@divClass{keep-bullets}
@itemize
+@item
+A critical edition of Tommaso Traetta's @emph{Enea nel Lazio (1760)},
+opera series with libretto by Vittorio Amedeo Cigna-Santi, in four
+parts:
+@uref{http://www.academia.edu/1987651/Enea_nel_Lazio_opera_riformata_prima_lazione_poi_le_parole_-_Partitura_1_4_, Part One}
+@uref{http://www.academia.edu/1994533/Enea_nel_Lazio_opera_riformata_prima_lazione_poi_le_parole_-_Partitura_2_4_, Part Two}
+@uref{http://www.academia.edu/1994558/Enea_nel_Lazio_opera_riformata_prima_lazione_poi_le_parole_-_Partitura_3_4_, Part Three}
+@uref{http://www.academia.edu/1996242/Enea_nel_Lazio_opera_riformata_prima_lazione_poi_le_parole_-_Partitura_4_4_, Part Four}
+Created by
+@uref{http://unito.academia.edu/LucaRossettoCasel, Luca Rossetto Casel}
+for his Ph.D. Thesis.
+
@item
Mussorgsky's @emph{Pictures at an exhibition}, re-orchestrated and
conducted by @uref{http://www.aurelienbello.com/,Aurélien Bello} with
@uref{http://www.pnme.org/CurrentSeason/PreviousSeasons.html, Pittsburgh
New Music Ensemble}.
-
@item
@emph{Anonymous Student Compliment or Complaint}, by
@uref{http://www.mikesolomon.org, Mike Solomon}, winner chosen from among
172 entries from 22 countries of the
-@uref{http://leftcoastensemble.org/contest, 2011 Left Coast Composition Contest}.
+@uref{http://leftcoastensemble.org, 2011 Left Coast Composition Contest}.
Other works include, Norman (age 1) for clarinet solo, performed at the
@uref{http://emu.music.ufl.edu/fems_concerts.html, University of Florida}'s
Electroacoustic Music Festival (FEMF), October 2010.
in celebration of the composer's 350th birthday.
@item
-@uref{http://www.mercurybaroque.org/02/02109.aspx, Mercury Baroque}'s
-performance of Lully's @emph{Armide}, May 15-16, 2009, in Houston,
-Texas (engraving by @uref{http://nicolas.sceaux.free.fr/,
-Nicolas Sceaux}).
+@uref{http://www.mercurybaroque.org, Mercury Baroque}'s performance of
+Lully's @emph{Armide}, May 15-16, 2009, in Houston, Texas (engraving by
+@uref{http://nicolas.sceaux.free.fr/, Nicolas Sceaux}).
@item
Instrumental excerpts from Rameau's @emph{Hippolyte et Aricie} at
St. James's Church in Manhattan, May 8, 2009, by Frederick Renz
and his ensemble @uref{http://www.earlymusicny.org/, Early Music
-New York} (engraving by Nicolas Sceaux).
+New York} (engraving by
+@uref{http://nicolas.sceaux.free.fr/, Nicolas Sceaux}).
@item
@emph{Affaire étrangère}, an opera by
The editors of Computer!Totaal, a Dutch computer magazine,
@uref{http://lilypond.org/website/pdf/computer-totaal.jpeg,
describe LilyPond} in the October 2004 issue as: @qq{Wonderful
-free (open source) software [..] The sheet music produced by
-LilyPond is exceptionally pretty [..] a very powerful system that
+free (open source) software [@dots{}] The sheet music produced by
+LilyPond is exceptionally pretty [@dots{}] a very powerful system that
can do almost anything.}
@item
Jazz singer Gail Selkirk writes about
@uref{http://www.songbirdofswing.com/editorial_page/lilypond/,
-Diving into LilyPond}. @qq{... you can make lead sheets or full
+Diving into LilyPond}. @qq{@dots{} you can make lead sheets or full
orchestral parts, and the results can be stunning.}
@uref{http://www.computermusic.co.uk/, Computer Music Special},
issue CMS06.
