
<<
- { c2 aes4. bes8 }
+ { c''2 aes4. bes8 }
\\
{
<ees, c>2
@c This example should not be indexed
@c line-width ensures no break
@lilypond[quote,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4. g8 |
+ r2 c''4. g8 |
bes1~ |
\time 6/4
bes2. r8
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2 |
+lhMusic = \relative {
+ r2 <c' g ees>2 |
<d g, d>1 |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
bes1~ |
\time 6/4
bes2. r8
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1) |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
@c line-width ensures no break
@lilypond[quote,verbatim,ragged-right,line-width=6\in]
-rhMusic = \relative c'' {
+rhMusic = \relative {
\new Voice {
- r2 c4.\( g8 |
+ r2 c''4.\( g8 |
\once \override Tie.staff-position = #3.5
bes1~ |
\bar "||"
}
}
-lhMusic = \relative c' {
- r2 <c g ees>2( |
+lhMusic = \relative {
+ r2 <c' g ees>2( |
<d g, d>1)\arpeggio |
r2. d,,4 r4 r |
r4
global = { \key c \major \time 4/4 \partial 4 }
-SopranoMusic = \relative c' { c4 | e4. e8 g4 g | a4 a g }
-AltoMusic = \relative c' { c4 | c4. c8 e4 e | f4 f e }
-TenorMusic = \relative c { e4 | g4. g8 c4. b8 | a8 b c d e4 }
-BassMusic = \relative c { c4 | c4. c8 c4 c | f8 g a b c4 }
+SopranoMusic = \relative { c'4 | e4. e8 g4 g | a4 a g }
+AltoMusic = \relative { c'4 | c4. c8 e4 e | f4 f e }
+TenorMusic = \relative { e4 | g4. g8 c4. b8 | a8 b c d e4 }
+BassMusic = \relative { c4 | c4. c8 c4 c | f8 g a b c4 }
VerseOne = \lyrics {
E -- | ter -- nal \emphasize Fa -- ther, | \normal strong to save,
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.30"
+@c \version "2.19.21"
@node Ancient notation
@lilypond[quote,ragged-right]
\score {
- \relative c'' {
- a1
+ \relative {
+ a'1
\break
g
}
@lilypond[verbatim,ragged-right]
\include "gregorian.ly"
-chant = \relative c' {
+chant = \relative {
\clef "G_8"
- c\breve c4 b4 a c2 c4 \divisioMaior
+ c'\breve c4 b4 a c2 c4 \divisioMaior
c\breve c4 c f, f \finalis
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.20"
+@c \version "2.19.21"
@node Changing defaults
@chapter Changing defaults
% musical content
\context Voice = "one" {
- \relative c'' {
- c4 c c c
+ \relative {
+ c''4 c c c
}
}
\context Voice = "two" {
- \relative c'' {
- g8 g g4 g g
+ \relative {
+ g'8 g g4 g g
}
}
>>
% musical content
\context Voice = "one" {
- \relative c'' {
- c4 c c c
+ \relative {
+ c''4 c c c
}
}
\context Voice = "two" {
- \relative c'' {
- g8 g g4 g g
+ \relative {
+ g'8 g g4 g g
}
}
>>
@code{\applyContext} is executed:
@example
-\new Staff \relative c' @{
- c1
+\new Staff \relative @{
+ c'1
\context Timing
\applyContext #(lambda (ctx)
(newline)
in this way for the duration of the piece:
@lilypond[quote,verbatim]
-musicA = \relative c'' { d4 d d d }
-musicB = \relative c'' { g4 g g g }
+musicA = \relative { d''4 d d d }
+musicB = \relative { g'4 g g g }
keepVoicesAlive = {
<<
\new Voice = "A" { s1*5 } % Keep Voice "A" alive for 5 bars
sections, of course.
@lilypond[quote,verbatim]
-melody = \relative c'' { a4 a a a }
-accompaniment = \relative c' { d4 d d d }
+melody = \relative { a'4 a a a }
+accompaniment = \relative { d'4 d d d }
words = \lyricmode { These words fol -- low the mel -- o -- dy }
\score {
<<
line it up correctly with the accompaniment:
@lilypond[quote,verbatim]
-melody = \relative c'' {
+melody = \relative {
s1 % skip a bar
- a4 a a a
+ a'4 a a a
s1 % skip a bar
a4 a a a
}
-accompaniment = \relative c' {
- d4 d d d
+accompaniment = \relative {
+ d'4 d d d
d4 d d d
d4 d d d
d4 d d d
\consists "Timing_translator"
\consists "Default_bar_line_engraver"
}
- \relative c'' {
+ \relative {
\time 3/4
- c4 c c c c c
+ c''4 c c c c c
}
\new Staff \with {
\consists "Timing_translator"
\consists "Default_bar_line_engraver"
}
- \relative c'' {
+ \relative {
\time 2/4
- c4 c c c c c
+ c''4 c c c c c
}
>>
\layout {
@lilypond[quote,verbatim]
\score {
- \relative c'' {
- a4^"Thicker stems" a a a
+ \relative {
+ a'4^"Thicker stems" a a a
a4 a a\ff a
}
\layout {
@lilypond[quote,verbatim]
\score {
- \relative c'' {
- a4^"Smaller font" a a a
+ \relative {
+ a'4^"Smaller font" a a a
a4 a a\ff a
}
\layout {
@lilypond[quote,verbatim]
\score {
- \relative c'' {
- a4^"Dynamics above" a a a
+ \relative {
+ a'4^"Dynamics above" a a a
a4 a a\ff a
}
\layout {
\score {
\new Staff {
- \relative c'' {
- a4^"Smaller font" a a a
+ \relative {
+ a'4^"Smaller font" a a a
a4 a a a
}
}
@lilypond[quote,verbatim]
\score {
\new Staff {
- \relative c'' {
- a4^"Smaller font" a a a
+ \relative {
+ a'4^"Smaller font" a a a
a4 a a a
}
}
\new Staff {
\new Voice \with { \override Stem.thickness = #4.0 }
{
- \relative c'' {
- a4^"Thick stems" a a a
+ \relative {
+ a'4^"Thick stems" a a a
a4 a a a
}
}
\score {
<<
\new Staff {
- \relative c'' {
- a4^"Default font" a a a
+ \relative {
+ a'4^"Default font" a a a
a4 a a a
}
}
\new Staff \with { fontSize = #-4 }
{
- \relative c'' {
- a4^"Smaller font" a a a
+ \relative {
+ a'4^"Smaller font" a a a
a4 a a a
}
}
<<
\new Staff {
\new Voice {
- \relative c'' {
- a4^"Dynamics below" a a a
+ \relative {
+ a'4^"Dynamics below" a a a
a4 a a\ff a
}
}
{
\new Voice \with { \dynamicUp }
{
- \relative c'' {
- a4^"Dynamics above" a a a
+ \relative {
+ a'4^"Dynamics above" a a a
a4 a a\ff a
}
}
\accepts "ImproVoice"
}}
-\relative c'' {
- a4 d8 bes8 \new ImproVoice { c4^"ad lib" c
+\relative {
+ a'4 d8 bes8 \new ImproVoice { c4^"ad lib" c
c4 c^"undress" c_"while playing :)" c }
a1
}
Then the output at the start of this subsection can be entered as
@example
-\relative c'' @{
- a4 d8 bes8
+\relative @{
+ a'4 d8 bes8
\new ImproVoice @{
c4^"ad lib" c
c4 c^"undress"
\musicglyph #"noteheads.s2cross"
}
}
-\relative c'' {
- a a \XinO a a
+\relative {
+ a' a \XinO a a
}
@end lilypond
\once \override TextScript.padding = #padding
#})
-\relative c'' {
- c4^"piu mosso" b a b
+\relative {
+ c''4^"piu mosso" b a b
\padText #1.8
c4^"piu mosso" b a b
\padText #2.6
#note
#})
-\relative c' { c4 d e f \custosNote g }
+\relative { c'4 d e f \custosNote g }
@end lilypond
Substitution functions with multiple arguments can be defined:
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.30"
+@c \version "2.19.21"
@node Chord notation
of the mode of entry, unless there are inversions or added bass notes:
@lilypond[verbatim,quote]
-chordmusic = \relative c' {
- <c e g>2 <f bes c>
+chordmusic = \relative {
+ <c' e g>2 <f bes c>
<f c' e g>1
\chordmode {
c2 f:sus4 c1:/f
@lilypond[verbatim,ragged-right,quote]
<<
- \relative c'' {
- c4 c'8 r8 c,4 c'
+ \relative {
+ c''4 c'8 r8 c,4 c'
}
\new FiguredBass {
\figuremode {
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.18.0"
+@c \version "2.19.21"
@node Editorial annotations
@section Editorial annotations
\consists "Horizontal_bracket_engraver"
}
}
-\relative c'' {
- c2\startGroup
+\relative {
+ c''2\startGroup
d\stopGroup
}
@end lilypond
\consists "Horizontal_bracket_engraver"
}
}
-\relative c'' {
- c4\startGroup\startGroup
+\relative {
+ c''4\startGroup\startGroup
d4\stopGroup
e4\startGroup
d4\stopGroup\stopGroup
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.18.0"
+@c \version "2.19.21"
@node Expressive marks
@section Expressive marks
@lilypond[verbatim,quote]
<<
- \new Staff \relative c' {
- c2 d4 e |
+ \new Staff \relative {
+ c'2 d4 e |
c4 e e,2 |
g'4 a g a |
c1 |
@lilypond[verbatim,quote]
moltoF = \markup { molto \dynamic f }
-\relative c' {
- <d e>16_\moltoF <d e>
+\relative {
+ <d' e>16_\moltoF <d e>
<d e>2..
}
@end lilypond
\center-align \concat { \bold { \italic ( }
\dynamic f \bold { \italic ) } } }
boxF = \markup { \bracket { \dynamic f } }
-\relative c' {
- c1_\roundF
+\relative {
+ c'1_\roundF
c1_\boxF
}
@end lilypond
@lilypond[verbatim,quote]
sfzp = #(make-dynamic-script "sfzp")
-\relative c' {
- c4 c c\sfzp c
+\relative {
+ c'4 c c\sfzp c
}
@end lilypond
roundFdynamic = #(make-dynamic-script roundF)
boxFdynamic = #(make-dynamic-script boxF)
mfEspressDynamic = #(make-dynamic-script mfEspress)
-\relative c' {
- c4_\roundFdynamic\< d e f
+\relative {
+ c'4_\roundFdynamic\< d e f
g,1~_\boxFdynamic\>
g1
g'1~\mfEspressDynamic
moltoF = #(make-dynamic-script
(markup #:normal-text "molto"
#:dynamic "f"))
-\relative c' {
- <d e>16 <d e>
+\relative {
+ <d' e>16 <d e>
<d e>2..\moltoF
}
@end lilypond
#(make-dynamic-script
(markup #:normal-text "molto"
#:dynamic "f"))
-\relative c' {
- <d e>16 <d e>
+\relative {
+ <d' e>16 <d e>
<d e>2..\moltoF <d e>1
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@node Fretted string instruments
@section Fretted string instruments
calligraphic tablature clef is added automatically.
@lilypond[quote,ragged-right,verbatim]
-\new TabStaff \relative c' {
+\new TabStaff \relative {
a,8 a' <c e> a
d,8 a' <d f> a
}
@lilypond[quote,ragged-right,verbatim]
\layout { \omit Voice.StringNumber }
\new StaffGroup <<
- \new Staff \relative c {
+ \new Staff \relative {
\clef "treble_8"
\time 2/4
c16 d e f g4
c,16\5 d\5 e\4 f\4 g4\4
c,16 d e f g4
}
- \new TabStaff \relative c {
+ \new TabStaff \relative {
c16 d e f g4
c,16\5 d\5 e\4 f\4 g4\4
\set TabStaff.minimumFret = #5
as @code{\tabChordRepeats}.
@lilypond[quote,verbatim]
-guitar = \relative c' {
+guitar = \relative {
r8 <gis-2 cis-3 b-0>~ q4 q8~ 8 q4
}
\omit StringNumber
} {
\clef "bass_8"
- \relative c, {
- c4 d e f
+ \relative {
+ c,4 d e f
}
}
\new TabStaff \with {
stringTunings = #bass-tuning
} {
- \relative c, {
- c4 d e f
+ \relative {
+ c,4 d e f
}
}
>>
within normal and tablature staves:
@lilypond[quote,ragged-right,verbatim]
-music = \relative c' {
+music = \relative {
< a\3 \deadNote c\2 a'\1 >4
< b\3 \deadNote d\2 b'\1 >
< c\3 \deadNote e\2 c'\1 >
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@node General input and output
@chapter General input and output
tagline = "... music notation for Everyone"
}
\score {
- \relative c' {
- c4 d e f
+ \relative {
+ c'4 d e f
}
}
}
@lilypond[quote,verbatim,papersize=a8landscape]
\book {
\header { tagline = ##f }
- \relative c'' {
- a4_\footnote #'(0 . -1) "A slur forced down" (
+ \relative {
+ a'4_\footnote #'(0 . -1) "A slur forced down" (
b8^\footnote #'(1 . 0.5) "A manual beam forced up" [
b8 ]
c4 )
\auto-footnote "recent" \italic " Aug 2012"
"composition."
}
- \relative c' {
+ \relative {
a'4 b8 e c4 d
}
}
}
"composition."
}
- \relative c' {
+ \relative {
a'4 b8 e c4 d
}
}
}
"composition."
}
- \relative c' {
+ \relative {
a'4 b8 e c4 d
}
}
Here is an example:
@lilypond[verbatim,quote]
-sopranoMusic = \relative c'' { a4 b c b8( a) }
-altoMusic = \relative g' { e4 e e f }
-tenorMusic = \relative c' { c4 b e d8( c) }
-bassMusic = \relative c' { a4 gis a d, }
+sopranoMusic = \relative { a'4 b c b8( a) }
+altoMusic = \relative { e'4 e e f }
+tenorMusic = \relative { c'4 b e d8( c) }
+bassMusic = \relative { a4 gis a d, }
allLyrics = \lyricmode {King of glo -- ry }
<<
\new Staff = "Soprano" \sopranoMusic
explicitly expanded:
@lilypond[verbatim,quote]
-music = \relative g' {
- g8. c32 d
+music = \relative {
+ g'8. c32 d
\tag #'trills { d8.\trill }
\tag #'expand { \repeat unfold 3 { e32 d } }
c32 d
Alternatively, it is sometimes easier to exclude sections of music:
@lilypond[verbatim,quote]
-music = \relative g' {
- g8. c32 d
+music = \relative {
+ g'8. c32 d
\tag #'trills { d8.\trill }
\tag #'expand {\repeat unfold 3 { e32 d } }
c32 d
à vo -- cê uma can -- ção legal
}
-\relative c' {
- c2 d e f g f e
+\relative {
+ c'2 d e f g f e
}
\addlyrics { \bulgarian }
\addlyrics { \hebrew }
@lilypond[quote,verbatim]
\score {
- \relative c'' {
- c1 \mark \markup { \char ##x03EE }
+ \relative {
+ c''1 \mark \markup { \char ##x03EE }
c1_\markup { \tiny { \char ##x03B1 " to " \char ##x03C9 } }
}
\addlyrics { O \markup { \concat { Ph \char ##x0153 be! } } }
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.19.21"
@node Keyboard and other multi-staff instruments
@section Keyboard and other multi-staff instruments
\new Staff = "up" {
\new Voice = "melOne" {
\key g \major
- \autochange \relative c' {
+ \autochange \relative {
g8 b a c b d c e
d8 r fis, g a2
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@node Pitches
Identifying middle C with @code{c'} is quite basic, so finding
octaves of @code{c} tends to be straightforward. If your music
starts with @code{gis} above @code{c'''}, you'd write something
-like @code{\relative c''' @{ gis' @dots{} @}}
+like @code{\relative @{ gis''' @dots{} @}}
@item an octave of the first note inside
-Writing @code{\relative gis''' @{ gis @dots{} @}} makes it easy to
+Writing @code{\relative @{ gis''' @dots{} @}} makes it easy to
determine the absolute pitch of the first note inside.
@item no explicit starting pitch
Here is the relative mode shown in action:
@lilypond[verbatim,quote]
-\relative c {
+\relative {
\clef bass
c d e f
g a b c
fourth:
@lilypond[verbatim,quote]
-\relative c'' {
- c g c f,
+\relative {
+ c'' g c f,
c' a, e'' c
}
@end lilypond
large intervals:
@lilypond[verbatim,quote]
-\relative c {
+\relative {
c f b e
a d g c
}
@code{\relative} block applies.
@lilypond[verbatim,quote]
-\relative c' {
- c d e f
- \relative c'' {
- c d e f
+\relative {
+ c' d e f
+ \relative {
+ c'' d e f
}
}
@end lilypond
@code{\relative} is included.
@lilypond[verbatim,quote]
-\relative c' {
- d e
+\relative {
+ d' e
\transpose f g {
d e
- \relative c' {
- d e
+ \relative {
+ d' e
}
}
}
carefully, paying attention to the @code{c} notes.
@lilypond[verbatim,quote]
-\relative c' {
- c
+\relative {
+ c'
<c e g>
<c' e g'>
<c, e, g''>
that each interval contains.
@lilypond[verbatim,quote]
-\relative c'' {
- c2 fis
+\relative {
+ c''2 fis
c2 ges
b2 eisis
b2 feses
@lilypond[quote,verbatim]
\language "italiano"
-\relative do' {
- do re mi sib
+\relative {
+ do' re mi sib
}
@end lilypond
correction.
@lilypond[verbatim,quote]
-\relative c'' {
- c2 d='4 d
+\relative {
+ c''2 d='4 d
e2 f
}
@end lilypond
relative to the @code{@var{controlpitch}}.
@lilypond[verbatim,quote]
-\relative c'' {
- c2 d
+\relative {
+ c''2 d
\octaveCheck c'
e2 f
}
checks fail, but the second one does not fail.
@lilypond[verbatim,quote]
-\relative c'' {
- c4 f g f
+\relative {
+ c''4 f g f
c4
\octaveCheck c'
@lilypond[verbatim,quote]
\transpose d e {
- \relative c' {
+ \relative {
\key d \major
- d4 fis a d
+ d'4 fis a d
}
}
@end lilypond
@lilypond[verbatim,quote]
\transpose a c' {
- \relative c' {
+ \relative {
\key c \major
- c4 d e g
+ c'4 d e g
}
}
@end lilypond
will print flats on the scale step above.
@lilypond[verbatim,quote]
-music = \relative c' { c d e f }
+music = \relative { c' d e f }
\new Staff {
\transpose c cis { \music }
\transpose c des { \music }
@code{@var{around-pitch}} is mapped to @code{@var{to-pitch}}.
@lilypond[verbatim,quote]
-music = \relative c' { c d e f }
+music = \relative { c' d e f }
\new Staff {
\music
\inversion d' d' \music
A music expression can be reversed to produce its retrograde:
@lilypond[verbatim,quote]
-music = \relative c' { c8. ees16( fis8. a16 b8.) gis16 f8. d16 }
+music = \relative { c'8. ees16( fis8. a16 b8.) gis16 f8. d16 }
\new Staff {
\music
and @var{from-pitch}:
@lilypond[verbatim,quote]
-diatonicScale = \relative c' { c d e f g a b }
-motif = \relative c' { c8 d e f g a b c }
+diatonicScale = \relative { c' d e f g a b }
+motif = \relative { c'8 d e f g a b c }
\new Staff {
\motif
specified:
@lilypond[verbatim,quote]
-pentatonicScale = \relative c' { ges aes bes des ees }
-motif = \relative c' { ees8 des ges,4 <ges' bes,> <ges bes,> }
+pentatonicScale = \relative { ges aes bes des ees }
+motif = \relative { ees'8 des ges,4 <ges' bes,> <ges bes,> }
\new Staff {
\motif
specify the names of the notes to be used:
@lilypond[verbatim,quote]
-chromaticScale = \relative c' { c cis d dis e f fis g gis a ais b }
-motif = \relative c' { c8 d e f g a b c }
+chromaticScale = \relative { c' cis d dis e f fis g gis a ais b }
+motif = \relative { c'8 d e f g a b c }
\new Staff {
\motif
@var{around-pitch} and @var{to-pitch}:
@lilypond[verbatim,quote]
-octatonicScale = \relative c' { ees f fis gis a b c d }
-motif = \relative c' { c8. ees16 fis8. a16 b8. gis16 f8. d16 }
+octatonicScale = \relative { ees' f fis gis a b c d }
+motif = \relative { c'8. ees16 fis8. a16 b8. gis16 f8. d16 }
\new Staff {
\motif
specified can be interpreted as bracketing the pivot point:
@lilypond[verbatim,quote]
-scale = \relative c' { c g' }
-motive = \relative c' { c c g' c, }
+scale = \relative { c' g' }
+motive = \relative { c' c g' c, }
\new Staff {
\motive
retrograde-inversion:
@lilypond[verbatim,quote]
-octatonicScale = \relative c' { ees f fis gis a b c d }
-motif = \relative c' { c8. ees16 fis8. a16 b8. gis16 f8. d16 }
+octatonicScale = \relative { ees' f fis gis a b c d }
+motif = \relative { c'8. ees16 fis8. a16 b8. gis16 f8. d16 }
\new Staff {
\motif
freygish = #`((0 . ,NATURAL) (1 . ,FLAT) (2 . ,NATURAL)
(3 . ,NATURAL) (4 . ,NATURAL) (5 . ,FLAT) (6 . ,FLAT))
-\relative c' {
- \key c \freygish c4 des e f
+\relative {
+ \key c \freygish c'4 des e f
\bar "||" \key d \freygish d es fis g
}
@end lilypond
@lilypond[verbatim,quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote,staffsize=18]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
@lilypond[quote]
musicA = {
<<
- \relative c' {
- cis'8 fis, bes4 <a cis>8 f bis4 |
+ \relative {
+ cis'
'8 fis, bes4 <a cis>8 f bis4 |
cis2. <c, g'>4 |
}
\\
- \relative c' {
+ \relative {
ais'2 cis, |
fis8 b a4 cis2 |
}
musicB = {
\clef bass
\new Voice {
- \voiceTwo \relative c' {
- <fis, a cis>8[ <fis a cis>
+ \voiceTwo \relative {
+ <fis a cis>8[ <fis a cis>
\change Staff = up
cis' cis
\change Staff = down
}
}
-\relative c'' {
- aes c e2
+\relative {
+ aes' c e2
cis,1
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.11"
+@c \version "2.19.21"
@node Repeats
@section Repeats
@lilypond[verbatim,quote]
voltaAdLib = \markup { 1. 2. 3... \text \italic { ad lib. } }
-\relative c'' {
- c1
+\relative {
+ c''1
\set Score.repeatCommands =
#(list(list 'volta voltaAdLib) 'start-repeat)
c4 b d e
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.20"
+@c \version "2.19.21"
@node Rhythms
@section Rhythms
used when note values cross larger subdivisions of the measure:
@lilypond[verbatim,quote]
-\relative c' {
- r8 c~ 2 r4 |
+\relative {
+ r8 c'~ 2 r4 |
r8^"not" c2~ 8 r4
}
@end lilypond
affect the autobeaming rules.
@lilypond[quote,verbatim]
-\relative c' <<
+\relative <<
\new Staff {
\time 3/4
- c4 c c |
+ c'4 c c |
c4 c c |
}
\new Staff {
% Now each staff has its own time signature.
-\relative c' <<
+\relative <<
\new Staff {
\time 3/4
- c4 c c |
+ c'4 c c |
c4 c c |
}
\new Staff {
\set Staff.beatStructure = #'(2 3 2)
<<
\new Voice = one {
- \relative c'' {
- a8 a a a a a a
+ \relative {
+ a'8 a a a a a a
}
}
\new Voice = two {
multi-measure rest or @code{\skip} exactly as long as the piece.
@lilypond[verbatim,quote]
-MyCadenza = \relative c' {
- c4 d8 e f g g4
+MyCadenza = \relative {
+ c'4 d8 e f g g4
f2 g4 g
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.16"
+@c \version "2.19.21"
@node Simultaneous notes
\new Voice
\relative c'' {
\chordRepeats #'(articulation-event)
- \relative c''
- { <a-. c\prall e>1\sfz c'4 q2 r8 q8-. } |
+ \relative
+ { <a'-. c\prall e>1\sfz c'4 q2 r8 q8-. } |
q2 c |
}
@end lilypond
vertical order of voices on the staff!}
@lilypond[quote,verbatim]
-\new Staff \relative c'' {
+\new Staff \relative {
%% abbreviated entry
<<
- { f2 } % 1: highest
+ { f''2 } % 1: highest
\\
{ g,2 } % 2: lowest
\\
the combined staff.
@lilypond[quote,verbatim]
-instrumentOne = \relative c' {
- c4 d e f |
+instrumentOne = \relative {
+ c'4 d e f |
R1 |
d'4 c b a |
b4 g2 f4 |
e1 |
}
-instrumentTwo = \relative g' {
+instrumentTwo = \relative {
R1 |
- g4 a b c |
+ g'4 a b c |
d4 c b a |
g4 f( e) d |
e1 |
a second or more, setting it to one splits notes of a third or more, and so on.
