+++ /dev/null
-\header {
- title = "Sängers Morgenlied"
- composer = "Franz Schubert (1797-1828)"
- date = "27. Februar 1815"
- source = "Edition Peters"
- editor = "Paul Losse"
- enteredby="Han-Wen Nienhuys"
- maintainer="hanwen@xs4all.nl"
-
- texidoc = "The source is a rather tightly set Peters in Edition is
- a heavy font. The Peters edition (4622c) was `herausgegeben' by
- Paul Losse, whose name also appears on a 1956 edition of some
- other music. Strictly speaking, his edititorial enhancements will
- not be in the PD - but I am assuming there are no notable ones in
- this small piece.
-
- The original compresses the entire music onto a single page, in 4
- systems. Lily does so too if you tune down spacing-increment, but
- chooses line breaks differently.
-
- Further manual tweaks: the slur in measure 12 has been flattened
-manually. The beam in measure 3, left-hand, technically is wrong, but
-has been added following the original. The crescendo in measure 4 has
-been lowered
-
-"
-
-}
-
-\version "2.12.0"
-manuscriptBreak = { \break }
-
-
-
-#(set-global-staff-size (/ (* 5.8 72.27) 25.4))
-
-\paper {
-%#(set-global-staff-size (* 5.8 mm))
- line-width = #(* mm 160)
- indent = 8\mm
- interscoreline = 2.\mm
- between-system-space = 15\mm
- ragged-bottom = ##t
- }
-
-modernAccidentals = {
- \set Staff.extraNatural = ##f
- \set Staff.autoAccidentals = #'(Staff (same-octave . 1) (any-octave . 0))
- \set Staff.autoCautionaries = #'()
-}
-
-
-melody = \relative c'' \repeat volta 2 \new Voice = "singer" {
- \time 6/8
- \autoBeamOff
- s1*0^\markup { \bold \large\larger\larger { \hspace #-3.0 Lieblich, etwas geschwind } }
- R2.
- r4 r8 c4 g8 |
- e4 c8
- <<
- \new Voice { \stemUp f8. g16 }
- { \stemDown f8.[ g16] } >> \stemNeutral a8 |
- fis4 g8 c16[ b a g] f[ e] |
- d4 f8 a16[ g fis g] f[ d] |
- g4. r8 gis gis |
- a4 a16.[ b32] c4 fis,8 |
- g4.~ g8-\fermata g8 g |
- as4 as8 g4 g8 |
- fis4 fis8 r8 g g |
- a!4 a8 g4 g8 |
- fis4 fis8 d'16[ c b a] g[ f] |
- e4 g8 d4 g8 e4 r8 b'16[ c d b] g[ f] |
- e4 g8 d4 a'16[ g] |
- c,4 r8 r4 r8 |
-
- % TODO : make \fermata work.
- R2.^\fermataMarkup
-}
-
-
-ignoreMelisma = \set ignoreMelismata = ##t
-ignoreMelismaOff = \unset ignoreMelismata
-
-
-firstVerse = \lyricmode {
- \set stanza = "1."
-
- Sü -- ßes Licht! Aus
- \ignoreMelisma
- gol --
- \ignoreMelismaOff
-
- de -- nen Pfor -- ten brichst du __ \manuscriptBreak |
- sie -- gend durch __ die Nacht. Schö -- ner Tag, du __ bist er -- wacht. __ Mit ge -- |
- \manuscriptBreak
- heim -- nis -- vol -- len Wor -- ten, in me -- lo -- di -- schen Ak -- kor -- den, grüß __ ich __ \manuscriptBreak |
- dei -- ne Ro -- sen -- pracht, grüß __ ich __ dei -- ne Ro -- sen -- pracht.
- }
-
-secondVerse = \lyricmode {
- \set stanza = "2."
- Ach, der Lie -- be sanf
- -- tes We -- hen schwellt mir |
- das be -- weg -- te __ Herz, sanft, wie ein ge -- lieb -- ter Schmerz. __ Dürft ich |
- nur auf gold -- nen Hö -- hen mich im Mor -- gen -- duft er -- ge -- hen! Sehn -- sucht |
- zieht mich him -- mel -- wärts, Sehn -- sucht zieht mich him -- mel -- wärts.
- }
-
-pianoRH = \relative c''' \repeat volta 2 {
- #(set-accidental-style 'modern)
- g16(_\p fis a g fis g f e d c b a ) |
- <g e>8( <es fis a> <d f b> <c e c'>) r8 r |
- r8 c'( e,) f r a |
- \once \override DynamicLineSpanner #'padding =#3
- r8 << { s8 s8 } << { fis(\> g)\!
- } \\ { c,4 } >> >> r8 <e c g> <e c g> |
- <d c a>4. r8 \clef bass <d b f> <d b f> |
- e,16_" "_\markup { \bold\italic cresc. } g c g e g d gis b gis d gis |
- c, e a e c e a,-\f d fis d a d |
- b d g d b g r4\fermata \clef treble g''8 |
- as4.( g 4.) | fis4. r4 <d g>8 ( |
- <f a>4.) <e g>4.( <es fis> ) <d f>\sf |
- r8 <e c g> <e c g> r <d b g > <d b g> |
- r <e c g> <e c g> r <f d b g> <f d b g> |
- r <e c g> <e c g> r <d b f> <d b f> |
- c16(_\f b c e g b c b c e g <e b'>) |
- <c c'>8 r r <c, g e>8 r r\fermata |
-}
-
-pianoLH = \relative c'' \repeat volta 2 {
- #(set-accidental-style 'modern)
- g16( fis a g fis g f e d c b a) |
- \clef bass g4.( c,8) r r
- \clef treble r4 <bes' c>8([ <a c>)] r <f c'> |
- \clef bass r8 dis( e) r c c |
- f,4. r8 g g |
- <c, c,>4. <e e,>4. |
- a,4. <d d,>4. |
- g,8 r r g16 r16\fermata r8 g''8 |
- as4.( g ) |
- fis r4 <g b>8( |
- <f c'>4.)
-
- \once \override Slur #'height-limit = #1.0
-
- <g c>4.( | <a c>4.) <g b,> |
- c,4 r8 g4 r8 |
- c4 r8 g4 r8 |
- c4 r8 g4 r8 |
- <c g e c>8 <c e g> <c e g> <c e g> <c e g> <c e g> |
- <c e g> r r <c, c,>8 r r\fermata \clef treble
- }
-
-\book {
- \score {
- << \time 6/8
- \new Staff <<
- \context Staff #(set-accidental-style 'modern)
- \melody >>
- \lyricsto "singer" \new Lyrics \firstVerse
- \lyricsto "singer" \new Lyrics \secondVerse
- \new PianoStaff <<
- \set PianoStaff.instrumentName = \markup {
- \bold
- \larger\larger\larger\larger \huge "2. " }
- \new Staff \pianoRH
- \new Staff \pianoLH
- >>
- >>
-
- \layout {
- \context {
- \Lyrics
- \override VerticalAxisGroup #'minimum-Y-extent = #'(-0.5 . 2.5)
- \override LyricText #'font-size = #-1
- }
- \context {
- \Score
- \override Beam #'thickness = #0.55
- \override SpacingSpanner #'spacing-increment = #1.0
- \override Slur #'height-limit = #1.5
- }
- }
- \midi {
- \context {
- \Score
- tempoWholesPerMinute = #(ly:make-moment 70 4)
- }
- }
- }
-}
-
projects / lilypond.git / blobdiff