Run scripts/auxiliar/update-with-convert-ly.sh

[lilypond.git] / Documentation / de / essay / engraving.itely

diff --git a/Documentation/de/essay/engraving.itely b/Documentation/de/essay/engraving.itely
index 2e3c1a4c3cf5220405e6590d3ddc9089cad19c86..f6aaf5414508fe2fceff2909c8cff794a6fa04c7 100644 (file)
--- a/Documentation/de/essay/engraving.itely
+++ b/Documentation/de/essay/engraving.itely
@@ -1,7 +1,7 @@
-@c -*- coding: utf-8; mode: texinfo; -*-
+@c -*- coding: utf-8; mode: texinfo; documentlanguage: de -*-
 
 @ignore
-    Translation of GIT committish: 8cbb38db1591ab95a178643e7bf41db018aa22c0
+    Translation of GIT committish: e5a609e373eae846857f9a6d70a402a3d42b7d94
 
 
     When revising a translation, copy the HEAD committish of the
@@ -9,7 +9,7 @@
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.14.0"
+@c \version "2.19.21"
 
 @c Translators: Till Paala
 
@@ -334,9 +334,9 @@ music = {
   \layout {
     \context {
       \Staff
-      \override NoteSpacing #'stem-spacing-correction = #0.0
-      \override NoteSpacing #'same-direction-correction = #0.0
-      \override StaffSpacing #'stem-spacing-correction = #0.0
+      \override NoteSpacing.stem-spacing-correction = #0.0
+      \override NoteSpacing.same-direction-correction = #0.0
+      \override StaffSpacing.stem-spacing-correction = #0.0
     }
   }
 }
@@ -362,7 +362,7 @@ music = {
   \layout {
     \context {
       \Staff
-      \override NoteSpacing #'stem-spacing-correction = #0.6
+      \override NoteSpacing.stem-spacing-correction = #0.6
     }
   }
 }
@@ -481,7 +481,7 @@ friedlich nebeneinander auf der gleichen Seite erscheinen:
 @c line weights be scaled for small staves?
 
 @c Grieg's Violin Sonata Op. 45
-@lilypond[indent=1.5cm]
+@lilypond[indent=1.5\cm]
 global = {
   \time 6/8
   \key c \minor
@@ -491,8 +491,8 @@ global = {
   <<
     \new Staff \with {
       fontSize = #-4
-      \override StaffSymbol #'staff-space = #(magstep -4)
-      \override StaffSymbol #'thickness = #(magstep -3)
+      \override StaffSymbol.staff-space = #(magstep -4)
+      \override StaffSymbol.thickness = #(magstep -3)
     }
     \relative c' {
       \global
@@ -514,7 +514,7 @@ global = {
         \clef "bass"
         <<
         {
-        \once \override DynamicText #'X-offset = #-3
+        \once \override DynamicText.X-offset = #-3
         <ees g c>2.~->^\f
         <ees g c>4.~ <ees g c>8
       } \\ {
@@ -603,9 +603,9 @@ den folgenden Bogen ausgewählt werden?
 @lilypond
 \relative c {
   \clef bass
-  \once \override Slur #'positions = #'(1.5 . 1)
+  \once \override Slur.positions = #'(1.5 . 1)
   e8[( f] g[ a b d,)] r4
-  \once \override Slur #'positions = #'(2 . 3)
+  \once \override Slur.positions = #'(2 . 3)
   e8[( f] g[ a b d,)] r4
   e8[( f] g[ a b d,)] r4
 }
@@ -646,7 +646,7 @@ Notenköpfe angeschnitten wird:
 @lilypond
 \relative c {
   \clef bass
-  \once \override Slur #'positions = #'(1.5 . 1)
+  \once \override Slur.positions = #'(1.5 . 1)
   e8[(_"15.39" f] g[ a b d,)] r4
 }
 @end lilypond
@@ -660,7 +660,7 @@ Insgesamt also 13.08 Punkte:
 @lilypond
 \relative c {
   \clef bass
-  \once \override Slur #'positions = #'(2 . 3)
+  \once \override Slur.positions = #'(2 . 3)
   e8[(_"13.08" f] g[ a b d,)] r4
 }
 @end lilypond
@@ -670,7 +670,7 @@ Der letzte Bogen erhält 10.04 Punkte für die Lücke rechts und
 der drei Varianten, sodass LilyPond ihn auswählt:
 
 @lilypond
-\relative c {
+\relative {
   \clef bass
   e8[(_"12.04" f] g[ a b d,)] r4
 }
@@ -796,10 +796,10 @@ dem Wohltemperierten Clavier 1, BWV 861 von J. S. Bach entschieden,
 mit dem Hauptthema:
 
