+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
-%% This file is in the public domain.
-\version "2.12.3"
-
-\header {
- lsrtags = "ancient-notation, template"
-
- texidoces = "
-Al transcribir música mensural, es útil un «incipit» al compienzo
-de la pieza para indicar la tonalidad y el tempo
-originales. Aunque los músicos actuales están acostumbrados a las
-barras de compás para reconocer con más facilidad los patrones
-rítmicos, durante el período de la música mensural aún no se
-habíen inventado las líneas divisorias; de hecho, la medida solía
-cambiar a cada pocas notas. Como compromiso, a menudo las líneas
-divisorias se imprimen entre los pentagramas en vez de hacerlo
-encima de ellos.
-
-"
- doctitlees = "Plantilla de notación de música antigua (transcripción moderna de música mensural)"
-
- texidocde = "
-Bei der Transkription von Mensuralmusik ist es oft erwünscht, ein
-Incipit an den Anfang des Stückes zu stellen, damit klar ist, wie
-Tempo und Schlüssel in der Originalnotation gesetzt waren. Während
-heutzutage Musiker an Taktlinien gewöhnt sind, um Rhythmen schneller
-zu erkennen, wurden diese in der Mensuralmusik nicht verwendet.
-Tatsächlich ändern sich die Rhythmen auch oft alle paar Noten. Als
-ein Kompromiss werden die Notenlinien nicht auf dem System, sondern
-zwischen den Systemen geschrieben.
-"
-
- texidocfr = "
-Lorsque l'on transcrit de la musique mensurale, il est d'usage
-d'indiquer en début de partition, par un « incipit », les tonalité
-et tempo originaux. De nos jours, les musiciens ont l'habitude de
-voir des barres de mesure qui les aide à appréhender la structure
-rythmique. Ces barres n'existaient pas du temps où ces œuvres ont
-été écrites ; en fait, la métrique évoluait au fil de la pièce. Un
-compromis consiste à imprimer des barres de mesure entre les portées
-plutôt que sur la portée elle-même.
-
-"
- doctitle = "Exemples de notation ancienne -- transcription moderne de musique mensurale"
-
- texidoc = "
-When transcribing mensural music, an incipit at the beginning of the
-piece is useful to indicate the original key and tempo. While today
-musicians are used to bar lines in order to faster recognize rhythmic
-patterns, bar lines were not yet invented during the period of mensural
-music; in fact, the meter often changed after every few notes. As a
-compromise, bar lines are often printed between the staves rather than
-on the staves.
-
-"
- doctitle = "Ancient notation template -- modern transcription of mensural music"
-} % begin verbatim
-
-global = {
- \set Score.skipBars = ##t
-
- % incipit
- \once \override Score.SystemStartBracket #'transparent = ##t
- \override Score.SpacingSpanner #'spacing-increment = #1.0 % tight spacing
- \key f \major
- \time 2/2
- \once \override Staff.TimeSignature #'style = #'neomensural
- \override Voice.NoteHead #'style = #'neomensural
- \override Voice.Rest #'style = #'neomensural
- \set Staff.printKeyCancellation = ##f
- \cadenzaOn % turn off bar lines
- \skip 1*10
- \once \override Staff.BarLine #'transparent = ##f
- \bar "||"
- \skip 1*1 % need this extra \skip such that clef change comes
- % after bar line
- \bar ""
-
- % main
- \revert Score.SpacingSpanner #'spacing-increment % CHECK: no effect?
- \cadenzaOff % turn bar lines on again
- \once \override Staff.Clef #'full-size-change = ##t
- \set Staff.forceClef = ##t
- \key g \major
- \time 4/4
- \override Voice.NoteHead #'style = #'default
- \override Voice.Rest #'style = #'default
-
- % FIXME: setting printKeyCancellation back to #t must not
- % occur in the first bar after the incipit. Dto. for forceClef.
- % Therefore, we need an extra \skip.
- \skip 1*1
- \set Staff.printKeyCancellation = ##t
- \set Staff.forceClef = ##f
-
- \skip 1*7 % the actual music
-
- % let finis bar go through all staves
- \override Staff.BarLine #'transparent = ##f
-
- % finis bar
- \bar "|."
