Run scripts/auxiliar/update-with-convert-ly.sh

[lilypond.git] / Documentation / notation / pitches.itely

diff --git a/Documentation/notation/pitches.itely b/Documentation/notation/pitches.itely
index e11a4fb1f308b0e36f658aa73eefce03dab5b51a..6ea4585f74e700fab0599310830875d1c182a4e4 100644 (file)
--- a/Documentation/notation/pitches.itely
+++ b/Documentation/notation/pitches.itely
@@ -7,7 +7,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.19.2"
+@c \version "2.19.21"
 
 
 @node Pitches
@@ -162,10 +162,10 @@ absolute octave mode.  Which choices are meaningful?
 Identifying middle C with @code{c'} is quite basic, so finding
 octaves of @code{c} tends to be straightforward.  If your music
 starts with @code{gis} above @code{c'''}, you'd write something
-like @code{\relative c''' @{ gis' @dots{} @}}
+like @code{\relative @{ gis''' @dots{} @}}
 
 @item an octave of the first note inside
-Writing @code{\relative gis''' @{ gis @dots{} @}} makes it easy to
+Writing @code{\relative @{ gis''' @dots{} @}} makes it easy to
 determine the absolute pitch of the first note inside.
 
 @item no explicit starting pitch
@@ -181,7 +181,7 @@ The documentation will usually employ the first option.
 Here is the relative mode shown in action:
 
 @lilypond[verbatim,quote]
-\relative c {
+\relative {
   \clef bass
   c d e f
   g a b c
@@ -193,8 +193,8 @@ Octave changing marks are used for intervals greater than a
 fourth:
 
 @lilypond[verbatim,quote]
-\relative c'' {
-  c g c f,
+\relative {
+  c'' g c f,
   c' a, e'' c
 }
 @end lilypond
@@ -203,7 +203,7 @@ A note sequence without a single octave mark can nevertheless span
 large intervals:
 
 @lilypond[verbatim,quote]
-\relative c {
+\relative {
   c f b e
   a d g c
 }
@@ -213,10 +213,10 @@ When @code{\relative} blocks are nested, the innermost
 @code{\relative} block applies.
 
 @lilypond[verbatim,quote]
-\relative c' {
-  c d e f
-  \relative c'' {
-    c d e f
+\relative {
+  c' d e f
+  \relative {
+    c'' d e f
   }
 }
 @end lilypond
@@ -238,12 +238,12 @@ Music inside a @code{\transpose} block is absolute unless a
 @code{\relative} is included.
 
 @lilypond[verbatim,quote]
-\relative c' {
-  d e
+\relative {
+  d' e
   \transpose f g {
     d e
-    \relative c' {
-      d e
+    \relative {
+      d' e
     }
   }
 }
@@ -260,8 +260,8 @@ relative to the preceding one.  Examine the next example
 carefully, paying attention to the @code{c} notes.
 
 @lilypond[verbatim,quote]
-\relative c' {
-  c
+\relative {
+  c'
   <c e g>
   <c' e g'>
   <c, e, g''>
@@ -277,8 +277,8 @@ double-diminished fifth, regardless of the number of semitones
 that each interval contains.
 
 @lilypond[verbatim,quote]
-\relative c'' {
-  c2 fis
+\relative {
+  c''2 fis
   c2 ges
   b2 eisis
   b2 feses
@@ -324,11 +324,11 @@ Internals Reference:
 
 @c duplicated in Key signature and Accidentals
 @warning{New users are sometimes confused about accidentals and
-key signatures.  In LilyPond, note names are the raw input; key
-signatures and clefs determine how this raw input is displayed.
+key signatures.  In LilyPond, note names specify pitches; key
+signatures and clefs determine how these pitches are displayed.
 An unaltered note like@tie{}@code{c} means @q{C natural},
 regardless of the key signature or clef.  For more information,
-see @rlearning{Accidentals and key signatures}.}
+see @rlearning{Pitches and key signatures}.}
 
 @cindex note names, Dutch
 @cindex note names, default
@@ -353,10 +353,9 @@ for accidentals, see @ref{Note names in other languages}.
 ais1 aes aisis aeses
 @end lilypond
 
-A natural will cancel the effect of an accidental or key
-signature.  However, naturals are not encoded into the note name
-syntax with a suffix; a natural pitch is shown as a simple note
-name:
+A natural pitch is entered as a simple note name; no suffix is
+required.  A natural sign will be printed when needed to cancel
+the effect of an earlier accidental or key signature.
 
