\score {
<<
- \new ChordNames \chords {c2. f d s bes}
+ \new ChordNames \chords {d2. d d s fis fis fis s c c c}
\context Voice=mel {
-% c'2. c' c' c' c'
- c'2.^\markup \override #'(staff-padding . 4.0) {\fret-diagram #1 #"f:2;6-x;5-3-3;4-2-2;3-o;2-1-1;1-o;"}
- f'^\markup {\fret-diagram #1 #"c:6-1-1;p:0.5;6-1;5-3;4-3;3-2;2-1;1-1;"}
- d' ^\markup \fret-diagram #1 #"f:1;6-x;5-x;4-o;3-2-1;2-3-3;1-2-2;"
- d' ^\markup \fret-diagram #.75 #"f:1;6-x;5-x;4-o;3-2-1;2-3-3;1-2-2;"
- bes' ^\markup \fret-diagram #1.5 #"6-1;5-1;4-3;3-3;2-3;1-1;c:6-1-1;c:2-4-3;"
- bes'
- a'2.^\markup \fret-diagram #1 #"6-x;5-x;4-o;3-14;2-13;1-12;"
- c''
- bes'2.^\markup \fret-diagram #1 #"6-1;5-1;4-3;3-3;2-3;1-1;c:6-1-1;c:2-4-3;"
- }
+% simple D chord
+
+ d'2. ^\markup \fret-diagram-verbose #'((mute 6) (mute 5) (open 4) (place-fret 3 2) (place-fret 2 3) (place-fret 1 2))
+ d' ^\markup \fret-diagram #"6-x;5-x;4-o;3-2;2-3;1-2;"
+ d' ^\markup \fret-diagram-terse #"x;x;o;2;3;2;"
+ r
+% fis major chord, 3/4 size, fingering labeled below string
+
+ fis' ^\markup \override #'(size . 0.75) {\override #'(finger-code . below-string){\fret-diagram-verbose #'((place-fret 6 2 1) (barre 6 1 2) (place-fret 5 4 3) (place-fret 4 4 4) (place-fret 3 3 2) (place-fret 2 2 1) (place-fret 1 2 1))}}
+ fis' ^\markup \override #'(finger-code . below-string) {\fret-diagram #"s:0.75;c:6-1-2;6-2-1;5-4-3;4-4-4;3-3-2;2-2-1;1-2-1;"}
+ fis' ^\markup \override #'(size . 0.75) {\override #'(finger-code . below-string){\fret-diagram-terse #"2-1-(;4-3;4-4;3-2;2-1;2-1-);"}}
+ r
+
+% c major barre chord, fingering labeled on frets
+ c' ^\markup \override #'(dot-color . white) {
+ \override #'(finger-code . in-dot)
+ \fret-diagram-verbose #'((mute 6) (place-fret 5 3 1) (place-fret 4 5 2) (place-fret 3 5 3) (place-fret 2 5 4) (place-fret 1 3 1) (barre 5 1 3)) }
+ % the chord below won't label on frets, because dot-color is black
+ c' ^\markup \fret-diagram #"f:1;c:5-1-3;6-x;5-3-1;4-5-2;3-5-3;2-5-4;1-3-1;"
+ c' ^\markup \override #'(dot-radius . 0.35) {
+ \override #'(finger-code . in-dot) {
+ \override #'(dot-color . white) {
+ \fret-diagram-terse #"x;3-1-(;5-2;5-3;5-4;3-1-);"}}}
+ r
+
+% c major scale using open strings
+ c' ^\markup \fret-diagram-verbose #'((mute 6) (place-fret 5 3) (open 4) (place-fret 4 2) (place-fret 4 3) (open 3) (place-fret 3 2) (open 2) (place-fret 2 1) (mute 1))
+ c' ^\markup \fret-diagram #'"6-x;5-3;4-o;4-2;4-3;3-o;3-2;2-o;2-1;1-x;"
+ c' ^\markup \fret-diagram-terse #'"x;3;2 3;o 2;o 1;x;"
+
+% c major scale using no open strings
+ c' ^\markup \fret-diagram-verbose #'((mute 6) (place-fret 5 3) (place-fret 5 5) (place-fret 4 2) (place-fret 4 3) (place-fret 4 5) (place-fret 3 2) (place-fret 3 4) (place-fret 3 5) (mute 2) (mute 1))
+ c' ^\markup \fret-diagram #'"6-x;5-3;5-5;4-2;4-3;4-5;3-2;3-4;3-5;2-x;1-x;"
+ c' ^\markup \fret-diagram-terse #'"x;3 5;2 3 5;2 4 5;x;x;"
+
+% g major scale, no open strings, two octaves on six strings, white dots
+ g' ^\markup \override #'(dot-color . white) {\fret-diagram-terse #'"3 5;2 3 5;2 4 5;2 4 5;3 5;2 3;" }
+ }
>>
\paper{ raggedright = ##t }
}