 @lilypond
-\relative c' {
+\relative {
   \key g \minor
   \clef "treble_8"
-  r8 d ees g, fis4 g
+  r8 d' ees g, fis4 g
   r8 a16 bes c8 bes16 a bes8
 }
 @end lilypond
@@ -885,7 +885,7 @@ partIV = \relative c {
     }
     \context {
       \PianoStaff
-      \override StaffGrouper #'staff-staff-spacing #'padding = #1
+      \override StaffGrouper.staff-staff-spacing.padding = #1
     }
   }
 }
@@ -908,7 +908,7 @@ nicht an, sodass die Noten sehr schwer lesbar werden, wenn
 die untere und obere Stimme zeitweise ausgetauscht werden:
 
 @lilypond
-collide = \once \override NoteColumn #'force-hshift = #0
+collide = \once \override NoteColumn.force-hshift = #0
 
 \score {
   <<
@@ -919,7 +919,7 @@ collide = \once \override NoteColumn #'force-hshift = #0
         \new Voice { \voiceTwo bes \collide bes }
       >>
     }
-    \new Lyrics \lyricsto "sample" \lyricmode { "good " " bad" }
+    \new Lyrics \lyricsto "sample" { "good " " bad" }
   >>
 }
 @end lilypond
@@ -1105,12 +1105,12 @@ Nehmen wir etwa die hierarchische Natur der Musiknotation:
 
 @lilypond[quote,fragment]
 <<
-  \new Staff \relative c'' {
+  \new Staff \relative {
     \key g \major
     \time 3/4
-    d4 g,8 a b c d4 g, g
+    d''4 g,8 a b c d4 g, g
   }
-  \new Staff \relative c' {
+  \new Staff \relative {
     \clef "bass"
     \key g \major
     <g b d>2 a4 b2.
@@ -1154,25 +1154,25 @@ Beispiel heranzieht:
     \new Voice = "I" \relative c''' {
       \time 3/4
       \voiceOne
-      \times 6/7 { g8 g g g g g g }
+      \tuplet 7/6 { g8 g g g g g g }
       \oneVoice
       r4 <b,, fis' g bes> r4\fermata
     }
     \new Voice = "II" \relative c' {
       \voiceTwo
       c4
-      \times 4/5 {
+      \tuplet 5/4 {
         <c ees>8 f g
         \change Staff = "LH" \oneVoice
         \stemUp g,( c}
       r4
-      \override Stem #'cross-staff = ##t
-      \override Stem #'length = #12
+      \override Stem.cross-staff = ##t
+      \override Stem.length = #12
       <fis, b>) r\fermata
     }
   >>
   \new Staff = "LH" <<
-    \new Voice = "III" \relative c' {
+    \new Voice = "III" \relative {
       \time 2/4
       \clef "bass"
       g4 \stopStaff s
@@ -1457,14 +1457,14 @@ ausgerichtet, beim zweiten nach oben (rechts).
 \score {
   \relative c' {
     \stemDown <e g b>4_>-\arpeggio
-    \override Arpeggio #'direction = #RIGHT
+    \override Arpeggio.direction = #RIGHT
     \stemUp <e g b>4^>-\arpeggio
   }
   \layout {
     \context {
       \Score
-      \override SpacingSpanner #'spacing-increment = #3
-      \override TimeSignature #'transparent = ##t
+      \override SpacingSpanner.spacing-increment = #3
+      \hide TimeSignature
     }
   }
 }
@@ -1490,12 +1490,12 @@ fragment = {
 <<
    \new Staff \fragment
    \new Staff \with {
-      \override Beam #'beam-thickness = #0.3
-      \override Stem #'thickness = #0.5
-      \override Bar #'thickness = #3.6
-      \override Tie #'thickness = #2.2
-      \override StaffSymbol #'thickness = #3.0
-      \override Tie #'extra-offset = #'(0 .  0.3)
+      \override Beam.beam-thickness = #0.3
+      \override Stem.thickness = #0.5
+      \override Bar.thickness = #3.6
+      \override Tie.thickness = #2.2
+      \override StaffSymbol.thickness = #3.0
+      \override Tie.extra-offset = #'(0 .  0.3)
       }
       \fragment
 >>
@@ -1529,12 +1529,12 @@ die Notenköpfe gezeichnet werden, während des Ausschnitts verändert.
   \set autoBeaming = ##f
   \time 2/4
   <d f g>4
-  \once \override NoteHead #'stencil = #note-head::brew-ez-stencil
-  \once \override NoteHead #'font-size = #-7
-  \once \override NoteHead #'font-family = #'sans
-  \once \override NoteHead #'font-series = #'bold
+  \once \override NoteHead.stencil = #note-head::brew-ez-stencil
+  \once \override NoteHead.font-size = #-7
+  \once \override NoteHead.font-family = #'sans
+  \once \override NoteHead.font-series = #'bold
   <d f g>4
-  \once \override NoteHead #'style = #'cross
+  \once \override NoteHead.style = #'cross
   <d f g>4
   \applyOutput #'Voice #mc-squared
   <d f g>4
@@ -1574,9 +1574,9 @@ ein Liedblatt.
 <<
    \chords { c2 c f2 c }
    \new Staff
-   \relative c' {
+   \relative {
      \time 2/4
-     c4 c g' g a a g2
+     c'4 c g' g a a g2
    }
    \addlyrics { twin -- kle twin -- kle lit -- tle star }
 >>
@@ -1598,7 +1598,7 @@ nächste Beispiel zeigt einige etwas exotischere Konstruktionen:
       \time 4/8
       \key c \minor
       << {
-        \revert Stem #'direction
+        \revert Stem.direction
         \change Staff = down
         \set subdivideBeams = ##t
         g16.[
@@ -1615,7 +1615,7 @@ nächste Beispiel zeigt einige etwas exotischere Konstruktionen:
         \set followVoice = ##t
         c'''32([ b''16 a''16 gis''16 g''32)]
       } \\ {
-        s4 \times 2/3 { d'16[ f' g'] } as'32[ b''32 e'' d'']
+        s4 \tuplet 3/2 { d'16[ f' g'] } as'32[ b''32 e'' d'']
       } \\ {
         s4 \autoBeamOff d''8.. f''32
       } \\ {
@@ -1627,30 +1627,27 @@ nächste Beispiel zeigt einige etwas exotischere Konstruktionen:
       \clef bass
       \key c \minor
       \set subdivideBeams = ##f
-      \override Stem  #'french-beaming = ##t
-      \override Beam  #'beam-thickness = #0.3
-      \override Stem  #'thickness = #4.0
+      \override Stem.french-beaming = ##t
+      \override Beam.beam-thickness = #0.3
+      \override Stem.thickness = #4.0
       g'16[ b16 fis16 g16]
       << \makeClusters {
         as16 <as b>
         <g b>
         <g cis>
       } \\ {
-        \override Staff.Arpeggio  #'arpeggio-direction =#down
+        \override Staff.Arpeggio.arpeggio-direction =#down
         <cis, e, gis, b, cis>4\arpeggio
       }
     >> }
   >>
   \midi {
-    \context {
-      \Score
-      tempoWholesPerMinute = #(ly:make-moment 60 8)
-    }
+    \tempo 8 = 60
   }
   \layout {
     \context {
       \Staff
-      \consists Horizontal_bracket_engraver
+      \consists "Horizontal_bracket_engraver"
     }
   }
 }
@@ -1759,9 +1756,9 @@ partI = \relative c' {
   fis8 d' ees g, fis4 g
   r8 a16 bes c8 bes16 a d8 r r4
   r2 r8 d16 ees f8 ees16 d
-  ees4 ~ ees16 d c bes a4 r8 ees'16 d
+  ees4 ~ 16 d c bes a4 r8 ees'16 d
   c8 d16 ees d8 e16 fis g8 fis16 g a4 ~
-  a8 d, g f ees d c bes
+  8 d, g f ees d c bes
   a2 g\fermata \bar "|."
 }
 