 @lilypond[verbatim,quote,relative=2]
 a4 aes a2
@@ -391,8 +390,7 @@ print them manually.  A reminder accidental can be forced by
 adding an exclamation mark@tie{}@code{!} after the pitch.  A
 cautionary accidental (i.e., an accidental within parentheses) can
 be obtained by adding the question mark@tie{}@code{?} after the
-pitch.  These extra accidentals can also be used to produce
-natural signs.
+pitch.
 
 @lilypond[verbatim,quote,relative=2]
 cis cis cis! cis? c c c! c?
@@ -429,7 +427,7 @@ Music Glossary:
 @rglos{quarter tone}.
 
 Learning Manual:
-@rlearning{Accidentals and key signatures}.
+@rlearning{Pitches and key signatures}.
 
 Notation Reference:
 @ref{Automatic accidentals},
@@ -470,8 +468,8 @@ using Italian note names:
 @lilypond[quote,verbatim]
 \language "italiano"
 
-\relative do' {
-  do re mi sib
+\relative {
+  do' re mi sib
 }
 @end lilypond
 
@@ -510,7 +508,7 @@ In addition to note names, accidental suffixes may
 also vary depending on the language:
 
 @quotation
-@multitable {@code{nederlands}} {-s/-sharp} {-ess/-es} {-ss/-x/-sharpsharp} {-essess/-eses}
+@multitable {@code{nederlands}} {-s/--sharp} {-ess/-es} {-ss/-x/--sharpsharp} {-essess/-eses}
 @headitem Language
   @tab sharp @tab flat @tab double sharp @tab double flat
 @item @code{nederlands}
@@ -520,8 +518,8 @@ also vary depending on the language:
 @item @code{deutsch}
   @tab -is @tab -es @tab -isis @tab -eses
 @item @code{english}
-  @tab -s/-sharp @tab -f/-flat @tab -ss/-x/-sharpsharp
-    @tab -ff/-flatflat
+  @tab -s/--sharp @tab -f/--flat @tab -ss/-x/--sharpsharp
+    @tab -ff/--flatflat
 @item @code{espanol} or @code{español}
   @tab -s @tab -b @tab -ss/-x @tab -bb
 @item @code{italiano} or @code{français}
@@ -643,8 +641,8 @@ octave @code{d''} instead of @code{d'} as indicated by the octave
 correction.
 
 @lilypond[verbatim,quote]
-\relative c'' {
-  c2 d='4 d
+\relative {
+  c''2 d='4 d
   e2 f
 }
 @end lilypond
@@ -659,8 +657,8 @@ printed, but the previous note is not changed.  Future notes are
 relative to the @code{@var{controlpitch}}.
 
 @lilypond[verbatim,quote]
-\relative c'' {
-  c2 d
+\relative {
+  c''2 d
   \octaveCheck c'
   e2 f
 }
@@ -670,8 +668,8 @@ Compare the two bars below.  The first and third @code{\octaveCheck}
 checks fail, but the second one does not fail.
 
 @lilypond[verbatim,quote]
-\relative c'' {
-  c4 f g f
+\relative {
+  c''4 f g f
 
   c4
   \octaveCheck c'
@@ -729,9 +727,9 @@ automatically transposed as well.
 
 @lilypond[verbatim,quote]
 \transpose d e {
-  \relative c' {
+  \relative {
     \key d \major
-    d4 fis a d
+    d'4 fis a d
   }
 }
 @end lilypond
@@ -746,9 +744,9 @@ part will be produced with:
 
 @lilypond[verbatim,quote]
 \transpose a c' {
-  \relative c' {
+  \relative {
     \key c \major
-    c4 d e g
+    c'4 d e g
   }
 }
 @end lilypond
@@ -765,7 +763,7 @@ the notes will remain on the same scale step, the second version
 will print flats on the scale step above.
 
