+++ /dev/null
-@c -*- coding: utf-8; mode: texinfo; -*-
-@ignore
- Translation of GIT committish: FILL-IN-HEAD-COMMITTISH
-
- When revising a translation, copy the HEAD committish of the
- version that you are working on. See TRANSLATION for details.
-@end ignore
-
-@c \version "2.12.0"
-
-@node Text
-@section Text
-
-@lilypondfile[quote]{text-headword.ly}
-
-This section explains how to include text (with various
-formatting) in music scores.
-
-@noindent
-Some text elements that are not dealt with here are discussed in other
-specific sections: @ref{Vocal music}, @ref{Titles and headers}.
-
-@menu
-* Writing text::
-* Formatting text::
-* Fonts::
-@end menu
-
-@node Writing text
-@subsection Writing text
-
-This section introduces different ways of adding text to a score.
-
-@cindex Text, other languages
-@warning{To write accented and special text (such as characters
-from other languages), simply insert the characters directly into
-the LilyPond file. The file must be saved as UTF-8. For more
-information, see @ref{Text encoding}.}
-
-@menu
-* Text scripts::
-* Text spanners::
-* Text marks::
-* Separate text::
-@end menu
-
-
-@node Text scripts
-@unnumberedsubsubsec Text scripts
-
-@cindex Text scripts
-@cindex text items, non-empty
-@cindex non-empty texts
-@cindex quoted text
-
-Simple @qq{quoted text} indications may be added
-to a score, as demonstrated in the following example.
-Such indications may be manually placed
-above or below the staff, using the
-syntax described in @ref{Direction and
-placement}.
-
-@lilypond[quote,verbatim,relative=2]
-a8^"pizz." g f e a4-"scherz." f
-@end lilypond
-
-This syntax is actually a shorthand; more complex text
-formatting may be added to a note by explicitly using a
-@code{\markup} block, as described in @ref{Formatting text}.
-
-@lilypond[quote,verbatim,relative=2]
-a8^\markup { \italic pizz. } g f e
-a4_\markup { \tiny scherz. \bold molto } f
-@end lilypond
-
-By default, text indications do not influence the note spacing.
-However, their widths can be taken into account:
-in the following example, the first text string does not affect
-spacing, whereas the second one does.
-
-@lilypond[quote,verbatim,relative=2]
-a8^"pizz." g f e
-\textLengthOn
-a4_"scherzando" f
-@end lilypond
-
-
-@predefined
-@funindex \textLengthOn
-@code{\textLengthOn},
-@funindex \textLengthOff
-@code{\textLengthOff}.
-@endpredefined
-
-
-@seealso
-Notation Reference:
-@ref{Formatting text},
-@ref{Direction and placement}.
-
-Snippets:
-@rlsr{Text}.
-
-Internals Reference:
-@rinternals{TextScript}.
-
-
-@knownissues
-
-Checking to make sure that text scripts and lyrics are within the
-margins is a relatively large computational task. To speed up
-processing, LilyPond does not perform such calculations by
-default; to enable it, use
-
-@example
-\override Score.PaperColumn #'keep-inside-line = ##t
-@end example
-
-
-@node Text spanners
-@unnumberedsubsubsec Text spanners
-
-@cindex Text spanners
-
-Some performance indications, e.g., @notation{rallentando} or
-@notation{accelerando}, are written as text and are extended over
-multiple notes with dotted lines.
-Such objects, called @qq{spanners}, may be created
-from one note to another using the following syntax:
-
-@lilypond[verbatim,quote,relative=2]
-\override TextSpanner #'(bound-details left text) = "rit."
-b1\startTextSpan
-e,\stopTextSpan
-@end lilypond
-
-@noindent
-The string to be printed is set through
-object properties. By default it is printed in italic characters,
-but different formatting can be obtained using
-@code{\markup} blocks, as described in @ref{Formatting text}.
-
-@lilypond[quote,relative=2,verbatim]
-\override TextSpanner #'(bound-details left text) =
- \markup { \upright "rit." }
-b1\startTextSpan c
-e,\stopTextSpan
-@end lilypond
-
-The line style, as well as the text string, can be defined as an
-object property. This syntax is described in @ref{Line styles}.
-
-
-@predefined
-@funindex textSpannerUp
-@code{\textSpannerUp},
-@funindex textSpannerDown
-@code{\textSpannerDown},
-@funindex textSpannerNeutral
-@code{\textSpannerNeutral}.
-@endpredefined
-
-
-@seealso
-Notation Reference:
-@ref{Line styles},
-@ref{Dynamics}.