@lilypond[quote,verbatim]
-instrumentOne = \relative c' {
+instrumentOne = \relative {
a4 b c d |
e f g a |
b c d e |
}
-instrumentTwo = \relative c' {
- c4 c c c |
+instrumentTwo = \relative {
+ c'4 c c c |
c c c c |
c c c c |
}
\partcombineApart c2^"apart" \partcombineChordsOnce e^"chord once" |
c2 c |
}
-instrumentTwo = \relative c' {
- c2 c |
+instrumentTwo = \relative {
+ c'2 c |
e2 e |
a,2 c |
c2 c' |
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.12"
+@c \version "2.19.21"
@ignore
GDP TODO list
tagline = ##f
}
\score {
- \relative c'' { c1 \break c1 \break c1 }
+ \relative { c''1 \break c1 \break c1 }
}
}
@end lilypond
@lilypond[quote,ragged-right,verbatim]
\new Voice \with {
\remove "Forbid_line_break_engraver"
-} \relative c'' {
+} \relative {
<<
- { c2. \tuplet 3/2 { c4 c c } c2. | }
+ { c''2. \tuplet 3/2 { c4 c c } c2. | }
{ s1 | \break s1 | }
>>
}
@lilypond[verbatim,line-width=12\cm]
\score {
- \relative c'' {
- g4 e e2 | f4 d d2 | c4 d e f | g4 g g2 |
+ \relative {
+ g'4 e e2 | f4 d d2 | c4 d e f | g4 g g2 |
g4 e e2 | f4 d d2 | c4 e g g | c,1 |
d4 d d d | d4 e f2 | e4 e e e | e4 f g2 |
g4 e e2 | f4 d d2 | c4 e g g | c,1 |
@lilypond[verbatim,line-width=12\cm]
\score {
- \relative c'' {
- g4 e e2 | f4 d d2 | c4 d e f | g4 g g2 |
+ \relative {
+ g'4 e e2 | f4 d d2 | c4 d e f | g4 g g2 |
g4 e e2 | f4 d d2 | c4 e g g | c,1 |
d4 d d d | d4 e f2 | e4 e e e | e4 f g2 |
g4 e e2 | f4 d d2 | c4 e g g | c,1 |
@lilypond[verbatim,quote]
\score {
- \relative c'' {
- g4 e e2 |
+ \relative {
+ g'4 e e2 |
f4 d d2 |
c4 d e f |
g4 g g2 |
@lilypond[verbatim,quote]
\score {
- \relative c'' {
- g4 e e2 |
+ \relative {
+ g'4 e e2 |
f4 d d2 |
c4 d e f |
g4 g g2 |
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@node Staff notation
@section Staff notation
\score {
\new StaffGroup <<
\new Staff {
- \relative c'' {
- c4 c c c
+ \relative {
+ c''4 c c c
\break
c4 c c c
}
}
\new Staff {
- \relative c'' {
- c4 c c c
+ \relative {
+ c''4 c c c
\break
c4 c c c
}
staff in the appropriate location:
@lilypond[verbatim,quote]
-\new Staff \relative c'' {
- c4 b d c
+\new Staff \relative {
+ c''4 b d c
<<
{ c4 b d c }
\new Staff { e4 d f e }
only a few ossia staves are needed.
@lilypond[verbatim,quote]
-\new Staff = "main" \relative c'' {
- c4 b d c
+\new Staff = "main" \relative {
+ c''4 b d c
<<
{ c4 b d c }
}
{ \stopStaff s1*6 }
- \new Staff \relative c' {
- c4 b c2
+ \new Staff \relative {
+ c'4 b c2
<<
{ e4 f e2 }
\context Staff = "ossia" {
\remove "Time_signature_engraver"
\hide Clef
\magnifyStaff #2/3
- } \relative c'' {
+ } \relative {
R1*3
- c4 e8 d c2
+ c''4 e8 d c2
}
- \new Staff \relative c' {
- c4 b c2
+ \new Staff \relative {
+ c'4 b c2
e4 f e2
g4 a g2 \break
c4 b c2
\new Staff \with {
\remove "Staff_symbol_engraver"
}
-\relative c''' { a8 f e16 d c b a2 }
+\relative { a''8 f e16 d c b a2 }
@end lilypond
}
}
-\relative c' <<
+\relative <<
\new Staff {
- e4 f g a \break
+ e'4 f g a \break
b1 \break
a4 b c2
}
shortInstrumentName = #"Flt."
midiInstrument = #"flute"
}
-\relative c'' {
- g1 g g g \break
+\relative {
+ g'1 g g g \break
g1 g \prepPiccolo R R \break
\setPiccolo
g1 g g g \break
for the duration of the quote.
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- a4 gis g gis | b4^"quoted" r8 ais\p a4( f)
+fluteNotes = \relative {
+ a'4 gis g gis | b4^"quoted" r8 ais\p a4( f)
}
-oboeNotes = \relative c'' {
- c4 cis c b \quoteDuring #"flute" { s1 }
+oboeNotes = \relative {
+ c''4 cis c b \quoteDuring #"flute" { s1 }
}
\addQuote "flute" { \fluteNotes }
polyphony and may produce unexpected results.
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- a4 gis g gis | b4^"quoted" r8 ais\p a4( f)
+fluteNotes = \relative {
+ a'4 gis g gis | b4^"quoted" r8 ais\p a4( f)
}
-oboeNotes = \relative c'' {
- c4 cis c b \quoteDuring #"flute" { e4 r8 ais b4 a }
+oboeNotes = \relative {
+ c''4 cis c b \quoteDuring #"flute" { e4 r8 ais b4 a }
}
\addQuote "flute" { \fluteNotes }
b4 ais a ais | cis4^"quoted" r8 bis\p b4( f)
}
-oboeNotes = \relative c'' {
- c4 cis c b \quoteDuring #"clarinet" { s1 }
+oboeNotes = \relative {
+ c''4 cis c b \quoteDuring #"clarinet" { s1 }
}
\addQuote "clarinet" { \clarinetNotes }
@code{quotedEventTypes} context property.
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- a2 g2 |
+fluteNotes = \relative {
+ a'2 g2 |
b4\<^"quoted" r8 ais a4\f( c->)
}
-oboeNotes = \relative c'' {
- c2. b4 |
+oboeNotes = \relative {
+ c''2. b4 |
\quoteDuring #"flute" { s1 }
}
the cue notes are printed in relation to the other voice.
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- r2. c4 | d8 c d e fis2 | g2 d |
+fluteNotes = \relative {
+ r2. c''4 | d8 c d e fis2 | g2 d |
}
oboeNotes = \relative c'' {
context.}
@lilypond[verbatim,quote]
-oboeNotes = \relative c'' {
- r2 r8 d16(\f f e g f a)
+oboeNotes = \relative {
+ r2 r8 d''16(\f f e g f a)
g8 g16 g g2.
}
\addQuote "oboe" { \oboeNotes }
restored manually at the end of the cue notes.
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- r2. c4 d8 c d e fis2 g2 d2
+fluteNotes = \relative {
+ r2. c''4 d8 c d e fis2 g2 d2
}
bassoonNotes = \relative c {
print the original clef once the cue notes have finished.
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- r2. c4 d8 c d e fis2 g2 d2
+fluteNotes = \relative {
+ r2. c''4 d8 c d e fis2 g2 d2
}
bassoonNotes = \relative c {
taking cues from an instrument in a completely different register.
@lilypond[verbatim,quote]
-piccoloNotes = \relative c''' {
+piccoloNotes = \relative {
\clef "treble^8"
R1
- c8 c c e g2
+ c'''8 c c e g2
c4 g g2
}
tagged for selective inclusion in the score; see @ref{Using tags}.
@lilypond[verbatim,quote]
-fluteNotes = \relative c'' {
- r2. c4 d8 c d e fis2 g2 d2
+fluteNotes = \relative {
+ r2. c''4 d8 c d e fis2 g2 d2
}
bassoonNotes = \relative c {
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.19.21"
@node Text
@section Text
@lilypond[quote,verbatim,relative=1]
c4 d^\markup {
\score {
- \relative c' { c4 d e f }
+ \relative { c'4 d e f }
\layout { }
}
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.21"
@node Vocal music
@section Vocal music
For more information, see @ref{Special characters}.
@lilypond[quote,verbatim]
-\relative c'' { d8 c16 a bes8 f ees' d c4 }
+\relative { d''8 c16 a bes8 f ees' d c4 }
\addlyrics { „Schad’ um das schö -- ne grü -- ne Band, }
@end lilypond
enclosed between additional quotes. For example,
@lilypond[quote,verbatim]
-\relative c' { \time 3/4 e4 e4. e8 d4 e d c2. }
+\relative { \time 3/4 e'4 e4. e8 d4 e d c2. }
\addlyrics { "\"I" am so lone -- "ly,\"" said she }
@end lilypond
@lilypond[quote,ragged-right,verbatim]
<<
- \new Voice = "one" \relative c'' {
+ \new Voice = "one" \relative {
\time 2/4
- c4 b8. a16 g4. f8 e4 d c2
+ c''4 b8. a16 g4. f8 e4 d c2
}
% uses previous explicit duration of 2;
@lilypond[verbatim,quote]
{
\time 3/4
- \relative c' { c2 e4 g2. }
+ \relative { c'2 e4 g2. }
\addlyrics { play the game }
}
@end lilypond
@lilypond[ragged-right,verbatim,quote]
{
\time 3/4
- \relative c' { c2 e4 g2. }
+ \relative { c'2 e4 g2. }
\addlyrics { play the game }
\addlyrics { speel het spel }
\addlyrics { joue le jeu }
@lilypond[quote,verbatim,ragged-right]
<<
\new Staff {
- \relative c'' {
- c2 c2
+ \relative {
+ c''2 c2
d1
}
}
}
}
\new Staff {
- \relative c' {
- c8 c c c c c c c
+ \relative {
+ c'8 c c c c c c c
c8 c c c c c c c
}
}
entered in lyric mode:
@lilypond[quote,verbatim]
-musicOne = \relative c'' {
- c4 b8. a16 g4. f8 e4 d c2
+musicOne = \relative {
+ c''4 b8. a16 g4. f8 e4 d c2
}
verseOne = \lyricmode {
Joy to the world, the Lord is come.
earlier. For example:
@lilypond[quote,verbatim]
-sopranoMusic = \relative c'' { c4 c c c }
-contraltoMusic = \relative c'' { a4 a a a }
+sopranoMusic = \relative { c''4 c c c }
+contraltoMusic = \relative { a'4 a a a }
sopranoWords = \lyricmode { Sop -- ra -- no words }
contraltoWords = \lyricmode { Con -- tral -- to words }
<<
\new Staff {
\new Voice = "melody" {
- \relative c'' { c4 c c c }
+ \relative { c''4 c c c }
}
}
\new Lyrics {
<<
\new Staff = "staff" {
\new Voice = "melody" {
- \relative c'' { c4 c c c }
+ \relative { c''4 c c c }
}
}
\new Lyrics \with { alignAboveContext = "staff" } {
}
\new Staff {
\new Voice = "melody" {
- \relative c'' { c4 c c c }
+ \relative { c''4 c c c }
}
}
\context Lyrics = "lyrics" {
\new ChoirStaff <<
\new Staff {
\new Voice = "sopranos" {
- \relative c'' { c4 c c c }
+ \relative { c''4 c c c }
}
}
\new Lyrics = "sopranos"
}
\new Staff {
\new Voice = "contraltos" {
- \relative c'' { a4 a a a }
+ \relative { a'4 a a a }
}
}
\context Lyrics = "sopranos" {
@lilypond[verbatim,quote,ragged-right]
\score {
- \relative c' {
- c c c c
+ \relative {
+ c' c c c
c c c c
}
\addlyrics {
<<
\new Staff {
\new Voice = "melody" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat volta 2 { b4 b b b }
}
}
<<
\new Staff {
\new Voice = "melody" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat volta 2 { b4 b b b }
}
}
<<
\new Staff {
\new Voice = "melody" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat unfold 2 { b4 b b b }
}
}
<<
\new Staff {
\new Voice = "melody" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat volta 2 { b4 b b b }
}
}
<<
\new Staff {
\new Voice = "singleVoice" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat volta 3 { b4 b b b }
c4 c c c
}
<<
\new Staff {
\new Voice = "melody" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat volta 3 { b4 b b b }
c4 c c c
}
The end sec -- tion.
}
\new Voice = "harmony" {
- \relative c' {
- f4 f f f \repeat volta 2 { g8 g g4 g2 } a4 a8. a16 a2
+ \relative {
+ f'4 f f f \repeat volta 2 { g8 g g4 g2 } a4 a8. a16 a2
}
}
>>
\new Staff {
\time 2/4
\new Voice = "melody" {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
\repeat volta 2 { b4 b }
\alternative { { b b } { b c } }
}
@lilypond[verbatim,ragged-right,quote]
<<
- \new Voice = melody \relative c' {
- f4 \appoggiatura a32 b4
+ \new Voice = melody \relative {
+ f'4 \appoggiatura a32 b4
\grace { f16 a16 } b2
\afterGrace b2 { f16[ a16] }
\appoggiatura a32 b4
@code{\markup}.
@lilypond[ragged-right,verbatim,quote]
-melody = \relative c' {
-e d c d | e e e e |
+melody = \relative {
+e' d c d | e e e e |
d d e d | c1 |
}
output in LilyPond.
@lilypond[ragged-right,quote,verbatim]
-melody = \relative c' {
- c4 c c c | d d d d
+melody = \relative {
+ c'4 c c c | d d d d
}
text = \lyricmode {
\new ChoirStaff <<
\new Staff {
\new Voice {
- \relative c'' { g4\f g g g }
+ \relative { g'4\f g g g }
}
}
\new Staff {
\new Voice {
- \relative c' { d4 d d\p d }
+ \relative { d'4 d d\p d }
}
}
>>
\new Staff {
\set Staff.vocalName = \markup \smallCaps Kaspar
\set Staff.shortVocalName = \markup \smallCaps Kas.
- \relative c' {
+ \relative {
\clef "G_8"
- c4 c c c
+ c'4 c c c
\break
c4 c c c
}
\set Staff.vocalName = \markup \smallCaps Melchior
\set Staff.shortVocalName = \markup \smallCaps Mel
\clef "bass"
- \relative c' {
+ \relative {
a4 a a a
a4 a a a
}
how this is done.
@lilypond[quote,verbatim]
-flute = \relative c'' {
- s4 s4 e g
+flute = \relative {
+ s4 s4 e'' g
}
\addQuote "flute" { \flute }
-pianoRH = \relative c'' {
- c4. g8
+pianoRH = \relative {
+ c''4. g8
% position name of cue-ing instrument just before the cue notes,
% and above the staff
<>^\markup { \right-align { \tiny "Flute" } }
\cueDuring "flute" #UP { g4 bes4 }
}
-pianoLH = \relative c { c4 <c' e> e, <g c> }
+pianoLH = \relative { c4 <c' e> e, <g c> }
\score {
\new PianoStaff <<
\cueDuring "clarinet" #DOWN { c4. g8 }
g4 bes4
}
-pianoLH = \relative c { c4 <c' e> e, <g c> }
+pianoLH = \relative { c4 <c' e> e, <g c> }
\score {
<<
\score {
\new StaffGroup <<
\new Staff {
- \relative c'' {
- a4 b c2 |
+ \relative {
+ a'4 b c2 |
a4 b c2 |
a4 b c2 |
}
}
\new Staff {
- \relative c'' {
- a4 b c2 |
+ \relative {
+ a'4 b c2 |
a4 b c2 |
a4 b c2 |
}
\new ChoirStaff <<
\new Staff
\with { \remove "Bar_engraver" } {
- \relative c'' {
- a4 b c2 |
+ \relative {
+ a'4 b c2 |
a4 b c2 |
a4 b c2 |
}
}
\new Staff {
- \relative c'' {
- a4 b c2 |
+ \relative {
+ a'4 b c2 |
a4 b c2 |
a4 b c2 |
}
}
\score {
- \relative c'' {
- g2 a4 g
+ \relative {
+ g'2 a4 g
\divisioMinima
g2 a4 g
\divisioMaior
@lilypond[verbatim,quote]
\score {
\new Staff {
- \relative c'' {
- a4 b c2 |
+ \relative {
+ a'4 b c2 |
a4 b c2 |
a4 b c2 |
}
the @qq{reciting note}. Chants are usually centered on the page.
@lilypond[verbatim,quote]
-SopranoMusic = \relative g' {
- g1 | c2 b | a1 | \bar "||"
+SopranoMusic = \relative {
+ g'1 | c2 b | a1 | \bar "||"
a1 | d2 c | c b | c1 | \bar "||"
}
-AltoMusic = \relative c' {
- e1 | g2 g | f1 |
+AltoMusic = \relative {
+ e'1 | g2 g | f1 |
f1 | f2 e | d d | e1 |
}
-TenorMusic = \relative a {
- c1 | c2 c | c1 |
+TenorMusic = \relative {
+ c'1 | c2 c | c1 |
d1 | g,2 g | g g | g1 |
}
-BassMusic = \relative c {
+BassMusic = \relative {
c1 | e2 e | f1 |
d1 | b2 c | g' g | c,1 |
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.16.0"
+@c \version "2.19.21"
@node World music
@section World music
@lilypond[quote,verbatim]
\include "arabic.ly"
-\relative do' {
- do re misb fa sol la sisb do sisb la sol fa misb re do
+\relative {
+ do' re misb fa sol la sisb do sisb la sol fa misb re do
}
@end lilypond
% and then run scripts/auxiliar/makelsr.py
%
% This file is in the public domain.
-%% Note: this file works from version 2.18.0
-\version "2.18.0"
+%% Note: this file works from version 2.19.21
+\version "2.19.21"
\header {
\set Staff.midiInstrument = #"cello"
\set Score.dynamicAbsoluteVolumeFunction = #myDynamics
\new Voice {
- \relative c'' {
- a4\pp b c-\rfz
+ \relative {
+ a'4\pp b c-\rfz
}
}
}
-\version "2.18.0"
+\version "2.19.21"
\header {
\set Staff.midiInstrument = #"cello"
\set Score.dynamicAbsoluteVolumeFunction = #myDynamics
\new Voice {
- \relative c'' {
- a4\pp b c-\rfz
+ \relative {
+ a'4\pp b c-\rfz
}
}
}
-\version "2.18.0"
+\version "2.19.21"
\header {
\time 2/2
\set Score.instrumentEqualizer = #my-instrument-equalizer
\set Staff.midiInstrument = #"flute"
- \new Voice \relative c''' {
- r2 g\mp g fis~
+ \new Voice \relative {
+ r2 g''\mp g fis~
4 g8 fis e2~
4 d8 cis d2
}
\new Staff {
\key g \major
\set Staff.midiInstrument = #"clarinet"
- \new Voice \relative c'' {
- b1\p a2. b8 a
+ \new Voice \relative {
+ b'1\p a2. b8 a
g2. fis8 e
fis2 r
}
-\version "2.19.12"
+\version "2.19.21"
\header {
lsrtags = "automatic-notation, keyboards, template, vocal-music"
\time 4/4
}
-sopMusic = \relative c'' {
- c4 c c8[( b)] c4
+sopMusic = \relative {
+ c''4 c c8[( b)] c4
}
sopWords = \lyricmode {
hi hi hi hi
}
-altoMusic = \relative c' {
- e4 f d e
+altoMusic = \relative {
+ e'4 f d e
}
altoWords =\lyricmode {
ha ha ha ha
}
-tenorMusic = \relative c' {
+tenorMusic = \relative {
g4 a f g
}
tenorWords = \lyricmode {
hu hu hu hu
}
-bassMusic = \relative c {
+bassMusic = \relative {
c4 c g c
}
bassWords = \lyricmode {
-\version "2.19.12"
+\version "2.19.21"
\header {
lsrtags = "really-simple, template, vocal-music"
\time 4/4
}
-sopMusic = \relative c'' {
- c4 c c8[( b)] c4
+sopMusic = \relative {
+ c''4 c c8[( b)] c4
}
sopWords = \lyricmode {
hi hi hi hi
}
-altoMusic = \relative c' {
- e4 f d e
+altoMusic = \relative {
+ e'4 f d e
}
altoWords = \lyricmode {
ha ha ha ha
}
-tenorMusic = \relative c' {
+tenorMusic = \relative {
g4 a f g
}
tenorWords = \lyricmode {
hu hu hu hu
}
-bassMusic = \relative c {
+bassMusic = \relative {
c4 c g c
}
bassWords = \lyricmode {
% and then run scripts/auxiliar/makelsr.py
%
% This file is in the public domain.
-%% Note: this file works from version 2.18.0
-\version "2.18.0"
+%% Note: this file works from version 2.19.21
+\version "2.19.21"
\header {
\time 2/2
\set Score.instrumentEqualizer = #my-instrument-equalizer
\set Staff.midiInstrument = #"flute"
- \new Voice \relative c''' {
- r2 g\mp g fis~
+ \new Voice \relative {
+ r2 g''\mp g fis~
4 g8 fis e2~
4 d8 cis d2
}
\new Staff {
\key g \major
\set Staff.midiInstrument = #"clarinet"
- \new Voice \relative c'' {
- b1\p a2. b8 a
+ \new Voice \relative {
+ b'1\p a2. b8 a
g2. fis8 e
fis2 r
}
% and then run scripts/auxiliar/makelsr.py
%
% This file is in the public domain.
-%% Note: this file works from version 2.19.12
-\version "2.19.12"
+%% Note: this file works from version 2.19.21
+\version "2.19.21"
\header {
lsrtags = "automatic-notation, keyboards, template, vocal-music"
\time 4/4
}
-sopMusic = \relative c'' {
- c4 c c8[( b)] c4
+sopMusic = \relative {
+ c''4 c c8[( b)] c4
}
sopWords = \lyricmode {
hi hi hi hi
}
-altoMusic = \relative c' {
- e4 f d e
+altoMusic = \relative {
+ e'4 f d e
}
altoWords =\lyricmode {
ha ha ha ha
}
-tenorMusic = \relative c' {
+tenorMusic = \relative {
g4 a f g
}
tenorWords = \lyricmode {
hu hu hu hu
}
-bassMusic = \relative c {
+bassMusic = \relative {
c4 c g c
}
bassWords = \lyricmode {
% and then run scripts/auxiliar/makelsr.py
%
% This file is in the public domain.
-%% Note: this file works from version 2.19.12
-\version "2.19.12"
+%% Note: this file works from version 2.19.21
+\version "2.19.21"
\header {
lsrtags = "really-simple, template, vocal-music"
\time 4/4
}
-sopMusic = \relative c'' {
- c4 c c8[( b)] c4
+sopMusic = \relative {
+ c''4 c c8[( b)] c4
}
sopWords = \lyricmode {
hi hi hi hi
}
-altoMusic = \relative c' {
- e4 f d e
+altoMusic = \relative {
+ e'4 f d e
}
altoWords = \lyricmode {
ha ha ha ha
}
-tenorMusic = \relative c' {
+tenorMusic = \relative {
g4 a f g
}
tenorWords = \lyricmode {
hu hu hu hu
}
-bassMusic = \relative c {
+bassMusic = \relative {
c4 c g c
}
bassWords = \lyricmode {
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.16.0"
+@c \version "2.19.21"
@node External programs
@chapter External programs
@example
\pointAndClickTypes #'note-event
-\relative c' @{
- c2\f( f)
+\relative @{
+ c'2\f( f)
@}
@end example
@example
#(ly:set-option 'point-and-click 'note-event)
-\relative c' @{
- c2\f( f)
+\relative @{
+ c'2\f( f)
@}
@end example
@example
\pointAndClickTypes #'(note-event dynamic-event)
-\relative c' @{
- c2\f( f)
+\relative @{
+ c'2\f( f)
@}
@end example
@example
#(ly:set-option 'point-and-click '(note-event dynamic-event))
-\relative c' @{
- c2\f( f)
+\relative @{
+ c'2\f( f)
@}
@end example
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.11"
+@c \version "2.19.21"
@c Note: keep this node named so that `info lilypond-book' brings you here.
@node lilypond-book
For example,
\begin{lilypond}
-\relative c' {
- c2 e2 \tuplet 3/2 { f8 a b } a2 e4
+\relative {
+ c'2 e2 \tuplet 3/2 { f8 a b } a2 e4
}
\end{lilypond}
For example,
@lilypond
-\relative c' {
- c2 e2 \tuplet 3/2 { f8 a b } a2 e4
+\relative {
+ c'2 e2 \tuplet 3/2 { f8 a b } a2 e4
}
@end lilypond
title = "A scale in LilyPond"
}
- \relative c' {
- c d e f g a b c
+ \relative {
+ c' d e f g a b c
}
}
@end lilypond
verbatim quote will not show the @code{relative} block, i.e.
@example
-\relative c' @{ % begin verbatim
- c4 e2 g4
+\relative @{ % begin verbatim
+ c'4 e2 g4
f2 e % end verbatim
@}
@end example
Normal LaTeX text.
\begin@{lilypond@}
-\relative c'' @{
- a4 b c d
+\relative @{
+ a'4 b c d
@}
\end@{lilypond@}
Texinfo text
@@lilypond
-\relative c' @{
+\relative @{
a4 b c d
@}
@@end lilypond
Documents for lilypond-book may freely mix music and text. For
example,
<lilypond>
-\relative c'' @{
- a4 b c d
+\relative @{
+ a'4 b c d
@}
</lilypond>
</p>
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.16.0"
+@c \version "2.19.21"
@node Suggestions for writing files
@chapter Suggestions for writing files
@example
\new Staff @{
- \relative g' @{
- r4 g8 g c8 c4 d |
+ \relative @{
+ r4 g'8 g c8 c4 d |
e4 r8 |
% Ossia section
<<
is much easier to follow than;
@example
-\new Staff @{ \relative g' @{ r4 g8 g c4 c8 d | e4 r8
+\new Staff @{ \relative @{ r4 g'8 g c4 c8 d | e4 r8
% Ossia section
<< @{ f8 c c @} \new Staff @{ f8 f c @} >> r4 | @} @}
@end example
in a new version of LilyPond.