 @lilypond[verbatim,quote]
-music = \relative c' { c d e f }
+music = \relative { c' d e f }
 \new Staff {
   \transpose c cis { \music }
   \transpose c des { \music }
@@ -857,7 +855,7 @@ The @code{@var{musicexpr}} is inverted interval-by-interval around
 @code{@var{around-pitch}} is mapped to @code{@var{to-pitch}}.
 
 @lilypond[verbatim,quote]
-music = \relative c' { c d e f }
+music = \relative { c' d e f }
 \new Staff {
   \music
   \inversion d' d' \music
@@ -888,7 +886,7 @@ Notation Reference:
 A music expression can be reversed to produce its retrograde:
 
 @lilypond[verbatim,quote]
-music = \relative c' { c8. ees16( fis8. a16 b8.) gis16 f8. d16 }
+music = \relative { c'8. ees16( fis8. a16 b8.) gis16 f8. d16 }
 
 \new Staff {
   \music
@@ -944,8 +942,8 @@ number of scale degrees given by the interval between @var{to-pitch}
 and @var{from-pitch}:
 
 @lilypond[verbatim,quote]
-diatonicScale = \relative c' { c d e f g a b }
-motif = \relative c' { c8 d e f g a b c }
+diatonicScale = \relative { c' d e f g a b }
+motif = \relative { c'8 d e f g a b c }
 
 \new Staff {
   \motif
@@ -958,8 +956,8 @@ An ascending scale of any length and with any intervals may be
 specified:
 
 @lilypond[verbatim,quote]
-pentatonicScale = \relative c' { ges aes bes des ees }
-motif = \relative c' { ees8 des ges,4 <ges' bes,> <ges bes,> }
+pentatonicScale = \relative { ges aes bes des ees }
+motif = \relative { ees'8 des ges,4 <ges' bes,> <ges bes,> }
 
 \new Staff {
   \motif
@@ -972,8 +970,8 @@ similar effect to @code{\transpose}, but with the ability to
 specify the names of the notes to be used:
 
 @lilypond[verbatim,quote]
-chromaticScale = \relative c' { c cis d dis e f fis g gis a ais b }
-motif = \relative c' { c8 d e f g a b c }
+chromaticScale = \relative { c' cis d dis e f fis g gis a ais b }
+motif = \relative { c'8 d e f g a b c }
 
 \new Staff {
   \motif
@@ -1007,8 +1005,8 @@ So to simply invert around a note in the scale use the same value for
 @var{around-pitch} and @var{to-pitch}:
 
 @lilypond[verbatim,quote]
-octatonicScale = \relative c' { ees f fis gis a b c d }
-motif = \relative c' { c8. ees16 fis8. a16 b8. gis16 f8. d16 }
+octatonicScale = \relative { ees' f fis gis a b c d }
+motif = \relative { c'8. ees16 fis8. a16 b8. gis16 f8. d16 }
 
 \new Staff {
   \motif
@@ -1021,8 +1019,8 @@ one of the notes and then transpose by one scale degree.  The two notes
 specified can be interpreted as bracketing the pivot point:
 
 @lilypond[verbatim,quote]
-scale = \relative c' { c g' }
-motive = \relative c' { c c g' c, }
+scale = \relative { c' g' }
+motive = \relative { c' c g' c, }
 
 \new Staff {
   \motive
@@ -1034,8 +1032,8 @@ The combined operation of inversion and retrograde produce the
 retrograde-inversion:
 
 @lilypond[verbatim,quote]
-octatonicScale = \relative c' { ees f fis gis a b c d }
-motif = \relative c' { c8. ees16 fis8. a16 b8. gis16 f8. d16 }
+octatonicScale = \relative { ees' f fis gis a b c d }
+motif = \relative { c'8. ees16 fis8. a16 b8. gis16 f8. d16 }
 
 \new Staff {
   \motif
@@ -1180,13 +1178,60 @@ c2 c
 The pitches are displayed as if the numeric argument were
 given without parentheses/brackets.
 
-@snippets
-@lilypondfile[verbatim,quote,texidoc,doctitle]
-{forcing-a-clef-symbol-to-be-displayed.ly}
+By default, a clef change taking place at a line break will cause
+the new clef symbol to be printed at the end of the previous line,
+as a @emph{warning} clef, as well as the beginning of the next.
+This @emph{warning} clef can be suppressed.
 
