Standard output can be modified heavily. Here is an impressive
Schenkerian analysis, created by Kris Schaffer, for an article
-in @uref{http://www.linuxjournal.com/article/8364 , Linux Journal.}.
+in @uref{http://www.linuxjournal.com/article/8364 , Linux Journal}.
The colors have been added for better visibility.
@exampleImage{bach-schenker}
achieve our goal with only a fraction of the individual effort.
@item
-@qq{Gift culture}: the Free Software (or @qq{Open Source})
+@qq{Gift culture}: the Free Software
movement has created many great software projects, such as
@uref{http://kernel.org/, GNU/Linux},
@uref{http://www.getfirefox.com/, Mozilla Firefox}, and
back} to the community.
@item
-Work experience: contributing to open-source projects is a great way to
+Work experience: contributing to free software projects is a great way to
practice programming, documentation writing, documentation translation,
or design. This experience has helped some developers gain job offers
or scholarships.
@itemize
@item
-@emph{Affaire étrangère}, an opera by
-@uref{http://valentin.villenave.net/,Valentin Villenave}
-to a French libretto by
-@uref{http://en.wikipedia.org/wiki/Lewis_Trondheim, Lewis
-Trondheim}, premiered February 1, 2009 at
-@uref{http://www.orchestre-montpellier.com/, L'Opéra National de
-Montpellier}, France.
+Mussorgsky's @emph{Pictures at an exhibition}, re-orchestrated and
+conducted by @uref{http://www.aurelienbello.com/,Aurélien Bello} with
+the @uref{http://www.junge-philharmonie-brandenburg.de/,
+Junge Philharmonie Brandenburg}
+on Oct 10 2011 and again on Apr 15-16 2012.
+
+@item
+@uref{http://www.kierenmacmillan.info/, Kieren MacMillan}, composer and
+musical director. His many, recent works include; @emph{Go Thy Way},
+performed by the @uref{http://www.saltlakechoralartists.org/,
+Salt Lake Choral Artists} in March 2012; The
+@emph{Just Out of Reach Suite} performed
+by the
+@uref{http://www.herald-dispatch.com/news/marshall/x1883873762/Music-duo-Chrysalis-to-perform-at-Marshall-University-on-Jan-19,
+Chrysalis Duo} ; @emph{thrafsmata} performed in July 2011 by the
+@uref{http://www.pnme.org/CurrentSeason/PreviousSeasons.html, Pittsburgh
+New Music Ensemble}.
+
+
+@item
+@emph{Anonymous Student Compliment or Complaint}, by
+@uref{http://www.mikesolomon.org, Mike Solomon}, winner chosen from among
+172 entries from 22 countries of the
+@uref{http://leftcoastensemble.org/contest, 2011 Left Coast Composition Contest}.
+Other works include, Norman (age 1) for clarinet solo, performed at the
+@uref{http://emu.music.ufl.edu/fems_concerts.html, University of Florida}'s
+Electroacoustic Music Festival (FEMF), October 2010.
+
+@item
+A modern edition of the @emph{Serenata Erminia} by Alessandro Scarlatti,
+edited by Thomas Griffin, Musicologist (Rome, Italy). Performed on 22
+October 2010 in the Galleria of the Palazzo Zevallos Stigliano, Naples,
+Italy. @uref{http://www.ascarlatti2010.net, Alessandro Scarlatti 2010},
+in celebration of the composer's 350th birthday.
@item
@uref{http://www.mercurybaroque.org/02/02109.aspx, Mercury Baroque}'s
and his ensemble @uref{http://www.earlymusicny.org/, Early Music
New York} (engraving by Nicolas Sceaux).
+@item
+@emph{Affaire étrangère}, an opera by
+@uref{http://valentin.villenave.net/,Valentin Villenave}
+to a French libretto by
+@uref{http://en.wikipedia.org/wiki/Lewis_Trondheim, Lewis
+Trondheim}, premiered February 1, 2009 at
+@uref{http://www.orchestre-montpellier.com/, L'Opéra National de
+Montpellier}, France.