@example
-violin = \relative c'' @{
-g4 c'8. e16
+violin = \relative @{
+g'4 c'8. e16
@}
@dots{}
\score @{
@example
fthenp = _\markup@{
\dynamic f \italic \small @{ 2nd @} \hspace #0.1 \dynamic p @}
-violin = \relative c'' @{
-g4\fthenp c'8. e16
+violin = \relative @{
+g'4\fthenp c'8. e16
@}
@end example
@code{\bass} in the @code{\score} uncommented.
@example
-bass = \relative c' @{
+bass = \relative @{
%@{
- c4 c c c
+ c'4 c c c
d d d d
%@}
@}
}
-\version "2.16.0"
-\new Staff \relative c' {
+\version "2.19.21"
+\new Staff \relative {
\key g \major
\clef treble
- cis dis f
+ cis' dis f
\clef bass
<c dis fis>
}
texidoc = "accidentals avoid stems of other notes too."
}
-\version "2.17.15"
+\version "2.19.21"
\paper {
ragged-right = ##t
}
-\new Staff \relative c' <<bes' \\ a'>>
+\new Staff \relative <<bes' \\ a'>>
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Accidentals can be forced with ! and ? even if the
ragged-right = ##t
}
-\relative c'' {
- gis4 ~ gis!~ gis? r4
+\relative {
+ gis'4 ~ gis!~ gis? r4
fis1 ~
fis!2 fis ~
fis?2 fis
-\version "2.17.10"
+\version "2.19.21"
\header {
texidoc = "By setting @code{accidentalGrouping} to @code{'voice},
"
}
- \relative c''' {
- << { <gis cis eis gis>1 } \\
+ \relative {
+ << { <gis'' cis eis gis>1 } \\
{ eis, } >>
\set Staff . accidentalGrouping = #'voice
<< { <gis' cis eis gis>1 } \\
-\version "2.16.0"
+\version "2.19.21"
\header {
}
-\relative c {
+\relative {
disis
dis
d
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "When two (or more) accidentals modify the same pitch,
pitches are correctly computed."
}
-\relative c''
-{<< <dis aeses as a! a! ais aisis a,! aeh cis'> \\ <ais aih> >> }
+\relative
+{<< <dis
'' aeses as a! a! ais aisis a,! aeh cis'> \\ <ais aih> >> }
\paper {ragged-right = ##t}
-\version "2.16.0"
+\version "2.19.21"
\header {
}
-\context Voice \relative c'
+\context Voice \relative
{
- <d e! bes'!>4
+ <d' e! bes'!>4
cis4
c4
\transpose c c' {
texidoc = "Quarter tone notation is supported, including
threequarters flat."
}
-\version "2.16.0"
+\version "2.19.21"
\layout { ragged-right = ##t }
-\relative c'' {
+\relative {
\time 12/4
- ceses4
+ ceses''4
ceseh
ces
ceh
-\version "2.16.0"
+\version "2.19.21"
\header{
texidoc="
A sharp sign after a double sharp sign, as well as a flat sign
"
}
-thenotes = \relative cis' {
+thenotes = \relative {
\time 4/4
gisis'4 gis geses ges |
}
-\version "2.19.2"
+\version "2.19.21"
\header {
texidoc = "The second and third notes should not get accidentals,
ragged-right = ##t
}
-mus = \relative c' {
- f1~
+mus = \relative {
+ f'1~
2~4 % ~ f8
fis8 gis8 ~
\break
texidoc = "Space is allowed for the actual size of accidentals on tied notes."
}
-\version "2.19.13"
+\version "2.19.21"
\paper {ragged-right = ##t }
-\relative c' {
+\relative {
\clef treble
\time 3/4
- c8 b2 <g b des f>8 ~ |
+ c'8 b2 <g b des f>8 ~ |
<g b des f>8 r
% Large accidental
\override Staff.Accidental.stencil =
-\version "2.16.0"
+\version "2.19.21"
\header{
texidoc="
\layout { ragged-right = ##t }
-foo = \relative c'' { \key as \major dis4 dis dis!^"force" dis? }
+foo = \relative { \key as \major dis''4 dis dis!^"force" dis? }
<< \foo
\context NoteNames \foo
anywhere in the vertical alignment. "
}
-\version "2.17.15"
+\version "2.19.21"
\paper {
ragged-right = ##t
}
-\relative c' <<
- \new Staff = "1" { c2 c s1 }
+\relative <<
+ \new Staff = "1" { c'2 c s1 }
\new Staff = "2" { c2 c s1 }
\new StaffGroup <<
\new Staff = "3" { c2 c s1 }
}
-\version "2.17.6"
+\version "2.19.21"
\book {
\score {
- \relative c'' \new StaffGroup <<
- \new Staff { c1 c c c }
+ \relative \new StaffGroup <<
+ \new Staff { c''1 c c c }
\new Staff { c c c c }
\new Staff {
\overrideProperty
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc = "The command @code{\\alterBroken} may be used to override the
#(ly:expect-warning (_ "not a spanner name"))
-\relative c'' {
- d4-\alterBroken #'positions #'((3 . 3) (5 . 5))
+\relative {
+ d''4-\alterBroken #'positions #'((3 . 3) (5 . 5))
-\alterBroken #'color #'((0 0 1) (1 0 0))
-\alterBroken #'dash-definition #'( ((0 1 0.4 0.75))
((0 0.5 0.4 0.75) (0.5 1 1 1)) )
-\version "2.19.19"
+\version "2.19.21"
\header {
texidoc = "Ambitus for pieces beginning with @code{\\cueDuringWithClef}.
"
}
-\addQuote "other" \relative c { r4 c e g }
+\addQuote "other" \relative { r4 c e g }
\new Staff \new Voice \relative c'
{
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Ambitus indicate pitch ranges for voices.
\time 2/4
c4 f'
}
- \new Staff \relative c' {
+ \new Staff \relative {
\time 2/4
\key d \major
- cis as'
+ cis' as'
}
- \new Staff \relative c' {
+ \new Staff \relative {
\time 2/4
- c4 cis
+ c'4 cis
}
>>
-\version "2.16.0"
+\version "2.19.21"
\header {
\layout { ragged-right= ##t }
-\relative c'' {
- c1 c1
+\relative {
+ c''1 c1
%% todo: should put something interesting in the .tex output.
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Arpeggios stil work in the absence of a staff-symbol."
}
\new Staff \with { \remove "Staff_symbol_engraver" }
-\relative c' {
- <c c'>\arpeggio
+\relative {
+ <c' c'>\arpeggio
}
texidoc = "Span arpeggios within one staff also work"
}
-\version "2.16.0"
+\version "2.19.21"
\layout { ragged-right = ##t }
\new PianoStaff <<
\set PianoStaff.connectArpeggios = ##t
- \new Staff \relative c'' {
+ \new Staff \relative {
<<
{
- c2\arpeggio
+ c''2\arpeggio
}
\\
{
\header {
texidoc = "The snappizzicato articulation adds a snappizzicato sign to the note."
}
-\version "2.16.0"
+\version "2.19.21"
-\relative c'' { c4\snappizzicato }
+\relative { c''4\snappizzicato }
}
-\version "2.16.0"
+\version "2.19.21"
\layout {
ragged-right = ##t
}
-\relative c' { c8 c-\noBeam c c }
+\relative { c'8 c-\noBeam c c }
beam."
}
-\version "2.16.0"
+\version "2.19.21"
\layout {
ragged-right = ##t
}
-\relative c'' {
- a\longa a\breve
+\relative {
+ a'\longa a\breve
a1 a2 a4 a8 a16 a32 a64 a64
}
-\version "2.16.0"
+\version "2.19.21"
\header {
\context PianoStaff <<
\context Staff = "up" {
- \autochange \new Voice << \relative c' { g4 c e d c r4 a g } >>
+ \autochange \new Voice << \relative { g4 c e d c r4 a g } >>
}
\context Staff = "down" {
\clef bass
-\version "2.17.11"
+\version "2.19.21"
\header {
}
-\relative c' {
+\relative {
\time 2/4
- c16 c
+ c'16 c
\tuplet 3/2 { c8 c16 }
\tuplet 3/2 { c8 c16 }
c16 c
-\version "2.17.15"
+\version "2.19.21"
\header { texidoc = "New bar line glyphs can be defined in Scheme."
}
\defineBarLine "0" #'("0" "" "")
-\relative c' \new StaffGroup <<
+\relative \new StaffGroup <<
\new Staff {
- c4 c \bar "0" c c \bar "0" \break
+ c'4 c \bar "0" c c \bar "0" \break
c1
}
\new Staff {
-\version "2.17.15"
+\version "2.19.21"
\header { texidoc = "New bar line styles can be defined by @code{\\defineBarLine}."
}
\defineBarLine "[|;" #'("|" "[|;" " |")
\defineBarLine ";|]" #'(";|]" "" " |")
-\relative c' \new StaffGroup <<
+\relative \new StaffGroup <<
\new Staff {
- c4 c \bar "[|;" c c \bar ";|]" \break
+ c'4 c \bar "[|;" c c \bar ";|]" \break
c4 c \bar ";|]" c c \bar "[|;" \break
c1 }
\new Staff {
-\version "2.17.15"
+\version "2.19.21"
\header { texidoc = "Segno bar lines can be used to mark
the begin and the end of a segno part."
\paper { ragged-right = ##t }
-\relative c' \new StaffGroup <<
+\relative \new StaffGroup <<
\new Staff {
- c4 \bar "S" c \bar "S-|" c \bar "S-S" c \bar ":|.S" \break
+ c'4 \bar "S" c \bar "S-|" c \bar "S-S" c \bar ":|.S" \break
c4 c \bar ":|.S.|:" c c \bar ":|.S.|:-S" \break
c4 c c2 \bar "S.|:" \break
c1 \bar ":|.S-S" \break
-\version "2.17.15"
+\version "2.19.21"
\header { texidoc = "Various types of bar lines can be drawn.
" }
-\relative c' \new StaffGroup <<
+\relative \new StaffGroup <<
\new Staff = "1" {
- c2 \bar "!" c
+ c'2 \bar "!" c
s1
c2 \bar ";" c
s1
-\version "2.16.0"
+\version "2.19.21"
#(ly:set-option 'warning-as-error #f)
#(ly:expect-warning (_ "Barcheck failed got ~a expect ~a") 3 15)
}
-\relative c'' {
- c1 |
+\relative {
+ c''1 |
\barNumberCheck #2 % OK
c1 |
\barNumberCheck #15 % Warning
texidoc = "Beamlets in grace notes remain readable."
}
-\version "2.17.28"
+\version "2.19.21"
\layout {
ragged-right = ##t
}
-\relative c'
+\relative
\context Staff {
- f1 \grace { a'8 f16 } g1
+ f'1 \grace { a'8 f16 } g1
}
% debug-beam-scoring = ##t
}
-\version "2.17.6"
+\version "2.19.21"
\new Staff
{
r8 r4 |
% Ligeti 1st etude.
- \relative c''
+ \relative
<<
- { g8[ a b c d] } \\
+ { g'8[ a b c d] } \\
{ s4. <f, f'>4. }
>>
r4.
% Ligeti 1st etude.
- \relative c''
+ \relative
<<
{
- s4. <g g'>4.
+ s4. <g' g'>4.
} \\
{
% \override Beam.inspect-quants = #'(-4 . -3)
r4.
% Ligeti 1st etude.
- \relative c'
+ \relative
<<
- { <d d'>2. } \\
+ { <d' d'>2. } \\
{ a'8[ b c] }
>>
% Schubert morgenlied.
\clef bass
- \relative c {
- a16[ d fis d a d]
+ \relative {
+ a,16[ d fis d a d]
}
}
texidoc = "cross staff beams work with collisions."
}
-\version "2.16.0"
+\version "2.19.21"
<<
\new Staff = "PianoRH" s4.
>>
<<
- \new Staff = up \relative c' {
- c8 c c c
+ \new Staff = up \relative {
+ c'8 c c c
c c c c
b' b b b
}
- \new Staff = down \relative c' {
- s8 c c \change Staff = up c
+ \new Staff = down \relative {
+ s8 c' c \change Staff = up c
\change Staff = down c [ c s16 \change Staff = up a'16 s16 a16 ]
\stemUp
\change Staff = down b8 b b b \change Staff = up
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Cross staff beams do collision avoidance.
\new PianoStaff <<
\new Staff = up \relative c' { s2 }
- \new Staff \relative c' {
+ \new Staff \relative {
\clef bass \time 2/4
g,32 [ d' \change Staff = up d'
gis a c d g ] r4 |
-\version "2.17.28"
+\version "2.19.21"
\header { texidoc = "
The beaming algorithm handles collisions between beams and
grace notes too.
" }
-\relative c' {
- e'8[ f e \grace { f,16 a } e'8]
+\relative {
+ e''8[ f e \grace { f,16 a } e'8]
}
\relative c'{
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc = "Beams can be allowed to collide with grobs by overriding
the collision-interfaces property."
}
-\relative c' {
- c8 [ des' ]
+\relative {
+ c'8 [ des' ]
\once \override Beam.collision-interfaces = #'(beam-interface
clef-interface
;inline-accidental-interface
correctly."
}
-\version "2.16.0"
+\version "2.19.21"
\layout {
ragged-right = ##t
}
{
- \relative c'' { << { s16 e16 [ s cis ] } \\ { b'16 [ s b ] } >> }
- \relative c'' { << { s16 e16 [ s cis, ] } \\ { b''16 [ s b ] } >> }
- \relative c'' { << { s16 d16 [ s cis ] } \\ { b'16 [ s b ] } >> }
- \relative c'' { << { s16 c16 [ s cis ] } \\ { b'16 [ s b ] } >> }
- \relative c'' { << { s16 b16 [ s cis ] } \\ { b'16 [ s b ] } >> }
- \relative c'' { << { s16 a16 [ s cis ] } \\ { b'16 [ s b ] } >> }
- \relative c'' { << { s16 g16 [ s cis ] } \\ { b'16 [ s b ] } >> }
- \relative c'' { << { s16 c,16 [ s cis' ] } \\ { b'16 [ s b ] } >> }
- \relative c'' { << { s16 c,16 [ s cis'' ] } \\ { b16 [ s b ] } >> }
- \relative c'' { << { s16 f,16 [ s cis ] } \\ { b'16 [ s b ] } >> }
- \relative c'' { << { s16 e,16 [ s cis ] } \\ { b'16 [ s b ] } >> }
- \relative c'' { << { s16 d,16 [ s cis ] } \\ { b'16 [ s b ] } >> }
- \relative c'' { << { s16 e16 [ s cis ] } \\ { b'16 [ s d ] } >> }
- \relative c'' { << { s16 e16 [ s cis ] } \\ { b'16 [ s f' ] } >> }
- \relative c'' { << { s16 e16 [ s cis ] } \\ { b'16 [ s a ] } >> }
- \relative c'' { << { s16 e16 [ s cis ] } \\ { b'16 [ s gis ] } >> }
+ \relative { << { s16 e''16 [ s cis ] } \\ { b'16 [ s b ] } >> }
+ \relative { << { s16 e''16 [ s cis, ] } \\ { b''16 [ s b ] } >> }
+ \relative { << { s16 d''16 [ s cis ] } \\ { b'16 [ s b ] } >> }
+ \relative { << { s16 c''16 [ s cis ] } \\ { b'16 [ s b ] } >> }
+ \relative { << { s16 b'16 [ s cis ] } \\ { b'16 [ s b ] } >> }
+ \relative { << { s16 a'16 [ s cis ] } \\ { b'16 [ s b ] } >> }
+ \relative { << { s16 g'16 [ s cis ] } \\ { b'16 [ s b ] } >> }
+ \relative { << { s16 c'16 [ s cis' ] } \\ { b'16 [ s b ] } >> }
+ \relative { << { s16 c'16 [ s cis'' ] } \\ { b16 [ s b ] } >> }
+ \relative { << { s16 f'16 [ s cis ] } \\ { b'16 [ s b ] } >> }
+ \relative { << { s16 e'16 [ s cis ] } \\ { b'16 [ s b ] } >> }
+ \relative { << { s16 d'16 [ s cis ] } \\ { b'16 [ s b ] } >> }
+ \relative { << { s16 e''16 [ s cis ] } \\ { b'16 [ s d ] } >> }
+ \relative { << { s16 e''16 [ s cis ] } \\ { b'16 [ s f' ] } >> }
+ \relative { << { s16 e''16 [ s cis ] } \\ { b'16 [ s a ] } >> }
+ \relative { << { s16 e''16 [ s cis ] } \\ { b'16 [ s gis ] } >> }
}
% debug-beam-scoring = ##t
}
-\version "2.17.15"
+\version "2.19.21"
-\relative c' {
+\relative {
\time 2/4
- c8[ \clef "bass" e,, ]
+ c'8[ \clef "bass" e,, ]
r8
e8[ |
\time 1/4
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc = "Beam collisions are resistant to scaled down staves."
}
\override StaffSymbol.staff-space = #(magstep -3)
\override StaffSymbol.thickness = #(magstep -3) }
<<
- \relative c'' { e16[ f] }
+ \relative { e''16[ f] }
\\
\relative c''' { \autoBeamOff g b }
>>
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc = "Beam collision can be tweaked to only apply to the grobs
within the beam's original voice."
}
-\relative c' {
+\relative {
\time 5/4
- << { c8[ s c ] } \\ { s8 c' s8 } >>
+ << { c'8[ s c ] } \\ { s8 c' s8 } >>
c,[ des' ]
\override Staff.Beam.collision-voice-only = ##t
<< { c,8[ s c ] } \\ { s8 c' s8 } >>
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc = "Concave beaming works for chords as well as monophonic
music.
"
}
-morgenliedBeam = \relative c'' \new Voice {
+morgenliedBeam = \relative \new Voice {
\time 3/8
% morgenlied
- c16 b c e g <e b'> |
+ c''16 b c e g <e b'> |
\stemUp
c16 b c e g <e b'> |
}
texidoc = "Beams that are not strictly concave are damped
according to their concaveness. "
}
-\version "2.16.0"
+\version "2.19.21"
\layout {
ragged-right = ##t
}
-\relative c'' {
+\relative {
\time 2/4
- g'=''8[ d a' b]
+ g''=''8[ d a' b]
\time 3/4
f=''8[ e d c g b]
b,16[ f' g a]
-\version "2.17.11"
+\version "2.19.21"
\header{
texidoc = "Fully concave beams should be horizontal. Informally spoken,
resetMeasure = \set Score.measurePosition = #(ly:make-moment 0/1)
%% examples from Ross.
-rossFourBeams =\relative c'' {
+rossFourBeams =\relative {
\time 2/4
- c8[ e b c]
+ c''8[ e b c]
b[ c d b]
c[ f b, c]
f[g g e]
a[ d, b' g]
}
-rossThreeBeams = \relative c'' {
+rossThreeBeams = \relative {
\time 6/8
- e[ a, c] f[ d g]
+ e''[ a, c] f[ d g]
f,[ b g] a[ b f]
d'[ c b a b e]
c[ b a c b a]
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Placement of beamed cross staff rests should be
\new PianoStaff <<
\new Staff = "up"
- \relative c'' {
- \time 6/8 a2.
+ \relative {
+ \time 6/8 a'2.
c'8[ \Down c,16 \Up fis \Down r fis] \Up
}
\new Staff = "down" { s2. s4. }
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "The direction of manual beams can be forced using
"
}
-\relative c' {
+\relative {
\time 2/4
- c8_[] c'^[ d e]
+ c'8_[] c'^[ d e]
}
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc = "In complex configurations of knee beaming, according to
b''' b b b]
\transpose c' a, {
- \relative b'' { g,16[ g'''16
+ \relative { g'16[ g'''16
g,,,16 g'''16
g,,,16 g'''16
g,,,16 g'''16
-\version "2.16.0"
+\version "2.19.21"
\header{
texidoc="
\layout { ragged-right= ##t }
-\context Voice \relative c {
+\context Voice \relative {
d''8[ d d] d[ g d]
c c
}
-\version "2.17.6"
+\version "2.19.21"
\header {
ragged-right = ##t
}
-\relative c'' {
- c32[ c
+\relative {
+ c''32[ c
%% WARNING: #'beaming is written, so this
%% property can not be shared between objects. Always use
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Kneed beams (often happens with cross-staff beams)
\oneVoice
f[ g \change Staff = SA a c]
}
- \new Staff = SB \relative c' {
+ \new Staff = SB \relative {
\clef bass
b8[ b16 \voiceOne b,,16 ]
-\version "2.19.2"
+\version "2.19.21"
\header {
texidoc = "When a beam goes over a rest, beamlets should be as necessary
to show the beat structure."
}
-\relative c' {
- c8[ r16 c32 c32]
+\relative {
+ c'8[ r16 c32 c32]
c32[ r16 c32 c8]
c32[ r16 c64 c64 ~ 16.. c64]
c32[ c32 r16 c8]
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Explicit beams may cross barlines. "
}
\layout { ragged-right= ##t }
-\relative c'' { c2. c8[ c8 c8 c8] }
+\relative { c''2. c8[ c8 c8 c8] }
-\version "2.17.6"
+\version "2.19.21"
\header{
texidoc=" Beams on ledgered notes should always reach the middle staff
}
-\context Voice \relative c {
+\context Voice \relative {
f8[ f] f64[ f]
\grace {
f8[ e8]
-\version "2.16.0"
+\version "2.19.21"
\header{
}
-\relative c' {
- c8[ c] a''[ a]
+\relative {
+ c'8[ c] a''[ a]
a,[ a] c[ c]
d,8[ d] g'[ g]
g,[ g] d'[ d]
-\version "2.16.0"
+\version "2.19.21"
#(ly:set-option 'warning-as-error #f)
#(ly:expect-warning (_ "stem does not fit in beam"))
texidoc= "Quarter notes may be beamed: the beam is halted momentarily."
}
-\relative c'' {
- c8[ c4 c8] % should warn here!
+\relative {
+ c''8[ c4 c8] % should warn here!
}
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Beamed rests are given a pure height approximation
"
}
-\relative c'' {
- <f b c f>16[ r <f bes c f> <f b c f>]
+\relative {
+ <f'' b c f>16[ r <f bes c f> <f b c f>]
<f b c f>16[ r <f'' bes c f> <f b c f>]
<f b c f>16[ r <f,, bes c f> <f b c f>]
<f, b c f>16[ r <f bes c f> <f b c f>]
texidoc = "The number of beams does not change on a rest."
}
-\version "2.16.0"
+\version "2.19.21"
\layout { ragged-right = ##t }
-\relative c, {
+\relative {
\clef bass
- e8[ r16 f d'8 e16 e16] c8[ c16 r16 bes8 r16 c16] |
+ e,8[ r16 f d'8 e16 e16] c8[ c16 r16 bes8 r16 c16] |
}
clip-edges is switched off automatically."
}
-\version "2.16.0"
+\version "2.19.21"
-\relative c' {
- d16[]
+\relative {
+ d'16[]
\set stemRightBeamCount = #0
d32[]
}
-\version "2.16.0"
+\version "2.19.21"
\header {
\layout { ragged-right = ##t}
-\relative c'' {
+\relative {
\time 6/8
- c8. c16 c16 c16
+ c''8. c16 c16 c16
c8. c16 c16 c16
}
-\version "2.17.11"
+\version "2.19.21"
\header{
texidoc="
"
}
-\context Staff \relative c'' {
+\context Staff \relative {
- c8[ \tuplet 3/2 { c16 d e] }
+ c''8[ \tuplet 3/2 { c16 d e] }
s4*3
c8.[ c16]
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "
}
-\relative c'' {
+\relative {
\time 6/8
- a8. a16 a a
+ a'8. a16 a a
\set strictBeatBeaming = ##t
a8. a16 a a
}
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Beaming can be also given explicitly."
}
\layout { ragged-right= ##t }
-\relative c'
+\relative
{
- c16[ c8.]
+ c'16[ c8.]
c8.[ c16]
c8[ c16 c16 c8]
c8[ c16 e16 g8]
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Bends avoid dots, but only if necessary."
