Run scripts/auxiliar/update-with-convert-ly.sh

[lilypond.git] / Documentation / es / notation / chords.itely

diff --git a/Documentation/es/notation/chords.itely b/Documentation/es/notation/chords.itely
index e1046051e03ec1f4a1d11023eba7d927fab7a46b..644c126040d19434a108fb7279364fdafe7bec6b 100644 (file)
--- a/Documentation/es/notation/chords.itely
+++ b/Documentation/es/notation/chords.itely
@@ -1,14 +1,14 @@
 @c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
 
 @ignore
-    Translation of GIT committish: f739a44f91a0b7ef5f634b6c4ca5b45c988798c1
+    Translation of GIT committish: 83c5b56f8a495df4fca2551957e0fd8757ec3651
 
     When revising a translation, copy the HEAD committish of the
     version that you are working on.  For details, see the Contributors'
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.17.6"
+@c \version "2.19.21"
 
 @node Notación de acordes
 @section Notación de acordes
@@ -184,7 +184,7 @@ Acción predeterminada; produce una tríada mayor.
 @tab
 @lilypond[line-width=4\cm, noragged-right]
 \chordmode {
-  \override Staff.TimeSignature.stencil = ##f
+  \omit Staff.TimeSignature
   c1
 }
 @end lilypond
@@ -196,7 +196,7 @@ Acorde menor.  Este modificador baja la tercera.
 @tab
 @lilypond[line-width=4\cm, noragged-right]
 \chordmode {
-  \override Staff.TimeSignature.stencil = ##f
+  \omit Staff.TimeSignature
   c1:m c:m7
 }
 @end lilypond
@@ -210,7 +210,7 @@ existe, la séptima.
 @tab
 @lilypond[line-width=4\cm, noragged-right]
 \chordmode {
-  \override Staff.TimeSignature.stencil = ##f
+  \omit Staff.TimeSignature
   c1:dim c:dim7
 }
 @end lilypond
@@ -222,7 +222,7 @@ Acorde aumentado.  Este modificador eleva la quinta.
 @tab
 @lilypond[line-width=4\cm, noragged-right]
 \chordmode {
-  \override Staff.TimeSignature.stencil = ##f
+  \omit Staff.TimeSignature
   c1:aug
 }
 @end lilypond
@@ -236,7 +236,7 @@ modificador para crear una tríada mayor.
 @tab
 @lilypond[line-width=4\cm, noragged-right]
 \chordmode {
-  \override Staff.TimeSignature.stencil = ##f
+  \omit Staff.TimeSignature
   c1:maj c:maj7
 }
 @end lilypond
@@ -461,8 +461,8 @@ mismo independientemente del modo de entrada, a no ser que existan
 inversiones o bajos añadidos:
 
 @lilypond[verbatim,quote]
-chordmusic = \relative c' {
-  <c e g>2 <f bes c>
+chordmusic = \relative {
+  <c' e g>2 <f bes c>
   <f c' e g>1
   \chordmode {
     c2 f:sus4 c1:/f
@@ -506,7 +506,7 @@ Sin Acorde).
 @funindex{\chords}
 
 @code{\chords @{ @dots{} @}} es una forma abreviada de escribir
-@code{\new ChordNames @{ \chordmode @{ @dots{} @}}.
+@code{\new ChordNames @{ \chordmode @{ @dots{} @} @}}.
 
 @lilypond[verbatim,quote,ragged-right]
 \chords {
@@ -1098,8 +1098,8 @@ están en el pentagrama.
 
 @lilypond[verbatim,ragged-right,quote]
 <<
-  \relative c'' {
-    c4 c'8 r8 c,4 c'
+  \relative {
+    c''4 c'8 r8 c,4 c'
   }
   \new FiguredBass {
     \figuremode {