-
-Snippets:
-@rlsr{Text}.
-
-Internals Reference:
-@rinternals{TextSpanner}.
-
-
-@node Text marks
-@unnumberedsubsubsec Text marks
-
-@cindex coda on bar line
-@cindex segno on bar line
-@cindex fermata on bar line
-@cindex bar lines, symbols on
-@funindex \mark
-
-Various text elements may be added to a score using
-the syntax described in @ref{Rehearsal marks}:
-
-@c \mark needs to be placed on a separate line (it's not
-@c attached to an object like \markup is). -vv
-
-@lilypond[verbatim,quote,relative=2]
-c4
-\mark "Allegro"
-c c c
-@end lilypond
-
-This syntax makes it possible to put any text on a bar line;
-more complex text formatting may be added using a @code{\markup}
-block, as described in @ref{Formatting text}:
-
-@lilypond[quote,verbatim,relative=1]
-<c e>1
-\mark \markup { \italic { colla parte } }
-<d f>2 <e g>
-<c f aes>1
-@end lilypond
-
-@noindent
-This syntax also allows to print special signs, like coda, segno
-or fermata, by specifying the appropriate symbol name as explained in
-@ref{Music notation inside markup}:
-
-@lilypond[quote,verbatim,relative=2]
-<bes f>2 <aes d>
-\mark \markup { \musicglyph #"scripts.ufermata" }
-<e g>1
-@end lilypond
-
-@noindent
-Such objects are only typeset above the top staff of the score; depending on
-whether they are specified at the end or the middle of a bar, they
-can be placed above the bar line or between notes. When specified at a
-line break, the mark will be printed at the beginning of the next line.
-
-@lilypond[quote,verbatim,relative=2]
-\mark "Allegro"
-c1 c
-\mark "assai" \break
-c c
-@end lilypond
-
-
-@snippets
-
-@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
-{printing-marks-at-the-end-of-a-line-or-a-score.ly}
-
-@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
-{aligning-marks-with-various-notation-objects.ly}
-
-@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
-{printing-marks-on-every-staff.ly}
-
-
-@seealso
-Notation Reference:
-@ref{Rehearsal marks},
-@ref{Formatting text},
-@ref{Music notation inside markup},
-@ref{The Feta font}.
-
-Snippets:
-@rlsr{Text}.
-
-Internals Reference:
-@rinternals{RehearsalMark}.
-
-
-@knownissues
-@c To be removed when Issue 69 in the tracker gets fixed. -vv
-
-If a mark is entered at the end of the last bar of the score (where
-there is no next line), then the mark will not be printed at
-all.
-
-@node Separate text
-@unnumberedsubsubsec Separate text
-
-@cindex separate text
-@cindex standalone text
-@cindex top-level text
-@cindex text, standalone
-@funindex \markup
-
-A @code{\markup} block can exist by itself, outside of any
-any @code{\score} block, as a @qq{top-level
-expression}. This syntax is described in @ref{File structure}.
-
-@lilypond[verbatim,quote]
-\markup {
- Tomorrow, and tomorrow, and tomorrow...
-}
-@end lilypond
-
-@noindent
-This allows printing text separately
-from the music, which is particularly
-useful when the input file contains
-several music pieces, as described in
-@ref{Multiple scores in a book}.
-
-@lilypond[quote,verbatim]
-\score {
- c'1
-}
-\markup {
- Tomorrow, and tomorrow, and tomorrow...
-}
-\score {
- c'1
-}
-@end lilypond
-
-Separate text blocks can be spread over multiple pages,
-making it possible to print text documents or books entirely
-within LilyPond. This feature, and the specific syntax it
-requires, are described in @ref{Multi-page markup}.
-
-
-@predefined
-@funindex \markuplines
-@code{\markup},
-@code{\markuplines}.
-@endpredefined
-
-
-@snippets
-
-@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
-{stand-alone-two-column-markup.ly}
-
-@seealso
-Notation Reference: @ref{Formatting text},
-@ref{File structure},
-@ref{Multiple scores in a book},
-@ref{Multi-page markup}.
-
-Snippets:
-@rlsr{Text}.
-
-Internals Reference: @rinternals{TextScript}.
-
-
-@node Formatting text
-@subsection Formatting text
-
-This section presents basic and advanced text formatting,
-using the @code{\markup} mode specific syntax.
