--- /dev/null
+%
+% title =University of Colorado Engraving music bibliography
+% author =Alyssa Lamb (edited & converted to bibtex by HWN)
+%
+
+@Book{jacob47,
+ author = {Jacob, Archibald},
+ year = 1947,
+ title = {Musical handwriting : or, How to put music on paper : A handbook for all musicians, professional and amateur},
+ address = {London},
+ publisher = {Oxford University Press},
+ note = {subject: Musical notation},
+}
+
+@Book{brandt,
+ author = {Carl Brandt and Clinton Roemer},
+ title = {Standardized Chord Symbol Notation},
+ address = {Sherman Oaks, CA},
+ publisher = {Roerick Music Co.},
+ note = {subject: musical notation},
+}
+
+@Book{johnson46,
+ author = {Johnson, Harold M},
+ year = 1946,
+ title = {How to write music manuscript an exercise-method handbook for the music student, copyist, arranger, composer, teacher},
+ publisher = {Carl Fischer, Inc.},
+ address = {New York},
+ note = {subject: Musical notation --Handbooks, manuals},
+}
+
+@Book{sadie90,
+ title = {Music Printing & Publishing},
+ author = {Donald W. Krummel \& Stanley Sadie},
+ year = 1990,
+ publisher = {Macmillan Press},
+ note = {subject: musical notation},
+}
+
+@Book{foss,
+ author = {Foss, Hubert},
+ title = {Music Printing},
+ series = {Practical Printing and Binding},
+ address = {London},
+ publisher = {Oldhams Press Ltd., Long Acre},
+ note = {subject: musical notation},
+}
+
+@Book{steele03,
+ author = {Steele, Robert},
+ year = 1903,
+ title = {The Earliest English Music Printing},
+ address = {London},
+ note = {subject: history of music printing and engraving},
+}
+
+@Book{austin,
+ author = {Austin, Ernest},
+ title = {The Story of Music Printing},
+ address = {London},
+ publisher = {Lowe and Brydone Printers, Ltd.},
+ note = {subject: history of music printing and engraving},
+}
+
+@Book{unknown_author,
+ author = {unknown author},
+ title = {Pictorial History of Music Printing},
+ address = {Elhardt, Indiana},
+ publisher = {H. and A. Selmer, Inc.},
+ note = {subject: history of music printing and engraving},
+}
+
+@Book{wintermitz55,
+ author = {Wintermitz, Emmanuel},
+ year = 1955,
+ title = {Musical Autographs from Monteverdi to Hindemith},
+ address = {Princeton},
+ publisher = {Princeton University Press},
+ note = {subject: history of music printing and engraving},
+}
+
+@Book{novello47,
+
+ author = {Novello, A},
+ year = 1847,
+ title = {Some Account of the Methods of Musick Printing, with Specimens of the Various Sizes of Moveable Types and of Other Matters},
+ address = {London},
+ note = {subject: history of music printing and engraving},
+}
+
+@Book{chrsander18,
+ author = {Chrsander, F.},
+ year = {18??},
+ title = {A Sketch of the HIstory of Music printing, from the 15th to the 16th century},
+ note = {subject: history of music printing and engraving},
+}
+
+@Article{squire1897,
+ author = {Squire, W},
+ year = 1897,
+ title = {Notes on Early Music Printing},
+ journal = {Bibliographica},
+ volume = {iii},
+ number = 99,
+ note = {subject: history of music printing and engraving},
+}
+
+@Article{meyer35,
+ author = {Meyer, K. and O'Meara, J},
+ year = 1935,
+ title = {The Printing of Music, 1473-1934},
+ journal = {The Dolphin},
+ volume = {ii},
+ pages = {171--207},
+ note = {subject: history of music printing and engraving},
+}
+
+% 4th ver.,
+@Article{pattison39,
+ author = {Pattison, B},
+ year = 1939,
+ title = {Notes on Early Music Printing},
+ journal = {The Library},
+ note = {subject: history of music printing and engraving},
+ volume = {xix},
+ pages = {389-421},
+}
+
+@Book{king64,
+ author = {King, H},
+ year = 1964,
+ title = {Four Hundred Years of Music Printing},
+ address = {London},
+ note = {subject: history of music printing and engraving},
+}
+
+%(Rev.1961).
