Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.21"
+@c \version "2.19.28"
@node Fretted string instruments
@section Fretted string instruments
The string on which a note should be played may be indicated by
appending @code{\@var{number}} to a note.
-@lilypond[verbatim,quote,relative=0]
+@lilypond[verbatim,quote,fragment]
\clef "treble_8"
c4\5 e\4 g2\3
-<c,\5 e\4 g\3>1
+<c\5 e\4 g\3>1
@end lilypond
When fingerings and string indications are used together, their
applied to whole chords or single notes @emph{outside} of chords,
fingerings are placed using a different mechanism.
-@lilypond[verbatim,quote,relative=1]
+@lilypond[verbatim,quote,fragment]
\clef "treble_8"
g4\3-0
g-0\3
be printed in Roman numerals and placed below the staff rather
than above.
-@lilypond[verbatim,quote,relative=2]
-c2\2
+@lilypond[verbatim,quote,fragment]
+\clef "treble_8"
+c'2\2
a\3
\romanStringNumbers
-c\2
+c'\2
\set stringNumberOrientations = #'(down)
a\3
\arabicStringNumbers
Fingering indication dots can be colored as well as parenthesized;
the parenthesis's color can also be altered independently.
+Markups can be placed into the dots as well.
+
@c \override is necessary to make fingering visible
@lilypond[quote, verbatim]
<<
\new ChordNames {
\chordmode {
- f1 g c c
+ f1 g c c b
}
}
\new Staff {
(place-fret 2 5 3)
)
}
- \override Voice.TextScript.size = 1.5
+ \override Voice.TextScript.size = 1.4
<c g c' e' g'>1^\markup {
\fret-diagram-verbose #'(
(place-fret 6 3 1 red parenthesized default-paren-color)
(place-fret 1 3 1 inverted)
)
}
+ \override Voice.TextScript.size = 1.5
+ <b, fis b dis' fis'>1^\markup {
+ \override #'(fret-diagram-details . ((finger-code . in-dot)))
+ \fret-diagram-verbose #`(
+ (place-fret 5 2 1)
+ (place-fret 4 4 "fis" red)
+ (place-fret 3 4 "b" red)
+ (place-fret
+ 2 4
+ ,#{ \markup
+ \concat {
+ \vcenter "d"
+ \fontsize #-5
+ \musicglyph #"accidentals.sharp"} #}
+ red)
+ (place-fret 1 2 1)
+ )
+ }
}
>>
@end lilypond
@warning{If the number is entered in Scheme notation, remember to append
a space before following it with a closing @code{>} or similar.}
-@lilypond[quote,verbatim,relative=0]
+@lilypond[quote,verbatim,fragment]
\clef "treble_8"
c4\rightHandFinger #1
e\rightHandFinger #2
g\rightHandFinger #3
-c\rightHandFinger #4
-<c,\rightHandFinger #1 e\rightHandFinger #2
- g\rightHandFinger #3 c\rightHandFinger #4 >1
+c'\rightHandFinger #4
+<c\rightHandFinger #1 e\rightHandFinger #2
+ g\rightHandFinger #3 c'\rightHandFinger #4 >1
@end lilypond
For convenience, you can abbreviate @code{\rightHandFinger} to something
This example demonstrates how to include guitar position and
barring indications.
-@lilypond[quote,ragged-right,verbatim,relative=0]
-\clef "treble_8"
-b16 d g b e
-\textSpannerDown
-\override TextSpanner.bound-details.left.text = #"XII "
-g16\startTextSpan
-b16 e g e b g\stopTextSpan
-e16 b g d
+@lilypond[quote,ragged-right,verbatim,fragment]
+\relative {
+ \clef "treble_8"
+ b,16 d g b e
+ \textSpannerDown
+ \override TextSpanner.bound-details.left.text = #"XII "
+ g16\startTextSpan
+ b16 e g e b g\stopTextSpan
+ e16 b g d
+}
@end lilypond
@seealso
ChordsAndSymbols = {
\chordmode {
\powerChords
- e,,1:1.5
- a,,1:1.5.8
+ e,,1:5
+ a,,1:5.8
\set minimumFret = #8
- c,1:1.5
- f,1:1.5.8
+ c,1:5
+ f,1:5.8
}
\set minimumFret = #5
<a, e>1
mixedChords = \chordmode {
c,1
\powerChords
- b,,1:1.5
- fis,,1:1.5.8
+ b,,1:5
+ fis,,1:5.8
g,,1:m
}
\score {