1 %% DO NOT EDIT this file manually; it is automatically
2 %% generated from LSR http://lsr.dsi.unimi.it
3 %% Make any changes in LSR itself, or in Documentation/snippets/new/ ,
4 %% and then run scripts/auxiliar/makelsr.py
6 %% This file is in the public domain.
10 %% Translation of GIT committish: d5307870fe0ad47904daba73792c7e17b813737f
12 Voici une méthode alternative pour ajouter un @emph{incipit}
13 indépendamment de la partition principale. Pour ce faire, il est inclus
14 sous forme de @emph{markup} dans le champ dévolu au nom d'instrument.
15 Les paroles ne peuvent, à ce jour, être ajoutées que sous forme
16 d'annotation directe, ce qui donne un espacement des paroles loin
17 d'égaler celui de la partition réelle.
20 doctitlefr = "Transcription de musique ancienne avec incipit"
22 lsrtags = "specific-notation, tweaks-and-overrides, workaround, ancient-notation"
25 %% Translation of GIT committish: b482c3e5b56c3841a88d957e0ca12964bd3e64fa
27 A modo de alternativa para obtener auténticos «incipit»
28 independientes de la partitura principal, se incluyen como
29 elemento de marcado en el campo que se usa normalmente para el
30 nombre del instrumento. Por el momento, la letra sólo se puede
31 añadir como marcado directo. Por desgracia, su espaciado no es
32 análogo al de la letra principal.
35 doctitlees = "Transcripción de música antigua con incipit"
38 As a workaround to get real incipits which are independent from the
39 main score these are included as a markup into the field normally used
40 for the instrument name. As for now lyrics can only be added as a
41 direct markup. It doesn't unfortunately conform with the spacing of the
45 doctitle = "Transcription of Ancient music with incipit"
50 \set Score.skipBars = ##t
53 %make the staff lines invisible on staves
54 \override Staff.BarLine #'transparent = ##t
55 \skip 1*8 % the actual music
56 % let finis bar go through all staves
57 \override Staff.BarLine #'transparent = ##f
70 \once \override NoteHead #'transparent = ##t c'1 |
75 discantusLyrics = \lyricmode {
88 r2 g2. e4 fis g | % two bars
90 fis g4.( fis16 e fis4) |
92 \once \override NoteHead #'transparent = ##t g1 |
97 altusLyrics = \lyricmode {
98 Ju -- bi -- la -- te | % two bars
111 r2 d'2. d'4 b e' | % two bars
112 \once \override NoteHead #'transparent = ##t e'1 |
117 tenorLyrics = \lyricmode {
118 Ju -- bi -- la -- te | % two bars
131 \once \override NoteHead #'transparent = ##t e1 |
136 bassusLyrics = \lyricmode {
142 incipitDiscantus = \markup {
145 \set Staff.instrumentName = #"Discantus "
146 \override NoteHead #'style = #'neomensural
147 \override Rest #'style = #'neomensural
148 \override Staff.TimeSignature #'style = #'neomensural
150 \clef "neomensural-c1"
153 c''1._"IV-" s2 %two bars
154 \skip 1*8 % eight bars
159 \remove "Ligature_bracket_engraver"
160 \consists "Mensural_ligature_engraver"
167 incipitAltus = \markup {
170 \set Staff.instrumentName = #"Altus "
171 \override NoteHead #'style = #'neomensural
172 \override Rest #'style = #'neomensural
173 \override Staff.TimeSignature #'style = #'neomensural
175 \clef "neomensural-c3"
179 f'1._"IV-" s2 % two bars
180 \skip 1*7 % seven bars
185 \remove "Ligature_bracket_engraver"
186 \consists "Mensural_ligature_engraver"
193 incipitTenor = \markup {
196 \set Staff.instrumentName = #"Tenor "
197 \override NoteHead #'style = #'neomensural
198 \override Rest #'style = #'neomensural
199 \override Staff.TimeSignature #'style = #'neomensural
201 \clef "neomensural-c4"
207 c'1._"IV-" s2 % two bars
213 \remove "Ligature_bracket_engraver"
214 \consists "Mensural_ligature_engraver"
221 incipitBassus = \markup {
224 \set Staff.instrumentName = #"Bassus "
225 \override NoteHead #'style = #'neomensural
226 \override Rest #'style = #'neomensural
227 \override Staff.TimeSignature #'style = #'neomensural
233 r\maxima % eight bars
234 f1._"IV-" s2 % two bars
239 \remove "Ligature_bracket_engraver"
240 \consists "Mensural_ligature_engraver"
247 %StaffGroup is used instead of ChoirStaff to get bar lines between systems
250 \new StaffGroup = choirStaff <<
251 \new Voice = "discantusNotes" <<
253 \set Staff.instrumentName = \incipitDiscantus
256 \new Lyrics = "discantusLyrics" \lyricsto discantusNotes { \discantusLyrics }
258 \new Voice = "altusNotes" <<
260 \set Staff.instrumentName = \incipitAltus
263 \new Lyrics = "altusLyrics" \lyricsto altusNotes { \altusLyrics }
265 \new Voice = "tenorNotes" <<
267 \set Staff.instrumentName = \incipitTenor
270 \new Lyrics = "tenorLyrics" \lyricsto tenorNotes { \tenorLyrics }
272 \new Voice = "bassusNotes" <<
274 \set Staff.instrumentName = \incipitBassus
278 \new Lyrics = "bassusLyrics" \lyricsto bassusNotes { \bassusLyrics }
279 %Keep the bass lyrics outside of the staff group to avoid bar lines
287 \override BarLine #'transparent = ##t
289 % the next three instructions keep the lyrics between the bar lines
292 \consists "Bar_engraver"
293 \override BarLine #'transparent = ##t
297 \consists "Separating_line_group_engraver"
302 \override Slur #'transparent = ##t
303 % Comment in the below "\remove" command to allow line
304 % breaking also at those barlines where a note overlaps
305 % into the next bar. The command is commented out in this
306 % short example score, but especially for large scores, you
307 % will typically yield better line breaking and thus improve
308 % overall spacing if you comment in the following command.
309 %\remove "Forbid_line_break_engraver"