MIDI: always set note volume when initialized. Fixes #1636.

[lilypond.git] / Documentation / changes.tely

diff --git a/Documentation/changes.tely b/Documentation/changes.tely
index eaa4f1b7d1bb4e79a06ed18782f4a2189cc64722..552a0e7edcc8639393c5f46662a253b404b9c1b1 100644 (file)
--- a/Documentation/changes.tely
+++ b/Documentation/changes.tely
@@ -62,7 +62,33 @@ which scares away people.
 @end ignore
 
 @item
-Lilypond typesets woodwind fingering charts.
+The Articulate script by Peter Chubb, which is GPLv3 licensed, is now
+a part of the distribution.  It allows easy generation of improved
+MIDI files that perform non-legato by default, legato slurs, staccato,
+tempo markings, trills, etc.
+
+@example
+\include "articulate.ly"
+\articulate <<
+      all the rest of the score...
+>>
+@end example
+
+@item
+Single beat repeats for sixteenth or shorter notes and beat repeats for
+measures containing notes of varying durations are now supported.
+
+@lilypond[fragment,relative=2]
+\repeat percent 2 { c16 d }
+\repeat percent 2 { c32 e }
+\repeat percent 2 { c64 f }
+\repeat percent 2 { c128 g' }
+@end lilypond
+
+
+@item
+Lilypond now engraves woodwind fingering charts.
+
 @lilypond
 \relative c' {
   \textLengthOn
@@ -80,6 +106,15 @@ Lilypond typesets woodwind fingering charts.
 }
 @end lilypond
 
+@item
+MIDI output has been improved
+@itemize @bullet
+@item voices are kept separated, which makes the MIDI file much more useful for postprocessing
+@item optimal channel distribution: identical instruments share the same channel.  This means that e.g. for a full orchestral score there are always 16 (15 plus percussion) diffently sounding instruments available, unrestricted by the number of staves or voices.
+@item @code{\set Score.midiChannelMapping = #'staff} assigns one MIDI channel per staff, previously the default behavior.  This setting is required if you want instrument changes to create MIDI program changes on a single MIDI channel.
+@item dynamics are now rendered as note velocities, no longer as midi volume.  This improves the sound on [high end] midi renderers.
+@end itemize
+
 @item
 MIDI-import through Midi2ly is improved
 @itemize @bullet
@@ -166,10 +201,11 @@ motif = \relative c'' { d8 c f,4 <a f'> <a f'> }
 @end lilypond
 
 @item
-Black mensural notation has minimal support.
+Added minimal support for black mensural notation.
 
 @item
-Support for obliqua shapes within white mensural ligatures enhanced.
+Enhanced support for obliqua shapes within white mensural ligatures.
+
 @lilypond
 \context MensuralStaff
 {
@@ -193,9 +229,16 @@ Support for obliqua shapes within white mensural ligatures enhanced.
 }
 @end lilypond
 
+@item
+New markup functions @code{\with-link} and @code{\page-link} that add
+hyperlinks to a given label or a given page number. This works in the PDF
+backend only. All entries to the table of contents now automatically add
+hyperlinks to the pages they are referring to.
+
 @item
 Compound time signatures are now supported by the @code{\compoundMeter} command,
 which can be used instead of @code{\time}:
+
 @lilypond
 \relative c'' {
   \compoundMeter #'(3 1 8)
@@ -228,6 +271,7 @@ By using @code{\cueDuringWithClef}, cue notes can now also have their own
 clef, which is correctly reset at the end of the cue notes.  At the begin
 of each line, the standard clef is still displayed, but the cue clef is
 shown after the time/key signature in smaller size.
+
 @lilypond
 vI = \relative c'' { \clef "treble" \repeat unfold 40 g4 }
 \addQuote vIQuote { \vI }
@@ -272,6 +316,7 @@ based on user input.
 
 @item
 The part-combiner's decision to combine/not combine notes can now be customized
+
 @lilypond[quote,relative=2]
 \partcombine
 \relative c' { c2 \partcombineApart c | \partcombineChordsOnce e' e }