-@lilypondfile[verbatim,quote,texidoc,doctitle]
-{keep-change-clefs-full-sized.ly}
+@lilypond[verbatim,quote,relative=1]
+\clef treble { c2 c } \break
+\clef bass { c2 c } \break
+\clef alto
+  \set Staff.explicitClefVisibility = #end-of-line-invisible
+  { c2 c } \break
+  \unset Staff.explicitClefVisibility
+\clef bass { c2 c } \break
+@end lilypond
+
+By default, a clef that has previously been printed will not be
+re-printed if the same @code{\clef} command is issued again and
+will be ignored.  The the command
+@code{\set Staff.forceClef = ##t} changes this behaviour.
+
+@lilypond[verbatim,quote,relative=1]
+  \clef treble
+  c1
+  \clef treble
+  c1
+  \set Staff.forceClef = ##t
+  c1
+  \clef treble
+  c1
+@end lilypond
+
+When there is a manual clef change, the glyph of the changed clef
+will be smaller than normal.  This behaviour can be overridden.
+
+@lilypond[verbatim,quote,relative=1]
+  \clef "treble"
+  c1
+  \clef "bass"
+  c1
+  \clef "treble"
+  c1
+  \override Staff.Clef.full-size-change = ##t
+  \clef "bass"
+  c1
+  \clef "treble"
+  c1
+  \revert Staff.Clef.full-size-change
+  \clef "bass"
+  c1
+  \clef "treble"
+  c1
+@end lilypond
 
+@snippets
 @lilypondfile[verbatim,quote,texidoc,doctitle]
 {tweaking-clef-properties.ly}
 
@@ -1199,7 +1244,7 @@ Notation Reference:
 @ref{Formatting cue notes}.
 
 Installed Files:
-@file{../scm/parser-clef.scm}.
+@file{scm/parser-clef.scm}.
 
 Snippets:
 @rlsr{Pitches}.
@@ -1211,10 +1256,10 @@ Internals Reference:
 @rinternals{clef-interface}.
 
 @knownissues
-Ottavation numbers attached to clefs are treated as separate grobs.  So
-any @code{\override} done to the @var{Clef} will also need to be
-applied, as a separate @code{\override}, to the @var{ClefModifier}
-grob.
+Ottavation numbers attached to clefs are treated as separate
+grobs.  So any @code{\override} done to the @var{Clef} will also
+need to be applied, as a separate @code{\override}, to the
+@var{ClefModifier} grob.
 
 @lilypond[fragment,quote,verbatim,relative=1]
 \new Staff \with {
@@ -1240,7 +1285,7 @@ key signatures.  In LilyPond, note names are the raw input; key
 signatures and clefs determine how this raw input is displayed.
 An unaltered note like@tie{}@code{c} means @q{C natural},
 regardless of the key signature or clef.  For more information,
-see @rlearning{Accidentals and key signatures}.}
+see @rlearning{Pitches and key signatures}.}
 
 The key signature indicates the tonality in which a piece is
 played.  It is denoted by a set of alterations (flats or sharps)
@@ -1303,8 +1348,8 @@ for each scale step when the mode starts on C.
 freygish = #`((0 . ,NATURAL) (1 . ,FLAT) (2 . ,NATURAL)
     (3 . ,NATURAL) (4 . ,NATURAL) (5 . ,FLAT) (6 . ,FLAT))
 
-\relative c' {
-  \key c \freygish c4 des e f
+\relative {
+  \key c \freygish c'4 des e f
   \bar "||" \key d \freygish d es fis g
 }
 @end lilypond
@@ -1336,13 +1381,14 @@ position.
 @lilypondfile[verbatim,quote,texidoc,doctitle]
 {non-traditional-key-signatures.ly}
 
+
 @seealso
 Music Glossary:
 @rglos{church mode},
 @rglos{scordatura}.
 
 Learning Manual:
-@rlearning{Accidentals and key signatures}.
+@rlearning{Pitches and key signatures}.
 