-
-@menu
-* Text markup introduction::
-* Selecting font and font size::
-* Text alignment::
-* Graphic notation inside markup::
-* Music notation inside markup::
-* Multi-page markup::
-@end menu
-
-@node Text markup introduction
-@unnumberedsubsubsec Text markup introduction
-
-@cindex markup
-@cindex text markup
-@cindex markup text
-@cindex typeset text
-@funindex \markup
-
-A @code{\markup} block is used to typeset text with an extensible
-syntax called @qq{markup mode}.
-
-@cindex markup expressions
-@cindex markup syntax
-
-The markup syntax is similar to LilyPond's usual syntax: a
-@code{\markup} expression is enclosed in curly braces @code{@{
-@dots{} @}}. A single word is regarded as a minimal expression,
-and therefore does not need to be enclosed with braces.
-
-Unlike simple @qq{quoted text} indications, @code{\markup} blocks
-may contain nested expressions or markup commands,
-entered using the backslash @code{\} character.
-Such commands only affect the first following expression.
-
-@lilypond[quote,verbatim,relative=2]
-a1-\markup intenso
-a2^\markup { poco \italic più forte }
-c e1
-d2_\markup { \italic "string. assai" }
-e
-b1^\markup { \bold { molto \italic agitato } }
-c
-@end lilypond
-
-@cindex special characters in markup mode
-@cindex markup mode, special characters
-@cindex reserved characters, printing
-@cindex printing special characters
-@cindex quoted text in markup mode
-
-A @code{\markup} block may also contain quoted text strings.
-Such strings are treated as minimal text expressions, and
-therefore any markup command or special character (such as
-@code{\} and @code{#}) will be printed verbatim without affecting
-the formatting of the text. Double quotation marks themselves
-may be printed by preceding them with backslashes.
-
-@lilypond[quote,verbatim,relative=2]
-a1^"\italic markup..."
-a_\markup { \italic "... prints \"italic\" letters!" }
-a a
-@end lilypond
-
-To be treated as a distinct expression, a list of words needs
-to be enclosed with double quotes or preceded by a command.
-The way markup expressions are defined affects how these
-expressions will be stacked, centered and aligned; in the
-following example, the second @code{\markup} expression is
-treated the same as the first one:
-
-@lilypond[quote,verbatim,relative=2]
-c1^\markup { \center-column { a bbb c } }
-c1^\markup { \center-column { a { bbb c } } }
-c1^\markup { \center-column { a \line { bbb c } } }
-c1^\markup { \center-column { a "bbb c" } }
-@end lilypond
-
-Markups can be stored in variables. Such variables may be
-directly attached to notes:
-
-@lilypond[quote,verbatim]
-allegro = \markup { \bold \large Allegro }
-
-{
- d''8.^\allegro
- d'16 d'4 r2
-}
-@end lilypond
-
-
-@noindent
-An exhaustive list of @code{\markup}-specific commands can be found in
-@ref{Text markup commands}.
-
-
-@seealso
-Notation Reference:
-@ref{Text markup commands}.
-
-Snippets:
-@rlsr{Text}.
-
-Installed files:
-@file{scm/@/markup@/.scm}.
-
-
-@knownissues
-
-Syntax errors for markup mode can be confusing.
-
-
-@node Selecting font and font size
-@unnumberedsubsubsec Selecting font and font size
-
-@cindex font switching
-@funindex \italic
-@funindex \bold
-@funindex \underline
-
-Basic font switching is supported in markup mode:
-
-@lilypond[quote,verbatim,relative=2]
-d1^\markup {
- \bold { Più mosso }
- \italic { non troppo \underline Vivo }
-}
-r2 r4 r8
-d,_\markup { \italic quasi \smallCaps Tromba }
-f1 d2 r
-@end lilypond
-
-@cindex font size
-@cindex text size
-@funindex \fontsize
-@funindex \smaller
-@funindex \larger
-@funindex \magnify
-
-The size of the characters can also be altered in different ways:
-@itemize
-@item
-the font size can be set to predefined standard sizes,
-
-@item
-the font size can be set to an absolute value,
-
-@item
-the font size can also be changed relatively to its previous value.