+
@end itemize
@divEnd
@divEnd
+@contactUsAbout{concerts or sheet music}
@divClass{column-center-bottom}
@subheading Where now?
@divClass{keep-bullets}
@itemize
+@item
+April 2011
+
+@uref{http://www.linux-magazine.com,Linux Magazine} publishes an
+article titled
+@uref{http://www.linux-magazine.com/w3/issue/126/088-090_projects.pdf,
+Projects on the Move}. It is an introductory article on MuseScore,
+LilyPond and Chordii. Author Carla Schroder states @qq{LilyPond is
+driven from the command line, but don’t let the lack of a GUI scare
+you away; LilyPond is user-friendly and easy to learn}, and provides
+a hands-on example.
+
+@item
+May 2010
+
+Peter Kirn, on the Create Digital Music website, publishes a
+@uref{http://createdigitalmusic.com/2010/05/14/lilypond-free-beautiful-music-notation-engraving-for-anyone/,LilyPond
+review}. He takes a balanced view on usage, praises LilyPond's
+high-quality notation and suggests to try it out.
+
@item
September 2009
website, presents comments by two orchestra librarians who
talk about using software to maintain their libraries.
+@item
+June 2009
+
+In an @uref{http://news.lilynet.net/Free-Music-Now, article}
+published in the French @emph{National Conservatory Parent
+Association}'s yearly magazine, French composer and LilyPond
+contributor Valentin Villenave explains how Free licenses, and
+specifically LilyPond-engraved scores, are instrumental in
+making written music accessible to all.
+
@item
February 2008
October 2004
The editors of Computer!Totaal, a Dutch computer magazine,
-@uref{http://lilypond.org/web/images/computer-totaal.jpeg,
+@uref{http://lilypond.org/website/pdf/computer-totaal.jpeg,
describe LilyPond} in the October 2004 issue as: @qq{Wonderful
free (open source) software [..] The sheet music produced by
LilyPond is exceptionally pretty [..] a very powerful system that
potential.}
@divEnd
+
+@divClass{testimonial-item}
+@subsubheading @uref{http://webusers.siba.fi/~mkuuskan/, Dr. Mika Kuuskankare}, researcher at the @uref{http://siba.fi, Sibelius Academy Finland}, composer and author of Expressive Notation Package (ENP)
+
+@qq{I have the deepest respect towards LilyPond and towards its creators
+and maintainers as I know from personal experience how difficult this
+kind of software can be.}
@divEnd
+
+@divClass{testimonial-item}
+@subsubheading @uref{http://camerondh.blogspot.com, David Cameron}, Musician, professional typesetter and long time SCORE user
+
+@qq{My heartfelt thanks to everyone who contributes to this project. I
+was a power SCORE user for big typesetting houses way back in the '90s,
+but I feel LilyPond finally makes it possible for me to get exactly what
+I want on the page, especially when it isn't "standard" practice.}
+@divEnd
+
+@divEnd
+
+@contactUsAbout{news articles or testimonals}
+
@divClass{column-center-bottom}
@subheading Where now?
@imageFloat{text-input-1-annotate,png,center}
@imageFloat{text-input-1-output,png,center}
-Alterations are made with different names: add @code{-is} for
-sharp, and @code{-es} for flat (these are Dutch note names, other
+Alterations are made with different names: add @w{@code{-is}} for
+sharp, and @w{@code{-es}} for flat (these are Dutch note names, other
languages are available). LilyPond figures out where to put
accidentals.
@uref{http://www.frescobaldi.org}
-Frescobaldi is a dedicated LilyPond music and text editor with a
-built-in PDF previewer, a powerful score wizard and many editing
-features. It is built on top of the KDE4 libraries and runs
-currently on all flavours of Linux and other UNIX-like operating
-systems.
+Frescobaldi is lightweight, yet powerful LilyPond music and text editor
+with a built-in PDF viewer. It is easy to use and will run on all major
+operating systems (Linux, Mac OS X and Windows).
@divEnd
view, and any syntax errors in your LilyPond tweaks are highlighted in
the text view when printed from there.