 Snippets:
 @rlsr{Pitches}.
@@ -1394,6 +1440,9 @@ a2 b
 @lilypondfile[verbatim,quote,texidoc,doctitle]
 {adding-an-ottava-marking-to-a-single-voice.ly}
 
+@lilypondfile[verbatim,quote,texidoc,doctitle]
+{modifying-the-ottava-spanner-slope.ly}
+
 @seealso
 Music Glossary:
 @rglos{octavation}.
@@ -1558,12 +1607,12 @@ each style, we use the following example:
 @lilypond[verbatim,quote]
 musicA = {
   <<
-    \relative c' {
-      cis'8 fis, bes4 <a cis>8 f bis4 |
+    \relative {
+      cis''8 fis, bes4 <a cis>8 f bis4 |
       cis2. <c, g'>4 |
     }
     \\
-    \relative c' {
+    \relative {
       ais'2 cis, |
       fis8 b a4 cis2 |
     }
@@ -1573,8 +1622,8 @@ musicA = {
 musicB = {
   \clef bass
   \new Voice {
-    \voiceTwo \relative c' {
-      <fis, a cis>8[ <fis a cis>
+    \voiceTwo \relative {
+      <fis a cis>8[ <fis a cis>
       \change Staff = up
       cis' cis
       \change Staff = down
@@ -1641,12 +1690,12 @@ last@tie{}@code{c}:
 @lilypond[quote]
 musicA = {
   <<
-    \relative c' {
-      cis'8 fis, bes4 <a cis>8 f bis4 |
+    \relative {
+      cis''8 fis, bes4 <a cis>8 f bis4 |
       cis2. <c, g'>4 |
     }
     \\
-    \relative c' {
+    \relative {
       ais'2 cis, |
       fis8 b a4 cis2 |
     }
@@ -1656,8 +1705,8 @@ musicA = {
 musicB = {
   \clef bass
   \new Voice {
-    \voiceTwo \relative c' {
-      <fis, a cis>8[ <fis a cis>
+    \voiceTwo \relative {
+      <fis a cis>8[ <fis a cis>
       \change Staff = up
       cis' cis
       \change Staff = down
@@ -1714,12 +1763,12 @@ individual musicians.  If the staff is to be used by one musician
 @lilypond[quote]
 musicA = {
   <<
-    \relative c' {
-      cis'8 fis, bes4 <a cis>8 f bis4 |
+    \relative {
+      cis''8 fis, bes4 <a cis>8 f bis4 |
       cis2. <c, g'>4 |
     }
     \\
-    \relative c' {
+    \relative {
       ais'2 cis, |
       fis8 b a4 cis2 |
     }
@@ -1729,8 +1778,8 @@ musicA = {
 musicB = {
   \clef bass
   \new Voice {
-    \voiceTwo \relative c' {
-      <fis, a cis>8[ <fis a cis>
+    \voiceTwo \relative {
+      <fis a cis>8[ <fis a cis>
       \change Staff = up
       cis' cis
       \change Staff = down
@@ -1780,12 +1829,12 @@ the upper staff:
 @lilypond[quote]
 musicA = {
   <<
-    \relative c' {
-      cis'8 fis, bes4 <a cis>8 f bis4 |
+    \relative {
+      cis''8 fis, bes4 <a cis>8 f bis4 |
       cis2. <c, g'>4 |
     }
     \\
-    \relative c' {
+    \relative {
       ais'2 cis, |
       fis8 b a4 cis2 |
     }
@@ -1795,8 +1844,8 @@ musicA = {
 musicB = {
   \clef bass
   \new Voice {
-    \voiceTwo \relative c' {
-      <fis, a cis>8[ <fis a cis>
+    \voiceTwo \relative {
+      <fis a cis>8[ <fis a cis>
       \change Staff = up
       cis' cis
       \change Staff = down
@@ -1844,12 +1893,12 @@ defining the @code{cautionary-style} property of
 @lilypond[quote]
 musicA = {
   <<
-    \relative c' {
-      cis'8 fis, bes4 <a cis>8 f bis4 |
+    \relative {
+      cis''8 fis, bes4 <a cis>8 f bis4 |
       cis2. <c, g'>4 |
     }
     \\
-    \relative c' {
+    \relative {