-@end itemize
-
-@noindent
-The following example demonstrates these three methods:
-
-@lilypond[quote,verbatim,relative=1]
-f1_\markup {
- \tiny espressivo
- \large e
- \normalsize intenso
-}
-a^\markup {
- \fontsize #5 Sinfonia
- \fontsize #2 da
- \fontsize #3 camera
-}
-bes^\markup { (con
- \larger grande
- \smaller emozione
- \magnify #0.6 { e sentimento } )
-}
-d c2 r8 c bes a g1
-@end lilypond
-
-@cindex subscript
-@cindex superscript
-@funindex \super
-@funindex \sub
-
-Text may be printed as subscript or superscript. By default
-these are printed in a smaller size, but a normal size can be used as well:
-
-@lilypond[quote,verbatim]
-\markup {
- \column {
- \line { 1 \super st movement }
- \line { 1 \normal-size-super st movement
- \sub { (part two) } }
- }
-}
-@end lilypond
-
-@cindex font families
-
-The markup mode provides an easy way to select alternate
-font families. The default serif font, of roman type, is
-automatically selected unless specified otherwise; on the
-last line of the following example, there is no difference
-between the first and the second word.
-
-@lilypond[quote,verbatim]
-\markup {
- \column {
- \line { Act \number 1 }
- \line { \sans { Scene I. } }
- \line { \typewriter { Verona. An open place. } }
- \line { Enter \roman Valentine and Proteus. }
- }
-}
-@end lilypond
-
-@noindent
-Some of these font families, used for specific items
-such as numbers or dynamics, do not provide all
-characters, as mentioned in @ref{New dynamic marks} and
-@ref{Manual repeat marks}.
-
-@c \concat is actually documented in Align (it is not
-@c a font-switching command). But we need it here. -vv
-
-When used inside a word, some font-switching or formatting
-commands may produce an unwanted blank space. This can
-easily be solved by concatenating the text elements together:
-
-@lilypond[quote,verbatim]
-\markup {
- \column {
- \line {
- \concat { 1 \super st }
- movement
- }
- \line {
- \concat { \dynamic p , }
- \italic { con dolce espressione }
- }
- }
-}
-@end lilypond
-
-An exhaustive list of font switching, and custom font usage
-commands can be found in @ref{Font}.
-
-Defining custom font sets is also possible, as explained in
-@ref{Fonts}.
-
-
-@predefined
-@funindex \teeny
-@code{\teeny},
-@funindex \tiny
-@code{\tiny},
-@funindex \small
-@code{\small},
-@funindex \normalsize
-@code{\normalsize},
-@funindex \large
-@code{\large},
-@funindex \huge
-@code{\huge},
-@funindex \smaller
-@code{\smaller},
-@funindex \larger
-@code{\larger}.
-@endpredefined
-
-
-@seealso
-Notation Reference:
-@ref{Font},
-@ref{New dynamic marks},
-@ref{Manual repeat marks},
-@ref{Fonts}.
-
-Snippets:
-@rlsr{Text}.
-
-Internals Reference:
-@rinternals{TextScript}.
-
-Installed files:
-@file{scm/@/define@/-markup@/-commands@/.scm}.
-
-
-@node Text alignment
-@unnumberedsubsubsec Text alignment
-
-@cindex text, aligning
-@cindex aligning text
-
-This subsection discusses how to place text in markup mode.
-Markup objects can also be moved as a whole, using the syntax
-described in @rlearning{Moving objects}.
-
-@c Padding commands should be mentioned on this page, but
-@c most of these require \box to be more clearly illustrated. -vv
-
-@cindex text, horizontal alignment
-@cindex horizontal text alignment
-@funindex \left-align
-@funindex \center-align
-@funindex \right-align
-
-Markup objects may be aligned in different ways. By default,
-a text indication is aligned on its left edge: in the following
-example, there is no difference
-between the first and the second markup.
-
-@lilypond[quote,verbatim,relative=2]
-d1-\markup { poco }
-f
-d-\markup { \left-align poco }
-f
-d-\markup { \center-align { poco } }
-f
-d-\markup { \right-align poco }
-@end lilypond
-
-@funindex \halign
-
-Horizontal alignment may be fine-tuned
-using a numeric value:
-
-@lilypond[quote,verbatim,relative=2]
-a1-\markup { \halign #-1 poco }
-e'
-a,-\markup { \halign #0 poco }
-e'
-a,-\markup { \halign #0.5 poco }
-e'
-a,-\markup { \halign #2 poco }
-@end lilypond
-
-@noindent
-Some objects may have alignment procedures of their own,
-and therefore are not affected by these commands. It is
-possible to move such markup objects as a whole, as shown
-for instance in @ref{Text marks}.
-
-@cindex text, vertical alignment
-@cindex vertical text alignment
-@funindex \raise
-@funindex \lower
-
-Vertical alignment is a bit more complex. As stated above,
-markup objects can be moved as a whole; however, it is also
-possible to move specific elements inside a markup block.
