+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
-%% This file is in the public domain.
-\version "2.12.3"
-
-\header {
- lsrtags = "template"
-
- texidoc = "
-A template to write a score for a diatonic accordion.
-
-- There is a horizontal staff indicating if the accordion must be
-pushed (thick line) or pulled (thin line)
-
-- There is a small rhythmic staff with lyrics that describes the bass
-buttons to press. The bar lines are made from gridlines
-
-- The tabulator staff for diatonic accordions shows the geographic
-position of the buttons and not (as for every other instrument) the
-pitch of the notes; the keys on the melody-side of the accordion are
-placed in three columns and about 12 rows
-
-
-In the tabulator staff notation the outermost column is described with
-notes between lines, the innermost column is described with notes
-between lines and a cross as accidental, and the middle column is
-described with notes on a line, whereby the row in the middle is
-represented on the middle line in the staff.
-
-
-Some words to transpose piano notes to the diatonic accordion:
-
-
-1. Every diatonic accordion is built for some keys only (for example,
-for the keys of C major and F major), so it is important to transpose a
-piano melody to match one of these keys. Transpose the source code, not
-only the output because this code is required later on to translate it
-once more to the tabulator staff. This can be done with the command
-@code{displayLilyMusic}.
-
-
-2. You have to alternate the push- and pull-direction of the accordion
-regularly. If the player has a too long part to pull the accordion gets
-broken. On the other hand, some harmonies are only available in one
-direction. Considering this, decide which parts of the melody are the
-push-parts and which the pull-parts.
-
-
-3. For each pull- or push-part translate the piano notes to the
-according tabulature representation.
-
-
-This snippet comes with a useful optional macro for the jEdit text
-editor.
-
-"
- doctitle = "Score for diatonic accordion"
-} % begin verbatim
-
-verse = \lyricmode { Wie gross bist du! Wie gross bist du! }
-
-harmonies = \new ChordNames \chordmode {
- \germanChords
- \set chordChanges = ##t
- bes8 bes8 bes8
- es2 f
- bes1
-}
-
-NoStem = \override Stem #'transparent = ##t
-NoNoteHead = \override NoteHead #'transparent = ##t
-ZeroBeam = \override Beam #'positions = #'(0 . 0)
-
-staffTabLine = \new Staff \with {
- \remove "Time_signature_engraver"
- \remove "Clef_engraver"
-} {
- \override Staff.StaffSymbol #'line-positions = #'(0)
-% Shows one horizontal line. The vertical line (simulating a bar-line) is simulated with a gridline
- \set Staff.midiInstrument = #"choir aahs"
- \key c \major
- \relative c''
- {
- % disable the following line to see the the noteheads while writing the song
- \NoNoteHead
- \override NoteHead #'no-ledgers = ##t
-
- % The beam between 8th-notes is used to draw the push-line
- %How to fast write the push-lines:
- % 1. write repeatedly 'c c c c c c c c |' for the whole length of the song
- % 2. uncomment the line \NoNoteHead
- % 3. compile
- % 4. Mark the positions on which push/pull changes.
- % In the score-picture click on the position the push- or pull-part starts
- % (on the noteHead, the cursor will change to a hand-icon).
- % The cursor in the source code will jump just at this position.
- % a) If a push-part starts there, replace the 'c' by an 'e['
- % b) If a pull-part starts there, replace the 'c' by an 's'
- % 5. Switch into 'overwrite-mode' by pressing the 'ins' key.