}
\score {
<<
- \new Staff \relative c' {
+ \new Staff \relative {
\time 4/4
g''4.-\bendAfter #+1
s8 s2
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "A @code{\\book} or @code{\\bookpart} identifier can contain
}
mypart = \bookpart {
- \relative c' { c1 }
+ \relative { c'1 }
\label #'marker
\markup { Page \page-ref #'marker "8" "?" }
}
-\version "2.16.0"
+\version "2.19.21"
\header {
}
mypart = \bookpart {
- \relative c' {
- c1
+ \relative {
+ c'1
}
}
-\version "2.17.6"
+\version "2.19.21"
\header{
texidoc="
\include "gregorian.ly"
\context VaticanaStaff {
- \relative c' {
+ \relative {
% here is no \breathe
- c g c
+ c' g c
% \virgula applies rcomma, but in a smaller font
c \virgula g c
}
}
-mus = \relative f' {
+mus = \relative {
\clef tenor
- c g c
+ c' g c
c \virgula g c
c \caesura g c
c \divisioMinima g c
-\version "2.17.6"
+\version "2.19.21"
\header{
texidoc="
Breathing signs are available in different tastes: commas (default),
{
%% Modern notation:
\new Staff {
- \relative c'' {
+ \relative {
%% by default, \breathe uses the rcomma, just as if saying:
%% \override BreathingSign.text =
%% #(make-musicglyph-markup "scripts.rcomma")
%%
- c4 c \breathe c c |
+ c''4 c \breathe c c |
%% rvarcomma and lvarcomma are variations of the default rcomma
%% and lcomma
-\version "2.17.30"
+\version "2.19.21"
\header {
\layout { ragged-right = ##t }
-\relative c' {
- e8 e e e e e e e
+\relative {
+ e'8 e e e e e e e
\cadenzaOn <>^\markup \typewriter "\\cadenzaOn"
e e e e e e e e
\cadenzaOff
-\version "2.16.0"
+\version "2.19.21"
\header {
f1
}
\new Staff {
- \relative c'' {
- a4 a a a
+ \relative {
+ a'4 a a a
}
}
\new Staff {
\clef "bass"
- \relative c {
- a4 a a a
+ \relative {
+ a,4 a a a
}
}
>>
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "
{
<c''' d'' g''>4^"absolute" q q q
- \relative c' { <c'' d, g>4^"relative" q q q }
+ \relative { <c''' d, g>4^"relative" q q q }
}
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Post events such as fingerings and scripts added to a
"
}
-\relative c' {
- <c e g>2-1-2-3 q_"q"-1-2-3
+\relative {
+ <c' e g>2-1-2-3 q_"q"-1-2-3
}
-\version "2.17.11"
+\version "2.19.21"
\header {
"
}
-\relative c' {
- <c e g>4 r <c e g>2 ~ |
+\relative {
+ <c' e g>4 r <c e g>2 ~ |
\tuplet 3/2 { <c e g>4 q q } \tuplet 3/2 { q q q } |
}
-\version "2.17.25"
+\version "2.19.21"
\header {
texidoc = "
"
}
-\relative c' {
- <c-1 e-3 g-5>8\p( q) q4-! q8.\(^"text" q16 q4-!\)
+\relative {
+ <c'-1 e-3 g-5>8\p( q) q4-! q8.\(^"text" q16 q4-!\)
}
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Scripts can also be attached to chord elements.
They obey manual direction indicators."
}
-\relative c'' {
- < c-. >4
+\relative {
+ < c''-. >4
< c-> >4
< c-. e-. g-. b-. >4
< c^^ >4
-\version "2.17.6"
+\version "2.19.21"
\header{
texidoc="@code{staffLineLayoutFunction} is used to change the position of the notes.
This sets @code{staffLineLayoutFunction} to @code{ly:pitch-semitones} to
"
}
-scales = \relative c' {
+scales = \relative {
a ais b c cis d dis e f fis g gis
a
}
but they don't confuse one another."
}
-\version "2.16.0"
+\version "2.19.21"
\layout { ragged-right = ##t}
-\relative c'' {
+\relative {
\clef "alto"
- a b c a
+ a' b c a
\ottava #1
a b c a
\clef "bass"
-\version "2.16.0" \header {
+\version "2.19.21" \header {
texidoc = "Clefs may be transposed up or down
by arbitrary amount, including 15 for two octaves."
\layout { ragged-right = ##t }
-\relative c'' {
+\relative {
\clef "G_8"
- c4
+ c''4
\clef "G_15"
c4
\clef "G_7"
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Clusters behave well across line breaks."
}
\layout { ragged-right = ##t }
-fragment = \relative c' {
+fragment = \relative {
\time 2/4
- <e d'>4
+ <e' d'>4
<g a>4 | \break
<e a>
<f a>
ragged-right= ##t
}
-\version "2.16.0"
+\version "2.19.21"
\new PianoStaff <<
\new Staff = "up" {
s1 *2
}
\new Staff = "down" <<
- \applyMusic #notes-to-clusters \relative c { <c e>4 <f a> <b e> \change Staff = up <e a>
+ \applyMusic #notes-to-clusters \relative { <c e>4 <f a> <b e> \change Staff = up <e a>
<a d> <d g> }
{ \clef bass s1 * 2 }
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc = "Clusters behave well across line breaks."
}
\layout { ragged-right = ##t }
-fragment = \relative c' {
- <e d'>4
+fragment = \relative {
+ <e' d'>4
<g a>4
<e a>4
}
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Clusters are a device to denote that a complete range of
notes is to be played."
\layout { ragged-right = ##t }
-fragment = \relative c' {
- c4 f4 <e d'>4
+fragment = \relative {
+ c'4 f4 <e d'>4
<g a>8 <e a> a4 c2 <d b>4 e4
c4
}
\layout { ragged-right = ##t }
-\version "2.17.15"
+\version "2.19.21"
-\relative c' <<
+\relative <<
\new Staff {
<<
- { f g } \\
+ { f' g } \\
{ g f }
>> }
\new Staff {
}
\layout { ragged-right = ##t }
-\version "2.16.0"
-\relative c'' {
- << <a c>2\\ { <b d>4 <b d>4 } >>
+\version "2.19.21"
+\relative {
+ << <a' c>2\\ { <b d>4 <b d>4 } >>
<< { <a c>2 } \\ { <b d>4. <b e>8 } >>
}
}
-\version "2.17.6"
+\version "2.19.21"
\paper{ ragged-right=##t }
-\new Staff \relative c' <<
- { fis4.
+\new Staff \relative <<
+ { fis'4.
\override Staff.NoteCollision.prefer-dotted-right = ##f
fis4. }
\\
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Collision resolution involving dotted harmonic heads
"
}
-\relative c' {
+\relative {
<<
- { <fis\harmonic>2. }
+ { <fis'\harmonic>2. }
\\
{ e2. }
>>
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Note heads in collisions should be merged if
they have the same positions in the extreme note heads.
-\relative c'' {
- c4
+\relative {
+ c''4
<< { c4 d4 <c d>8 <c d> <c d> } \\ { c4 c <a b>8 <b c> <c d>8 } >>
}
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc =
"Open and black note heads are not merged by default."
\layout { ragged-right= ##t }
-\context Staff \relative c'' <<
+\context Staff \relative <<
{
- c2 c8 c4.
+ c''2 c8 c4.
}\\
{
c8 c4. c2
texidoc = "Collision resolution may be forced manually with @code{force-hshift}. "
}
-\version "2.17.6"
+\version "2.19.21"
\paper {
ragged-right = ##t
}
-\relative c' {
- << { f
+\relative {
+ << { f'
\override NoteColumn.force-hshift = #0.1
f } \\
{ e e }
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc = "If @code{NoteCollision} has
\layout { ragged-right= ##t }
-\context Staff \relative c'' <<
+\context Staff \relative <<
{
- g8[ g8]
+ g'8[ g8]
\override Staff.NoteCollision.merge-differently-dotted = ##t
g8[ g8]
g4. r8 g8. g16
}
\layout { ragged-right = ##t }
-\version "2.16.0"
+\version "2.19.21"
{
- \relative c'' \new Staff {
- << { d8. e16 } \\ { d8. b16 } >>
+ \relative \new Staff {
+ << { d''8. e16 } \\ { d8. b16 } >>
}
}
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Seconds do not confuse the collision algorithm.
more space to make clear which notes belong to which voice."
}
-\relative f << {
+\relative << {
<a' b>2 <a b d e> <a e' f> <a e' f> <a b c> <f g a>
\bar "||" <f g c> <g a c> <f g c d> <f g c d>
} \\ {
-\version "2.16.0"
+\version "2.19.21"
\header{
texidoc="
In addition to normal collision rules, there is support for polyphony,
twovoice =
-\relative c' \context Staff <<
+\relative \context Staff <<
{ g4 f f e e d d c }
\\ { c4 c d d e e f f }
>>
twovoicechords = \context Staff <<
- \relative c' {
- e4 d c b a g f
+ \relative {
+ e'4 d c b a g f
}\\
- \relative c' {
+ \relative {
<a c>4 <a c>4 <a c>4 <a c>4 <a c>
<a c> <a c>
}
{ e4 e e e e e e e }
>>
-hairyChord = \context Staff \relative c''
+hairyChord = \context Staff \relative
<<
- e \\
+ e'' \\
fis, \\
cis' \\
\\
\header {
texidoc = "You can put lyrics under completion heads."
}
-\version "2.16.0"
+\version "2.19.21"
-mel = \relative c'' {
- c1. c1.
+mel = \relative {
+ c''1. c1.
}
lyr = \lyricmode {
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "
}
}
-\context Staff \relative c'' <<
- { c4. c c c4 c4. c4 }
+\context Staff \relative <<
+ { c''4. c c c4 c4. c4 }
\\
{ g8 g2 g1 g4. }
>>
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Completion heads are broken across bar lines. This was
}
}
-\context Staff \relative c'' <<
- { c2. c bes2 } \\
+\context Staff \relative <<
+ { c''2. c bes2 } \\
{ c2. a8 g4 f4. g4 f }
>>
}
-\version "2.19.2"
+\version "2.19.21"
\paper{ ragged-right=##t }
\remove "Note_heads_engraver"
\consists "Completion_heads_engraver"
} {
- \relative c'' { r2 d1 ~ 1 d2 }
+ \relative { r2 d''1 ~ 1 d2 }
}
-\version "2.16.0"
+\version "2.19.21"
\header{
texidoc= "This tests @code{\\once} applied to multiple property operations."
}
-\relative c' {
- c4 d \hideNotes e4 f |
+\relative {
+ c'4 d \hideNotes e4 f |
\unHideNotes g a \once \hideNotes b c |
}
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc = "Context modifications can be stored into a variable as a
\override StaffSymbol.line-count = 4
}
-music = \relative c'' { \key fis \minor c1 d e }
+music = \relative { \key fis \minor c''1 d e }
\score { <<
\new Staff { \music}
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc = "Context modifications can be stored into a variable as a
}
-music = \relative c'' { \key fis \minor c1 d e }
+music = \relative { \key fis \minor c''1 d e }
\score { <<
\override Score.RehearsalMark.self-alignment-X = #LEFT
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Contexts of the same type can be nested."
}
-\new StaffGroup \relative c' <<
- \new Staff { c1 }
+\new StaffGroup \relative <<
+ \new Staff { c'1 }
\new StaffGroup <<
\new Staff { c1 }
\new StaffGroup <<
-\version "2.17.6"
+\version "2.19.21"
instrument = \relative c' {
\repeat unfold 40 { c8 }
}
\addQuote "instrQuote" \instrument
-Solo = \relative c' {
- c2 c |
+Solo = \relative {
+ c'2 c |
% Change the break-align-orders of the score so that cue-clef comes after bar-line
\override Score.BarLine.space-alist.cue-clef = #'(minimum-space . 1.0)
-\version "2.16.0"
+\version "2.19.21"
-Solo = \relative c' {
- c4 c c c |
+Solo = \relative {
+ c'4 c c c |
% Manually written cue notes, not quoted from another lilypond voice:
<<
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Clefs for cue notes and line breaks. If the cue notes start in a
vI = \relative c'' { \clef "treble" \repeat unfold 40 g4 }
\addQuote vIQuote { \vI }
-Solo = \relative c {
+Solo = \relative {
\clef "bass"
c1 | \break
\cueDuringWithClef #"vIQuote" #UP #"tenor" { R1 } | \break
-\version "2.17.7"
+\version "2.19.21"
\header {
texidoc = "Optional transposition for clefs for cue notes is supported
vI = \relative c'' { \clef "treble" \repeat unfold 40 g4 }
\addQuote vIQuote { \vI }
-Solo = \relative c' {
- \clef "treble_8" c1 |
+Solo = \relative {
+ \clef "treble_8" c'1 |
\cueDuringWithClef #"vIQuote" #UP #"bass^(15)" { R1 } |
c1 | \break
c c
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Transposition for clefs for cue notes."
vI = \relative c'' { \clef "treble" \repeat unfold 40 g4 }
\addQuote vIQuote { \vI }
-Solo = \relative c' {
- \clef "treble_8" c1 |
+Solo = \relative {
+ \clef "treble_8" c'1 |
\cueDuringWithClef #"vIQuote" #UP #"bass^8" { R1 } |
c1 | \break
c c
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Clefs for cue notes: Print a cue clef at the begin of the cue
vI = \relative c'' { \clef "treble" \repeat unfold 16 g4 }
\addQuote vIQuote { \vI }
-Solo = \relative c {
+Solo = \relative {
\clef "bass"
c4 \cueDuringWithClef #"vIQuote" #DOWN #"treble" {
r4 r2 |
-\version "2.16.0"
+\version "2.19.21"
\header{
#(define-event-function (parser location text) (markup?)
(make-dynamic-script text))
-\relative c' {
- c1\dynScript pp
+\relative {
+ c'1\dynScript pp
c^\dynScript "fp"
c_\dynScript "spz"
}
-\version "2.17.25"
+\version "2.19.21"
#(use-modules (srfi srfi-13)
(ice-9 format))
\test ##[ { 4 4 8 \tuplet 3/2 { 8[ 16] } 16 } #]
%% \relative and \tranpose
-\test #"NOT A BUG" ##[ \relative c' { c4 b4 } #] % RelativeOctaveMusic
+\test #"NOT A BUG" ##[ \relative { c'4 b4 } #] % RelativeOctaveMusic
\test #"NOT A BUG" ##[ \transpose c d { c4 d4 } #] % TransposedMusic
%% Repeats
-\version "2.17.11"
+\version "2.19.21"
\header {
texidoc = "Dot Columns are engraved in the Staff by default,
and these dots avoid notes in other voices."
}
-music = \relative c'' { \time 3/4 << {
- <d f g>4. c c b g f a <a b> a <a' b>
+music = \relative { \time 3/4 << {
+ <d
'' f g>4. c c b g f a <a b> a <a' b>
} \\ \tuplet 2/1 {
<f, g b>2. a-- <a b> <g a>-. a2. a-- a a b <a b> \bar "|."
} >> }
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc = "The @code{dot-count} property
}
-\relative c'' {
- c4.. a16
+\relative {
+ c''4.. a16
\override Dots.dot-count = #4
g4.. e16
\override Dots.dot-count = #0
}
-\version "2.16.0"
-\new Staff \relative c''
+\version "2.19.21"
+\new Staff \relative
{
<<
- { \time 12/16 c16[ b a r b g] }
+ { \time 12/16 c''16[ b a r b g] }
\\
{ r8. r }
>>
}
-\version "2.16.0"
+\version "2.19.21"
\layout { ragged-right = ##t }
\new Staff {
\key e \major \time 3/4
- \relative c'' {
- << { dis4. } \\
+ \relative {
+ << { dis''4. } \\
{ fis,4 } \\ { b8 } >>
}
}
-\version "2.16.0" \header{
+\version "2.19.21" \header{
texidoc=" Both noteheads and rests can have dots.
-\context Voice \relative c'' {
+\context Voice \relative {
\time 6/8
- d4. g,,
+ d''4. g,,
\stemDown
<b'' c d e>4. <f g a b>
<f a c> <e a c> <b f' c' g'>
-\version "2.17.5"
+\version "2.19.21"
\header {
texidoc = "Three types of double repeat bar line are supported."
}
\new StaffGroup <<
- \new Staff \relative c' {
- c1
+ \new Staff \relative {
+ c'1
\mark "\":|:\""
\bar ":..:"
c1
-\version "2.17.11"
+\version "2.19.21"
\header {
texidoc = "The compression factor of a duration identifier is
wholeHalved = #(ly:make-duration 0 0 1/2)
-\relative c' {
- c\wholeHalved c |
+\relative {
+ c'\wholeHalved c |
c\wholeHalved. c4 |
}
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "If a dynamic has an explicit direction that differs from the
"
}
-\relative c' {
- c1^\<
+\relative {
+ c'1^\<
c1_\>
f,1\p
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "@code{\\breakDynamicSpan} shall also work if a
"
}
-\relative c' {
+\relative {
% spanner really crosses linebreak:
- c1\<\breakDynamicSpan c'' \break
+ c'1\<\breakDynamicSpan c'' \break
c,,1
% new spanner immediately after linebreak (with broken spanner):
c''1\>\breakDynamicSpan \break
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "@code{\\breakDynamicSpan} work whether it is placed together
"
}
-\relative c {
+\relative {
c1\< c''
% break directly before and after \> :
c,1\breakDynamicSpan\>\breakDynamicSpan
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "@code{\\breakDynamicSpan} shall only have an effect on the current
"
}
-\relative c' {
+\relative {
% Check that the effect of \breakDynamic span is only for the current
% spanner and not for the following spanners, too.
- c1\<\breakDynamicSpan c''
+ c'1\<\breakDynamicSpan c''
c,,1\>
f,1\p % <= the \> and the \p should be aligned!
}
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Hairpins, DynamicTextSpanners and dynamics can be
"
}
-\relative c' {
- c1^\<
+\relative {
+ c'1^\<
\dimTextDim
c1_\>
f,1\p
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc = "If the line for a @code{DynamicTextSpanner} is hidden, the
dynamics to be unlinked."
}
-\relative g' {
- g4\p\cresc g g g
+\relative {
+ g'4\p\cresc g g g
g,1\f
\override DynamicTextSpanner.style = #'none
-\version "2.17.17"
+\version "2.19.21"
\header {
texidoc = "Cross-staff @code{Dynamic} does not trigger a cyclic
<<
\new Staff = "up"
- \relative c' {
- f8
+ \relative {
+ f'8
\change Staff = "down"
c e\f %should not trigger cyclic dependency
\change Staff = "up"
-\version "2.16.0"
+\version "2.19.21"
\header{
texidoc = "Broken crescendi should be open on one side."
}
}
-\relative c'' {
- c1 \< \break c1\! \> \break c1\!
+\relative {
+ c''1 \< \break c1\! \> \break c1\!
}
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc = "Text spanners work in the @code{Dynamics} context."
}
<<
- \new Staff \relative c' {
- c1 | c
+ \new Staff \relative {
+ c'1 | c
}
\new Dynamics {
\override TextSpanner.bound-details.left.text = #"rit."
s1\startTextSpan
s1\stopTextSpan
}
- \new Staff \relative c' {
- c1 | c
+ \new Staff \relative {
+ c'1 | c
}
>>
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Postfix functions for custom crescendo text spanners. The spanners
(make-music 'DecrescendoEvent 'span-direction START
'span-type 'text 'span-text mymarkup))
-\relative c' {
- c4-\mycresc "custom cresc" c4 c4 c4 |
+\relative {
+ c'4-\mycresc "custom cresc" c4 c4 c4 |
c4 c4 c4 c4 |
c4-\mydecresc "custom decresc" c4 c4 c4 |
c4 c4\! c4 c4
-\version "2.16.0"
+\version "2.19.21"
\header {texidoc = "Dynamic letters are kerned, and their weight
matches that of the hairpin signs. The dynamic scripts should be
" }
-\relative c'' {
- c1\ff
+\relative {
+ c''1\ff
e,-.-> \f
e \rfz
c' \mf
respectively."
}
-\version "2.16.0"
+\version "2.19.21"
\layout { ragged-right = ##t }
-\relative c'' {
- c4 \< c4 \!
+\relative {
+ c''4 \< c4 \!
c4 \< c \!\> c\!
c4 \< c c \! \fff\> c c\!
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Text dynamics are positioned correctly on rests, i.e.,
centered on the parent object."
}
-\relative c'' {
- g2\p r\p
+\relative {
+ g'2\p r\p
g4\f s r4\f s
}
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "The @code{X-offset} of @code{DynamicText} grobs in a
\new PianoStaff <<
\new Staff = "up" {
\clef treble
- \relative c' {
- c4\p c c\mp c |
+ \relative {
+ c'4\p c c\mp c |
c4\mf c c\f c |
<<
\repeat unfold 8 c4
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "The \cresc, \dim and \decresc spanners are now postfix operators
crpoco = #(make-music 'CrescendoEvent 'span-direction START
'span-type 'text 'span-text "cresc. poco a poco")
-\relative c' {
- c4\cresc d4 e4 f4 |
+\relative {
+ c'4\cresc d4 e4 f4 |
g4 a4\! b4\crpoco c4 |
c4 d4 e4 f4 |
g4 a4\! b4\< c4 |
-\version "2.16.0"
+\version "2.19.21"
\header { texidoc = "Empty chords accept articulations, occupy no time,
and leave the current duration unchanged."
}
-\relative c' {
- r4 e8( g <>) ^"sul D" \f \> \repeat unfold 8 { c-. } <>\sfz
+\relative {
+ r4 e'8( g <>) ^"sul D" \f \> \repeat unfold 8 { c-. } <>\sfz
<>\downbow \repeat unfold 2 { c g } c1\> <>\enddecr
}
texidoc = "Bass figures can carry alterations."
}
-\version "2.16.0"
+\version "2.19.21"
\layout {
ragged-right= ##t
}
-\relative c'' {
+\relative {
\new Voice
<<
- { c4 c c }
+ { c''4 c c }
\figures
{
<3- > <3! > <3+ >
}
-\version "2.17.15"
+\version "2.19.21"
\paper {
ragged-right = ##t
}
<<
- \relative c' \new Voice {
- c8 c b b a a b b
+ \relative \new Voice {
+ c'8 c b b a a b b
c c b b
}
}
-\version "2.17.15"
+\version "2.19.21"
<<
- \relative c' \new Voice {
- c8 c c c c c
+ \relative \new Voice {
+ c'8 c c c c c
}
\figures {
\bassFigureExtendersOn
}
-\version "2.17.15"
+\version "2.19.21"
\paper {
ragged-right = ##t
}
<<
- \relative c' \new Voice {
- c8 c b b a a b b
+ \relative \new Voice {
+ c'8 c b b a a b b
c^"the same with extenders" c b b a a b b
}
}
-\version "2.16.0"
+\version "2.19.21"
\paper
{
ragged-right = ##t
}
<<
- \relative c'' \new Voice {
- c^"normal" c c c^"extenders" c c c_"implicit" c
+ \relative \new Voice {
+ c''^"normal" c c c^"extenders" c c c_"implicit" c
}
\figures {
<3 6!>
ragged-right = ##t
}
-\version "2.16.0"
+\version "2.19.21"
\header {
<<
\new Staff = someUniqueName
- \relative c'' {
- c4 c'8 r8 c,4 c'
+ \relative {
+ c''4 c'8 r8 c,4 c'
}
%% send to existing Staff.
-\version "2.16.0"
+\version "2.19.21"
\header {
\paper { ragged-right = ##t }
-\relative c' {
+\relative {
%% input order is not 1 2 3 , output is.
- <c-1 g'-3 e-2 b'-4 d-5 f-6 a-7 c-8 > 4
+ <c'-1 g'-3 e-2 b'-4 d-5 f-6 a-7 c-8 > 4
- \relative c'' {
- <a^1 cis^3 e^5>
+ \relative {
+ <a'^1 cis^3 e^5>
<a_1 cis_3 e_5>
}
}
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Automatic fingering tries to put fingering instructions
\layout { ragged-right= ##t }
-\relative c' {
- c4-4
+\relative {
+ c'4-4
<c-1 f-4>
< c-1 e-2 g-3 b-4 >
}
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc= "The voice follower is not confused when set for consecutive
sets of staff switches."
}
-\new PianoStaff \relative c' <<
+\new PianoStaff \relative <<
\new Staff = "one" {
- c4
+ c'4
\showStaffSwitch
\change Staff = two
a4
}
-\version "2.17.6"
+\version "2.19.21"
\paper {
% change for other default global staff size.
}
\score {
- \relative c'' {
+ \relative {
- c^\markup { roman: foo \bold bla \italic bar \italic \bold baz }
+ c''^\markup { roman: foo \bold bla \italic bar \italic \bold baz }
c'_\markup {
\override #'(font-family . sans)
{
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc = "This is an example of automatic footnote numbering
where the number is reset on each page. It uses the symbol-footnotes
\markup { k \auto-footnote l m }
-\relative c' { a1 }
+\relative { a1 }
-\relative c' {
- d4 e
+\relative {
+ d'4 e
< f \footnote #'(1 . -1) \markup { n } a c >
a8-\footnote #'(1 . 1) \markup { p } \<
-\footnote #'(1 . 1) \markup { o } [ b c d ] a4 b c |
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc = "This regtest makes sure that footnote numbers are laid out
in the correct vertical order.
\book {
\score {
<<
- \new Staff \relative c' {
- d4 e
+ \new Staff \relative {
+ d'4 e
\once \override FootnoteItem.numbering-assertion-function =
#(lambda (grob) (make-footnote-numbering-assertion-function 0))
< f \footnote #'(1 . -1) \markup { n } a c >
-\single\footnote #'(1 . 1) \markup { o } Beam [ b c d ] a4 b c |
d a b c\! |\break
}
- \new Staff \relative c' {
- d4 e
+ \new Staff \relative {
+ d'4 e
\once \override FootnoteItem.numbering-assertion-function =
#(lambda (grob) (make-footnote-numbering-assertion-function 1))
< f \footnote #'(1 . -1) \markup { n } a c >
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc = "This is an example of automatic footnote numbering
where the number is not reset on each page. It uses the default
\markup { k \auto-footnote l m }
-\relative c' { a1 }
+\relative { a1 }
-\relative c' {
- d4 e
+\relative {
+ d'4 e
\once \override FootnoteItem.numbering-assertion-function =
#(lambda (grob) (make-footnote-numbering-assertion-function 5))
< f \footnote #'(1 . -1) \markup { n } a c >
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc = "With grobs that have break visibility, footnotes will
automatically take the break visibility of the grob being footnoted.