-In this case, the element to be moved needs to be preceded
-with an @emph{anchor point}, that can be another markup element
-or an invisible object. The following example demonstrates these
-two possibilities; the last markup in this example has no anchor
-point, and therefore is not moved.
-
-@lilypond[quote,verbatim,relative=1]
-d2^\markup {
- Acte I
- \raise #2 { Scène 1 }
-}
-a'
-g_\markup {
- \null
- \lower #4 \bold { Très modéré }
-}
-a
-d,^\markup {
- \raise #4 \italic { Une forêt. }
-}
-a'4 a g2 a
-@end lilypond
-
-@funindex \general-align
-@funindex \translate
-@funindex \translate-scaled
-
-Some commands can affect both the horizontal and vertical
-alignment of text objects in markup mode. Any object
-affected by these commands must be preceded with an
-anchor point:
-
-@lilypond[quote,verbatim,relative=1]
-d2^\markup {
- Acte I
- \translate #'(-1 . 2) "Scène 1"
-}
-a'
-g_\markup {
- \null
- \general-align #Y #3.2 \bold "Très modéré"
-}
-a
-d,^\markup {
- \null
- \translate-scaled #'(-1 . 2) \teeny "Une forêt."
-}
-a'4 a g2 a
-@end lilypond
-
-@funindex \column
-@funindex \center-column
-
-@cindex multi-line markup
-@cindex multi-line text
-@cindex columns, text
-
-A markup object may include several lines of text.
-In the following example, each element or expression
-is placed on its own line, either left-aligned or centered:
-
-@lilypond[quote,verbatim]
-\markup {
- \column {
- a
- "b c"
- \line { d e f }
- }
- \hspace #10
- \center-column {
- a
- "b c"
- \line { d e f }
- }
-}
-@end lilypond
-
-@funindex \fill-line
-
-@cindex centering text on the page
-
-Similarly, a list of elements or expressions may be
-spread to fill the entire horizontal line width (if there
-is only one element, it will be centered on the page).
-These expressions can, in turn, include multi-line text
-or any other markup expression:
-
-@lilypond[quote,verbatim]
-\markup {
- \fill-line {
- \line { William S. Gilbert }
- \center-column {
- \huge \smallCaps "The Mikado"
- or
- \smallCaps "The Town of Titipu"
- }
- \line { Sir Arthur Sullivan }
- }
-}
-\markup {
- \fill-line { 1885 }
-}
-@end lilypond
-
-@funindex \wordwrap
-@funindex \justify
-
-@cindex wordwrapped text
-@cindex justified text
-
-Long text indications can also be automatically wrapped
-accordingly to the given line width. These will be
-either left-aligned or justified, as shown in
-the following example.
-
-@lilypond[quote,verbatim]
-\markup {
- \column {
- \line \smallCaps { La vida breve }
- \line \bold { Acto I }
- \wordwrap \italic {
- (La escena representa el corral de una casa de
- gitanos en el Albaicín de Granada. Al fondo una
- puerta por la que se ve el negro interior de
- una Fragua, iluminado por los rojos resplandores
- del fuego.)
- }
- \hspace #0
-
- \line \bold { Acto II }
- \override #'(line-width . 50)
- \justify \italic {
- (Calle de Granada. Fachada de la casa de Carmela
- y su hermano Manuel con grandes ventanas abiertas
- a través de las que se ve el patio
- donde se celebra una alegre fiesta)
- }
- }
-}
-@end lilypond
-
-An exhaustive list of text alignment commands
-can be found in @ref{Align}.
-
-
-@seealso
-Learning Manual:
-@rlearning{Moving objects}.
-
-Notation Reference:
-@ref{Align},
-@ref{Text marks}.
-
-Snippets:
-@rlsr{Text}.
-
-Internals Reference: @rinternals{TextScript}.
-
-Installed files:
-@file{scm/@/define@/-markup@/-commands@/.scm}.
-
-
-@node Graphic notation inside markup
-@unnumberedsubsubsec Graphic notation inside markup
-
-@cindex graphics, embedding
-@cindex drawing graphic objects
-
-Various graphic objects may be added to a score,
-using markup commands.
-
-@funindex \box
-@funindex \circle
-@funindex \rounded-box
-@funindex \bracket
-@funindex \hbracket
-
-@cindex decorating text
-@cindex framing text
-
-Some markup commands allow decoration of text elements
-with graphics, as demonstrated in the following example.