work. I've never seen anything approaching the output that I get
from LilyPond -- I'm totally confident that my music publishing
needs will be fulfilled beyond my expectations using this great
-application. [..] basically untweaked LilyPond output [..] looks
-better than most recent @q{professional} publications I've compared
-it to (q.v., just about any Warner Bros. score, and even many of
-the most recent by @q{the old houses}). [..]}
-
-@qq{Beat that, Finale/Sibelius/Igor/whatever!!!}
+application. [@dots{}] basically untweaked LilyPond output
+[@dots{}] looks better than most recent @q{professional}
+publications I've compared it to (q.v., just about any Warner
+Bros. score, and even many of the most recent by @q{the old
+houses}). [@dots{}]} @qq{Beat that, Finale/Sibelius/Igor/whatever!!!}
@divEnd
@divClass{testimonial-item}
@subsubheading David Bobroff, Bass Trombone, Iceland Symphony Orchestra
-@qq{I think LilyPond is great [..] The more I learn about LilyPond
+@qq{I think LilyPond is great [@dots{}] The more I learn about LilyPond
the more I like it!}
@divEnd
@divClass{testimonial-item}
@subsubheading Vaylor Trucks, Electric guitar player (Yes, @uref{http://www.allmanbrothersband.com/modules.php?op=modload&name=userpage&file=content&page_id=12, related to})
-@qq{I am super impressed with LilyPond [..]}
+@qq{I am super impressed with LilyPond [@dots{}]}
@qq{THIS IS THE BEST PROGRAM EVER!!!}
@qq{I had a kind of hate-passion relationship with it. Passion
because the first score I saw was so amazing! The description of
-LilyPond lies about its beautifulness, it is too modest! [..] as
+LilyPond lies about its beautifulness, it is too modest! [@dots{}] as
LilyPond is getting always better, and as I look closer how things
are done in scheme, I have less and less frustrations. Anyway,
what I mean is: thank you for providing LilyPond, it is really
many different computer languages. Emacs is a highly extensible
editor and can be used as an Integrated Development Environment.
There is a @q{lilypond mode} which supplies the language
-definitions for working with LilyPond source files. As well, one of
-our developers has written
-@uref{http://nicolas.sceaux.free.fr/lilypond/lyqi.html,lyqi}, an
-Emacs major mode.
+definitions for working with LilyPond source files. A developer
+has written @uref{https://github.com/nsceaux/lyqi,lyqi}, an Emacs major
+mode.
@uref{http://www.vim.org}
@itemize
@item
-@uref{http://www.canorus.org,Canorus}, a score editor, can also export to
-LilyPond, but is still beta-software. Testers are welcome, though.
+@uref{http://www.jezra.net/projects/bwwtolily,bwwtolily} attempts to
+convert a @code{.bww} or @code{.bmw} file to LilyPond. While not all of
+the embellishments may get converted properly (this is especially true
+with piobaireachd), the program will list them.
+
+@item
+@uref{http://www.canorus.org,Canorus}, a score editor, can also export
+to LilyPond, but is still beta-software. Testers are welcome, though.
@item
@uref{http://enc2ly.sourceforge.net/en/,Enc2ly} is a GNU/Linux program
a LilyPond one.
@item
-@uref{https://github.com/hanwen/go-enc2ly,go-enc2ly} is a Go tool that converts
-@uref{http://www.gvox.com/,Encore} files to LilyPond. It was created using
-Felipe Castro's research and reverse engineering by tweaking existing .enc files
-and loading them using the 4.55 demo version.
+@uref{https://github.com/hanwen/go-enc2ly,go-enc2ly} is a Go tool that
+converts @uref{http://www.gvox.com/,Encore} files to LilyPond. It was
+created using Felipe Castro's research and reverse engineering by
+tweaking existing .enc files and loading them using the 4.55 demo
+version.
@item
-@uref{http://www.musescore.org,MuseScore}, a score editor, has incomplete
-LilyPond export but is being actively developed.
+@uref{http://www.musescore.org,MuseScore}, a score editor, has
+incomplete LilyPond export but is being actively developed.
@item
-@uref{http://vsr.informatik.tu-chemnitz.de/staff/jan/nted/nted.xhtml,NtEd}, a
-score editor based on the @uref{http://www.cairographics.org,Cairo} library,
-has experimental support for exporting to LilyPond.
