Typos.

[lilypond.git] / Documentation / user / simultaneous.itely

diff --git a/Documentation/user/simultaneous.itely b/Documentation/user/simultaneous.itely
index 39e7cd0897eda94bb753cd1547817ace0dbbc08b..2ed0418bbbeb4f9b395e078a34b79308a29aad3c 100644 (file)
--- a/Documentation/user/simultaneous.itely
+++ b/Documentation/user/simultaneous.itely
@@ -183,18 +183,18 @@ place, so it becomes voice three which has the stems up as desired.
 Spacing rests are often used to avoid too many rests, as seen in the
 example above.
 
-The method exposed creates two new voices when the @code{<<@{...@} \\
-@{...@}>>} construction is found in the code; to temporally add only
-one additional voice to an existing one, it is necessary to
-instantiate that voice explicitly. For these purposes, the
-@code{\voiceOne} ... @code{\voiceFour}, and @code{\oneVoice} commands
-can be used:
+Each music expression in the @code{<<{...} \\ {...}>>} construct
+is placed in a new voice, distinct from the voice for single-voice
+music; to temporarily add only one additional voice to an existing
+one, it is necessary to instantiate that voice explicitly.  For
+these purposes, the @code{\voiceOne} ... @code{\voiceFour}, and
+@code{\oneVoice} commands can be used:
 
 @example
 << @{ \voiceOne ... @} \new Voice @{ \voiceTwo ... @} >> \oneVoice
 @end example
 
-This is a better construction to keep the control of the voices, for
+This is a better construct to keep the control of the voices, for
 example, to ease a consistent assign of lyrics to the proper voice
 context.