-
-@lilypond[quote,verbatim]
-\markup \fill-line {
- \center-column {
- \circle Jack
- \box "in the box"
- \null
- \line {
- Erik Satie
- \hspace #3
- \bracket "1866 - 1925"
- }
- \null
- \rounded-box \bold Prelude
- }
-}
-@end lilypond
-
-@funindex \pad-markup
-@funindex \pad-x
-@funindex \pad-to-box
-@funindex \pad-around
-
-@cindex padding around text
-@cindex text padding
-
-Some commands may require an increase in the padding around
-the text; this is achieved with some markup commands
-exhaustively described in @ref{Align}.
-
-@lilypond[quote,verbatim]
-\markup \fill-line {
- \center-column {
- \box "Charles Ives (1874 - 1954)"
- \null
- \box \pad-markup #2 "THE UNANSWERED QUESTION"
- \box \pad-x #8 "A Cosmic Landscape"
- \null
- }
-}
-\markup \column {
- \line {
- \hspace #10
- \box \pad-to-box #'(-5 . 20) #'(0 . 5)
- \bold "Largo to Presto"
- }
- \pad-around #3
- "String quartet keeps very even time,
-Flute quartet keeps very uneven time."
-}
-@end lilypond
-
-@funindex \combine
-@funindex \draw-circle
-@funindex \filled-box
-@funindex \triangle
-@funindex \draw-line
-@funindex \arrow-head
-
-@cindex graphic notation
-@cindex symbols, non-musical
-
-Other graphic elements or symbols may be printed
-without requiring any text. As with any markup
-expression, such objects can be combined.
-
-@lilypond[quote,verbatim]
-\markup {
- \combine
- \draw-circle #4 #0.4 ##f
- \filled-box #'(-4 . 4) #'(-0.5 . 0.5) #1
- \hspace #5
-
- \center-column {
- \triangle ##t
- \combine
- \draw-line #'(0 . 4)
- \arrow-head #Y #DOWN ##f
- }
-}
-@end lilypond
-
-@funindex \epsfile
-@funindex \postscript
-
-@cindex embedded graphics
-@cindex images, embedding
-@cindex graphics, embedding
-@cindex postscript
-
-Advanced graphic features include the ability to
-include external image files converted to the
-Encapsulated PostScript format (@emph{eps}), or
-to directly embed graphics into the input file,
-using native PostScript code. In such a case, it
-may be useful to explicitely specify the size of the
-drawing, as demonstrated below:
-
-@lilypond[quote,verbatim,relative=1]
-c1^\markup {
- \combine
- \epsfile #X #10 #"./context-example.eps"
- \with-dimensions #'(0 . 6) #'(0 . 10)
- \postscript #"
- -2 3 translate
- 2.7 2 scale
- newpath
- 2 -1 moveto
- 4 -2 4 1 1 arct
- 4 2 3 3 1 arct
- 0 4 0 3 1 arct
- 0 0 1 -1 1 arct
- closepath
- stroke"
- }
-c
-@end lilypond
-
-An exhaustive list of graphics-specific commands
-can be found in @ref{Graphic}.
-
-
-@seealso
-Notation Reference:
-@ref{Graphic},
-@ref{Editorial annotations}.
-
-Snippets:
-@rlsr{Text}.
-
-Internals Reference: @rinternals{TextScript}.
-
-Installed files:
-@file{scm/@/define@/-markup@/-commands@/.scm},
-@file{scm/@/stencil@/.scm}.
-
-
-@node Music notation inside markup
-@unnumberedsubsubsec Music notation inside markup
-
-Various musical notation elements may be added
-to a score, inside a markup object.
-
-Notes and accidentals can be entered using markup
-commands:
-
-@lilypond[quote,verbatim,relative=2]
-a2 a^\markup {
- \note #"4" #1
- =
- \note-by-number #1 #1 #1.5
-}
-b1_\markup {
- \natural \semiflat \flat
- \sesquiflat \doubleflat
-}
-\glissando
-a1_\markup {
- \natural \semisharp \sharp
- \sesquisharp \doublesharp
-}
-\glissando b
-@end lilypond
-
-Other notation objects may also be printed
-in markup mode:
-
-@lilypond[quote,verbatim,relative=1]
-g1 bes
-ees-\markup {
- \finger 4
- \tied-lyric #"~"
- \finger 1
-}
-fis_\markup { \dynamic rf }
-bes^\markup {
- \beam #8 #0.1 #0.5
-}
-cis
-d-\markup {
- \markalphabet #8
- \markletter #8
-}
-@end lilypond
-
-More generally, any available musical symbol may be
-included separately in a markup object, as demonstrated
-below; an exhaustive list of these symbols and their
-names can be found in @ref{The Feta font}.
