1 % INSPIRATIONAL HEADER FOR LILYPOND DOCUMENTATION fretted-strings %
2 % Passage from Johann Kaspar Mertz "Opern Revue, Op. 8, no. 17" %
3 % on melodies from Bellini's "Norma" %
4 %*****************************************************************%
8 #(set-global-staff-size 15)
17 \remove "Bar_number_engraver"
18 \override PaperColumn #'keep-inside-line = ##t
19 \override NonMusicalPaperColumn #'keep-inside-line = ##t
24 % fingering orientations
25 sfol = \set fingeringOrientations = #'(left)
26 sfor = \set fingeringOrientations = #'(right)
27 sfod = \set fingeringOrientations = #'(down)
28 sfou = \set fingeringOrientations = #'(up)
30 % string number orientations
31 ssnol = \set stringNumberOrientations = #'(left) %(down right up)
32 ssnou = \set stringNumberOrientations = #'(up)
33 ssnod = \set stringNumberOrientations = #'(down)
34 ssnor = \set stringNumberOrientations = #'(right)
36 % define fingering offset
37 FO = #(define-music-function (parser location offsetX offsetY) (number? number?)
39 \once \override Voice.Fingering #'extra-offset = #(cons $offsetX $offsetY)
43 rit = \markup \center-align { \bold { \italic { " rit." } } }
44 dim = \markup \center-align { \italic { " dim." } }
45 andantino = \markup \left-align { \italic { \bold { \fontsize #2.5 { "Andantino" } } } }
46 benmarcato = \markup { \italic { \bold { "il canto ben marcato" } } }
47 pdolce = #(make-dynamic-script (markup #:line (#:dynamic "p" #:normal-text #:italic "dol.")))
51 melody = \relative c {
61 f4\rest <e'-4>4-> | % m. 1
67 f4\rest \FO #'0.4 #'0.5 <gis-1 e'-4>4 | % m. 2
69 d4\rest <b e>-> d4\rest^\rit <b e>4-> | % m. 3
76 e'4^\benmarcato e8. d16-4
77 d4-4 \times 2/3 { \sfou \FO #'-0.3 #'0.6 <c-2>4 b8 } | % end of m. 6
80 <a-3>4 \times 2/3 { c4 b8 } a4 e'8. e16 | % m. 7
83 <g-4>4 \times 2/3 { \sfol \FO #'0.3 #'0.0 <f-1>4 e8 } e4 % beg of m. 8
84 \times 2/3 { \sfou <d-4>4 c8 } | % end of m. 8
86 b4 \times 2/3 { d4-4 c8 } \sfou \FO #'-1.7 #'-1.5 <b-0>4 e | % end of m. 9
88 e4 e8. d16-4 d4 \times 2/3 { c4 b8 } | % m. 10
90 \times 2/3 { a4 a8 b4 c8 } % beg of m. 11
91 \sfou \FO #'-0.3 #'0.3
92 <d-4>4^\< \times 2/3 { e4 <d f>8\! } | % end of m. 11
100 e,8\fp[ e'] e,[ e'] e, \sfol <c''-1> <a'-2> c, | % m. 1
102 e,,8\fp[ e'] e,[ e'] e, \sfod \FO #'0.2 #'-0.2 <b''-1> % beg m. 2
103 \sfol \FO #'0.3 #'0.0 <e-1> b | % end m. 2
105 e,,8 e' gis e e, e' gis_\dim e | % m. 3
109 %% new section starts here in A minor
110 \overrideBeamSettings #'Score #'(4 . 4) #'end
112 ((1 . 12) . (3 3 3 3)))
113 \once \override TextScript #'staff-padding = #1.7
114 \times 2/3 { a8\p^\andantino e' a c a e a, e' a c a e } | % m. 5
116 \times 2/3 { a,8\pdolce e' a c a e } % beg m. 6
117 \times 2/3 { e,8 \sfou <e'-3> <gis-1> c gis e } | % end m. 6
119 \times 2/3 { a,8 <e'-2> a c e, b' a, e' a c a e } | % m. 7
121 \times 2/3 { f,8 f' a \sfol \FO #'0.3 #'-0.5 <d-4> a f fis, d' a' d a d, } | % m. 8
123 \times 2/3 { <g,-3>8 d' g d' g, d % beg m. 9
124 \sfod \FO #'0.0 #'-2.0 <gis,-4> \sfou <e'-2> <gis-1> b gis e } | % end m. 9
126 \times 2/3 { a,8 e' a c a e e, e' gis c gis e } | % m. 10
128 \times 2/3 { a,8 e' a b a e f, f' a d a f } | % m. 11
132 \new Staff = "guitar" <<
133 \context Voice = "upper" { \melody }
134 \context Voice = "lower" { \bass }
139 \override Fingering #'staff-padding = #'()
140 \override TupletNumber #'stencil = ##f
141 \override TupletBracket #'bracket-visibility = ##f