characters. If code(word) is encountered, LilyPond first checks for a
notename of code(word). If no notename is found, then code(word) is
treated as a string. If you mistype a notename, the parser will most
-likely complain that you should be in code(\lyric) mode to do lyrics.
+likely complain that you should be in code(\lyrics) mode to do lyrics.
dit(Lyric mode) Lyrics mode is introduced by the keyword
-code(\lyric). This mode is has rules that make it easy to include
+code(\lyrics). This mode is has rules that make it easy to include
punctuation and diacritical marks in words. A word in Lyrics mode
begins with: an alphabetic character, code(_),
code(?), code(!), code(:), code('),
c''-\trill
c''-\prall c''-\mordent c''-\prallprall c''-\prallmordent
c''-\upprall c''-\downprall }
- \type Lyrics \lyric{
+ \type Lyrics \lyrics{
accent marcato staccatissimo fermata stopped
staccato tenuto upbow downbow lheel rheel ltoe rtoe turn
open flageolet reverseturn
In order to instruct LilyPond to write lyrics underneath the
staff, you must enter the lyrics context with code(\type Lyrics).
-Lyrics should be entered in lyrics mode which is entered with code(\lyric).
+Lyrics should be entered in lyrics mode which is entered with code(\lyrics).
Spaces can be introduced into a lyric either by using quotes (code("))
or by using an underscore without quotes: code(He_could4 not4). All
mudela(verbatim)(\score{
< \notes \transpose c'' {c d e c | c d e c | e f g'2 |
e'4 f g'2 \bar "|."; }
- \type Lyrics \lyric {
+ \type Lyrics \lyrics {
DOEXPAND(Fr\)`e-4 re Ja- que DOEXPAND(Fr\)`e- re Ja- que
Dor- mez vous?2 Dor-4 mez vous?2 }
>
Specify an arbitrary key signature. The pitches from var(pitch) will
be printed in the key signature in the order that they appear on the list.
-dit(code(\lyric) var(lyriclist)) Parse var(lyriclist) in lyrics mode.
+dit(code(\lyrics) var(lyriclist)) Parse var(lyriclist) in lyrics mode.
dit(code(\maininput)) Internal command. This command is used for creating init
files like file(init.fly) that read the user file into the middle of another