version that you are working on. See TRANSLATION for details.
@end ignore
+@c \version "2.12.0"
+
@node Notation manual tables
@appendix Notation manual tables
+@c Please do not delete the following @ignore block.
+@ignore
+Note for editors and translators: In the following menu, two entries
+are needed to link to a pair of automatically generated sections.
+Please keep them and, if using emacs, do not run
+texinfo-all-menus-update without manually restoring them back. These
+menu entries are:
+
+* Text markup commands::
+* Text markup list commands::
+
+and they should go just after
+* Note head styles::
+
+and just before
+* List of articulations::
+@end ignore
+
@menu
-* Chord name chart::
-* MIDI instruments::
-* List of colors::
-* The Feta font::
-* Note head styles::
-* Overview of text markup commands::
-* Overview of text markup list commands::
-* List of articulations::
-* All context properties::
-* Layout properties::
-* Identifiers::
-* Scheme functions::
+* Chord name chart::
+* Common chord modifiers::
+* Predefined fretboard diagrams::
+* MIDI instruments::
+* List of colors::
+* The Feta font::
+* Note head styles::
+* Text markup commands::
+* Text markup list commands::
+* List of articulations::
+* Percussion notes::
+* All context properties::
+* Layout properties::
+* Identifiers::
+* Scheme functions::
@end menu
@lilypondfile{chord-names-jazz.ly}
+@node Common chord modifiers
+@appendixsec Common chord modifiers
+
+The following table shows chord modifiers that can be used in
+@code{\chordmode} to generate standard chord structures.
+
+@multitable @columnfractions .2 .3 .2 .2
+
+@item
+@b{Chord type}
+@tab
+@b{Intervals}
+@tab
+@b{Modifier(s)}
+@tab
+@b{Example}
+
+
+@item
+Major
+@tab
+Major third, perfect fifth
+@tab
+@code{5} or nothing
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:5
+}
+@end lilypond
+
+@item
+Minor
+@tab
+Minor third, perfect fifth
+@tab
+@code{m} or @code{m5}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:m
+}
+@end lilypond
+
+@item
+Augmented
+@tab
+Major third, augmented fifth
+@tab
+@code{aug}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:aug
+}
+@end lilypond
+
+@item
+Diminished
+@tab
+Minor third, diminished fifth
+@tab
+@code{dim}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:dim
+}
+@end lilypond
+
+@item
+Dominant seventh
+@tab
+Major triad, minor seventh
+@tab
+@code{7}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:7
+}
+@end lilypond
+
+@item
+Major seventh
+@tab
+Major triad, major seventh
+@tab
+@code{maj7} or @code{maj}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:maj7
+}
+@end lilypond
+
+@item
+Minor seventh
+@tab
+Minor triad, minor seventh
+@tab
+@code{m7}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:m7
+}
+@end lilypond
+
+@item
+Diminished seventh
+@tab
+Diminished triad, diminished seventh
+@tab
+@code{dim7}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:dim7
+}
+@end lilypond
+
+@item
+Augmented seventh
+@tab
+Augmented triad, minor seventh
+@tab
+@code{aug7}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:aug7
+}
+@end lilypond
+
+@item
+Half-diminished seventh
+@tab
+Diminished triad, minor seventh
+@tab
+@code{m7.5-}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:m7.5-
+}
+@end lilypond
+
+@item
+Minor-major seventh
+@tab
+Minor triad, major seventh
+@tab
+@code{maj7.5-}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:maj7.5-
+}
+@end lilypond
+
+@item
+Major sixth
+@tab
+Major triad, sixth
+@tab
+@code{6}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:6
+}
+@end lilypond
+
+@item
+Minor sixth
+@tab
+Minor triad, sixth
+@tab
+@code{m6}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:m6
+}
+@end lilypond
+
+@item
+Dominant ninth
+@tab
+Dominant seventh, major ninth
+@tab
+@code{9}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:9
+}
+@end lilypond
+
+@item
+Major ninth
+@tab
+Major seventh, major ninth
+@tab
+@code{maj9}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:maj9
+}
+@end lilypond
+
+@item
+Minor ninth
+@tab
+Minor seventh, major ninth
+@tab
+@code{m9}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:m9
+}
+@end lilypond
+
+@item
+Dominant eleventh
+@tab
+Dominant ninth, perfect eleventh
+@tab
+@code{11}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:11
+}
+@end lilypond
+
+@item
+Major eleventh
+@tab
+Major ninth, perfect eleventh
+@tab
+@code{maj11}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:maj11
+}
+@end lilypond
+
+@item
+Minor eleventh
+@tab
+Minor ninth, perfect eleventh
+@tab
+@code{m11}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:m11
+}
+@end lilypond
+
+@item
+Dominant thirteenth
+@tab
+Dominant ninth, major thirteenth
+@tab
+@code{13}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:13
+}
+@end lilypond
+
+@item
+Dominant thirteenth
+@tab
+Dominant eleventh, major thirteenth
+@tab
+@code{13.11}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:13.11
+}
+@end lilypond
+
+@item
+Major thirteenth
+@tab
+Major eleventh, major thirteenth
+@tab
+@code{maj13.11}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:maj13.11
+}
+@end lilypond
+
+@item
+Minor thirteenth
+@tab
+Minor eleventh, major thirteenth
+@tab
+@code{m13.11}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:m13.11
+}
+@end lilypond
+
+@item
+Suspended second
+@tab
+Major second, perfect fifth
+@tab
+@code{sus2}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:sus2
+}
+@end lilypond
+
+@item
+Suspended fourth
+@tab
+Perfect fourth, perfect fifth
+@tab
+@code{sus4}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:sus4
+}
+@end lilypond
+
+
+@end multitable
+
+@node Predefined fretboard diagrams
+@appendixsec Predefined fretboard diagrams
+
+The chart below shows the predefined fretboard diagrams.