       ais'2 cis, |
       fis8 b a4 cis2 |
     }
@@ -1859,8 +1908,8 @@ musicA = {
 musicB = {
   \clef bass
   \new Voice {
-    \voiceTwo \relative c' {
-      <fis, a cis>8[ <fis a cis>
+    \voiceTwo \relative {
+      <fis a cis>8[ <fis a cis>
       \change Staff = up
       cis' cis
       \change Staff = down
@@ -1911,12 +1960,12 @@ accidental in a different voice in the previous measure:
 @lilypond[quote]
 musicA = {
   <<
-    \relative c' {
-      cis'8 fis, bes4 <a cis>8 f bis4 |
+    \relative {
+      cis''8 fis, bes4 <a cis>8 f bis4 |
       cis2. <c, g'>4 |
     }
     \\
-    \relative c' {
+    \relative {
       ais'2 cis, |
       fis8 b a4 cis2 |
     }
@@ -1926,8 +1975,8 @@ musicA = {
 musicB = {
   \clef bass
   \new Voice {
-    \voiceTwo \relative c' {
-      <fis, a cis>8[ <fis a cis>
+    \voiceTwo \relative {
+      <fis a cis>8[ <fis a cis>
       \change Staff = up
       cis' cis
       \change Staff = down
@@ -1972,12 +2021,12 @@ typeset as cautionaries.
 @lilypond[quote]
 musicA = {
   <<
-    \relative c' {
-      cis'8 fis, bes4 <a cis>8 f bis4 |
+    \relative {
+      cis''8 fis, bes4 <a cis>8 f bis4 |
       cis2. <c, g'>4 |
     }
     \\
-    \relative c' {
+    \relative {
       ais'2 cis, |
       fis8 b a4 cis2 |
     }
@@ -1987,8 +2036,8 @@ musicA = {
 musicB = {
   \clef bass
   \new Voice {
-    \voiceTwo \relative c' {
-      <fis, a cis>8[ <fis a cis>
+    \voiceTwo \relative {
+      <fis a cis>8[ <fis a cis>
       \change Staff = up
       cis' cis
       \change Staff = down
@@ -2037,12 +2086,12 @@ This accidental style applies to the current @code{GrandStaff} or
 @lilypond[quote]
 musicA = {
   <<
-    \relative c' {
-      cis'8 fis, bes4 <a cis>8 f bis4 |
+    \relative {
+      cis''8 fis, bes4 <a cis>8 f bis4 |
       cis2. <c, g'>4 |
     }
     \\
-    \relative c' {
+    \relative {
       ais'2 cis, |
       fis8 b a4 cis2 |
     }
@@ -2052,8 +2101,8 @@ musicA = {
 musicB = {
   \clef bass
   \new Voice {
-    \voiceTwo \relative c' {
-      <fis, a cis>8[ <fis a cis>
+    \voiceTwo \relative {
+      <fis a cis>8[ <fis a cis>
       \change Staff = up
       cis' cis
       \change Staff = down
@@ -2097,12 +2146,12 @@ typeset as cautionaries.
 @lilypond[quote]
 musicA = {
   <<
-    \relative c' {
-      cis'8 fis, bes4 <a cis>8 f bis4 |
+    \relative {
+      cis''8 fis, bes4 <a cis>8 f bis4 |
       cis2. <c, g'>4 |
     }
     \\
-    \relative c' {
+    \relative {
       ais'2 cis, |
       fis8 b a4 cis2 |
     }
@@ -2112,8 +2161,8 @@ musicA = {
 musicB = {
   \clef bass
   \new Voice {
-    \voiceTwo \relative c' {
-      <fis, a cis>8[ <fis a cis>
+    \voiceTwo \relative {
+      <fis a cis>8[ <fis a cis>
       \change Staff = up
       cis' cis
       \change Staff = down
@@ -2156,12 +2205,12 @@ if the note is immediately repeated.
 @lilypond[quote]
 musicA = {
   <<
-    \relative c' {
-      cis'8 fis, bes4 <a cis>8 f bis4 |
+    \relative {
+      cis''8 fis, bes4 <a cis>8 f bis4 |
       cis2. <c, g'>4 |
     }
     \\
-    \relative c' {