\new Staff
{
- \relative c' {
- c1
+ \relative {
+ c'1
\footnote "foo" #'(0 . 2) "bar" Staff.TimeSignature
\time 3/4
\break \pageBreak
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc = "Footnotes are annotated at the correct place, and the
annotation goes to the correct page."
\book {
-\relative c'' {
-b4-\single\footnote
+\relative {
+b'4-\single\footnote
\markup { \tiny "1." }
#'(0.5 . 0.5)
\markup { 1. \justify { Goes to the first broken spanner. } } Hairpin
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Lilypond does footnotes."
}
\markup { k \footnote \concat { l \super 5 } \line { 5. m } }
-\relative c' { a1 }
+\relative { a1 }
-\relative c' {
- d4 e
+\relative {
+ d'4 e
< f \footnote \markup { \tiny 6 } #'(1 . -1) \markup { 6. n } a c >
a8-\footnote \markup { \tiny 8 } #'(1 . 1) \markup { 8. p } \<
-\footnote \markup { \tiny 7 } #'(1 . 1) \markup { 7. o }
}
-\version "2.16.0"
+\version "2.19.21"
-foo = \relative c {
+foo = \relative {
<d\5 fis a d fis>_\markup {
\fret-diagram-terse #"x;5;4;2;3;2;"
}
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc="
\layout {
ragged-right = ##t
}
-\relative c'' {
+\relative {
R1
- a1^"should be lower"
+ a'1^"should be lower"
R1^"should be higher"
\break
R1
texidoc = "Glissandi stop before hitting accidentals."
}
-\version "2.16.0"
+\version "2.19.21"
-\relative c'' {
- a1\glissando cis
+\relative {
+ a'1\glissando cis
}
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "LilyPond typesets glissandi between chords."
}
-\relative c' {
- c1 \glissando g'
+\relative {
+ c'1 \glissando g'
c,1 \glissando s1 g'
<c, e>1 \glissando <g' b>
<c, e>1 \glissando s1 <g' b>
-\version "2.16.0"
+\version "2.19.21"
%% This should really be 2.15.0, because the glissando code
%% hasn't been backported -- this is a git-only test at this point
}
-\relative c' {
- c1 \glissando d1 \glissando e1
+\relative {
+ c'1 \glissando d1 \glissando e1
}
-\version "2.19.16"
+\version "2.19.21"
\header {
texidoc = "Glissandi begin after dots by default. This behavior may
ragged-right = ##t
}
-\relative c'' {
- c2.\glissando b4
+\relative {
+ c''2.\glissando b4
c2..\glissando b8
c2...\glissando b16
\bar "||"
-\version "2.16.0"
+\version "2.19.21"
#(ly:set-option 'warning-as-error #f)
#(ly:expect-warning (_ "forced break was overridden by some other event, should you be using bar checks?"))
\layout {
ragged-right = ##t
}
-\relative c' {
- c1
+\relative {
+ c'1
c1\glissando
\break
d'1
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc = "@code{NoteColumn} grobs can be skipped over by glissandi.
"
}
-\relative c' {
+\relative {
a2 \glissando
\once \override NoteColumn.glissando-skip = ##t
f''4 d,
-\version "2.17.28"
+\version "2.19.21"
\header {
texidoc = "Bar line should come before the grace note."
}
-\relative c' \context Staff {
- f1 \grace { a'16 f } g1 }
+\relative \context Staff {
+ f'1 \grace { a'16 f } g1 }
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Grace notes do tricky things with timing. If a measure
\layout { ragged-right = ##t }
-\relative c'' { c1 \break
+\relative { c''1 \break
\grace c8
c1 }
\layout { ragged-right= ##t }
-\version "2.17.28"
-\relative c'' {
- c4 d8[
+\version "2.19.21"
+\relative {
+ c''4 d8[
\grace { e32 d c d } e8]
e[ e
\grace { f16 } e8 e]
-\version "2.17.28"
+\version "2.19.21"
#(ly:set-option 'warning-as-error #f)
Grace notes after the last note do not confuse the timing code."
}
-\context Voice \relative c' {
- c4 \grace { d16 d16 }
+\context Voice \relative {
+ c'4 \grace { d16 d16 }
}
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "In nested syntax, graces are still properly handled."
}
\layout { ragged-right= ##t }
-\relative c'' {
- f1
+\relative {
+ f''1
\grace e8 f1
<< { \grace { e8 } f1 } >>
}
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Graces notes may have the same duration as the main note."
}
\layout { ragged-right = ##t }
-\relative c'' {
- s2 <f>4
+\relative {
+ s2 <f''>4
\grace g e4
}
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Grace notes may be put in a @code{partcombine}r."
}
\new Staff
\partcombine
-\relative c'' {
- c4 d e f \grace f16 g1
+\relative {
+ c''4 d e f \grace f16 g1
}
-\relative c' {
- c4 d e2 g1
+\relative {
+ c'4 d e2 g1
}
normal notes, if possible. They should never be longer, even if that
would lead to beam quanting problems."
}
-\version "2.17.28"
+\version "2.19.21"
\layout {
ragged-right = ##t
% "debug-beam-quanting" = ##t
}
-\relative c'' {
- << { d8.\noBeam d16 } \\ >> \grace { d16 } c8.[ b16]
+\relative {
+ << { d''8.\noBeam d16 } \\ >> \grace { d16 } c8.[ b16]
<< { c16[ b] } \\ >>
\grace { c16 b } d4
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Grace notes in different voices/@/staves are synchronized."
}
\layout { ragged-right = ##t}
-\relative c'' <<
+\relative <<
\context Staff {
- c2
+ c''2
\grace c8
c4 c4
}
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "There are three different kinds of grace types: the base
grace switches to smaller type, the appoggiatura inserts also a slur, and the
ragged-right = ##t
}
-\relative c'' {
- c4 \grace { d8 } c4
+\relative {
+ c''4 \grace { d8 } c4
\appoggiatura { d8 } c
\acciaccatura { d } c
}
should not be left open, and should end at the bar line. "
}
-\version "2.17.6"
+\version "2.19.21"
\layout {
line-width = 4.\cm
}
-\relative c' {
- c1\>
+\relative {
+ c'1\>
\break
c1\!
\override Hairpin.to-barline = ##f
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Broken hairpins are not printed too high after treble clefs.
"
}
-\relative c'' {
- c4^\< c c c \break c c c c\! |
+\relative {
+ c''4^\< c c c \break c c c c\! |
}
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Broken hairpins are not printed too high after key signatures.
"
}
-\relative c'' {
+\relative {
\key e \major
- c4^\< c c c \break c c c c\! |
+ c''4^\< c c c \break c c c c\! |
}
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "@code{Hairpin} grobs do not collide with @code{SpanBar} grobs.
\score {
<<
\new GrandStaff <<
- \new Staff \relative c'' { a\< a a a \break a a a a \break a a a a\! }
- \new Staff \relative c'' { a4 a a a s1 a4 a a a }
+ \new Staff \relative { a'\< a a a \break a a a a \break a a a a\! }
+ \new Staff \relative { a'4 a a a s1 a4 a a a }
>>
\new GrandStaff <<
- \new Staff \relative c'' { a^\< a a a a a a a a a a a\! }
+ \new Staff \relative { a'^\< a a a a a a a a a a a\! }
\new Staff \relative c'' { \repeat unfold 12 a4 }
>>
\new GrandStaff <<
- \new Staff \relative c'' { a4 a a a s1 a4 a a a }
- \new Staff \relative c'' { a^\< a a a a a a a a a a a\! }
+ \new Staff \relative { a'4 a a a s1 a4 a a a }
+ \new Staff \relative { a'^\< a a a a a a a a a a a\! }
>>
>>
\layout {
-\version "2.16.0"
+\version "2.19.21"
\header {
}
-\new Staff \relative c' {
- c1\<
+\new Staff \relative {
+ c'1\<
\mark "Very long mark"
c4\> c c c\!
}
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Hairpins end at the left edge of a rest."
}
\layout{
ragged-right=##t
}
-\relative c'' {
- c2\p\> r4\!
+\relative {
+ c''2\p\> r4\!
}
-\version "2.17.6"
+\version "2.19.21"
\header { texidoc =
% Old \RemoveEmptyStaffContext: Will erase previous settings...
\score {
<<
- \new Staff \relative c'' { c4 c c c \break s1 \break c4 c c c \break c c c c}
- \new Staff \relative c'' { d4 d d d s1 s1 s1 }
- \new Staff \relative c'' { e4 e e e s1 e4 e e e s1 }
+ \new Staff \relative { c''4 c c c \break s1 \break c4 c c c \break c c c c}
+ \new Staff \relative { d''4 d d d s1 s1 s1 }
+ \new Staff \relative { e''4 e e e s1 e4 e e e s1 }
>>
\layout {
\context { \RemoveEmptyStaffContext }
% New \RemoveEmptyStaves settings: Preserves previous settings...
\score {
<<
- \new Staff \relative c'' { c4 c c c \break s1 \break c4 c c c \break c c c c}
- \new Staff \relative c'' { d4 d d d s1 s1 s1 }
- \new Staff \relative c'' { e4 e e e s1 e4 e e e s1 }
+ \new Staff \relative { c''4 c c c \break s1 \break c4 c c c \break c c c c}
+ \new Staff \relative { d''4 d d d s1 s1 s1 }
+ \new Staff \relative { e''4 e e e s1 e4 e e e s1 }
>>
\layout {
\context { \Staff \RemoveEmptyStaves }
-\version "2.16.0"
+\version "2.19.21"
#(ly:set-option 'warning-as-error #f)
#(ly:expect-warning (_ "Harp pedal diagram contains ~a pedals rather than the usual 7.") 0)
Both cases will create warnings, but should still not fail with an error."
}
-\relative c'' {
- c1^\markup \harp-pedal #"^v-|vv-^"
+\relative {
+ c''1^\markup \harp-pedal #"^v-|vv-^"
% circled boxes:
c1^\markup \harp-pedal #"o^ovo-|vovo-o^"
% invalid pedal specifications, which still should be handled gracefully:
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc="
title = "Title correct (set at top level)"
}
\score {
- \relative c' { c1 }
+ \relative { c'1 }
}
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc = "Horizontal brackets are created with the correct event-cause, ensuring
}
}
-\relative c' {
- c1-\tweak thickness #6 \startGroup
+\relative {
+ c'1-\tweak thickness #6 \startGroup
c1\startGroup
c1\stopGroup
c1\stopGroup
-\version "2.16.0"
+\version "2.19.21"
\header {
}
-\relative c''
+\relative
{
- c4\startGroup\startGroup\startGroup
+ c''4\startGroup\startGroup\startGroup
c4\stopGroup
c4\startGroup
c4\stopGroup\stopGroup
}
-\version "2.16.0"
+\version "2.19.21"
myDisplayMusic =
#(define-void-function (parser location music)
\myDisplayMusic \chordmode { c }
-m = \relative c' { c4 d e f }
+m = \relative { c'4 d e f }
\new Staff { \m }
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "@code{ly:parser-include-string} should include the current
string like a file @code{\\include}."
}
-#(ly:parser-include-string parser "\\relative c' { a4 b c d }")
+#(ly:parser-include-string parser "\\relative { a4 b c d }")
-\version "2.16.0"
+\version "2.19.21"
\header {
}
-\relative c'' {
- c4
+\relative {
+ c''4
\set Voice.instrumentCueName = "In.1"
c2.
\set Voice.instrumentCueName = "I.2"
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "@code{Dynamics} and @code{Lyrics} lines below
a @code{PianoStaff} do not affect the placement of the instrument name."
}
-upper = \relative c'' {
- a4 b c d
+upper = \relative {
+ a'4 b c d
}
-lower = \relative c {
+lower = \relative {
\clef bass
- a2 c
+ a,2 c
}
\score {
-\version "2.17.15"
+\version "2.19.21"
#(ly:set-option 'warning-as-error #f)
#(ly:expect-warning (_ "No such instrument: ~a") "bassClar")
the given instrument definition does not exist."
}
-\relative c'
+\relative
{
- c4
+ c'4
\instrumentSwitch "bassClar"
c
}
properties for an in staff instrument switch. "
}
-\version "2.17.15"
+\version "2.19.21"
\addInstrumentDefinition #"bassClar"
#`((instrumentTransposition . ,(ly:make-pitch -1 6 FLAT))
(instrumentName . "bla")
ragged-right = ##t
}
-\relative c'
+\relative
{
- c4
+ c'4
\instrumentSwitch "bassClar"
c2.\break
c1\break
-\version "2.17.6"
+\version "2.19.21"
\header { texidoc = "Each clef has its own accidental placing
rules, which can be adjusted using @code{sharp-positions}
and @code{flat-positions}." }
#(set-global-staff-size 16)
-\relative cis' {
+\relative {
% \clef french % same as octaviated bass
\clef violin
- \key cis \major cis1 \key ces \major ces
+ \key cis \major cis'1 \key ces \major ces
\clef soprano
\key cis \major cis \key ces \major ces \break
\clef mezzosoprano
}
-\version "2.16.0"
+\version "2.19.21"
-m = \relative c' { \key f \major c8 }
+m = \relative { \key f \major c'8 }
% Default spacing should not be affected
\score {
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "
@code{\\laissezVibrer} ties should also work on individual notes of a chord.
" }
-\relative c' {
- <d-\laissezVibrer g>1
+\relative {
+ <d'-\laissezVibrer g>1
<d^\laissezVibrer g_\laissezVibrer>1
}
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc = "The 'head-direction of a LaissezVibrerTieColumn should
}
-\relative c'' {
- c2 \laissezVibrer
+\relative {
+ c''2 \laissezVibrer
\once \override LaissezVibrerTieColumn.head-direction = #RIGHT
c \laissezVibrer
}
"
}
-\version "2.17.6"
+\version "2.19.21"
\paper {
ragged-right = ##t
}
-\relative c' {
- <c e g>\laissezVibrer r4
+\relative {
+ <c' e g>\laissezVibrer r4
<c f g>\laissezVibrer r
<c d f g>\laissezVibrer r
<c d f g>4.\laissezVibrer r8
-\version "2.16.0"
+\version "2.19.21"
#(set-default-paper-size "a6" 'landscape)
\header { texidoc = " Scores may be printed in landscape mode."}
-pattern = \relative c' { a b c d \break }
+pattern = \relative { a b c d \break }
\book {
\score {
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc = "
}
\score {
- \relative c' { cis cis cis cis }
+ \relative { cis' cis cis cis }
\layout {
\accidentalStyle dodecaphonic
}
}
-\version "2.16.0"
+\version "2.19.21"
\paper { ragged-right = ##t}
-\relative c'' {
+\relative {
\time 2/4
- c8 c c c
+ c''8 c c c
c \grace { \stemDown e'32[ c a f] } f8 f f
}
texidoc = "Ledger lines are shortened when they are very close. This ensures
that ledger lines stay separate."
}
-\version "2.16.0"
+\version "2.19.21"
\layout {
ragged-right = ##t
}
-\relative c' {
+\relative {
\time 2/4
-c4
+c'4
b
c4
b
-\version "2.17.2"
+\version "2.19.21"
\header {
texidoc = "Dynamics and other outside staff objects avoid ledger lines.
"
}
-\relative c' {
- f16\pp[ c d e ] r2. |
+\relative {
+ f'16\pp[ c d e ] r2. |
}
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc = "Ledger lines should appear at every other location
for a variety of staves using both @code{line-count} and
@code{line-positions}."
}
-notes = \relative c' {
+notes = \relative {
\time 3/4
- c2. | d | e | f
+ c'2. | d | e | f
g2. | a | b | c
d2. | e | f | g
a2.
-\version "2.16.0"
+\version "2.19.21"
\score {
- \relative c'' { d c b c }
+ \relative { d'' c b c }
}
-\version "2.16.0"
+\version "2.19.21"
\score {
- \relative c'' { \key c \minor d4 es g2 }
+ \relative { \key c \minor d''4 es g2 }
}
-\version "2.16.0"
+\version "2.19.21"
\header {
doctitlees = "If you see this 'translated' doctitle, language detection works!"
doctitle = "Original doctitle (you should not see this!)"
}
-\relative c'' {
- c1
+\relative {
+ c''1
}
-\version "2.16.0"
+\version "2.19.21"
\include "include/myvar.ily"
-melody = \relative c'' { \key c \minor c4 es g2 \myVar }
+melody = \relative { \key c \minor c''4 es g2 \myVar }
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc = "Setting @code{'zigzag} style for spanners does not
"
}
-\relative c' {
- c1^"text"
+\relative {
+ c'1^"text"
\override TrillSpanner.style = #'zigzag
c1\startTrillSpan
c2^\stopTrillSpan c^"text"
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "For Voice-derived contexts like CueVoice, the lyrics should
still start with the first note."
\score {
\new Staff <<
- \new Voice \relative c'' {
- g2
+ \new Voice \relative {
+ g'2
<<
{ \voiceOne r2 }
\new CueVoice = "cue" { \voiceTwo g4 g }
{
texidoc = "switching voices in the middle of the lyrics is possible using @code{lyricsto}."
}
-\version "2.17.15"
+\version "2.19.21"
<<
- \relative c' \new Voice = "lahlah" {
- c4
+ \relative \new Voice = "lahlah" {
+ c'4
<<
\new Voice = "alternative" {
\voiceOne
-\version "2.17.11"
+\version "2.19.21"
\header{
b
}
-noise = \repeat unfold 6 \relative c'' { g16 g g g }
+noise = \repeat unfold 6 \relative { g'16 g g g }
textI = \lyricmode {
la2 __ la -- la __ la la la la la
-\version "2.17.28"
+\version "2.19.21"
\header {
texidoc="
"
}
-\relative c' {
- c2 \grace { c16( d e f } g2)
+\relative {
+ c'2 \grace { c16( d e f } g2)
f1
}
\addlyrics {
}
-\version "2.19.2"
+\version "2.19.21"
\layout {
ragged-right = ##t
}
-\relative c'' {
+\relative {
\time 3/4
- d4~ 4 r4
+ d''4~ 4 r4
\grace es8
d4
ragged-right = ##T
}
-\version "2.16.0"
+\version "2.19.21"
<<
- \new Voice = "one" \relative c'' {
- c4\melisma
+ \new Voice = "one" \relative {
+ c''4\melisma
c4 r c\melismaEnd c
}
\new Lyrics \lyricsto "one" {
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Extenders will not protrude into the right margin"
}
\score{
{
- \relative c' {
- c4 d e f ~ | \break
+ \relative {
+ c'4 d e f ~ | \break
f4 e d c |
}
-\version "2.16.0"
+\version "2.19.21"
\header {
<<
- \new Voice \relative c'' {
- \time 1/4 c16[ c c c]
+ \new Voice \relative {
+ \time 1/4 c''16[ c c c]
\time 1/4
c16[ c c c]
\time 1/4
}
-\version "2.17.6"
+\version "2.19.21"
\layout {
ragged-right = ##t
}
-\relative c'' {
+\relative {
\time 2/4
- c32 c c c
+ c''32 c c c
c32 c c c
c32 c c c
c32 c c c
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "@code{lyricMelismaAlignment} sets the default alignment for melismata.
It works with both automatic and manual melismata."
}
-\relative c' {
- c4^"auto"( d e f)
+\relative {
+ c'4^"auto"( d e f)
\set melismaBusyProperties = #'()
c4^"manual" d e f
}
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "A syllable aligned with a melisma delimited with
@code{\\melisma} and @code{\\melismaEnd} should be left-aligned.
"
}
-\relative c' {
- c4 c c16\melisma d e f \melismaEnd g4
+\relative {
+ c'4 c c16\melisma d e f \melismaEnd g4
}
\addlyrics { ha ha looong __ ho }
}
-\version "2.16.0"
+\version "2.19.21"
\layout { ragged-right = ##t }
\score {
\context ChoirStaff <<
\context Staff = soprano <<
- \context Voice = sop \relative c' { e2 e4 }
+ \context Voice = sop \relative { e'2 e4 }
>>
\context Staff = alto <<
- \context Voice = alt \relative c' { e4 e4 e4 }
+ \context Voice = alt \relative { e'4 e4 e4 }
\new Lyrics \lyricmode {
do4 re4 me4
}
-\version "2.17.28"
+\version "2.19.21"
\header {
texidoc="
"
}
-\relative c' {
- f4 \appoggiatura a32 b4
+\relative {
+ f'4 \appoggiatura a32 b4
\grace { f16 a16 } b2
\afterGrace b2 { f16[ a16] }
\appoggiatura a32 b4
\layout{ ragged-right = ##t }
-\version "2.17.6"
+\version "2.19.21"
<<
\override Score.PaperColumn.keep-inside-line = ##f
- \new Staff \relative c' {
+ \new Staff \relative {
\key aes \major
\context Voice = "1" {
- f8 f
+ f'8 f
\textLengthOff
f^"xxxxxxxxxxxxxxxxxxxxxxxxxx" f
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Long lyrics should be allowed to pass under
"
}
-\relative c''' { c2 c c c }
+\relative { c'''2 c c c }
\addlyrics { foo bar foooooooo bar }
a clef transposition (8 below the clef)."
}
-\version "2.16.0"
+\version "2.19.21"
\paper {
ragged-right = ##t
}
-\relative c' { \clef "G_8" c c c c }
+\relative { \clef "G_8" c' c c c }
\addlyrics { bla bla bla bla }
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = " A dotted whole note displayed via the @code{\\note}
}
-\relative c' {
- c4^\markup { \note #"1." #1 }
+\relative {
+ c'4^\markup { \note #"1." #1 }
c4^\markup { \note #"2." #1 }
c4^\markup { \note #"8." #1 }
}
texidoc = "The note markup function may be used to make metronome
markings. It works for a variety of flag, dot and duration settings."
}
-\version "2.17.12"
+\version "2.19.21"
mrkp =
\markup {
}
\score {
- \relative c''
+ \relative
{
- c4^\markup {
+ c''4^\markup {
\column {
\mrkp
\override #'(style . mensural) \mrkp
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "\\markup \\score displays all systems. Spacing between
\markup {
\override #'(baseline-skip . 10)
\score {
- \new Staff \relative c' {
- c4 d e f \break
+ \new Staff \relative {
+ c'4 d e f \break
g1
}
\layout {
}
-\version "2.16.0"
+\version "2.19.21"
\layout {
ragged-right = ##t
\consists "Measure_grouping_engraver"
}
-\relative c' {
+\relative {
\time 2/4
- c8 a'4 a8~
+ c'8 a'4 a8~
\time #'(3 2) 5/8
a8 bes4 r8 bes8->
\time 2/4
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc = "Metronome marks aligned on notes do not interfere with
\score {
<<
- \new Staff \relative c' {
- c8 c c c
+ \new Staff \relative {
+ c'8 c c c
\tempo 4 = 60
c2
}
- \new Staff \relative c' {
- c2 \clef bass c2
+ \new Staff \relative {
+ c'2 \clef bass c2
}
>>
\layout {
them. The A should be a full quarter note, but the C should be shortened
to 1/4 - 9/40 * 1/8 = 71/320 (rounded down to 340/384 in MIDI)."
}
-\version "2.18.0"
+\version "2.19.21"
\score {
- \relative c' {
+ \relative {
a4 r
\grace b8 c8... r64
\grace d8 e4
% https://code.google.com/p/lilypond/issues/detail?id=3091
}
-\version "2.16.0"
+\version "2.19.21"
\score {
- \relative c' {
+ \relative {
% This first b~ tie should be honoured in the MIDI output:
a2. b4~
% i.e. this b8 must not be sounded:
off will appear at tick 768 (2 * 384)."
