Merge branch 'master' into lilypond/translation

[lilypond.git] / Documentation / notation / pitches.itely

diff --git a/Documentation/notation/pitches.itely b/Documentation/notation/pitches.itely
index 2bd89862e0b2ff84e2e56abf476aa513fc282cdc..06c60180c7fa5329b09057c5c1da1f0a77d7bf04 100644 (file)
--- a/Documentation/notation/pitches.itely
+++ b/Documentation/notation/pitches.itely
@@ -57,11 +57,13 @@ through@tie{}@code{g}.  The note names @code{c} to @code{b} are
 engraved in the octave below middle C.
 
 @c don't use c' here.
-@lilypond[verbatim,quote,fragment]
-\clef bass
-c d e f
-g a b c
-d e f g
+@lilypond[verbatim,quote]
+{
+  \clef bass
+  c4 d e f
+  g4 a b c
+  d4 e f g
+}
 @end lilypond
 
 @cindex octave changing mark
@@ -74,13 +76,15 @@ or comma@tie{}(@code{,}) character.  Each@tie{}@code{'} raises the
 pitch by one octave; each@tie{}@code{,} lowers the pitch by an
 octave.
 
-@lilypond[verbatim,quote,fragment]
-\clef treble
-c' c'' e' g
-d'' d' d c
-\clef bass
-c, c,, e, g
-d,, d, d c
+@lilypond[verbatim,quote]
+{
+  \clef treble
+  c'4 c'' e' g
+  d''4 d' d c
+  \clef bass
+  c,4 c,, e, g
+  d,,4 d, d c
+}
 @end lilypond
 
 
@@ -564,7 +568,7 @@ Most languages presented here are commonly associated with
 Western classical music, also referred to as
 @notation{Common Practice Period}.  However, alternate
 pitches and tuning systems are also supported: see
-@ref{Non-Western notation and tuning systems}.
+@ref{Common notation for non-Western music}.
 
 
 @seealso
@@ -573,7 +577,7 @@ Music Glossary:
 @rglos{Common Practice Period}.
 
 Notation Reference:
-@ref{Non-Western notation and tuning systems}.
+@ref{Common notation for non-Western music}.
 
 Snippets:
 @rlsr{Pitches}.