+
+@lilypondfile{display-predefined-fretboards.ly}
+
@node MIDI instruments
@appendixsec MIDI instruments
The following symbols are available in the Emmentaler font and may be
accessed directly using text markup such as @code{g^\markup @{
-\musicglyph #"scripts.segno" @}}, see @ref{Text markup}.
+\musicglyph #"scripts.segno" @}}, see @ref{Formatting text}.
+
+
+@menu
+* Clefs::
+* Time Signatures::
+* Numbers::
+* Accidentals::
+* Default Noteheads::
+* Special Noteheads::
+* Shape-note Noteheads::
+* Rests::
+* Flags::
+* Dots::
+* Dynamics::
+* Scripts::
+* Arrowheads::
+* Bracket-tips::
+* Pedal::
+* Accordion::
+* Vaticana::
+* Medicaea::
+* Hufnagel::
+* Mensural::
+* Neomensural::
+* Petrucci::
+* Solesmes::
+@end menu
+
+
+@node Clefs
+@unnumberedsubsec Clefs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #clefs
+@end lilypond
+
+
+@node Time Signatures
+@unnumberedsubsec Time Signatures
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #timesig
+@end lilypond
+
+
+@node Numbers
+@unnumberedsubsec Numbers
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #numbers
+@end lilypond
+
+
+@node Accidentals
+@unnumberedsubsec Accidentals
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #accidentals
+@end lilypond
+
+
+@node Default Noteheads
+@unnumberedsubsec Default Noteheads
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #default-noteheads
+@end lilypond
+
+
+@node Special Noteheads
+@unnumberedsubsec Special Noteheads
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #special-noteheads
+@end lilypond
+
+
+@node Shape-note Noteheads
+@unnumberedsubsec Shape-note Noteheads
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #shape-note-noteheads
+@end lilypond
+
+
+@node Rests
+@unnumberedsubsec Rests
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #rests
+@end lilypond
+
+
+@node Flags
+@unnumberedsubsec Flags
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #flags
+@end lilypond
+
+
+@node Dots
+@unnumberedsubsec Dots
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #dots
+@end lilypond
+
+
+@node Dynamics
+@unnumberedsubsec Dynamics
-@lilypondfile[noindent]{font-table.ly}
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #dynamics
+@end lilypond
+
+
+@node Scripts
+@unnumberedsubsec Scripts
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #scripts
+@end lilypond
+
+
+@node Arrowheads
+@unnumberedsubsec Arrowheads
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #arrowheads
+@end lilypond
+
+
+@node Bracket-tips
+@unnumberedsubsec Bracket-tips
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #brackettips
+@end lilypond
+
+
+@node Pedal
+@unnumberedsubsec Pedal
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #pedal
+@end lilypond
+
+
+@node Accordion
+@unnumberedsubsec Accordion
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #accordion
+@end lilypond
+
+
+@node Vaticana
+@unnumberedsubsec Vaticana
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #vaticana
+@end lilypond
+
+
+@node Medicaea
+@unnumberedsubsec Medicaea
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #medicaea
+@end lilypond
+
+
+@node Hufnagel
+@unnumberedsubsec Hufnagel
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #hufnagel
+@end lilypond
+
+
+@node Mensural
+@unnumberedsubsec Mensural
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #mensural
+@end lilypond
+
+
+@node Neomensural
+@unnumberedsubsec Neomensural
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #neomensural
+@end lilypond
+
+
+@node Petrucci
+@unnumberedsubsec Petrucci
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #petrucci
+@end lilypond
+
+
+@node Solesmes
+@unnumberedsubsec Solesmes
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #solesmes
+@end lilypond
@node Note head styles
@lilypondfile[noindent]{note-head-style.ly}
-
-@node Overview of text markup commands
-@appendixsec Overview of text markup commands
-
-The following commands can all be used inside @code{\markup @{ @}}.
-
@include markup-commands.tely
-@node Overview of text markup list commands
-@appendixsec Overview of text markup list commands
-
-The following commands can all be used with @code{\markuplines}.
-
@include markup-list-commands.tely
@node List of articulations
Here is a chart showing all scripts available,
-@lilypondfile[ragged-right,quote]{script-chart.ly}
+@lilypondfile[quote]{script-chart.ly}
+
+
+@node Percussion notes
+@appendixsec Percussion notes
+@lilypondfile[quote]{percussion-chart.ly}
@node All context properties
projects / lilypond.git / blobdiff