}
-\version "2.16.0"
+\version "2.19.21"
\score {
- \relative c' {
- c4
+ \relative {
+ c'4
\grace { b8 }
d4
}
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "MIDI key signatures are output, using an approximate
key signature if MIDI format cannot represent the true key signature"
\include "arabic.ly"
\score {
- \relative do' {
+ \relative {
\key fa \bayati
- fa4 solsb lab sib
+ fa'4 solsb lab sib
}
\midi { }
\layout { }
the next (possibly grace) note. "
}
-\version "2.16.0"
+\version "2.19.21"
\score
{
- \relative c' {
+ \relative {
a geseh \acciaccatura a geseh
}
}
-\version "2.16.0"
+\version "2.19.21"
\score {
- \relative c' {
+ \relative {
{
- { c16 e g c }
+ { c'16 e g c }
{ c,16\sustainOn e g c\sustainOff }
{ c,16\unaCorda e g c\treCorde }
-\version "2.16.0"
+\version "2.19.21"
% candidate for regression. -gp
\header {
texidoc="Converting LilyPond input to MIDI and then again back with
%}
-scales = \relative c {
+scales = \relative {
% [INSTRUMENT_NAME] bright acoustic
\key c \major % sharp-major
-\version "2.17.11"
+\version "2.19.21"
\header {
texidoc = "
\score {
- \context Voice \relative c' {
+ \context Voice \relative {
a1 a2 a2. a4 a4. a8 a8. a16 a16. a32 a32. a64
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc="Midi2ly --key works on all staves, this is G major (--key=1)"
\score {
<<
\context Staff = "treble" <<
- \context Voice="one" \relative c'' {
- fis
+ \context Voice="one" \relative {
+ fis''
}
>>
\context Staff = "bass" <<
- \context Voice="two" \relative c {
+ \context Voice="two" \relative {
\clef bass
fis
}
% Lily was here -- automatically converted by ../../../scripts/midi2ly.py from out/initial-key.midi
-\version "2.16.0"
+\version "2.19.21"
\layout {
\context {
\score {
<<
- \relative c'' {
+ \relative {
\key g \major
\time 6/8
- d4 b8 c4 a8 | d4 b8 g4
+ d''4 b8 c4 a8 | d4 b8 g4
}
\addlyrics {
Girls and boys come | out to play,
-\version "2.16.0"
+\version "2.19.21"
\layout {
\context {
options="--skip"
}
-instrumentOne = \relative c' {
- c4 d e f
+instrumentOne = \relative {
+ c'4 d e f
R1
d'4 c b a
b4 g2 f4
e1
}
-instrumentTwo = \relative g' {
+instrumentTwo = \relative {
R1
- g4 a b c
+ g'4 a b c
d c b a
g f( e) d
e1
% Lily was here -- automatically converted by out/bin/midi2ly from /home/janneke/testmidi.mid
-\version "2.16.0"
+\version "2.19.21"
\layout {
\context {
>>
-trackBchannelB = \relative c {
+trackBchannelB = \relative {
e'''4*41/192 r4*7/192 d4*41/192 r4*7/192 fis,4*89/192 r4*7/192 gis4*89/192
r4*7/192
| % 2
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc="LilyPond respects rests, also when there are dynamics"
options=""
}
\score {
- \new Staff \relative c' {
- \time 2/4 e4 e r4 e\f |
+ \new Staff \relative {
+ \time 2/4 e'4 e r4 e\f |
}
\layout {}
\midi {}
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc="Midi2ly remaps voices correctly to staves in MIDI-files that use instrument<->channel mapping when combined with voice<->track mapping. TODO: pianostaff"
}
>>
\context Staff = "bass" <<
- \context Voice="three" \relative c' {
+ \context Voice="three" \relative {
\key c \minor
\clef bass
%7
- r8 c16 b c8 g as c16 b c8 d |
+ r8 c'16 b c8 g as c16 b c8 d |
%8 g8 c16 b c8 d f,16 g as4 g16 f |
<c,, c'>1
}
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc="Midi2ly remaps voices correctly to staves in MIDI-files that use voice<->channel mapping when combined with staff<->track mapping. TODO: pianostaff"
}
>>
\context Staff = "bass" <<
- \context Voice="three" \relative c' {
+ \context Voice="three" \relative {
\key c \minor
\clef bass
%7
- r8 c16 b c8 g as c16 b c8 d |
+ r8 c'16 b c8 g as c16 b c8 d |
%8 g8 c16 b c8 d f,16 g as4 g16 f |
<c,, c'>1
}
% Lily was here -- automatically converted by ../../../scripts/midi2ly.py from out-www/voice-4.midi
-\version "2.16.0"
+\version "2.19.21"
\layout {
\context {
}
-trackBchannelE = \relative c {
+trackBchannelE = \relative {
s1 d1
| % 2
-\version "2.17.6"
+\version "2.19.21"
\header{ texidoc = "The sans serif style tab clef is automatically adjusted to
different string spacings."
}
-guitar = \relative c {
+guitar = \relative {
c4 d e f
e4 d c2
}
-\version "2.16.0"
+\version "2.19.21"
\header{ texidoc = "Sans serif style tab clefs are supported by @code{\\clef moderntab}.
This alternative clef supports four- to seven-stringed instruments
and is scaled automatically."
}
-bass = \relative c, {
- c4 d e f
+bass = \relative {
+ c,4 d e f
e4 d c2
}
-guitar = \relative c {
+guitar = \relative {
c4 d e f
e4 d c2
}
-\version "2.19.14"
+\version "2.19.21"
\header { texidoc = "
Whole notes in a monochord must be properly offset so that the heads just
touch each other. On the other hand, a stem should touch both notes.
" }
-\relative c'' {
+\relative {
\time 4/1
- <a a>\longa \breve 1 2 4 8 8 \break
+ <a' a>\longa \breve 1 2 4 8 8 \break
<c c>\longa \breve 1 2 4 8 8
}
-\version "2.19.2"
+\version "2.19.21"
\include "mozart-hrn3-defs.ily"
-romanze = \relative c' {
+romanze = \relative {
\key f \major
\time 2/2
- c'4.( _\markup { \dynamic "p" \italic { "" con molto espressione } }
+ c''4.( _\markup { \dynamic "p" \italic { "" con molto espressione } }
f8) a,4 a
bes8[( c d bes] g4) r8 g
a r bes r c r d[( bes)]
-\version "2.19.2"
+\version "2.19.21"
\include "mozart-hrn3-defs.ily"
-rondotheme = \relative c' {
- c'8[ c c] c[ c c]
+rondotheme = \relative {
+ c''8[ c c] c[ c c]
c4( cis8 d) r g,
d'8[ d d] d[ d d]
d4( dis8 e) r c |
e4.( d8) r r |
}
-lipbreaker = \relative c' {
+lipbreaker = \relative {
r8 g'[-. g-.] c[( e) g,-.]
c[( e) g,-.] c[( e) g,-.]
c[ c, c] c[ c c]
}
-\version "2.17.15"
+\version "2.19.21"
\paper{
ragged-right = ##T
}
-\relative c'
-<< { c'4 c c c }
+\relative
+<< { c''4 c c c }
\\
{
\override TextSpanner.bound-details.left.text = "x"
-\version "2.16.0"
+\version "2.19.21"
\header
{
#(define-music-function (parser location text) (string?)
(make-dynamic-script text))
-\relative c' {
- c1-\dynScript "pp"
+\relative {
+ c'1-\dynScript "pp"
c^\dynScript "fp"
c_\dynScript "spz"
}
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "addlyrics do not need braces around their arguments,
in particular if the arguments are variables."
}
-m = \relative c' { c4 d }
+m = \relative { c'4 d }
l = \lyricmode { A B }
% addlyrics takes music expressions as well as music identifiers. The following
}
\layout { ragged-right = ##t }
<<
- \new Staff \relative c'' {
- d2 d c4 bes a2 \break
+ \new Staff \relative {
+ d''2 d c4 bes a2 \break
}
\addlyrics {
My first Li -- ly song,
\addlyrics {
Not much can go wrong!
}
- \new Staff \relative c' {
+ \new Staff \relative {
\clef bass
- d2 d c4 bes a2 \break
+ d'2 d c4 bes a2 \break
}
\addlyrics {
MY FIRST LI -- LY SONG,
}
>>
-\version "2.16.0"
+\version "2.19.21"
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Note heads are flipped on the stem to prevent collisions.
\layout { ragged-right= ##t }
-\relative c''
+\relative
\context Voice {
- <g a c>4
+ <g' a c>4
<c d g a>
<c d e >
<c c g>
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "
"
}
-\relative c'' {
- r4 <bes es\harmonic>2.
+\relative {
+ r4 <bes' es\harmonic>2.
\set harmonicDots = ##t
r4 <bes es\harmonic>2.
}
}
-\version "2.16.0"
+\version "2.19.21"
\paper {
ragged-right = ##t
}
-\relative c' {
- <e a\harmonic>1
+\relative {
+ <e' a\harmonic>1
<e'' a\harmonic>1
}
-\version "2.19.12"
+\version "2.19.21"
\header {
system-system-spacing.basic-distance = #10 % increase this value for more space
}
-notes = \relative c {
+notes = \relative {
c'4 c c c
}
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Various languages are supported for note names input.
%% Old syntax.
\include "english.ly"
-\relative c'' {
- g4 bf d c
+\relative {
+ g'4 bf d c
%% Manual override of the pitchnames variable
%% and the parser note names:
-\version "2.17.6"
+\version "2.19.21"
\header{
texidoc=" The number of stafflines of a staff can be set. Ledger
\new Staff \with {
\override StaffSymbol.line-count = #3
}
-\relative c {
+\relative {
c' c c c | g' g g g \bar ":|."
}
-\version "2.17.29"
+\version "2.19.21"
\header {
texidoc = "The @code{\\offset} command may be used to displace various properties
indent = 0
}
-\relative c' {
+\relative {
%% ARPEGGIO %%
% default
- <c e g b>1\arpeggio
+ <c' e g b>1\arpeggio
<c e g b>1-\offset positions #'(-1 . 1) \arpeggio
\bar "||"
-\version "2.19.0"
+\version "2.19.21"
\header{
texidoc= "Test optional music function arguments.
(ly:pitch? #{ d' #}) (ly:pitch? #{ e' #})
ly:music?) #{ $a $dur $b $c ^\markup{!} $d #})
-\new Voice { \relative c' e' \relative c' { e' } \ablative c' e' \ablative { e' }
+\new Voice { \relative c' e' \relative { e'' } \ablative c' e' \ablative { e' }
\zap 8. c'' d'' {e''4..} \zap f''8 g'' \zap 4 a'' b'' c''' d'''2 }
}
-\version "2.16.0"
+\version "2.19.21"
\layout { ragged-right = ##t }
-\relative c''' {
- a2 b
+\relative {
+ a''2 b
\ottava #1
a2 b \time 3/4 \break c''2. \break
a
}
-\version "2.16.0"
+\version "2.19.21"
%% . There must be a minimum distance between the octavation line and the
%% topmost staff line, taking into account the height of the closing
\layout { ragged-right = ##t}
-\relative c''' {
- a b c a
+\relative {
+ a'' b c a
\ottava #1
a b c a
\ottava #0
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "The page breaking algorithm can handle clefs combined
#(set-default-paper-size "a6")
-Melody = \relative c' {
- c2 c | c c | c c | \break
+Melody = \relative {
+ c'2 c | c c | c c | \break
c2 c | c c | c c
}
Words = \lyricmode{
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Page labels on loose columns are not ignored: this includes both mid-line
\book {
\markuplist \table-of-contents
- \relative c' {
- c2 \tocItem "Mid-line" c^"mid"
+ \relative {
+ c'2 \tocItem "Mid-line" c^"mid"
c1
\bar ""
\tocItem "Empty bar line"
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc = "Non-staff lines between two systems don't confuse the
My2 first Li4 -- ly song,2
My2 first Li4 -- ly song,2
}
- \context Voice = "voice" \relative c'' {
- d2 d c4 bes a2 \break
+ \context Voice = "voice" \relative {
+ d''2 d c4 bes a2 \break
d'2 d c4 bes a2
}
\new Lyrics \lyricmode {
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc = "A non-staff line (such as @code{Lyrics}) at the
}
}
<<
- \new Staff \relative c'' {
- d2 d c4 bes a2 \break
+ \new Staff \relative {
+ d''2 d c4 bes a2 \break
}
\addlyrics {
My first Li -- ly song,
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc = "A non-staff line (such as @code{Lyrics}) at the top
\new Lyrics \lyricmode {
Not2 much can4 go wrong!
}
- \context Voice = "voice" \relative c'' {
- d2 d c4 bes a2
+ \context Voice = "voice" \relative {
+ d''2 d c4 bes a2
}
>>
}
-\version "2.19.12"
+\version "2.19.21"
#(set-global-staff-size 11)
\book {
\score {
- \relative c'' \new PianoStaff <<
+ \relative \new PianoStaff <<
\new Voice {
- c1_"followed by default spacing"\break
+ c''1_"followed by default spacing"\break
c\break
\overrideProperty
first system can be forced to be uniform."
}
-\version "2.19.12"
+\version "2.19.21"
#(set-default-paper-size "a6")
\book {
\score {
- \relative c' {
- c1\break\pageBreak
+ \relative {
+ c'1\break\pageBreak
c1\break\pageBreak
c1
\break\pageBreak
-\version "2.16.0"
+\version "2.19.21"
#(ly:set-option 'warning-as-error #f)
#(ly:expect-warning (_ "cannot fit the first page turn onto a single page. Consider setting first-page-number to an even number."))
}
\score {
- \relative c' {
+ \relative {
a b c d a b c d \break
c d e f c d e f \break
d e f g d e f g
-\version "2.16.0"
+\version "2.19.21"
\header{
texidoc="The page-turn breaker will put a page turn after
}
\score {
- \relative c' {
+ \relative {
a b c d a b c d \break
c d e f c d e f R1*4
\repeat unfold 13 {d4 e f g} \break
-\version "2.16.0"
+\version "2.19.21"
\header{
}
\score {
- \relative c'' {c^\markup {
+ \relative {c''^\markup {
\parenthesize {
\column { "A" "B" "C" }
}
ragged-right = ##t
}
-\version "2.17.6"
+\version "2.19.21"
-\relative c' {
- c2 -\parenthesize -.
+\relative {
+ c'2 -\parenthesize -.
\parenthesize \breathe
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc ="The a2 string is printed only on notes (i.e. not on rests),
and only after chords, solo or polyphony."
}
-vone = \relative a' { R1*2 g2 r2 g2 r2 a4 r4 g }
-vtwo = \relative a' { R1*2 g2 r2 g2 r2 f4 r4 g }
+vone = \relative { R1*2 g'2 r2 g2 r2 a4 r4 g }
+vtwo = \relative { R1*2 g'2 r2 g2 r2 f4 r4 g }
comment = \relative c' { s1*2 s2_"a2" s2 s2_"no a2" s2 s4 s4 s4_"a2" }
differences in steps between parts that may be combined into chords."
}
-\version "2.19.16"
+\version "2.19.21"
\layout { ragged-right = ##t }
-vone = \relative e' {
- d4 e f fisis | g geses b' bisis | b2 beses
+vone = \relative {
+ d'4 e f fisis | g geses b' bisis | b2 beses
}
-vtwo = \relative e' {
- e4 e e e | e eisis d deses | c2 cisis
+vtwo = \relative {
+ e'4 e e e | e eisis d deses | c2 cisis
}
comm = { s1_"apart" s1_"chords" s1_"apart" }
"
}
-\version "2.16.0"
+\version "2.19.21"
-vone = \relative a' { g4 g f f e e d d }
-vtwo = \relative a' { e4 e f f g g a a }
+vone = \relative { g'4 g f f e e d d }
+vtwo = \relative { e'4 e f f g g a a }
\layout { ragged-right = ##t }
\partcombine \vone \vtwo
\layout { ragged-right = ##t }
-\version "2.16.0"
+\version "2.19.21"
mI = \relative c'' {
\partcombineApart
R1 |
c1
}
-mII = \relative c' {
+mII = \relative {
R1 |
- c2 c |
+ c'2 c |
c1
}
\layout { ragged-right = ##t }
-\version "2.16.0"
+\version "2.19.21"
-mI = \relative c' {
- e4 e \partcombineApartOnce c c |
+mI = \relative {
+ e'4 e \partcombineApartOnce c c |
\partcombineApart c \partcombineChordsOnce e e e |
c \partcombineUnisonoOnce c c c |
\partcombineAutomatic \partcombineSoloIOnce r2 c4 c |
\partcombineSoloIIOnce R1 |
d'2 \partcombineChordsOnce d4^"1 chord" d|
}
-mII = \relative c' {
- c4 \partcombineApartOnce c c c |
+mII = \relative {
+ c'4 \partcombineApartOnce c c c |
c c \partcombineAutomaticOnce e e |
c c c c |
R1 |
\layout { ragged-right = ##t }
-\version "2.16.0"
+\version "2.19.21"
-mI = \relative c' {
- e4 e c2 |
+mI = \relative {
+ e'4 e c2 |
\partcombineApart c^"apart" e |
e e |
\partcombineChords e'^"chord" e |
\partcombineUnisono c^"unisono" c |
\partcombineAutomatic c\! c^"V1 longer" |
}
-mII = \relative c' {
- c4 c c2 |
+mII = \relative {
+ c'4 c c2 |
c c |
\partcombineAutomatic e^"auto" e |
a, c |
"
}
-\version "2.19.2"
+\version "2.19.21"
vone =
%%%%%%%%%%%%%% 0 1 2 3
-\relative c'' {
+\relative {
\time 2/4
- a8[ a] a8[ a] |
+ a'8[ a] a8[ a] |
a8[ a] a8[ a]
}
vtwo =
-\relative c' {
+\relative {
\time 2/4
- f8[ f]~ 8[ f] |
+ f'8[ f]~ 8[ f] |
f8[ f] f8[ f]
}
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Part combine texts accept markup."
\set Score.soloIIText = \markup { \huge \italic II }
\set Score.aDueText = \markup { \normal-text \rounded-box { "a 2" } }
\partcombine
- \relative g' { g4 g r r a2 g }
- \relative g' { r4 r a( b) a2 g }
+ \relative { g'4 g r r a2 g }
+ \relative { r4 r a'( b) a2 g }
>>
\header { texidoc = " Multimeasure rests are printed after solos, both
for solo1 and for solo2." }
-\version "2.16.0"
+\version "2.19.21"
\layout { ragged-right = ##t }
\new Staff
\partcombine
\relative c''{ R1*2 | c4 r2. | c2 r | R1 }
-\relative c' { c2 r | R1 | c4 r2. | R1*2 }
+\relative { c'2 r | R1 | c4 r2. | R1*2 }
-\version "2.19.16"
+\version "2.19.21"
\header {
texidoc = "Rests must begin and end simultaneously to be merged into the shared voice."
\score {
\partcombine
- \relative f' { r4 f2. | r8 f e2. }
- \relative f' { r8 d f2. | r4 e2. }
+ \relative { r4 f'2. | r8 f e2. }
+ \relative { r8 d' f2. | r4 e2. }
}
% mmrest and rest of different durations beginning simultaneously
\score {
\partcombine
- \relative f' { r4 f2. | R1 }
- \relative f' { R1 | r4 d2. }
+ \relative { r4 f'2. | R1 }
+ \relative { R1 | r4 d'2. }
}
}
-\version "2.16.0"
+\version "2.19.21"
\paper { ragged-right = ##t }
\new Staff
- \partcombine \relative c'' {
- bes2(
+ \partcombine \relative {
+ bes'2(
a4)
}
- \relative c' {
- r2 cis4
+ \relative {
+ r2 cis'4
}
"
}
-vone = \relative a' { d4 r8 d8 d8 r8 d8 r8 d2 ~ 2 ~ 4 }
-vtwo = \relative g' { g4. g8 r2 g4 r4 r2 g4 }
+vone = \relative { d''4 r8 d8 d8 r8 d8 r8 d2 ~ 2 ~ 4 }
+vtwo = \relative { g'4. g8 r2 g4 r4 r2 g4 }
-\version "2.19.2"
+\version "2.19.21"
\paper { ragged-right = ##t }
-\version "2.19.19"
+\version "2.19.21"
\header {
texidoc = "Test some transitions that might be found in string parts produced with \\partcombine."
}
-vone = \relative
a' { a2 <a e> | r2 <a e> | r r | r2 a4 r4 | g2 r | <b g> }
-vtwo = \relative a' { e2 <e a> | r2 r | <d g> r | r2 f4 r4 | g2 r | <g d> }
+vone = \relative
{ a'2 <a e> | r2 <a e> | r r | r2 a4 r4 | g2 r | <b g> }
+vtwo = \relative { e'2 <e a> | r2 r | <d g> r | r2 f4 r4 | g2 r | <g d> }
combined = \partcombine \vone \vtwo
% The part combiner does not yet support all of these labels.
-\version "2.16.0"
+\version "2.19.21"
\header {
g4 \partcombineSoloI r4 c2 |
\partcombineSoloII R1*2 |
}
-mII = \relative c' {
- c4 r2. |
+mII = \relative {
+ c'4 r2. |
r2 r4 c4 |
R1 |
}
}
-\version "2.16.0"
+\version "2.19.21"
\layout { ragged-right= ##t }
-vone = \relative a' { R1 a2 r4 r a a a a }
-vtwo = \relative a' { R1 f4 f4 f4 f f f a a }
+vone = \relative { R1 a'2 r4 r a a a a }
+vtwo = \relative { R1 f'4 f4 f4 f f f a a }
comm = { s1 s2 s4_\markup { \small "expect: solo 2" }
s4 s2 s4_\markup { \small "expect: a2" } s4 }
\new Staff <<
}
-\version "2.17.11"
+\version "2.19.21"
\new Staff <<
\partcombine
\tuplet 3/2 { g8[ g g] }
\tuplet 3/2 { g[ g g] } g1
}
- \relative c'' { R1 g1 }
+ \relative { R1 g'1 }
>>
\layout { ragged-right = ##t }
-\version "2.19.2"
+\version "2.19.21"
-vone = \relative a' {
- g2 g g g4 g f' c c( c) c c c ~ c
+vone = \relative {
+ g'2 g g g4 g f' c c( c) c c c ~ c
c2. c4 c
}
-vtwo = \relative a' {
- f2 f4 f f2 g4 g c, f f f f f~ f ~ f
+vtwo = \relative {
+ f'2 f4 f f2 g4 g c, f f f f f~ f ~ f
f4 f2. ~ 4
}
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "The PDF backend uses several header fields to store metadata
}
\layout { ragged-right= ##t }
-\relative c' { g4 }
+\relative { g4 }
-\version "2.16.0"
+\version "2.19.21"
#(ly:set-option 'warning-as-error #f)
#(ly:expect-warning (_ "already have phrasing slur"))
(set! (ly:music-property e 'spanner-id) (format "sp~a" n))
e)
-\relative c'' {
+\relative {
% This will give warnings ("Already have phrasing slur" and "Cannot end phrasing slur")
- c4\(\(\sp1\( d4\)\(\sp1\( e4\) f\) |
+ c''4\(\(\sp1\( d4\)\(\sp1\( e4\) f\) |
% This will give two overlapping slurs and "unterminated phrasing slur" from above
d\( d\sp2\( e\) f\sp2\) |
-\version "2.16.0"
+\version "2.19.21"
\pointAndClickTypes #'note-event
-\relative c' {
- c2\f( f)
+\relative {
+ c'2\f( f)
}
\ No newline at end of file
-\version "2.16.0"
+\version "2.19.21"
\header {
}
\new Staff <<
- \relative c''' {
+ \relative {
\key f \major
- es4 c c c \bar "||" \noBreak
+ es'''4 c c c \bar "||" \noBreak
\key g \major
<gis cis,>4 r2. \bar "|."
} \\
- \relative c' {
+ \relative {
R1
- r4 cis a a
+ r4 cis' a a
}
>>
\layout {
}
-\version "2.17.6"
+\version "2.19.21"
-\relative c' {
- f2 \glissando c
+\relative {
+ f'2 \glissando c
\override Glissando.bound-details.right.Y = #4
f2 \glissando c |
\override Glissando.bound-details.left.Y = #-6
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc = "Once properties take effect during a single time step only."
}
\layout { ragged-right = ##t }
-\relative c' {
- c4
+\relative {
+ c'4
\once \override Stem.thickness = #5.0
c4
c4
}
-\version "2.16.0"
+\version "2.19.21"
\layout {
ragged-right = ##t
}
-quoteMe = \relative c' { fis4 r16 a8.-> b4(-\ff~ b16 c8. b) }
+quoteMe = \relative { fis'4 r16 a8.-> b4(-\ff~ b16 c8. b) }
\addQuote quoteMe \quoteMe
-original = \relative c'' {
- c8 d
+original = \relative {
+ c''8 d
\cueDuring #"quoteMe" #1 { r2 }
es8 gis8
\cueDuring #"quoteMe" #1 { r4 }
}
-\version "2.16.0"
+\version "2.19.21"
-quoteMe = \relative c' { fis8 r16-. a8.-> \acciaccatura c8 b4(-\ff~ b16 c8. b8) }
+quoteMe = \relative { fis'8 r16-. a8.-> \acciaccatura c8 b4(-\ff~ b16 c8. b8) }
\addQuote quoteMe \quoteMe
<<
}
\new Staff \with { instrumentName = "quoteDuring" } {
% \set Staff.quotedEventTypes = #'(StreamEvent)
- \relative c' { c8 \quoteDuring "quoteMe" { s8 s4 s2 } }
+ \relative { c'8 \quoteDuring "quoteMe" { s8 s4 s2 } }
}
\new Staff \with { instrumentName = "cueDuring" } {
- \relative c' { c8 \cueDuring "quoteMe" #UP { r8 r4 r2 } }
+ \relative { c'8 \cueDuring "quoteMe" #UP { r8 r4 r2 } }
}
>>
<<
\new Staff \with { instrumentName = "Fallback" } {
\unset Score.quotedCueEventTypes
- \relative c' { c8 \cueDuring "quoteMe" #UP { r8 r4 r2 } }
+ \relative { c'8 \cueDuring "quoteMe" #UP { r8 r4 r2 } }
}
>>
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Two quoted voices may refer to each other. In this
example, there are notes with each full-bar rest."