+@Book{deutsch46,
+ author = {Deutsch, O.F.},
+ year = 1946,
+ title = {Music Publishers' Numbers},
+ address = {London},
+ note = {subject: history of music printing and engraving},
+}
+
+@Book{marco62,
+ author = {Marco, G.A},
+ year = 1962,
+ title = {The Earliest Music Printers of Continental Europe: a Checklist of Facsimiles Illustrating Their Work},
+ address = {Charlottesville, Virginia},
+ note = {subject: history of music printing and engraving},
+}
+
+@Article{kinkeldey32,
+ author = {Kinkeldey, O},
+ year = 1932,
+ title = {Music And Music Printing in Incunabula},
+ journal = {Papers of the Bibliographical Society of America},
+ volume = {xxvi},
+ pages = {89-118},
+ note = {subject: history of music printing and engraving},
+}
+
+@Book{oldman34,
+ author = {Oldman, C.B},
+ year = 1934,
+ title = {Collecting Musical First Editions},
+ address = {London},
+ note = {subject: history of music printing and engraving},
+}
+
+@Book{carter34,
+ author = {Carter, J},
+ year = 1934,
+ title = {New Paths in Book Collecting},
+ address = {London},
+ note = {subject: history of music printing and engraving},
+}
+
+@Book{krummel58,
+ author = {Krummel, D.W.},
+ year = 1958,
+ month = 9,
+ title = {Graphic Analysis in Application to Early American Engraved Music},
+ journal = {Notes},
+ volume = {xvi},
+ pages = 213,
+ note = {subject: history of music printing and engraving},
+}
+
+@Book{krummel71,
+ author = {Krummel, D.W},
+ year = 1971,
+ title = {Oblong Format in Early Music Books},
+ journal = {The Library},
+ volume = {5th ser., xxvi},
+ pages = 312,
+ note = {subject: history of music printing and engraving},
+}
+
+@Book{king73,
+ author = {King, A.H},
+ year = 1973,
+ title = {The 50th Anniversary of Music Printing},
+}
+
+@Book{rastall82,
+ author = {Rastall, Richard},
+ year = 1982,
+ title = {The notation of Western music : an introduction},
+ address = {New York, N.Y.},
+ publisher = {St. Martin's Press},
+ note = {Musical notation},
+}
+
+@Book{tappolet47,
+ author = {Tappolet, Willy},
+ year = 1947,
+ title = {La Notation Musicale},
+ address = {Paris},
+ note = {subject: general notation},
+ publisher = {Neuchâtel},
+}
+
+@Book{williams03,
+ author = {Williams, C.F. Abdy},
+ year = 1903,
+ title = {The Story of Notation},
+ address = {New York},
+ publisher = {Charles Scribner's Sons},
+ note = {subject: general notation},
+}
+
+@Book{apel53,
+ author = {Apel, Willi},
+ year = 1953,
+ title = {The notation of polyphonic music, 900-1600},
+ address = {Cambridge, Mass},
+ institution= {Mediaeval Academy of America},
+ note = {Musical notation},
+}
+
+@Book{berger93,
+ author = {Berger, Anna Maria Busse},
+ year = 1993,
+ title = {Mensuration and proportion signs : origins and evolution},
+ address = {Oxford, England},
+ publisher = {Clarendon Press},
+ scnd_address = {New York},
+ scnd_publisher = {Oxford University Press},
+ note = {subject: early notation},
+}
+
+@Book{parrish57,
+ author = {Parrish, Carl},
+ year = 1957,
+ title = {The notation of medieval music},
+ address = {New York},
+ publisher = {Norton},
+ note = {Musical notation},
+}
+
+@Book{parrish46,
+ author = {Parrish, Carl},
+ year = 1946,
+ title = {The Notation of Medieval Music},
+ address = {New York},
+ publisher = {Carl Fischer, Inc.},
+ note = {subject: early notation},
+}
+
+@Book{patch49,
+ author = {Patch, Harry},
+ year = 1949,
+ title = {Genesis of a Music},
+ address = {Madison},
+ publisher = {University of Wisconsin Press},
+ note = {subject: early notation},
+}
+
+@Book{cage69,
+ author = {Cage, John},
+ year = 1969,
+ title = {Notations},
+ address = {New York},
+ publisher = {Something Else Press},
+ note = {Music, Manuscripts, Facsimiles.