- % 6. For the pull-parts overwrite the 'c' with 's'
- % 7. For every push-part replace the last 'c' with 'e]'
- % 8. Switch into 'insert-mode' again
- % 9. At last it should look lik e.g. (s s e[ c | c c c c c c c c | c c c c c c e] s s)
- % 10. re-enable the line \NoNoteHead
- \autoBeamOff
- \ZeroBeam
- s8 s s e[ c c c c c c e] | s s s s s
- }
-}
-
-%{
-%}
-
-% Accordion melody in tabulator score
-% 1. Place a copy of the piano melody below
-% 2. Separate piano melody into pull- and push-parts according to the staffTabLine you've already made
-% 3. For each line: Double the line. Remark the 1st one (Keeps unchanged as reference) and then change the second line using the transformation paper
-% or the macros 'conv2diaton push.bsh' and 'conv2diaton pull.bsh'
-% Tips:
-% - In jEdit Search & Replace mark the Option 'Keep Dialog'
-
-AccordionTabTwoCBesDur = {
- % pull 1
- %<f' bes'>8 <f' a'>8 <d' bes'>8 |
-<g'' a''>8 <g'' b''>8 <e'' a''>8 |
- % push 2
- %<g' c''>4 <f' d''> <g' ees''> <f' a'> |
-<g'' a''>4 <d'' eisis''> <g'' bisis''> <d'' f''> |
- % pull 3
-% <f' bes'>2 r8 }
- <g'' a''>2 r8 }
-
- AccordionTab= { \dynamicUp
-% 1. Place a copy of the piano melody above
-% 2. Separate piano melody into pull- and push-parts according to the staffTabLine you've already made
-% 3. For each line: Double the line. Remark the 1st one (Keeps unchanged as reference) and then
-% change the second line using the transformation paper
-% Tips:
-% - In jEdit Search & Replace mark the Option 'Keep Dialog'
-% -
-\AccordionTabTwoCBesDur
- }
-
-
-
- \layout {
- \context {
- \Staff
- \consists "Grid_point_engraver"
-
- gridInterval = #(ly:make-moment 4 4) % 4/4 - tact. How many beats per bar
-
- % The following line has to be adjusted O-F-T-E-N.
- \override GridPoint #'Y-extent = #'(-2 . -21)
- }
- \context {
- \ChoirStaff
- \remove "System_start_delimiter_engraver"
- }
-}
-
-staffVoice = \new Staff=astaffvoice {
- \time 4/4
- \set Staff.instrumentName="Voice"
- \set Staff.midiInstrument="voice oohs"
- \key bes \major
- \partial 8*3
- \clef treble
- {
- \context Voice = "melodyVoi"
- { <f' bes'>8 <f' a'>8 <d' bes'>8 | <g' c''>4 <f' d''> <g' es''> <f' a'> | <f' bes'>2 r8 }
- \bar "|."
- }
-}
-
-staffAccordionMel = \new Staff \with { \remove "Clef_engraver" } {
- #(set-accidental-style 'forget) %Set the accidentals (Vorzeichen) for each note,
- %do not remember them for the rest of the measure.
- \time 4/4
- \set Staff.instrumentName="Accordion"
- \set Staff.midiInstrument="voice oohs"
- \key c \major
- \clef treble
- { \AccordionTab \bar "|." }
-}
-
- AltOn = #(define-music-function (parser location mag) (number?)
- #{ \override Stem #'length = #$(* 7.0 mag)
- \override NoteHead #'font-size =
- #$(inexact->exact (* (/ 6.0 (log 2.0)) (log mag))) #})
-
- AltOff = {
- \revert Stem #'length
- \revert NoteHead #'font-size
- }
-
-BassRhytm = {s4 s8 | c2 c2 | c2 s8 }
-LyricBassRhythmI= \lyricmode { c b | c }
-
-staffBassRhytm = \new Staff=staffbass \with { \remove "Clef_engraver" } {
- % This is not a RhythmicStaff because it must be possible to append lyrics.
-
- \override Score.GridLine #'extra-offset = #'( 13.0 . 0.0 ) % x.y
- \override Staff.StaffSymbol #'line-positions = #'( 0 )
- % Shows one horizontal line. The vertical line (simulating a bar-line) is simulated by a grid
- % Search for 'grid' in this page to find all related functions
- \time 4/4
- {
- \context Voice = "VoiceBassRhytm"
- \stemDown \AltOn #0.6
- \relative c''
- {
- \BassRhytm
- }
- \AltOff
- \bar "|."
- }
-}
-
-\new Score
-\with {
- \consists "Grid_line_span_engraver" %The vertical line (simulating a bar-line) in the staffBassRhytm is a gridline
-}
-\new ChoirStaff
- <<
- \harmonies
- \staffVoice
- \context Lyrics = "lmelodyVoi" \with {alignBelowContext=astaffvoice} { \lyricsto "melodyVoi" \verse }
- \staffAccordionMel
- \staffTabLine
- \staffBassRhytm
- \context Lyrics = "lBassRhytmAboveI" \with {alignAboveContext=staffbass} \lyricsto VoiceBassRhytm \LyricBassRhythmI
- >>
-%}
-
projects / lilypond.git / blobdiff