-}
-
-discantusNotes = {
- \transpose c' c'' {
- \set Staff.instrumentName = #"Discantus "
-
- % incipit
- \clef "neomensural-c1"
- c'1. s2 % two bars
- \skip 1*8 % eight bars
- \skip 1*1 % one bar
-
- % main
- \clef "treble"
- d'2. d'4 |
- b e' d'2 |
- c'4 e'4.( d'8 c' b |
- a4) b a2 |
- b4.( c'8 d'4) c'4 |
- \once \override NoteHead #'transparent = ##t c'1 |
- b\breve |
- }
-}
-
-discantusLyrics = \lyricmode {
- % incipit
- IV-
-
- % main
- Ju -- bi -- |
- la -- te De -- |
- o, om --
- nis ter -- |
- ra, __ om- |
- "..." |
- -us. |
-}
-
-altusNotes = {
- \transpose c' c'' {
- \set Staff.instrumentName = #"Altus "
-
- % incipit
- \clef "neomensural-c3"
- r1 % one bar
- f1. s2 % two bars
- \skip 1*7 % seven bars
- \skip 1*1 % one bar
-
- % main
- \clef "treble"
- r2 g2. e4 fis g | % two bars
- a2 g4 e |
- fis g4.( fis16 e fis4) |
- g1 |
- \once \override NoteHead #'transparent = ##t g1 |
- g\breve |
- }
-}
-
-altusLyrics = \lyricmode {
- % incipit
- IV-
-
- % main
- Ju -- bi -- la -- te | % two bars
- De -- o, om -- |
- nis ter -- ra, |
- "..." |
- -us. |
-}
-
-tenorNotes = {
- \transpose c' c' {
- \set Staff.instrumentName = #"Tenor "
-
- % incipit
- \clef "neomensural-c4"
- r\longa % four bars
- r\breve % two bars
- r1 % one bar
- c'1. s2 % two bars
- \skip 1*1 % one bar
- \skip 1*1 % one bar
-
- % main
- \clef "treble_8"
- R1 |
- R1 |
- R1 |
- r2 d'2. d'4 b e' | % two bars
- \once \override NoteHead #'transparent = ##t e'1 |
- d'\breve |
- }
-}
-
-tenorLyrics = \lyricmode {
- % incipit
- IV-
-
- % main
- Ju -- bi -- la -- te | % two bars
- "..." |
- -us. |
-}
-
-bassusNotes = {
- \transpose c' c' {
- \set Staff.instrumentName = #"Bassus "
-
- % incipit
- \clef "bass"
- r\maxima % eight bars
- f1. s2 % two bars
- \skip 1*1 % one bar
-
- % main
- \clef "bass"
- R1 |
- R1 |
- R1 |
- R1 |
- g2. e4 |
- \once \override NoteHead #'transparent = ##t e1 |
- g\breve |
- }
-}
-
-bassusLyrics = \lyricmode {
- % incipit
- IV-
-
- % main
- Ju -- bi- |
- "..." |
- -us. |
-}
-
-\score {
- \new StaffGroup = choirStaff <<
- \new Voice =
- "discantusNotes" << \global \discantusNotes >>
- \new Lyrics =
- "discantusLyrics" \lyricsto discantusNotes { \discantusLyrics }
- \new Voice =
- "altusNotes" << \global \altusNotes >>
- \new Lyrics =
- "altusLyrics" \lyricsto altusNotes { \altusLyrics }
- \new Voice =
- "tenorNotes" << \global \tenorNotes >>
- \new Lyrics =
- "tenorLyrics" \lyricsto tenorNotes { \tenorLyrics }
- \new Voice =
- "bassusNotes" << \global \bassusNotes >>
- \new Lyrics =
- "bassusLyrics" \lyricsto bassusNotes { \bassusLyrics }
- >>
- \layout {
- \context {
- \Score
-
- % no bars in staves
- \override BarLine #'transparent = ##t
-
- % incipit should not start with a start delimiter
- \remove "System_start_delimiter_engraver"
- }
- \context {
- \Voice
-
- % no slurs
- \override Slur #'transparent = ##t
-
- % Comment in the below "\remove" command to allow line
- % breaking also at those barlines where a note overlaps
- % into the next bar. The command is commented out in this
- % short example score, but especially for large scores, you
- % will typically yield better line breaking and thus improve
- % overall spacing if you comment in the following command.
- %\remove "Forbid_line_break_engraver"
- }
- }
-}
-
-
-
-
projects / lilypond.git / blobdiff