Imported Upstream version 2.16.0

[lilypond.git] / Documentation / snippets / ancient-notation-template----modern-transcription-of-mensural-music.ly

diff --git a/Documentation/snippets/ancient-notation-template----modern-transcription-of-mensural-music.ly b/Documentation/snippets/ancient-notation-template----modern-transcription-of-mensural-music.ly
index df5e844eb1e1c97992b8e0eea95e90b99bf91334..9b7029cc2863c96e1469981902ab9d40d9da0b56 100644 (file)
--- a/Documentation/snippets/ancient-notation-template----modern-transcription-of-mensural-music.ly
+++ b/Documentation/snippets/ancient-notation-template----modern-transcription-of-mensural-music.ly
@@ -4,70 +4,10 @@
 %% and then run scripts/auxiliar/makelsr.py
 %%
 %% This file is in the public domain.
-\version "2.14.0"
+\version "2.16.0"
 
 \header {
-%% Translation of GIT committish: 4077120c18ac1dc490501b3d7d5886bc93e61a42
-  texidocit = "
-Quando si trascrive musica mensurale, può essere utile inserire all'inizio del
-pezzo un incipit che indichi l'intonazione e il tempo originali. Le stanghette
-di battuta, a cui i musicisti di oggi sono abituati e che aiutano a riconoscere
-più velocemente gli schemi ritmici, durante l'epoca della musica mensurale non
-erano ancora state introdotte; infatti il metro cambiava spesso ogni poche
-note.  Come compromesso, le stanghette vengono spesso inserite tra i righi
-invece che al loro interno.
-
-"
-  doctitleit = "Modello per notazione antica -- trascrizione moderna di musica mensurale"
-
-  lsrtags = "ancient-notation, template"
-
-
-
-
-%% Translation of GIT committish: 70f5f30161f7b804a681cd080274bfcdc9f4fe8c
-  texidoces = "
-Al transcribir música mensural, es útil un «incipit» al compienzo
-de la pieza para indicar la tonalidad y el tempo
-originales. Aunque los músicos actuales están acostumbrados a las
-barras de compás para reconocer con más facilidad los patrones
-rítmicos, durante el período de la música mensural aún no se
-habíen inventado las líneas divisorias; de hecho, la medida solía
-cambiar a cada pocas notas. Como compromiso, a menudo las líneas
-divisorias se imprimen entre los pentagramas en vez de hacerlo
-encima de ellos.
-
-"
-  doctitlees = "Plantilla de notación de música antigua (transcripción moderna de música mensural)"
-
-
-%% Translation of GIT committish: 0a868be38a775ecb1ef935b079000cebbc64de40
-  texidocde = "
-Bei der Transkription von Mensuralmusik ist es oft erwünscht, ein
-Incipit an den Anfang des Stückes zu stellen, damit klar ist, wie
-Tempo und Schlüssel in der Originalnotation gesetzt waren. Während
-heutzutage Musiker an Taktlinien gewöhnt sind, um Rhythmen schneller
-zu erkennen, wurden diese in der Mensuralmusik nicht verwendet.
-Tatsächlich ändern sich die Rhythmen auch oft alle paar Noten. Als
-ein Kompromiss werden die Notenlinien nicht auf dem System, sondern
-zwischen den Systemen geschrieben.
-"
-
-doctitlede = "Vorlage für Alte Notation -- moderne Transkription von Mensuralmusik"
-
-
-%% Translation of GIT committish: bdfe3dc8175a2d7e9ea0800b5b04cfb68fe58a7a
-  texidocfr = "
-Lorsque l'on transcrit de la musique mensurale, un @emph{incipit} permet
-d'indiquer la tonalité et le tempo d'origine.  Si les musiciens sont de
-nos jours habitués aux barres de mesures qui présentent la structure
-rythmique d'une œuvre, elles n'étaient pas en vigueur à l'époque où ces
-pièces ont été composées, d'autant plus que la @qq{métrique} pouvait
-changer au fil des notes.  Un compromis consiste à imprimer des barres
-entre les portées plutôt que sur chacune d'elles.
-
-"
-  doctitlefr = "Exemples de notation ancienne -- transcription moderne de musique mensurale"
+  lsrtags = "ancient-notation, real-music, really-cool, template"
 
   texidoc = "
 When transcribing mensural music, an incipit at the beginning of the
@@ -82,12 +22,14 @@ on the staves.
   doctitle = "Ancient notation template -- modern transcription of mensural music"
 } % begin verbatim
 
+
 global = {
   \set Score.skipBars = ##t
 
   % incipit
   \once \override Score.SystemStartBracket #'transparent = ##t
-  \override Score.SpacingSpanner #'spacing-increment = #1.0 % tight spacing
+   % Set tight spacing
+  \override Score.SpacingSpanner #'spacing-increment = #1.0
   \key f \major
   \time 2/2
   \once \override Staff.TimeSignature #'style = #'neomensural
@@ -103,7 +45,6 @@ global = {
   \bar ""
 
   % main
-  \revert Score.SpacingSpanner #'spacing-increment % CHECK: no effect?
   \cadenzaOff % turn bar lines on again
   \once \override Staff.Clef #'full-size-change = ##t
   \set Staff.forceClef = ##t
@@ -112,7 +53,7 @@ global = {
   \override Voice.NoteHead #'style = #'default
   \override Voice.Rest #'style = #'default
 
-  % FIXME: setting printKeyCancellation back to #t must not
+  % Setting printKeyCancellation back to #t must not
   % occur in the first bar after the incipit.  Dto. for forceClef.
   % Therefore, we need an extra \skip.
   \skip 1*1
@@ -299,17 +240,12 @@ bassusLyrics = \lyricmode {
       % no slurs
       \override Slur #'transparent = ##t
 
-      % Comment in the below "\remove" command to allow line
-      % breaking also at those barlines where a note overlaps
-      % into the next bar.  The command is commented out in this
-      % short example score, but especially for large scores, you
-      % will typically yield better line breaking and thus improve
-      % overall spacing if you comment in the following command.
-      %\remove "Forbid_line_break_engraver"
+      % The command below can be commented out in
+      % short scores, but especially for large scores you
+      % will typically yield better line breaking and improve
+      % overall spacing if you do not comment the command out.
+
+      \remove "Forbid_line_break_engraver"
     }
   }
 }
-
-
-
-