-
-@lilypond[quote,verbatim,relative=2]
-c2
-c'^\markup { \musicglyph #"eight" }
-c,4
-c,8._\markup { \musicglyph #"clefs.G_change" }
-c16
-c2^\markup { \musicglyph #"timesig.neomensural94" }
-@end lilypond
-
-@noindent
-Another way of printing non-text glyphs is described in
-@ref{Fonts explained}. This is useful for printing braces of
-various sizes.
-
-The markup mode also supports diagrams for specific
-instruments:
-
-@lilypond[quote,verbatim,relative=2]
-c1^\markup {
- \fret-diagram-terse #"x;x;o;2;3;2;"
-}
-c^\markup {
- \harp-pedal #"^-v|--ov^"
-}
-c
-c^\markup {
- \combine
- \musicglyph #"accordion.accDiscant"
- \combine
- \raise #0.5 \musicglyph #"accordion.accDot"
- \raise #1.5 \musicglyph #"accordion.accDot"
-}
-@end lilypond
-
-@c The accordion diagram is actually taken from a snippet.
-
-@noindent
-Such diagrams are documented in @ref{Instrument Specific Markup}.
-
-A whole score can even be nested inside a markup object.
-In such a case, the nested @code{\score} block must
-contain a @code{\layout} block, as demonstrated here:
-
-@lilypond[quote,verbatim,relative=1]
-c4 d^\markup {
- \score {
- \relative c' { c4 d e f }
- \layout { }
- }
-}
-e f |
-c d e f
-@end lilypond
-
-An exhaustive list of music notation related commands can be
-found in @ref{Music}.
-
-
-@seealso
-Notation Reference:
-@ref{Music},
-@ref{The Feta font},
-@ref{Fonts explained}.
-
-Snippets:
-@rlsr{Text}.
-
-Internals Reference: @rinternals{TextScript}.
-
-Installed files:
-@file{scm/@/define@/-markup@/-commands@/.scm},
-@file{scm/@/fret@/-diagrams@/.scm},
-@file{scm/@/harp@/-pedals@/.scm}.
-
-
-@node Multi-page markup
-@unnumberedsubsubsec Multi-page markup
-
-Although standard markup objects are not breakable, a
-specific syntax makes it possible to enter lines of text that can
-spread over multiple pages:
-
-@lilypond[quote,verbatim]
-\markuplines {
- \justified-lines {
- A very long text of justified lines.
- ...
- }
- \wordwrap-lines {
- Another very long paragraph.
- ...
- }
- ...
-}
-@end lilypond
-
-This syntax accepts a list of markups, that can be
-@itemize
-@item
-the result of a markup list command,
-@item
-a list of markups,
-@item
-a list of markup lists.
-@end itemize
-
-An exhaustive list of markup list commands can be found in
-@ref{Text markup list commands}.
-
-
-@seealso
-Notation Reference:
-@ref{Text markup list commands},
-@ref{New markup list command definition}.
-
-Snippets:
-@rlsr{Text}.
-
-Internals Reference: @rinternals{TextScript}.
-
-Installed files:
-@file{scm/@/define@/-markup@/-commands@/.scm}.
-
-
-@predefined
-@funindex \markuplines
-@code{\markuplines}.
-@endpredefined
-
-
-@node Fonts
-@subsection Fonts
-
-This section presents the way fonts are handled,
-and how they may be changed in scores.
-
-@menu
-* Fonts explained::
-* Single entry fonts::
-* Entire document fonts::
-@end menu
-
-@node Fonts explained
-@unnumberedsubsubsec Fonts explained
-
-@cindex Pango
-@cindex fonts, explained
-@cindex braces, various sizes
-@funindex font-interface
-
-Fonts are handled through several libraries.
-FontConfig is used to detect available fonts on the system;
-the selected fonts are rendered using Pango.
-
-Music notation fonts can be described as a set of
-specific glyphs, ordered in several families.
-The following syntax allows various LilyPond @code{feta} non-text
-fonts to be used directly in markup mode:
-
-@lilypond[quote,verbatim,relative=2]
-a1^\markup {
- \vcenter {
- \override #'(font-encoding . fetaBraces)
- \lookup #"brace120"
- \override #'(font-encoding . fetaNumber)
- \column { 1 3 }
- \override #'(font-encoding . fetaDynamic)
- sf
- \override #'(font-encoding . fetaMusic)
- \lookup #"noteheads.s0petrucci"
- }
-}
-@end lilypond
-
-@noindent
-However, all these glyphs except the braces of various sizes
-contained in @code{fetaBraces} are available using the
-simpler syntax described in @ref{Music notation inside markup}.