+    \relative {
       ais'2 cis, |
       fis8 b a4 cis2 |
     }
@@ -2171,8 +2220,8 @@ musicA = {
 musicB = {
   \clef bass
   \new Voice {
-    \voiceTwo \relative c' {
-      <fis, a cis>8[ <fis a cis>
+    \voiceTwo \relative {
+      <fis a cis>8[ <fis a cis>
       \change Staff = up
       cis' cis
       \change Staff = down
@@ -2213,12 +2262,12 @@ accidentals are printed as cautionary accidentals.
 @lilypond[quote]
 musicA = {
   <<
-    \relative c' {
-      cis'8 fis, bes4 <a cis>8 f bis4 |
+    \relative {
+      cis''8 fis, bes4 <a cis>8 f bis4 |
       cis2. <c, g'>4 |
     }
     \\
-    \relative c' {
+    \relative {
       ais'2 cis, |
       fis8 b a4 cis2 |
     }
@@ -2228,8 +2277,8 @@ musicA = {
 musicB = {
   \clef bass
   \new Voice {
-    \voiceTwo \relative c' {
-      <fis, a cis>8[ <fis a cis>
+    \voiceTwo \relative {
+      <fis a cis>8[ <fis a cis>
       \change Staff = up
       cis' cis
       \change Staff = down
@@ -2273,12 +2322,12 @@ but they are canceled across voices in the same @code{Staff}.
 @lilypond[quote]
 musicA = {
   <<
-    \relative c' {
-      cis'8 fis, bes4 <a cis>8 f bis4 |
+    \relative {
+      cis''8 fis, bes4 <a cis>8 f bis4 |
       cis2. <c, g'>4 |
     }
     \\
-    \relative c' {
+    \relative {
       ais'2 cis, |
       fis8 b a4 cis2 |
     }
@@ -2288,8 +2337,8 @@ musicA = {
 musicB = {
   \clef bass
   \new Voice {
-    \voiceTwo \relative c' {
-      <fis, a cis>8[ <fis a cis>
+    \voiceTwo \relative {
+      <fis a cis>8[ <fis a cis>
       \change Staff = up
       cis' cis
       \change Staff = down
@@ -2330,12 +2379,12 @@ accidentals are printed as cautionary accidentals.
 @lilypond[quote]
 musicA = {
   <<
-    \relative c' {
-      cis'8 fis, bes4 <a cis>8 f bis4 |
+    \relative {
+      cis''8 fis, bes4 <a cis>8 f bis4 |
       cis2. <c, g'>4 |
     }
     \\
-    \relative c' {
+    \relative {
       ais'2 cis, |
       fis8 b a4 cis2 |
     }
@@ -2345,8 +2394,8 @@ musicA = {
 musicB = {
   \clef bass
   \new Voice {
-    \voiceTwo \relative c' {
-      <fis, a cis>8[ <fis a cis>
+    \voiceTwo \relative {
+      <fis a cis>8[ <fis a cis>
       \change Staff = up
       cis' cis
       \change Staff = down
@@ -2390,12 +2439,12 @@ including natural signs.
 @lilypond[quote]
 musicA = {
   <<
-    \relative c' {
-      cis'8 fis, bes4 <a cis>8 f bis4 |
+    \relative {
+      cis''8 fis, bes4 <a cis>8 f bis4 |
       cis2. <c, g'>4 |
     }
     \\
-    \relative c' {
+    \relative {
       ais'2 cis, |
       fis8 b a4 cis2 |
     }
@@ -2405,8 +2454,8 @@ musicA = {
 musicB = {
   \clef bass
   \new Voice {
-    \voiceTwo \relative c' {
-      <fis, a cis>8[ <fis a cis>
+    \voiceTwo \relative {
+      <fis a cis>8[ <fis a cis>
       \change Staff = up
       cis' cis
       \change Staff = down
@@ -2448,12 +2497,12 @@ suppressed for pitches immediately repeated within the same staff.
 @lilypond[quote]
 musicA = {
   <<
-    \relative c' {
-      cis'8 fis, bes4 <a cis>8 f bis4 |
+    \relative {
