Run scripts/auxiliar/update-with-convert-ly.sh

[lilypond.git] / Documentation / ja / notation / simultaneous.itely

diff --git a/Documentation/ja/notation/simultaneous.itely b/Documentation/ja/notation/simultaneous.itely
index b88b36a3197404c792a68e8949b75118e7da4729..866a26acdbb7bee366e400b4a4ddc63f63f56ef4 100644 (file)
--- a/Documentation/ja/notation/simultaneous.itely
+++ b/Documentation/ja/notation/simultaneous.itely
@@ -6,7 +6,7 @@
     version that you are working on.  See TRANSLATION for details.
 @end ignore
 
-@c \version "2.17.28"
+@c \version "2.19.21"
 
 
 @c Translators: Yoshiki Sawada
@@ -224,8 +224,8 @@ q2 c, |
 \new Voice
 \relative c'' {
   \chordRepeats #'(articulation-event)
-  \relative c''
-  { <a-. c\prall e>1\sfz c'4 q2 r8 q8-. } |
+  \relative
+  { <a'-. c\prall e>1\sfz c'4 q2 r8 q8-. } |
   q2 c |
 }
 @end lilypond
@@ -409,7 +409,7 @@ warning: ignoring too many clashing note columns
   \new Voice = "first"
     { \voiceOne r8 r16 g e8. f16 g8[ c,] f e16 d }
   \new Voice= "second"
-    { \voiceTwo d16 c d8~ d16 b c8~ c16 b c8~ c16 b8. }
+    { \voiceTwo d16 c d8~ 16 b c8~ 16 b c8~ 16 b8. }
 >>
 @end lilypond
 
@@ -486,7 +486,7 @@ warning: ignoring too many clashing note columns
 <<
   { r8 r16 g e8. f16 g8[ c,] f e16 d }
   \\
-  { d16 c d8~ d16 b c8~ c16 b c8~ c16 b8. }
+  { d16 c d8~ 16 b c8~ 16 b c8~ 16 b8. }
 >>
 @end lilypond
 
@@ -789,10 +789,10 @@ etc.
 
 @c KEEP LY
 @lilypond[quote,verbatim]
-\new Staff \relative c'' {
+\new Staff \relative {
   %% 簡略化された入力
   <<
-    { f2  }  % 1: 最上段
+    { f''2  }  % 1: 最上段
     \\
     { g,2 }  % 2: 最下段
     \\
@@ -920,17 +920,17 @@ are at the same time differently dotted are not clear.
 個々のパート譜と結合譜で同じ変数が使用されています。
 
 @lilypond[quote,verbatim]
-instrumentOne = \relative c' {
-  c4 d e f |
+instrumentOne = \relative {
+  c'4 d e f |
   R1 |
   d'4 c b a |
   b4 g2 f4 |
   e1 |
 }
 
-instrumentTwo = \relative g' {
+instrumentTwo = \relative {
   R1 |
-  g4 a b c |
+  g'4 a b c |
   d4 c b a |
   g4 f( e) d |
   e1 |
@@ -1031,8 +1031,8 @@ instrumentOne = \relative c' {
   \partcombineApart c2^"apart" \partcombineChordsOnce e^"chord once" |
   c2 c |
 }
-instrumentTwo = \relative c' {
-  c2 c |
+instrumentTwo = \relative {
+  c'2 c |
   e2 e |
   a,2 c |
   c2 c' |
@@ -1129,12 +1129,12 @@ instrumentTwo = \relative c' {
 \parallelMusic #'(voiceA voiceB voiceC) {
   % Bar 1
   r8 g'16 c'' e'' g' c'' e'' r8 g'16 c'' e'' g' c'' e'' |
-  r16 e'8.~   e'4            r16 e'8.~   e'4            |
+  r16 e'8.~   4              r16 e'8.~   4              |
   c'2                        c'2                        |
 
   % Bar 2
   r8 a'16 d'' f'' a' d'' f'' r8 a'16 d'' f'' a' d'' f'' |
-  r16 d'8.~   d'4            r16 d'8.~   d'4            |
+  r16 d'8.~   4              r16 d'8.~   4              |
   c'2                        c'2                        |
 
 }
@@ -1154,12 +1154,12 @@ instrumentTwo = \relative c' {
 \parallelMusic #'(voiceA voiceB voiceC) {
   % Bar 1
   r8 g16 c e g, c e r8 g,16 c e g, c e  |
-  r16 e8.~ e4       r16 e8.~  e4        |
+  r16 e8.~ 4        r16 e8.~  4         |
   c2                c                   |
 
   % Bar 2
   r8 a,16 d f a, d f r8 a,16 d f a, d f |
-  r16 d8.~  d4       r16 d8.~  d4       |
+  r16 d8.~  4        r16 d8.~  4        |
   c2                 c                  |
 
  }