@@ -1770,7 +1767,7 @@ partII = \relative c' {
   d4 r4 r8 d'16 c bes8 c16 d
   ees8 d c ees a, r r4
   r8 fis16 g a8 g16 fis g2 ~
-  g2 r8 d' ees g,
+  2 r8 d' ees g,
   fis4 g r8 a16 bes c8 bes16 a
   bes4. <g b>8 <a c> r <d, g> r
   <ees g>4 <d fis> d2
@@ -1778,7 +1775,7 @@ partII = \relative c' {
 partIII = \relative c' {
   \voiceOne
   r2 r8 d ees g, fis4 g r8 a16 bes c8 bes16 a
-  bes2 ~ bes8 b16 a g8 a16 b
+  bes2 ~ 8 b16 a g8 a16 b
   c4 r r2
   R1
   r8 d ees g, fis4 g
@@ -1789,7 +1786,7 @@ partIV = \relative c {
   d4 r r2
   r8 d ees g, fis4 a
   d,8 d'16 c bes8 c16 d ees2 ~
-  ees8 ees16 d c8 d16 ees fis,8 a16 g fis8 g16 a
+  8 ees16 d c8 d16 ees fis,8 a16 g fis8 g16 a
   d,8 d'16 c bes8 c16 d ees8 c a fis'
   g f ees d c bes a g
   c a d d, g2\fermata
@@ -1823,9 +1820,8 @@ partIV = \relative c {
     }
     \context {
       \PianoStaff
-      \override StaffGrouper #'staff-staff-spacing #'padding = #1
+      \override StaffGrouper.staff-staff-spacing.padding = #1
     }
   }
 }
 @end lilypond
-