+@uref{http://vsr.informatik.tu-chemnitz.de/staff/jan/nted/nted.xhtml,NtEd},
+a score editor based on the @uref{http://www.cairographics.org,Cairo}
+library, it has experimental support for exporting to LilyPond.
@item
-@uref{http://www.holmessoft.co.uk/homepage/software/NWC2LY/index.htm,NW2LY} is
-a C# program which converts a
-@c @uref{http://www.noteworthysoftware.com/,NoteWorthy}
-NoteWorthy composer song into LilyPond.
+@uref{http://www.holmessoft.co.uk/homepage/software/NWC2LY/index.htm,NW2LY}
+is a C# program which converts a NoteWorthy composer song into LilyPond.
@item
-@uref{https://github.com/ciconia/ripple/blob/master/README.markdown,Ripple} is
-a program that helps create scores and parts, including a mode for mixing
-different musical works together in a single score or part.
+@uref{https://github.com/ciconia/ripple/blob/master/README.markdown,Ripple}
+is a program that helps create scores and parts, including a mode for
+mixing different musical works together in a single score or part.
@item
-@uref{http://www.rosegardenmusic.com,Rosegarden}, an audio and MIDI sequencer,
-which also has a score editor for single-staff editing.
+@uref{http://www.rosegardenmusic.com,Rosegarden}, an audio and MIDI
+sequencer, which also has a score editor for single-staff editing.
@item
-@uref{https://launchpad.net/rumor/,Rumor}, a realtime monophonic MIDI to
-LilyPond converter.
+@uref{https://launchpad.net/rumor/,Rumor}, a realtime monophonic
+MIDI-to-LilyPond converter.
@item
-@uref{http://www.tuxguitar.com.ar/,TuxGuitar}, a multitrack tablature editor
-and player, includes a score viewer and can export to LilyPond.
+@uref{http://www.tuxguitar.com.ar/,TuxGuitar}, a multitrack tablature
+editor and player, includes a score viewer and can export to LilyPond.
@end itemize
@item
@uref{http://www.projectabjad.org/,Abjad}, a
-@uref{http://www.python.org/,Python} API for Formalized Score
-Control designed to help composers build up complex pieces of
-LilyPond notation in an iterative and incremental way.
+@uref{http://www.python.org/,Python} API for Formalized Score Control
+designed to help composers build up complex pieces of LilyPond notation
+in an iterative and incremental way.
@item
-@uref{http://common-lisp.net/project/fomus/,FOMUS}, a LISP library
-to generate music notation from computer music software
-environments.
+@uref{http://common-lisp.net/project/fomus/,FOMUS}, (FOrmat MUSic) is a
+music notation tool for computer music composers. It is written in the
+Lisp programming language, and has been tested in a variety of
+interpreters. A C++ port is also available.
@item
-@uref{http://strasheela.sourceforge.net,Strasheela}, an
-environment built on top of the
+@uref{http://strasheela.sourceforge.net/strasheela/doc/index.html,Strasheela},
+an environment built on top of the
@uref{http://www.mozart-oz.org/, Mozart/Oz} constraint programming
language.
@item
@uref{http://lilykde.googlecode.com/,LilyKDE} has been replaced by
-@uref{http://www.frescobaldi.org/,Frescobaldi}, and exists as
-LilyKDE3 for KDE 3.5 and lilypond-KDE4 for KDE 4.1 only.
+@uref{http://www.frescobaldi.org/,Frescobaldi}, and exists as LilyKDE3
+for KDE 3.5 and lilypond-KDE4 for KDE 4.1 only.
@item
@uref{http://noteedit.berlios.de,NoteEdit}, which imported
-@uref{http://www.musicxml.com/xml.html,MusicXML}, has been forked
+@uref{http://www.makemusic.com/musicxml,MusicXML}, has been forked
into
@uref{http://vsr.informatik.tu-chemnitz.de/staff/jan/nted/nted.xhtml,NtEd}
and @uref{http://canorus.org,Canorus}.
projects / lilypond.git / blobdiff