+ Facsimiles of holographs from the Foundation for Contemporary
+ Performance Arts, with text by 269 composers, but rearranged using
+ chance operations.,V)},
+}
+
+@Book{gaburo77,
+ author = {Gaburo, Virginia},
+ year = 1977,
+ title = {Notation},
+ publisher = {Lingua Press},
+ address = {La Jolla, California},
+ note = {A Lecture about notation, new ideas about},
+}
+
+@Book{risatti75,
+ author = {Risatti, Howard},
+ year = 1975,
+ title = {New Music Vocabulary},
+ address = {Urbana, Illinois},
+ publisher = {University of Illinois Press},
+ note = {A Guide to Notational Signs for Contemporary Music},
+}
+
+@Book{cowell30,
+ author = {Cowell, Henry},
+ year = 1930,
+ title = {New Musical Resources},
+ address = {New York},
+ publisher = {Alfred A. Knopf, Inc.},
+ note = {subject: 20th century notation},
+}
+
+@Article{cowell27,
+ author = {Cowell, Henry},
+ year = 1927,
+ title = {Our Inadequate Notation},
+ journal = {Modern Music},
+ volume = 4,
+ number = 3,
+ note = {subject: 20th century notation},
+}
+
+@Book{bowers92,
+ author = {Bowers, Roger},
+ year = 1992,
+ title = {Music & Letters},
+ volume = 73,
+ number = 3,
+ month = {August},
+ pages = {347(52)},
+ note = {Some reflection upon notation and proportion in Monteverdi's mass and vespers},
+}
+
+@Book{brainard92,
+ author = {Brainard, Paul},
+ year = 1992,
+ title = {Current Musicology},
+ number = 50,
+ month = {July-Dec},
+ pages = {21(26)},
+ note = {Proportional notation in the music of Schutz and his contemporaries in the 17th Century},
+}
+
+@Book{monelle89,
+ author = {Monelle, Raymond},
+ year = 1989,
+ title = {Comparative Literature},
+ volume = 41,
+ number = 3,
+ month = {Summer},
+ pages = {252(18)},
+ note = {Music notation and the poetic foot},
+}
+
+@Book{pinegar93,
+ author = {Pinegar, Sandra},
+ year = 1993,
+ title = {Current Musicology},
+ number = 53,
+ month = {July},
+ pages = {99(10)},
+ note = {The seeds of notation and music paleography.},
+}
+
+@Book{smith90,
+ author = {Smith, Norman E},
+ year = 1990,
+ title = {Current Musicology},
+ number = {45-47},
+ month = {Jan-Dec},
+ pages = {283(22)},
+ note = {The notation of fractio modi.},
+}
+
+@Book{treitler92,
+ author = {Treitler, Leo},
+ year = 1992,
+ title = {The Journal of Musicology},
+ volume = 10,
+ number = 2,
+ month = {Spring},
+ pages = {131(61)},
+ note = {The unwritten and written transmission, of medieval chant
+ and the start-up of musical notation.
+ Notational practice developed in medieval music to address the written tradition for chant which interacted with the unwritten vocal tradition.},
+}
+
+@Book{west94,
+ author = {West, M.L},
+ year = 1994,
+ title = {Music & Letters},
+ volume = 75,
+ number = 2,
+ month = {May},
+ pages = {161(19)},
+ note = {The Babylonian musical notation and the Hurrian melodic texts.
+ A new way of deciphering the ancient Babylonian musical notation.}
+}
+
+@Book{brown86,
+ author = {Brown, Earle},
+ year = 1986,
+ title = {Musical Quarterly},
+ volume = 72,
+ month = {Spring},
+ pages = {180(22)},
+ note = {The notation and performance of new music.},
+}
+
+@Book{eggleston94,
+ author = {Eggleston, Suzanne},
+ year = 1994,
+ title = {Notes},
+ volume = 51,
+ number = 2,
+ month = {Dec},
+ pages = {657(7)},
+ journal= {New periodicals},
+ note = {A list of new music periodicals covering the period
+ Jun.-Dec. 1994. Includes aims, formats and a description of the
+ contents of each listed periodical. Includes Music Notation News},
+}
+
+@Book{fuller89,
+ author = {Fuller, David},
+ year = 1989,
+ title = {The Journal of Musicology},
+ volume =7,
+ number = 1,
+ month = {Winter},
+ pages = {21(8)},
+ note = {Notes and inegales unjoined: defending a definition. (written-out inequalities in music notation).}
+},
+
+@Book{jones90,
+ author = {Jones, David Evan},
+ year = 1990,
+ title = {Perspectives of New Music},
+ note = {Speech extrapolated. (includes notation)}
+}
+
+@Book{lependorf89,
+ author = {Lependorf, Jeffrey},
+ year = 1989,
+ journal= {Perspectives of New Music},
+ volume = 27,
+ title = {?},
+ number = 2,
+ month = {Summer},
+ pages = {232(20)},
+ note = {Contemporary notation for the shakuhachi: a primer for composers. (Tradition and Renewal in the Music of Japan)},
+}
+
+@Book{rastall93,
+ author = {Rastall, Richard},
+ year = 1993,
+ title = {Music & Letters},
+ volume =74,
+ number = 4,
+ month = {November},
+ pages = {639(2)},
+ note = {Equal Temperament Music Notation: The Ailler-Brennink
+ Chromatic Notation. Results and Conclusions of the Music Notation
+ Refor by the Chroma Foundation (book reviews).},
+}
+
+@Article{francois92,
+ author = {Francois, Jean-Charles},
+ journal = {Perspectives of New Music},
+ volume = {30},
+ number = {1},
+ month = {Winter},
+ pages = {6(15)},
+ year = {1992},
+ note = {subject: Modern music has outgrown notation. While the
+ computer is used to write down music with accuracy never
+ before achieved, the range of modern sounds has surpassed
+ the relevance of the computer...},
+ title = {Writing without representation, and unreadable notation.},
+}
+
+@Book{hamel89,
+ author = {Hamel, Keith A},
+ year = 1989,
+ journal = {Perspectives of New Music},
+ volume = 27,
+ number = 1,
+ month = {Winter},
+ pages = {70(14)},
+ title = {A design for music editing and printing software based
+on notational syntax},
+}
+
projects / lilypond.git / blobdiff