Run scripts/auxiliar/update-with-convert-ly.sh

[lilypond.git] / Documentation / snippets / vocal-ensemble-template.ly

diff --git a/Documentation/snippets/vocal-ensemble-template.ly b/Documentation/snippets/vocal-ensemble-template.ly
index 88d49caa8f4f429b9621df18046e77c143d5e7e3..ad4c0f5789e738fdb0167aaef2fc1b6cb8d49632 100644 (file)
--- a/Documentation/snippets/vocal-ensemble-template.ly
+++ b/Documentation/snippets/vocal-ensemble-template.ly
@@ -4,64 +4,11 @@
 % and then run scripts/auxiliar/makelsr.py
 %
 % This file is in the public domain.
-%% Note: this file works from version 2.14.0
-\version "2.14.0"
+%% Note: this file works from version 2.19.21
+\version "2.19.21"
 
 \header {
-%% Translation of GIT committish: 70f5f30161f7b804a681cd080274bfcdc9f4fe8c
-  texidoces = "
-He aquí una partitura vocal estándar para cuatro voces SATB. Con
-grupos mayores, suele ser útil incluir una sección que aparezca en
-todas las partes.  Por ejemplo, el compás y la armadura casi siempre
-son los mismos para todas. Como en la plantilla @qq{Himno}, las cuatro
-voces se reagrupan en sólo dos pentagramas.
-
-"
-  doctitlees = "Plantilla de conjunto vocal"
-
-
-%% Translation of GIT committish: bfc88203ac2572737480e78ef2635ed35b458441
-  texidocja = "
-これは標準の 4 パート SATB (ソプラノ、アルト、テナー、バス) ボーカル譜です。@c
-もっと大きな合唱では、すべてのパートで使用されるセクションをインクルードすると@c
-便利です。例えば、拍子記号と調号はほとんど常にすべてのパートで同じです。\"賛美@c
-歌\" テンプレートのように、4 つのボイスは 2 つの譜にグループ分けされています。"
-
-%% Translation of GIT committish: 4077120c18ac1dc490501b3d7d5886bc93e61a42
-  texidocit = "
-Ecco una tipica partitura vocale SATB per quattro parti. Se il gruppo è più grande,
-è spesso utile inserire una sezione che venga poi inclusa in tutte le parti.
-Ad esempio, l'indicazione di tempo e l'armatura di chiave sono quasi sempre
-le stesse per tutte le parti. Come nel modello dell'@qq{Inno}, le quattro voci
-sono raggruppate in due righi soltanto.
-"
-  doctitleit = "Modello per gruppo vocale"
-
-%% Translation of GIT committish: bfc88203ac2572737480e78ef2635ed35b458441
-  texidocde = "
-Dieses Beispiel ist für vierstimmigen Gesang (SATB). Bei größeren
-Stücken ist es oft sinnvoll, eine allgemeine Variable zu bestimmen,
-die in allen Stimmen eingefügt wird. Taktart und Vorzeichen etwa
-sind fast immer gleich in allen Stimmen.
-"
-
-  doctitlede = "Vorlage für Vokalensemble"
-
-
-%% Translation of GIT committish: bfc88203ac2572737480e78ef2635ed35b458441
-  texidocfr = "
-Ce fichier constitue un canevas standard de partition pour chœur à
-quatre voix mixtes.  Lorsque les ensembles s'étoffent, il est judicieux
-de recourrir à une section spécifique incluse dans chacune des parties,
-tout particulièrement pour gérer la métrique et la tonalité qui,
-la plupart du temps, sont communes à tous les pupitres.  Comme il est
-d'usage pour les hymnes, les quatre voix sont réparties sur deux
-portées.
-
-"
-  doctitlefr = "Ensemble vocal (simple)"
-
-  lsrtags = "vocal-music, template"
+  lsrtags = "really-simple, template, vocal-music"
 
   texidoc = "
 Here is a standard four-part SATB vocal score. With larger ensembles,
@@ -69,16 +16,16 @@ it is often useful to include a section which is included in all parts.
 For example, the time signature and key signature are almost always the
 same for all parts. Like in the @qq{Hymn} template, the four voices are
 regrouped on only two staves.
+
 "
   doctitle = "Vocal ensemble template"
 } % begin verbatim
 
-
 \paper {
-  top-system-spacing #'basic-distance = #10
-  score-system-spacing #'basic-distance = #20
-  system-system-spacing #'basic-distance = #20
-  last-bottom-spacing #'basic-distance = #10
+  top-system-spacing.basic-distance = #10
+  score-system-spacing.basic-distance = #20
+  system-system-spacing.basic-distance = #20
+  last-bottom-spacing.basic-distance = #10
 }
 
 global = {
@@ -86,28 +33,28 @@ global = {
   \time 4/4
 }
 
-sopMusic = \relative c'' {
-  c4 c c8[( b)] c4
+sopMusic = \relative {
+  c''4 c c8[( b)] c4
 }
 sopWords = \lyricmode {
   hi hi hi hi
 }
 
-altoMusic = \relative c' {
-  e4 f d e
+altoMusic = \relative {
+  e'4 f d e
 }
 altoWords = \lyricmode {
   ha ha ha ha
 }
 
-tenorMusic = \relative c' {
+tenorMusic = \relative {
   g4 a f g
 }
 tenorWords = \lyricmode {
   hu hu hu hu
 }
 
-bassMusic = \relative c {
+bassMusic = \relative {
   c4 c g c
 }
 bassWords = \lyricmode {
@@ -118,7 +65,7 @@ bassWords = \lyricmode {
   \new ChoirStaff <<
     \new Lyrics = "sopranos" \with {
       % this is needed for lyrics above a staff
-      \override VerticalAxisGroup #'staff-affinity = #DOWN
+      \override VerticalAxisGroup.staff-affinity = #DOWN
     }
     \new Staff = "women" <<
       \new Voice = "sopranos" {
@@ -133,7 +80,7 @@ bassWords = \lyricmode {
     \new Lyrics = "altos"
     \new Lyrics = "tenors" \with {
       % this is needed for lyrics above a staff
-      \override VerticalAxisGroup #'staff-affinity = #DOWN
+      \override VerticalAxisGroup.staff-affinity = #DOWN
     }
     \new Staff = "men" <<
       \clef bass
@@ -152,4 +99,3 @@ bassWords = \lyricmode {
     \context Lyrics = "basses" \lyricsto "basses" \bassWords
   >>
 }
-