}
-A = \relative c' { c4 d e f | \cueDuring #"qB" #1 { R1 } | }
+A = \relative { c'4 d e f | \cueDuring #"qB" #1 { R1 } | }
B = \new Voice \relative c' { \cueDuring #"qA" #1 { R1 } | f4 e d c | }
\addQuote "qA" \A
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "@code{\\quoteDuring} and @code{\\cueDuring} shall properly quote
}
% Simple case, normal sub-voice
-quoteMe = \relative c' {
- c4 c
+quoteMe = \relative {
+ c'4 c
\new Voice {
c4 c
}
\addQuote "quoteMeA" \new Voice \quoteMe
% Also works with voice directly inside relative
-quoteMeI = \relative c' \new Voice {
- c4 c4
+quoteMeI = \relative \new Voice {
+ c'4 c4
}
\addQuote "quoteMeI" \quoteMeI
% Quoting music with some parallel sections (identical rhythm)
-quoteMeII = \relative c' {
- c4 c
+quoteMeII = \relative {
+ c'4 c
<< { d4 e4 } \\ { c4 b4 } >>
c4
}
\addQuote "quoteMeII" \quoteMeII
% Quoting music with some parallel sections (different rhythm)
-quoteMeIII = \relative c' {
- c4 c
+quoteMeIII = \relative {
+ c'4 c
<< { d4 e4 } \\ { c4. b8 } >>
c4
}
<<
- \new Staff \relative c'' {
- c4 \cueDuring #"quoteMe" #DOWN { r4 }
+ \new Staff \relative {
+ c''4 \cueDuring #"quoteMe" #DOWN { r4 }
c4 \cueDuring #"quoteMe" #DOWN { r4 } % <- no cue note due to sub-voice
}
- \new Staff \relative c'' {
- c4 \cueDuring #"quoteMeA" #DOWN { r4 }
+ \new Staff \relative {
+ c''4 \cueDuring #"quoteMeA" #DOWN { r4 }
c4 \cueDuring #"quoteMeA" #DOWN { r4 } % <- no cue note due to sub-voice
}
- \new Staff \relative c'' {
- c4 \cueDuring #"quoteMeI" #DOWN { r4 }
+ \new Staff \relative {
+ c''4 \cueDuring #"quoteMeI" #DOWN { r4 }
c4
}
- \new Staff \relative c'' {
- c4 \cueDuring #"quoteMeII" #DOWN { r4 }
+ \new Staff \relative {
+ c''4 \cueDuring #"quoteMeII" #DOWN { r4 }
c4 \cueDuring #"quoteMeII" #DOWN { r4 } % <- quoted parallel notes
}
- \new Staff \relative c'' {
- c4 \cueDuring #"quoteMeIII" #DOWN { r4 }
+ \new Staff \relative {
+ c''4 \cueDuring #"quoteMeIII" #DOWN { r4 }
c4 \cueDuring #"quoteMeIII" #DOWN { r4 } % <- quoted parallel notes
}
>>
@code{rest-event} is not in @code{quotedEventTypes}."
}
-\version "2.17.6"
+\version "2.19.21"
\layout {
ragged-right = ##t
}
-quoteMe = \relative c' { fis4 r16 a8.-> b4-\ff c }
+quoteMe = \relative { fis'4 r16 a8.-> b4-\ff c }
\addQuote quoteMe \quoteMe
-original = \relative c'' { c8 d s2 es8 gis8 }
+original = \relative { c''8 d s2 es8 gis8 }
<<
\new Staff {
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "@code{\\killCues} shall only remove real cue notes generated by
@code{\\cueDuring}, but not other music quoted using @code{\\quoteDuring}."
}
-mus = \relative c' { c2 c c c c c c c }
+mus = \relative { c'2 c c c c c c c }
\addQuote #"M" \mus
-quot = \relative c' {
- d2 \quoteDuring #"M" { s1 } e2 \cueDuring #"M" #UP { s1 } f2
+quot = \relative {
+ d'2 \quoteDuring #"M" { s1 } e2 \cueDuring #"M" #UP { s1 } f2
}
\score { <<
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc = "The @code{\\quoteDuring} command shall also quote correctly all
@code{'(StreamEvent)}, everything should be quoted."
}
-mus = \relative c' {
+mus = \relative {
% Acciaccaturas contain a slur and \override Flag.stroke-style
% Thus, we're checking \override here
- c4 \acciaccatura d8 c4
+ c'4 \acciaccatura d8 c4
% Checking \set and \unset
\set fontSize = #6 f
\unset fontSize f |
-\version "2.19.2"
+\version "2.19.21"
\header {
texidoc = "Voices from different cues must not be tied together. In
"
}
-cueI = \relative c'' {
- a1 ~ | 1 | a |
+cueI = \relative {
+ a'1 ~ | 1 | a |
}
\addQuote "cueI" { \cueI }
-cueII = \relative c' {
- R1 | e | a |
+cueII = \relative {
+ R1 | e' | a |
}
\addQuote "cueII" { \cueII }
@code{rest-event} is not in @code{quotedEventTypes}."
}
-\version "2.17.6"
+\version "2.19.21"
\layout {
ragged-right = ##t
}
-quoteMe = \relative c' { fis4 r16 a8.-> b4-\ff c }
+quoteMe = \relative { fis'4 r16 a8.-> b4-\ff c }
\addQuote quoteMe \quoteMe
-original = \relative c'' { c8 d s2 es8 gis8 }
+original = \relative { c''8 d s2 es8 gis8 }
<<
\new Staff {
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc = "RehearsalMarks still align correctly if Mark_engraver is moved to
}
}
-\relative c' {
- c1 \mark "foo"
+\relative {
+ c'1 \mark "foo"
c1
\key cis \major
\clef alto
}
-\version "2.17.6"
+\version "2.19.21"
-\relative c' {
- c1 \mark "foo"
+\relative {
+ c'1 \mark "foo"
c1
\key cis \major
\clef alto
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Rehearsal marks at the end of the last measure of a
"
}
-\relative c' {
- c1
+\relative {
+ c'1
\mark "Final Mark"
}
}
-\version "2.16.0"
+\version "2.19.21"
\paper { ragged-right = ##t }
-\relative c'' {
- c1 \mark \default
+\relative {
+ c''1 \mark \default
c1 \mark #7
c1 \mark \default
c1 \mark \default
system has all the notes within the stave. In the second, the
notes get progressively higher."
}
-\version "2.16.0"
+\version "2.19.21"
-\relative c' {
- c'1^"Using unfold"
+\relative {
+ c''1^"Using unfold"
\repeat unfold 3 { f,2^"Repeated" bes2 }
\alternative { { a2_"Alt1" c } { e_"Alt2" c } { b_"Alt3" d } }
}
-\relative c' {
- c'1^"The same notes, written out"
+\relative {
+ c''1^"The same notes, written out"
f,2 bes2 a2 c f2 bes2 e c f2 bes2 b d
}
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc = "
staffMusic = \new StaffGroup {
<<
\new Staff = "rh" {
- \relative c' {
- c1 \break
+ \relative {
+ c'1 \break
c1 \break
c8[ c c c
\change Staff = "lh"
}
}
\new Staff = "lh" {
- \relative c {
+ \relative {
\clef bass
c1
R1
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc = "The two dots of a repeat sign should be symmetric
to the staff centre and avoid staff lines even for exotic staves."
}
-mus = \context Voice { \relative f' { d e f g \bar ":|." } }
+mus = \context Voice { \relative { d' e f g \bar ":|." } }
\new Staff {
<<
}
-\version "2.16.0"
+\version "2.19.21"
\paper {
ragged-right = ##t
}
-\relative c'' {
- r4 c4\repeatTie r <c d f g> \repeatTie
+\relative {
+ r4 c''4\repeatTie r <c d f g> \repeatTie
}
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Tremolos work with chord repetitions."
}
-\relative c' {
- <c e g>1
+\relative {
+ <c' e g>1
\repeat tremolo 4 q16
\repeat tremolo 4 { q16 }
\repeat tremolo 4 { c16 q16 }
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Dots are added to tremolo notes if the durations involved require them."
}
\paper{ ragged-right = ##t }
-\score { \relative c' {
- c8 \repeat "tremolo" 14 { c32 a32 } |
+\score { \relative {
+ c'8 \repeat "tremolo" 14 { c32 a32 } |
}
}
-\version "2.16.0"
+\version "2.19.21"
\header { texidoc = "Volta repeats may be unfolded through the music
function @code{\\unfoldRepeats}."
}
-nots = \relative c' {
- c4 \repeat volta 2 c4 \alternative { d e }
+nots = \relative {
+ c'4 \repeat volta 2 c4 \alternative { d e }
}
\layout {ragged-right = ##t}
-\version "2.18.0"
+\version "2.19.21"
\header {
texidoc="
"
}
-\relative c' {
- c1
+\relative {
+ c'1
\inStaffSegno
c2^"no repeat" c c c
\repeat volta 2 {
}
-\version "2.17.15"
+\version "2.19.21"
\layout { ragged-right=##t }
-\new Staff \relative c'
+\new Staff \relative
<<
- { s8 f4 } \\
+ { s8 f'4 } \\
{ <f, a>8[ r <a d>] }
>>
ragged-right = ##t
}
-\version "2.16.0"
+\version "2.19.21"
-fig = \relative c' {
+fig = \relative {
<a c e>8[
r <c e a> r <e a c> r <a c e>]
r |
-\version "2.16.0"
+\version "2.19.21"
\header { texidoc =
"Vertical rest positions in a multi-voice staff should obey the duration of
"
}
-\relative c' {
+\relative {
<< { g'1 g2 } \\
{ \repeat unfold 2 {r8 d4 d8 r d4 d8} } >>
}
-\version "2.16.0"
+\version "2.19.21"
\header{
texidoc="
Rests should not collide with beams, stems and noteheads. Rests may
\layout { ragged-right = ##t }
-scale = \relative c' {
- c8 d e f g a b c c d e f g a b c
+scale = \relative {
+ c'8 d e f g a b c c d e f g a b c
}
rests = {
r r r r r r r r r r r r r r r r
}
different = << {
- \relative c'' {
- r8 a e4 a e
+ \relative {
+ r8 a' e4 a e
}
}\\ {
}
-\version "2.18.0"
+\version "2.19.21"
music = {
<<
- \relative c'' {
- f e d c b a g f e d c
+ \relative {
+ f'' e d c b a g f e d c
}
\\
{
r4 r r r r r r r r r r
}
\\
- \relative c'' {
- f e d c b a g f e d c
+ \relative {
+ f'' e d c b a g f e d c
}
>>
}
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Rests can have pitches -- these will be affected by
\layout { ragged-right= ##t }
-\relative c''
+\relative
{
- a4\rest b4\rest c4\rest
+ a'4\rest b4\rest c4\rest
<<d \\ d\rest^"rest pitch" >>
<<d \\ r>>
}
-\version "2.16.0"
+\version "2.19.21"
\new Staff <<
- \relative c''' { g8 g g r r2 } \\
- \relative c' { a4\rest c r2 } \\
- \relative c'' { c4 c f2\rest } \\
- \relative c'' { r2 g }
+ \relative { g''8 g g r r2 } \\
+ \relative { a4\rest c r2 } \\
+ \relative { c''4 c f2\rest } \\
+ \relative { r2 g' }
>>
\layout { ragged-right = ##t }
-\version "2.16.0"
+\version "2.19.21"
-\new Staff \relative c' {
+\new Staff \relative {
<< { r8 g''4 g8 r g4 g8 } \\
{ d,4 r \stemUp b r } >>
\override Staff.Rest.voiced-position = 2
}
-\version "2.16.0"
+\version "2.19.21"
\layout {
\context {
}
<<
- \relative c'' { c4 d e f }
- \\ \relative c' { c4 d e f }
+ \relative { c''4 d e f }
+ \\ \relative { c'4 d e f }
>>
}
-\version "2.16.0"
+\version "2.19.21"
#(define (t->m t)
"Return the current moment of translator object @var{t}."
}
}
-\relative c' {
- c8[ r c]
+\relative {
+ c'8[ r c]
}
-\version "2.19.12"
+\version "2.19.21"
\header {
texidoc = "Use @code{define-event-class}, scheme engraver methods,
}
}
-\relative c' {
+\relative {
a4 b\schemeTextSpannerStart c d |
\repeat unfold 20 { a4 b c d | }
a4 b c\schemeTextSpannerEnd d |
-\version "2.16.0"
+\version "2.19.21"
\header {
}
\score {
<<
- \relative c {
+ \relative {
\clef bass
d2 d c4 bes a2 \break
c2 c d4 f g2
-\version "2.16.0"
+\version "2.19.21"
\header {
\layout { ragged-right = ##t}
-\relative c'' {
- c4
+\relative {
+ c''4
<c d c'>\marcato
<< { c4^^ }\\
{ d4_^ } >>
"
}
-\version "2.19.16"
+\version "2.19.21"
-\relative c''
+\relative
{
% default
- a4^. c_.
+ a'4^. c_.
a^.^- c_._-
\override Script.toward-stem-shift-in-column = 1.0
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Scripts can be stacked. The order is determined by a
priority field, but when objects have the same priority, the input
\layout { ragged-right = ##t}
-\relative c'' {
- c4^"up 1"^"up 2"^"up 3"_"down 1"_"down 2"_"down 3" c c c
+\relative {
+ c''4^"up 1"^"up 2"^"up 3"_"down 1"_"down 2"_"down 3" c c c
c4^"1"^"2"\turn c\turn ^"1"^"2" c c
}
-\version "2.19.2"
+\version "2.19.21"
\header {
texidoc = "Scripts avoid ties.
% This regtest tries to confuse it with various configurations
% Of notes with and without ties, with multiple scripts, etc..
-\relative c''' {
- r2. c4~-> | c-> r2. |
+\relative {
+ r2. c'''4~-> | c-> r2. |
r2. c4-> | c-> r2. |
r2. c4~-> | c r2. |
r2. c4~ | 4-> r2. | \break
-\version "2.17.18"
+\version "2.19.21"
\header {
texidoc = "Cross-staff @code{RepeatTie} and @code{LaissezVibrerTie}
}
<<
- \new Staff = "up" \relative c' {
- f8
+ \new Staff = "up" \relative {
+ f'8
\change Staff = "down"
c\laissezVibrer eeses
\change Staff = "up"
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc = "In addition to @code{Slur}, the music function @code{\\shape} works
ragged-right = ##t
}
-\relative c'' {
+\relative {
% PhrasingSlur
- d4\( d' b g g,8 f' e d c2\)
+ d''4\( d' b g g,8 f' e d c2\)
\override PhrasingSlur.color = #blue
\shape #'((0 . -2) (-1 . 3.5) (0.5 . 0.5) (0 . -2.5)) PhrasingSlur
d4\( d' b g g,8 f' e d c2\)
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc = "The control points of a broken or unbroken slur may be offset by
}
% unmodified
-\relative c'' {
- d4( d' b g
+\relative {
+ d''4( d' b g
g,8 f' e d c2)
d4( d' b g
\break
-\version "2.17.25"
+\version "2.19.21"
\header {
")" = \melismaEnd
\new Staff <<
- \relative c' {
- c8 \{ d e f \} % slurred
+ \relative {
+ c'8 \{ d e f \} % slurred
g ( a b c ) % no slur, but with melisma
c,1 \bar "|."
}
ragged-right = ##T
}
-\version "2.17.15"
+\version "2.19.21"
-\relative c'
+\relative
<<
\new Staff {
- c\breve f4 r2.
+ c'\breve f4 r2.
c\breve f4 r2.
s\breve^"skip"
}
-\version "2.16.0"
+\version "2.19.21"
#(ly:set-option 'warning-as-error #f)
#(ly:expect-warning (ly:translate-cpp-warning-scheme "barcheck failed at: %s") "3/4")
}
-\relative c' {
- c4
+\relative {
+ c'4
\set Score.skipTypesetting = ##t
c4 c4
|
-\version "2.19.2"
+\version "2.19.21"
\header{
texidoc="
<bis f' b>) s2..\break
\stemNeutral
- \new Voice \relative c' {
- c'8[( c c c] g2 ~ | \break
+ \new Voice \relative {
+ c''8[( c c c] g2 ~ | \break
g1) | \break
\slurDown c8[( c] g4 ~ 2 ~ | \break
g2 ~ 2)
}
- \relative c'' {
- a4( c b4 e, ~ | \break
+ \relative {
+ a'4( c b4 e, ~ | \break
e1 ~ | 1)
}
-\version "2.17.25"
+\version "2.19.21"
\header {
texidoc = "Slurs that depend on a cross-staff beam are not calculated until
\paper { ragged-right=##t }
\score {
\new PianoStaff <<
- \context Staff = rh \relative c'' { c8([ d) \change Staff = lh c,] r
+ \context Staff = rh \relative { c''8([ d) \change Staff = lh c,] r
\stemDown f'8 \change Staff = rh f_( \change Staff = lh f_\marcato f)}
\context Staff = lh { s1 }
>>
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Slurs avoid dots.
"
}
-\relative c''' { e16. ( e,,32 ) }
\ No newline at end of file
+\relative { e'''16. ( e,,32 ) }
\ No newline at end of file
-\version "2.16.0"
+\version "2.19.21"
\header{
texidoc="Slurs should not get confused by augmentation dots. With a lot
of dots, the problems becomes more visible."
ragged-right = ##t
}
-\relative c'' {
- c4.............( c)
+\relative {
+ c''4.............( c)
}
texidoc = "Dynamics avoid collision with slur."
}
-\version "2.17.15"
+\version "2.19.21"
\layout {
indent = 0\mm
ragged-right = ##t
}
-\relative c'
+\relative
{
b( b f'\p b,)
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Appoggiatura and acciaccaturas use a different slur than the
default, so they produce a nested slur without warnings."
}
-\relative c'' {
- c4( \acciaccatura e8 d4 e4 f) |
+\relative {
+ c''4( \acciaccatura e8 d4 e4 f) |
c4( \appoggiatura e8 d4 e4 f) |
c4 \appoggiatura e8 d4 e4 f |
}
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Slur shaping is not adapted to accommodate objects
"
}
-\relative c {
+\relative {
\clef bass
c8( d' a d c, d' a d)
c,8( des' as des c, des' as des) |
-\version "2.16.0"
+\version "2.19.21"
#(ly:set-option 'warning-as-error #f)
#(ly:expect-warning (_ "already have slur"))
\paper { ragged-right = ##t }
-\relative c' {
+\relative {
\key fis \major
- c1(
+ c'1(
\break
a2 b4 c)
}
-\relative c' {
+\relative {
\key fis \major
- c1(
+ c'1(
\break
a2( b4 c)
% ^ extra SlurEvent
-\version "2.16.0"
+\version "2.19.21"
#(ly:set-option 'warning-as-error #f)
#(ly:expect-warning (_ "already have slur"))
(set! (ly:music-property e 'spanner-id) (format "sp~a" n))
e)
-\relative c'' {
+\relative {
% This will give warnings ("Already have slur" and "Cannot end slur")
- c4((\sp1( d4)(\sp1( e4) f) |
+ c''4((\sp1( d4)(\sp1( e4) f) |
% This will give two overlapping slurs and "unterminated slur" from above
d( d\sp2( e) f\sp2) |
-\version "2.16.0"
+\version "2.19.21"
\header
{
texidoc ="Slurs may be placed over rests. The slur will avoid
\layout { ragged-right = ##t }
{ \stemDown c'4 ( r4 c'2)
- \relative c'' {
+ \relative {
%% Finish with F if played separately
- c8-.( r c,-. r c4) r4|
+ c''8-.( r c,-. r c4) r4|
}
}
slur responds appropriately if a script is moved."
}
-\version "2.17.15"
+\version "2.19.21"
\layout {
indent = 0\mm
ragged-right = ##t
}
-\relative c'
+\relative
{
b4-.( b-.)
\once \override Script.padding = #1.5
-\version "2.17.11"
+\version "2.19.21"
\header {
texidoc = "A slur's shift region is automatically made
higher to accommodate extra encompass elements."
}
-\relative c' {
- c'2( \tuplet 3/2 { g4 e c) }
+\relative {
+ c''2( \tuplet 3/2 { g4 e c) }
}
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Slurs and ties should never share extremal control points.
}
\paper { ragged-right = ##f }
-\relative c'' {
- c1~( c2 g)
+\relative {
+ c''1~( c2 g)
}
\layout {
ragged-right = ##t
}
-\version "2.16.0"
+\version "2.19.21"
-\relative c'' {
+\relative {
\time 2/4
- g8( f)
+ g'8( f)
a( f)
b( f)
c'( f,)
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Slurs do not force grobs with outside-staff-priority
"
}
-\relative c' {
- f8^"rit"( c' f c' f) r8 r4 |
+\relative {
+ f'8^"rit"( c' f c' f) r8 r4 |
c2( c,2 |
g1)~\startTrillSpan
g1\stopTrillSpan
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc="Festival song synthesis output supports
non-english syllabels.
\festivalsyl #"song-basic-nonenglish.xml" { \tempo 4 = 100 }
{
-\relative c' { c e g r }
+\relative { c' e g r }
\addlyrics { ov -- čá -- ci }
}
#(ly:progress "song-basic-nonenglish")
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc="Festival song synthesis output supports
basic songs.
\festival #"song-basic.xml" { \tempo 4 = 100 }
{
\time 3/4
-\relative c' { c2 r2 e4 g2. }
+\relative { c'2 r2 e4 g2. }
\addlyrics { play the game }
}
#(ly:progress "song-basic")
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc="Festival song synthesis output supports
breath marks.
\festival #"song-breathe.xml" { \tempo 4 = 100 }
{
\time 3/4
-\relative c' { c2 e \breathe g }
+\relative { c'2 e \breathe g }
\addlyrics { play the game }
}
#(ly:progress "song-breathe")
-\version "2.19.2"
+\version "2.19.21"
\header {
texidoc="Festival song synthesis output supports
melismas.
\include "festival.ly"
\festival #"song-melisma.xml" { \tempo 4 = 100 }
-\relative c''
+\relative
{
<<
\context Voice = "lala" {
\time 3/4
- f4 g8
+ f''4 g8
\melisma
f e f
\melismaEnd
-\version "2.19.2"
+\version "2.19.21"
\header {
texidoc="Festival song synthesis output supports
repeat signs.
\score{
\festival #"song-repetition.xml" { \tempo 4 = 100 }
<<
- \context Voice = melody \relative c' {
- c2 e4 r4 | g2 e | c1 |
+ \context Voice = melody \relative {
+ c'2 e4 r4 | g2 e | c1 |
\context Voice = verse \repeat volta 2 {c4 d e f | g1 | }
a2 b | c1}
\context Lyrics = mainlyrics \lyricsto melody {
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Festival song synthesis output supports
lyrics which are not complete words.
#(*skip-word* #f)
\festival #"song-skip-noword.xml" { \tempo 4 = 100 }
-\relative c' { c4 c g' }
+\relative { c'4 c g' }
\addlyrics {
twin -- \skip 4
kle
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc="Festival song synthesis output supports
skips.
\include "festival.ly"
\festival #"song-skip.xml" { \tempo 4 = 100 }
-\relative c' { c c g' }
+\relative { c' c g' }
\addlyrics {
twin -- \skip 4
kle
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc="Festival song synthesis output supports
divided voices.
\festival #"song-splitpart.xml" { \tempo 4 = 100 }
<<
\context Voice = "melody" {
- \relative c' {
- c4
+ \relative {
+ c'4
<<
{ \voiceOne c8 e }
\context Voice = splitpart { \voiceTwo c4 }
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc="Festival song synthesis output supports
multiple stanzas.
\festival #"song-stanzas.xml" { \tempo 4 = 100 }
{
\time 3/4
-\relative c' { c2 e4 g2. }
+\relative { c'2 e4 g2. }
\addlyrics { play the game }
\addlyrics { speel het spel }
\addlyrics { joue le jeu }
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc="Festival song synthesis output supports
changing tempo in the middle of a piece.
\festival #"song-tempo.xml" { \tempo 4=90 }
{
\time 3/4
-\relative c' { c4 e g \tempo 4=60 c, e g }
+\relative { c'4 e g \tempo 4=60 c, e g }
\addlyrics { do re mi do re mi }
}
#(ly:progress "song-tempo")
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Accidentals in different staves do not affect the
\layout { ragged-right = ##t}
-\relative c'' <<
+\relative <<
\new Staff {
\time 4/4
- c8[ c8 cis8 cis8]
+ c''8[ c8 cis8 cis8]
cis8[ cis8 cis8 cis]
}
{
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Horizontal spacing works as expected on tied notes with
\paper { ragged-right = ##t }
-\relative c'
+\relative
{ \time 1/4
- cis16 cis cis cis~
+ cis'16 cis cis cis~
cis cis cis cis
c c c c \break
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Accidentals sticking out to the left
\layout { ragged-right = ##t}
-\relative c'' {
+\relative {
\time 8/4
- c2 c2 cis2 cis2 |
+ c''2 c2 cis2 cis2 |
c8 c8 cis8 cis8 cis c c c]
}
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "If right hand stems have accidentals, optical spacing
different."
}
-\relative c' {
+\relative {
\time 2/4
- c8 cis''
+ c'8 cis''
cis8 cis,,
}
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc ="Broken engraving of a bar at the end of a line does not upset
ragged-right = ##t }
-\relative c' {
- c2.. r8
+\relative {
+ c'2.. r8
c2.. r8
\time 3/4 \break
e2 e4 | e2 e4 \time 4/4 \break
-\version "2.16.0"
+\version "2.19.21"
\header { texidoc = "
A voicelet (a very short voice to get polyphonic chords correct)
should not confuse the spacing engine."
\layout { ragged-right = ##t }
-{ \context Staff \relative c' {
- c4
+{ \context Staff \relative {
+ c'4
<<
{ r4 dis'4 } \\
{ r4 fis,4 } \\
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "A clef can be folded below notes in a different staff, if
this does not disrupt the flow of the notes."
\layout { ragged-right = ##t}
-\relative c'' <<
- \new Staff { c4 c16[ c c c] c4 c4 }
+\relative <<
+ \new Staff { c''4 c16[ c c c] c4 c4 }
\new Staff { \clef bass c,2 \clef treble c'2 }
>>
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc = "A clef can be folded below notes in a different staff, if
}
}
-\relative c'' <<
- \new Staff { c4 c4 c4 c \bar "|." }
+\relative <<
+ \new Staff { c''4 c4 c4 c \bar "|." }
\new Staff { \clef bass c,2 \clef treble c'2 }
>>
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Voices that go back and forth between staves do not confuse the spacing engine."
