@cindex seconda volta
@cindex volta, prima
@cindex volta, seconda
+@cindex repeat, normal
+@cindex normal repeat
+@cindex repeat with alternate endings
+@cindex alternate endings
@funindex \repeat
@funindex \alternative
@funindex \partial
@end lilypond
+@cindex repeat with upbeat
+@cindex upbeat in a repeat
+@cindex anacrucis in a repeat
+@cindex repeat with anacrucis
+@cindex repeat with pickup
+@cindex pickup in a repeat
+@funindex \partial
+
Repeats with upbeats can be entered in two ways:
@lilypond[verbatim,quote,relative=2]
@knownissues
@cindex repeat, ambiguous
+@cindex nested repeat
+@cindex repeat, nested
+@cindex repeat timing information
+@cindex repeat and measure number
+@cindex timing information and repeats
+@cindex measure number and repeats
+@cindex repeat and slur
+@cindex slur and repeat
A nested repeat like
@node Manual repeat marks
@unnumberedsubsubsec Manual repeat marks
+@cindex manual repeat mark
+@cindex repeat, manual
+@cindex start repeat
+@cindex repeat, start
+@cindex end repeat
+@cindex repeat, end
+@cindex repeat number, changing
+@cindex repeat volta, changing
+@cindex volta bracket
+@cindex bracket, volta
@funindex repeatCommands
+@funindex start-repeat
@warning{These methods are only used for displaying unusual repeat
constructs, and may produce unexpected behavior. In most cases,
b1
@end lilypond
+@cindex volta bracket with text
+@cindex text in volta bracket
+
Text can be included with the volta bracket. The text can be a
number or numbers or markup text, see @ref{Formatting text}. The
simplest way to use markup text is to define the markup first,
@cindex written-out repeats
@cindex repetitious music
@cindex repeats, written-out
+@cindex repeat, unfold
+@cindex unfold music
+@cindex unfold repeat
+@cindex unfold repeat with alternate endings
+@cindex unfold music with alternate endings
+@cindex alternate ending in written-out repeats
+@funindex unfold
By using the @code{unfold} command, repeats can be used to simplify
the writing out of repetitious music. The syntax is
\repeat unfold @var{repeatcount} @var{musicexpr}
@end example
-where @var{musicexpr} is a music expressionand @var{repeatcount}
-is the number of times @var{musicexpr} is repeated.
+where @var{musicexpr} is a music expression and @var{repeatcount} is
+the number of times @var{musicexpr} is repeated.
@lilypond[verbatim,quote,relative=2]
c1
@cindex percent repeats
@cindex measure repeats
+@cindex repeat, percent
+@cindex repeat, measure
+@cindex repeat, short
+@funindex \repeat percent
+@funindex percent
Repeated short patterns of notes are supported. The music is printed
once, and the pattern is replaced with a special sign. Patterns that
@node Tremolo repeats
@unnumberedsubsubsec Tremolo repeats
-Tremolos can take two forms: alternation between two chords or two
-notes, and rapid repetition of a single
-note or chord. Tremolos consisting of an alternation are indicated by
-adding beams between the notes or chords being alternated, while
-tremolos consisting of the rapid repetition of a single note are
-indicated by adding beams or slashes to a single note.
-
@cindex tremolo beams
+@cindex tremolo
+@cindex repeat, tremolo
+@funindex \repeat tremolo
+@funindex tremolo
+
+Tremolos can take two forms: alternation between two chords or two
+notes, and rapid repetition of a single note or chord. Tremolos
+consisting of an alternation are indicated by adding beams between the
+notes or chords being alternated, while tremolos consisting of the
+rapid repetition of a single note are indicated by adding beams or
+slashes to a single note.
To place tremolo marks between notes, use @code{\repeat} with
tremolo style:
@cindex tremolo marks
@funindex tremoloFlags
+@funindex :
The same output can be obtained by adding
@q{@code{:}[@var{number}]} after the note. The number indicates
Snippets: @rlsr{Repeats}.
+@cindex tremolo, cross-staff
+@cindex cross-staff tremolo
+
@knownissues
Cross-staff tremolos do not work well.