-@warning{Denemo officially supports an outdated Lilypond version 2.8.7,
-which lacks many of the features added since then. The Denemo developers
-are actively working to bring it up to our present stable version, 2.12.}
@divEnd
@divClass{column-center-top}
editor and can be used as an Integrated Development Environment.
There is a @q{lilypond mode} which supplies the language
definitions for working with LilyPond source files. As well, one of
-our developers has written @uref{http://nicolas.sceaux.free.fr/
-lilypond/lyqi.html,lyqi}, an Emacs major mode.
+our developers has written
+@uref{http://nicolas.sceaux.free.fr/lilypond/lyqi.html,lyqi}, an
+Emacs major mode.
@uref{http://www.vim.org}
@divEnd
@divClass{column-center-top}
-@subheading Other programs can export LilyPond code
+@subheading Programs that can export LilyPond code
@subsubheading Score, tab and MIDI editors:
@itemize
+
@item
-@uref{http://www.rosegardenmusic.com,Rosegarden}, an audio and
-MIDI sequencer, which also has a score editor for single-staff
-editing.
+@uref{http://www.canorus.org,Canorus}, a score editor, can also
+export to LilyPond, but is still beta-software. Testers are
+welcome, though.
@item
-@uref{http://vsr.informatik.tu-chemnitz.de/staff/jan/nted/nted.xhtml,NtEd},
-is based on the @uref{http://cairographics.org, Cairo} library and
-has experimental export for LilyPond.
+@uref{http://vsr.informatik.tu-chemnitz.de/staff/jan/nted/nted.xhtml,
+NtEd}, a score editor based on the
+@uref{http://www.cairographics.org,Cairo} library, has experimental
+support for exporting to LilyPond.
@item
-@uref{http://www.tuxguitar.com.ar/,TuxGuitar}, a multitrack
-tablature editor and player, provides a score view as well as tab,
-and can export to LilyPond.
+@uref{http://www.musescore.org,MuseScore}, a score editor, has
+incomplete LilyPond export but is being actively developed.
@item
-@uref{http://musescore.org,MuseScore} has incomplete LilyPond
-export but is being actively developed.
+@uref{http://www.holmessoft.co.uk/homepage/software/NWC2LY/index.htm,
+NW2LY} is a C# program which converts a
+@uref{http://www.noteworthysoftware.com/,NoteWorthy} song into
+LilyPond.
@item
-@uref{http://canorus.org,Canorus} can also export to LilyPond, but
-is still beta-software. Testers are welcome, though.
+@uref{https://github.com/ciconia/ripple/blob/master/README.markdown,
+Ripple} is a program that helps create scores and parts, including a
+mode for mixing different musical works together in a single score or
+part.
@item
-@uref{http://www.volny.cz/smilauer/rumor/rumor.html,Rumor}, a realtime
-monophonic MIDI to LilyPond converter.
+@uref{http://www.rosegardenmusic.com,Rosegarden}, an audio and MIDI
+sequencer, which also has a score editor for single-staff editing.
+
+@item
+@uref{http://www.volny.cz/smilauer/rumor/rumor.html,Rumor}, a
+realtime monophonic MIDI to LilyPond converter.
+
+@item
+@uref{http://www.tuxguitar.com.ar/,TuxGuitar}, a multitrack tablature
+editor and player, includes a score viewer and can export to LilyPond.
@end itemize
@itemize
@item
-@uref{http://strasheela.sourceforge.net, Strasheela} is @qq{a
-highly expressive constraint-based music composition system}.
+@uref{http://www.projectabjad.org/,Abjad}, a
+@uref{http://www.python.org/,Python} API for Formalized Score
+Control designed to help composers build up complex pieces of
+LilyPond notation in an iterative and incremental way.
@item
@uref{http://common-lisp.net/project/fomus/,FOMUS}, a LISP library
-to generate music notation from computer music software environments.
+to generate music notation from computer music software
+environments.
+
+@item
+@uref{http://strasheela.sourceforge.net,Strasheela}, an
+environment built on top of the
+@uref{http://www.mozart-oz.org/, Mozart/Oz} constraint programming
+language.
@end itemize
@divEnd
projects / lilypond.git / blobdiff