-
-When using the glyphs contained in @code{fetaBraces}, the size of
-the brace is specified by the numerical part of the glyph name, in
-arbitrary units. Any integer from @code{0} to @code{575} inclusive
-may be specified, @code{0} giving the smallest brace. The optimum
-value must be determined by trial and error. These glyphs are all
-left braces; right braces may be obtained by rotation, see
-@ref{Rotating objects}.
-
-Three families of text fonts are made available: the
-@emph{roman} (serif) font, that defaults to New Century
-Schoolbook, the @emph{sans} font and the monospaced
-@emph{typewriter} font -- these last two families are
-determined by the Pango installation.
-
-Each family may include different shapes and series.
-The following example demonstrates the ability to select
-alternate families, shapes, series and sizes. The value
-supplied to @code{font-size} is the required change from the
-default size.
-
-@lilypond[quote,verbatim,relative=2]
-\override Score.RehearsalMark #'font-family = #'typewriter
-\mark \markup "Ouverture"
-\override Voice.TextScript #'font-shape = #'italic
-\override Voice.TextScript #'font-series = #'bold
-d2.^\markup "Allegro"
-\override Voice.TextScript #'font-size = #-3
-c4^smaller
-@end lilypond
-
-@noindent
-A similar syntax may be used in markup mode, however in this case
-it is preferable to use the simpler syntax explained in
-@ref{Selecting font and font size}:
-
-@lilypond[quote,verbatim]
-\markup {
- \column {
- \line {
- \override #'(font-shape . italic)
- \override #'(font-size . 4)
- Idomeneo,
- }
- \line {
- \override #'(font-family . typewriter)
- {
- \override #'(font-series . bold)
- re
- di
- }
- \override #'(font-family . sans)
- Creta
- }
- }
-}
-@end lilypond
-
-Although it is easy to switch between preconfigured fonts,
-it is also possible to use other fonts, as explained in the
-following sections: @ref{Single entry fonts} and
-@ref{Entire document fonts}.
-
-
-@seealso
-Notation Reference:
-@ref{The Feta font},
-@ref{Music notation inside markup},
-@ref{Selecting font and font size},
-@ref{Font}.
-
-
-@node Single entry fonts
-@unnumberedsubsubsec Single entry fonts
-
-Any font that is installed on the operating system and recognized
-by FontConfig may be used in a score, using the following syntax:
-
-@lilypond[quote,verbatim,relative=2]
-\override Staff.TimeSignature #'font-name = #"Charter"
-\override Staff.TimeSignature #'font-size = #2
-\time 3/4
-
-a1_\markup {
- \override #'(font-name . "Vera Bold")
- { Vera Bold }
-}
-@end lilypond
-
-@funindex show-available-fonts
-
-The following command displays a list of all available fonts
-on the operating system:
-
-@example
-lilypond -dshow-available-fonts x
-@end example
-
-@noindent
-The last argument of the command can be anything, but has to be
-present.
-
-
-@seealso
-Notation Reference:
-@ref{Fonts explained},
-@ref{Entire document fonts}.
-
-Snippets:
-@rlsr{Text}.
-
-Installed files:
-@file{lily/@/font@/-config@/-scheme@/.cc}.
-
-
-@node Entire document fonts
-@unnumberedsubsubsec Entire document fonts
-
-It is possible to change the fonts to be used as the default fonts in
-the @emph{roman}, @emph{sans} and @emph{typewriter} font families by
-specifying them, in that order, as shown in the example below. For an
-explanation of fonts, see @ref{Fonts explained}.
-
-@cindex font families, setting
-@funindex make-pango-font-tree
-
-@lilypond[verbatim,quote]
-\paper {
- myStaffSize = #20
- #(define fonts
- (make-pango-font-tree "Times New Roman"
- "Nimbus Sans"
- "Luxi Mono"
- (/ myStaffSize 20)))
-}
-
-\relative c'{
- c1-\markup {
- roman,
- \sans sans,
- \typewriter typewriter. }
-}
-@end lilypond
-
-@c we don't do Helvetica / Courier, since GS incorrectly loads
-@c Apple TTF fonts
-
-
-@seealso
-Notation Reference:
-@ref{Fonts explained},
-@ref{Single entry fonts},
-@ref{Selecting font and font size},
-@ref{Font}.
-
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