\paper { ragged-right = ##t }
\new PianoStaff <<
- \new Staff = "rh" \relative c'' {
+ \new Staff = "rh" \relative {
\time 6/8
- bes16 c d
+ bes'16 c d
\change Staff = lh
\stemUp bes a g
\change Staff = rh
>>
\new PianoStaff <<
- \new Staff = "rh" \relative c'' {
+ \new Staff = "rh" \relative {
\time 6/8
- bes16 c d
+ bes'16 c d
\change Staff = lh
\stemUp bes a g
\change Staff = rh
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Spacing uses the duration of the notes, but disregards
\layout { ragged-right = ##t}
-\relative c''
+\relative
\context Voice
{
- c8[ c8]
+ c''8[ c8]
\grace { b16 }
c8[ c8] c8[ c8]
run are spaced accordingly. "
}
-\version "2.17.28"
+\version "2.19.21"
\paper { ragged-right = ##t }
-\relative c''
+\relative
{
- c4
+ c''4
\grace { c16 }
c
\grace { c16 }
}
-\version "2.17.6"
+\version "2.19.21"
\paper
{
\time 6/8
\clef bass
s2. |
- \relative c <<
+ \relative <<
{
<des ges b des>4\arpeggio
}
-\version "2.17.11"
+\version "2.19.21"
\header {
texidoc = "Loose columns (here, the treble clef) are spaced
\new Staff \relative c' {
\tuplet 3/2 { g'4 a2 }
}
- \new Staff \relative c' {
- \clef bass fis,,8 cis'
+ \new Staff \relative {
+ \clef bass fis,8 cis'
\clef treble g'' fis,
}
>>
-\version "2.16.0"
+\version "2.19.21"
\paper {ragged-right = ##t}
\header {
texidoc = "The spacing engine avoids collisions between non-adjacent columns."
}
-foo = \relative c'' {
- g'32[ c,]
+foo = \relative {
+ g''32[ c,]
}
-bar = \relative c {
+bar = \relative {
c16 <feses ases ceses eses ases ceses eses geses beses deses>4
}
-\version "2.16.0"
+\version "2.19.21"
\paper {ragged-right = ##t}
\header {
texidoc = "The spacing engine avoids collisions between non-adjacent columns."
}
-foo = \relative c'' {
- g'32[ c,]
+foo = \relative {
+ g''32[ c,]
}
-bar = \relative c {
+bar = \relative {
s16 <feses ases ceses eses ases ceses eses geses beses deses>4
}
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Rests get a little less space, since they are narrower.
However, the quarter rest in feta font is relatively wide, causing this
\layout {
ragged-right = ##t
}
-\relative c'' \context Staff {
+\relative \context Staff {
\time 12/4
- r4 c4 c4 c4 r4 r4 c4
+ r4 c''4 c4 c4 r4 r4 c4
}
{
ragged-right = ##t
}
-\version "2.16.0"
-\relative c' {
+\version "2.19.21"
+\relative {
\time 2/4
- c4 c8 c
+ c'4 c8 c
c8 c c4 c16[ c c8] c4
\newSpacingSection
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Notes that are shorter than the common shortest note get a
\layout { ragged-right = ##t}
-\relative c''
+\relative
{
\time 2/4
- c16 c c c c4 c4
+ c''16 c c c c4 c4
c8 c8 c8 c8
c8 c8 c4
c8 c8 c4
}
-\version "2.16.0"
+\version "2.19.21"
\layout { ragged-right = ##t }
-\relative c' {
- c1 c1^"This is a really long text" c
+\relative {
+ c'1 c1^"This is a really long text" c
}
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc ="Space from a normal note (or barline) to a grace note is
\context Voice
{ \time 2/4
- \relative c'' {
- e8 e \grace d8 e e \grace f8 e es, d' d
+ \relative {
+ e''8 e \grace d8 e e \grace f8 e es, d' d
e8 e e e \grace { \stemDown f8 \stemNeutral } e es, d'
}
-\version "2.19.2"
+\version "2.19.21"
\header {
texidoc = "The @code{SpanBarStub} grob takes care of horizontal spacing
\new GrandStaff <<
\new Staff
\new Voice = "upper"
- \relative c'' {
- c2 c c c
+ \relative {
+ c''2 c c c
\once \override Staff.BarLine.allow-span-bar = ##f
c2 c c c
c2 c c c
\new Staff
\new Voice = "middle"
- \relative c'' {
- c2 c c c
+ \relative {
+ c''2 c c c
c2 c c c
c2 c c c
\once \override Staff.BarLine.allow-span-bar = ##f
\new Staff
\new Voice = "lower"
- \relative c'' {
- c2 c c c
+ \relative {
+ c''2 c c c
c2 c c c
c2 c c c
c2 c c c
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc = "Span bars can be turned on/@/off on a staff-by-staff basis."
}
ragged-right =##t
}
-\relative c' \new StaffGroup <<
+\relative \new StaffGroup <<
\new Staff {
- c1
+ c'1
\once \override Staff.BarLine.allow-span-bar = ##f
c1 c1 c1
\bar "|."
"
}
-\version "2.16.0"
+\version "2.19.21"
-upper = \relative c' {
+upper = \relative {
\key f \minor \time 12/8
r4. r8 r r r r r r r r
- e8 e e e e e e e e e e e
+ e'8 e e e e e e e e e e e
e, e'! e! e! e! e! e! e! e! e! e! e!
}
-\version "2.17.30"
+\version "2.19.21"
\header {
texidoc = "Span bars are drawn only between staff bar lines. By setting
bar lines to transparent, they are shown only between systems.
ragged-right =##t
}
-\relative c' \new StaffGroup <<
+\relative \new StaffGroup <<
\new Staff {
a1
\once \hide Score.BarLine
-\version "2.16.0"
+\version "2.19.21"
\header{
e-. g-. b-. d-.
}
\context Voice {
- \relative c' {
- e'4-. f-. g-. d-. c-. b-.
+ \relative {
+ e''4-. f-. g-. d-. c-. b-.
\stemDown
e,-. d-. c-. b-. a-. g-.
}
texidoc = "Staves can be started and stopped at command. "
}
-\version "2.16.0"
+\version "2.19.21"
\paper {
ragged-right = ##t
}
-\relative c'' {
- b b \stopStaff b b \startStaff
+\relative {
+ b' b \stopStaff b b \startStaff
\clef bass
c,, c
}
-\version "2.19.2"
+\version "2.19.21"
\header {
texidoc = "Symbols that need on-staffline info (like dots and ties)
\new Staff \with {
\remove "Staff_symbol_engraver"
}
-\relative c' {
+\relative {
\time 5/8
- f4 ~ 4
+ f'4 ~ 4
f4 f4.
}
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc = "The staff is a grob (graphical object) which may be adjusted as well, for example, to have 6 thick lines and a slightly large @code{staff-space}.
}
-mus = \relative c' { c4 g' d'8 d d d }
+mus = \relative { c'4 g' d'8 d d d }
<<
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Stanza numbers are put left of their lyric. They
are aligned in a column."
}
-\relative c'' { r4 r4 c4 c4 }
+\relative { r4 r4 c''4 c4 }
\addlyrics {
\skip 2
\set stanza = "1."
-\version "2.19.2"
+\version "2.19.21"
\header{
texidoc="
\layout {
ragged-right = ##t
}
-\context Voice \relative c {
- b''4 ~ 8(b8) e4 e,
+\context Voice \relative {
+ b'4 ~ 8(b8) e4 e,
}
tilted extra on stem-down notes with a flag."
}
-\version "2.16.0"
+\version "2.19.21"
\layout {
ragged-right = ##T
}
-\relative c' {
- c16:32 e: f: a: c,4:8 c4:32 c8:16 \noBeam c16:32 \noBeam c16:64 |
+\relative {
+ c'16:32 e: f: a: c,4:8 c4:32 c8:16 \noBeam c16:32 \noBeam c16:64 |
c''16:32 e: f: a: c,4:8 c4:32 c8:16 \noBeam c16:32 \noBeam c16:64 |
}
}
-\version "2.17.6"
+\version "2.19.21"
\layout {
ragged-right = ##t
}
-fragment = \relative c' {
- c4:64 c:64 c8:64 c:64 c:64 c:64 c:64
+fragment = \relative {
+ c'4:64 c:64 c8:64 c:64 c:64 c:64 c:64
}
-\version "2.17.6"
+\version "2.19.21"
\header { texidoc=" You can write stencil callbacks in Scheme, thus
providing custom glyphs for notation elements. A simple example is
\layout { ragged-right = ##t }
-\relative c' {
- c4 e
+\relative {
+ c'4 e
\override NoteHead.stencil
=
are arabic (used by default) and roman numerals."
}
-\version "2.19.16"
+\version "2.19.21"
\paper {
ragged-right = ##t
}
-\relative c'' {
- c2\2
+\relative {
+ c''2\2
\romanStringNumbers
a\3
\override StringNumber.number-type = #'roman-lower
}
-\version "2.16.0"
+\version "2.19.21"
\paper {
ragged-right = ##t
}
-\relative c' {
- <c\1 e\2 g\3>
+\relative {
+ <c'\1 e\2 g\3>
c4
\set fingeringOrientations = #'(down left up)
\set stringNumberOrientations = #'(down right up)
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "System separators may be defined as markups in the
system-separator-markup = \slashSeparator
}
-foobar = \relative c' {
- c1 c \break
+foobar = \relative {
+ c'1 c \break
c1 c \break
c1 c
}
-\version "2.19.2"
+\version "2.19.21"
\header {
texidoc = "In a TabStaff, the chord repetition function needs
on the main staff."
}
-Guitar = \relative c' {
+Guitar = \relative {
r8 < gis-6 cis-6 b-0 > ~ q4 q8 ~ 8 q4
}
-\version "2.19.2"
+\version "2.19.21"
\header {
texidoc = "In a TabStaff, the chord repetition function needs
\tabChordRepetition
-Guitar = \relative c' {
+Guitar = \relative {
r8 < gis\4 cis\3 b\2 > ~ q4 q8 ~ 8 q4
}
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "
"
}
-mymusic = \relative c {
+mymusic = \relative {
<c c'>4
\set defaultStrings = #'(5 3)
<c c'>4
-\version "2.16.0"
+\version "2.19.21"
\header {
}
-myMusic = \relative c' {
- <f\3 a c>4.
+myMusic = \relative {
+ <f'\3 a c>4.
<f\3 g d'>4.
<f\3 a d>4
}
-\version "2.16.0"
+\version "2.19.21"
\header{ texidoc = "Glissando lines in tablature have the right slope."
}
\paper { ragged-right = ##f } % strech the staff to make glissando lines visible
-glissandotest = \relative c {
+glissandotest = \relative {
c4\5 \glissando d\5 \glissando e\5 f\5 |
c4\5 \glissando d\5 \glissando c2\5 |
c4\5 \glissando c'\4 c\4 \glissando c,\5
-\version "2.16.0"
+\version "2.19.21"
\header{ texidoc = "Fret numbers belonging to grace notes are smaller."
}
-gracenotes = \relative c {
+gracenotes = \relative {
c4 d e f
\grace e8 c4 d e f
\grace \parenthesize e8 c4 d e f
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "
"
}
-music = \relative c' {
- s2. <d\4\harmonic>4 ~ |
+music = \relative {
+ s2. <d'\4\harmonic>4 ~ |
<d\4\harmonic>1 |
}
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Harmonics get angled brackets in tablature.
}
\new TabVoice
-\relative c' {
- <c\2 g'\1\harmonic>4
+\relative {
+ <c'\2 g'\1\harmonic>4
<c g'\1\harmonic>4
<c\2 g'\harmonic>4
<c g'\harmonic>4
-\version "2.17.27"
+\version "2.19.21"
\header {
texidoc = "
"
}
-notes = \relative c' {
+notes = \relative {
\time 3/4
- <f d>4. <bes>8 <g e>4
+ <f' d>4. <bes>8 <g e>4
\set fretLabels = \markuplist {"a" "b" \italic \smaller "c"}
<f d>4. <bes>8 <g e>4
\set fretLabels = \markuplist {\with-color #red "a"
-\version "2.16.0"
+\version "2.19.21"
#(ly:set-option 'warning-as-error #f)
#(ly:expect-warning (_ "Requested string for pitch requires negative fret: string ~a pitch ~a") 1 "#<Pitch c' >")
#(ly:expect-warning (_ "Ignoring string request and recalculating."))
}
-myMusic = \relative c' {
- <c\1>1 ^\markup { recalculate }
+myMusic = \relative {
+ <c'\1>1 ^\markup { recalculate }
\set TabStaff.handleNegativeFrets = #'include
<c\1>1 ^ \markup { include }
\set TabStaff.handleNegativeFrets = #'ignore
texidoc = "Tab supports slides."
}
-\version "2.17.15"
+\version "2.19.21"
\paper {
ragged-right = ##T
}
-\relative c' \new TabVoice
+\relative \new TabVoice
{
- <c g'\harmonic> d\2\glissando e\2
+ <c' g'\harmonic> d\2\glissando e\2
}
-\version "2.16.0"
+\version "2.19.21"
\header {
\new TabStaff {
\set TabStaff.stringTunings = \stringTuning <gis'' dis'' ais' f'>
- \relative c'' { c4 d e f }
+ \relative { c''4 d e f }
}
-\version "2.19.2"
+\version "2.19.21"
\header{ texidoc = "In tablature, notes that are tied to are invisible
except after a line break or within a second volta;
invisible completely, even after line breaks."
}
-firstpart = \relative c {
+firstpart = \relative {
f2 ~ 4 e
g8 g ~ g g ~ g g~ g g ~
1
}
-secondpart = \relative c' {
- c1 ~ \break c2 ~ 2
+secondpart = \relative {
+ c'1 ~ \break c2 ~ 2
}
thirdpart = \relative c' {
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "The @code{\\tag} command marks music expressions with a
\layout { ragged-right= ##t }
common =
-\relative c'' {
+\relative {
- c1
+ c''1
\relative c' <<
\tag #'part <<
R1 \\
}
-\version "2.16.0"
+\version "2.19.21"
#(define time (gettimeofday))
ragged-right = ##f
}
-\new PianoStaff << \new Staff \relative c' { c4 d f8_\f[ g-.] r4 }
+\new PianoStaff << \new Staff \relative { c'4 d f8_\f[ g-.] r4 }
\new Staff { \clef "bass" R1 }
>>
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Text spanners ending on, or broken across, full-measure
\layout { ragged-right = ##t }
-\relative c'' {
- a1\startTextSpan b1 R1 \break
+\relative {
+ a'1\startTextSpan b1 R1 \break
\tempo "tempo" R1 a1 b1 R1\stopTextSpan
}
}
-\version "2.17.6"
+\version "2.19.21"
-sample = \relative c'' {
- c2\startTextSpan c2 \break
+sample = \relative {
+ c''2\startTextSpan c2 \break
c2 c2 \stopTextSpan
}
}
-\version "2.16.0"
+\version "2.19.21"
\layout { ragged-right = ##t }
-\new Staff \relative c'' {
- <e c a f>2~ <e c a f> |
+\new Staff \relative {
+ <e'' c a f>2~ <e c a f> |
\set tieWaitForNote = ##t
e8~ c~ a~ f~ <e' c a f>2 |
f,8~ a~ c~ e~ <f, a c e>2 |
-\version "2.16.0"
+\version "2.19.21"
#(ly:set-option 'warning-as-error #f)
#(ly:expect-warning (_ "unterminated tie"))
#(ly:expect-warning (_ "unterminated tie"))
}
\paper { ragged-right = ##t }
-\relative c' {
- c~ e~ g~ <c, e g>
+\relative {
+ c'~ e~ g~ <c, e g>
\set tieWaitForNote = ##t
c~ e~ g~ <c, e g>
texidoc = "Ties behave properly at line breaks."
}
-\version "2.16.0"
+\version "2.19.21"
\paper { ragged-right = ##t }
-\relative c'
+\relative
{
r2... <b e a>16 ~
\break
-\version "2.17.6"
+\version "2.19.21"
\header { texidoc = "
" }
-\relative c'' {
- \time 4/4 <bis bis>1 ~ \break
+\relative {
+ \time 4/4 <bis' bis>1 ~ \break
\override Tie.details.multi-tie-region-size = #1
\time 3/4 <bis bis>2.~ \break
}
-\version "2.16.0"
+\version "2.19.21"
\paper
{
debug-tie-scoring = ##t
}
-\relative g' {
- <a b e f> ~
+\relative {
+ <a' b e f> ~
<a b e f>
}
{
texidoc = "Individual chord notes can also be tied"
}
-\version "2.16.0"
+\version "2.19.21"
\paper {
ragged-right = ##t
}
-\relative c' {
- <c~ e g> <c e g~> <c e g>
+\relative {
+ <c'~ e g> <c e g~> <c e g>
}
}
-\version "2.16.0"
+\version "2.19.21"
\paper {
indent = #0.0
baseChords =
\applyMusic #(lambda (mus)
(ly:music-property mus 'element))
-\relative c'' {
- <c e>
+\relative {
+ <c'' e>
<b c e>
<a c e>
<a b e>
-\version "2.16.0"
+\version "2.19.21"
\header {
ragged-right = ##t
}
-\relative c'' {
- bes1~ \break
+\relative {
+ bes'1~ \break
bes2.
\stemUp bes4 ~ \break
bes1
This makes correction in complex chords easier."
}
-\version "2.16.0"
+\version "2.19.21"
\paper
{
ragged-right= ##t
}
-\relative c' {
- <f^~ d'>( <e f c'>)
+\relative {
+ <f'^~ d'>( <e f c'>)
}
texidoc = "Ties avoid collisions with dots."
}
-\version "2.19.2"
+\version "2.19.21"
\paper { ragged-right = ##T }
-\relative c'' {
+\relative {
\time 12/8
- d4*3/2~ d8[ e] r8
+ d''4*3/2~ d8[ e] r8
d4.~ 8 e f
}
-\version "2.19.2"
+\version "2.19.21"
\header {
texidoc = "Tying a grace to a following grace or main note works."
}
\layout { ragged-right= ##t }
-\context Voice \relative c'' {
- c4 \grace { c8 ~ 16 ~ } c4
+\context Voice \relative {
+ c''4 \grace { c8 ~ 16 ~ } c4
}
}
-\version "2.17.6"
+\version "2.19.21"
\layout {
ragged-right = ##t
}
-\relative c'' {
+\relative {
- <b d f g>~
+ <b' d f g>~
\once \override TieColumn.tie-configuration =
}
-\version "2.16.0"
+\version "2.19.21"
\paper
{
ragged-right = ##t
}
-\relative c' {
- <f d'>~ <e f c'>
+\relative {
+ <f' d'>~ <e f c'>
}
ragged-right = ##t
}
-\version "2.19.2"
+\version "2.19.21"
frag =
-\relative c'' {
- c16 c2...~ 16 ~ 2... |
+\relative {
+ c''16 c2...~ 16 ~ 2... |
c4~8 c8~16 c16~32 c16.~[ c64]~ 64[ c8..] |
}
-\version "2.19.2"
+\version "2.19.21"
#(ly:set-option 'warning-as-error #f)
#(ly:expect-warning (_ "unterminated tie"))
be created, lilypond prints out a warning unless @code{tieWaitForNote} is set."
}
-\relative c' {
- c1~ 1 |
+\relative {
+ c'1~ 1 |
c1~ <e c> |
c1~ d |
<c e>1~ c |
}
-\version "2.17.15"
+\version "2.19.21"
\paper { ragged-right = ##t }
-\relative c'
+\relative
{
- <f d a>1~
+ <f' d a>1~
<f d a>1~
<f d a>1~
}
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Consecutive trill spans work without explicit
@code{\\stopTrillSpan} commands, since successive trill spanners
\paper { ragged-right = ##f }
-\relative c'' {
- c1\startTrillSpan
+\relative {
+ c''1\startTrillSpan
c1\startTrillSpan
c2\stopTrillSpan r
}
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc = "Chained trills end at the next trill or barline.
Collisions can be prevented by overriding @code{bound-details}.
\paper { ragged-right = ##f }
-\relative c'' {
- g8 f\startTrillSpan ~
+\relative {
+ g'8 f\startTrillSpan ~
f8 g\stopTrillSpan \startTrillSpan ~
g8 r\stopTrillSpan r4
\once \override TrillSpanner.to-barline = ##t
texidoc = "Trill spanner can end on a grace note"
}
-\version "2.17.28"
+\version "2.19.21"
\layout {
ragged-right = ##T
}
-\relative c' \new Voice {
- << { c1 \startTrillSpan }
+\relative \new Voice {
+ << { c'1 \startTrillSpan }
{ s2. \grace { d16\stopTrillSpan e } } >>
c4 }
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc = "
fontSize = #-6
\override StaffSymbol.staff-space = #(magstep -6)
}
- \relative c' {
- c1\startTrillSpan | c\stopTrillSpan |
+ \relative {
+ c'1\startTrillSpan | c\stopTrillSpan |
}
- \new Staff \relative c' {
- c1\startTrillSpan | c\stopTrillSpan |
+ \new Staff \relative {
+ c'1\startTrillSpan | c\stopTrillSpan |
}
>>
}
-\version "2.16.0"
+\version "2.19.21"
\paper { ragged-right = ##t }
-\relative c'' {
- c1\startTrillSpan
+\relative {
+ c''1\startTrillSpan
c\stopTrillSpan
}
}
-\version "2.19.12"
+\version "2.19.21"
#(ly:expect-warning (_ "(De)crescendo with unspecified starting volume in MIDI."))
ignoreMelisma = \set ignoreMelismata = ##t
{ \stemDown f8.[ g16] } >> \stemNeutral a8 |
fis4 g8 c16[ b a g] f[ e] |
d4 f8
- \transpose a' e' \relative c'' { a16[ g fis! g] f![ d] } |
+ \transpose a' e' \relative { a'16[ g fis! g] f![ d] } |
g4. r8 gis gis |
a4 a16.[ b32] c8[( a]) fis8 |
g4.~ 8-\fermata
-\version "2.16.0"
+\version "2.19.21"
%% Edit this file using a Unicode aware editor, such as GVIM, GEDIT, Emacs
ragged-right = ##T
}
-\relative c' {
- c2 d e f g f e
+\relative {
+ c'2 d e f g f e
}
\addlyrics { \bulgarian }
\addlyrics { \hebrew }
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc = "Volte using @code{repeatCommands} can have markup
voltaAdLib = \markup { 1. 2. 3... \text \italic { ad lib. } }
-\relative c'' {
- c1
+\relative {
+ c''1
\set Score.repeatCommands = #(list (list 'volta voltaAdLib) 'start-repeat)
c4 b d e
\set Score.repeatCommands = #'((volta #f) (volta "4.") end-repeat)
-\version "2.16.0"
+\version "2.19.21"
#(ly:set-option 'warning-as-error #f)
#(ly:expect-warning (_ "this is a warning that won't be triggered"))
in our regtests."
}
-\relative c' { c4 }
+\relative { c'4 }
-\version "2.16.0"
+\version "2.19.21"
\header {
texidoc="Empty woodwind diagrams for all instruments
in woodwind-diagrams.scm."
}
-\relative c' {
- c1^\markup {
+\relative {
+ c'1^\markup {
\woodwind-diagram
#'piccolo
#'()
}
}
-\relative c' {
- c1^\markup {
+\relative {
+ c'1^\markup {
\woodwind-diagram
#'flute
#'()
}
}
-\relative c' {
- c1^\markup {
+\relative {
+ c'1^\markup {
\woodwind-diagram
#'oboe
#'()
}
}
-\relative c' {
- c1^\markup {
+\relative {
+ c'1^\markup {
\woodwind-diagram
#'clarinet
#'()
}
}
-\relative c' {
- c1^\markup {
+\relative {
+ c'1^\markup {
\woodwind-diagram
#'bass-clarinet
#'()
}
}
-\relative c' {
- c1^\markup {
+\relative {
+ c'1^\markup {
\woodwind-diagram
#'saxophone
#'()
}
}
-\relative c' {
- c1^\markup {
+\relative {
+ c'1^\markup {
\woodwind-diagram
#'bassoon
#'()
}
}
-\relative c' {
- c1^\markup {
+\relative {
+ c'1^\markup {
\woodwind-diagram
#'contrabassoon
#'()
-\version "2.17.6"
+\version "2.19.21"
\header {
texidoc="
\new Staff \with {
\override StaffSymbol.staff-space = #0
} {
- \relative c' {
- c1 \bar ":|."
+ \relative {
+ c'1 \bar ":|."
}
}
%}
-\version "2.19.20" % necessary for upgrading to future LilyPond versions.
+\version "2.19.21" % necessary for upgrading to future LilyPond versions.
\header{
title = "A scale in LilyPond"
}
-\relative c' {
- c d e f g a b c
+\relative {
+ c' d e f g a b c
}
%}
-\version "2.19.20" % necessary for upgrading to future LilyPond versions.
+\version "2.19.21" % necessary for upgrading to future LilyPond versions.
\header{
title = "A scale in LilyPond"
http://lilypond.org/introduction.html"
}
-\relative c' {
- c d e f g a b c
+\relative {
+ c' d e f g a b c
}
projects / lilypond.git / commitdiff