+      cis''8 fis, bes4 <a cis>8 f bis4 |
       cis2. <c, g'>4 |
     }
     \\
-    \relative c' {
+    \relative {
       ais'2 cis, |
       fis8 b a4 cis2 |
     }
@@ -2463,8 +2512,8 @@ musicA = {
 musicB = {
   \clef bass
   \new Voice {
-    \voiceTwo \relative c' {
-      <fis, a cis>8[ <fis a cis>
+    \voiceTwo \relative {
+      <fis a cis>8[ <fis a cis>
       \change Staff = up
       cis' cis
       \change Staff = down
@@ -2508,12 +2557,12 @@ but throughout voices.
 @lilypond[quote]
 musicA = {
   <<
-    \relative c' {
-      cis'8 fis, bes4 <a cis>8 f bis4 |
+    \relative {
+      cis''8 fis, bes4 <a cis>8 f bis4 |
       cis2. <c, g'>4 |
     }
     \\
-    \relative c' {
+    \relative {
       ais'2 cis, |
       fis8 b a4 cis2 |
     }
@@ -2523,8 +2572,8 @@ musicA = {
 musicB = {
   \clef bass
   \new Voice {
-    \voiceTwo \relative c' {
-      <fis, a cis>8[ <fis a cis>
+    \voiceTwo \relative {
+      <fis a cis>8[ <fis a cis>
       \change Staff = up
       cis' cis
       \change Staff = down
@@ -2569,12 +2618,12 @@ key signature, except if the note is immediately repeated.
 @lilypond[quote,staffsize=18]
 musicA = {
   <<
-    \relative c' {
-      cis'8 fis, bes4 <a cis>8 f bis4 |
+    \relative {
+      cis''8 fis, bes4 <a cis>8 f bis4 |
       cis2. <c, g'>4 |
     }
     \\
-    \relative c' {
+    \relative {
       ais'2 cis, |
       fis8 b a4 cis2 |
     }
@@ -2584,8 +2633,8 @@ musicA = {
 musicB = {
   \clef bass
   \new Voice {
-    \voiceTwo \relative c' {
-      <fis, a cis>8[ <fis a cis>
+    \voiceTwo \relative {
+      <fis a cis>8[ <fis a cis>
       \change Staff = up
       cis' cis
       \change Staff = down
@@ -2630,12 +2679,12 @@ This is the same as @code{default} but with accidentals lasting
 @lilypond[quote]
 musicA = {
   <<
-    \relative c' {
-      cis'8 fis, bes4 <a cis>8 f bis4 |
+    \relative {
+      cis''8 fis, bes4 <a cis>8 f bis4 |
       cis2. <c, g'>4 |
     }
     \\
-    \relative c' {
+    \relative {
       ais'2 cis, |
       fis8 b a4 cis2 |
     }
@@ -2645,8 +2694,8 @@ musicA = {
 musicB = {
   \clef bass
   \new Voice {
-    \voiceTwo \relative c' {
-      <fis, a cis>8[ <fis a cis>
+    \voiceTwo \relative {
+      <fis a cis>8[ <fis a cis>
       \change Staff = up
       cis' cis
       \change Staff = down
@@ -2689,12 +2738,12 @@ the music.
 @lilypond[quote]
 musicA = {
   <<
-    \relative c' {
-      cis'8 fis, bes4 <a cis>8 f bis4 |
+    \relative {
+      cis''8 fis, bes4 <a cis>8 f bis4 |
       cis2. <c, g'>4 |
     }
     \\
-    \relative c' {
+    \relative {
       ais'2 cis, |
       fis8 b a4 cis2 |
     }
@@ -2704,8 +2753,8 @@ musicA = {
 musicB = {
   \clef bass
   \new Voice {
-    \voiceTwo \relative c' {
-      <fis, a cis>8[ <fis a cis>
+    \voiceTwo \relative {
+      <fis a cis>8[ <fis a cis>
       \change Staff = up
       cis' cis
       \change Staff = down
@@ -2830,8 +2879,8 @@ printed if they are not part of the key signature.
   }
 }
 
-\relative c'' {
-  aes c e2
+\relative {
+  aes' c e2
   cis,1
 }
 @end lilypond