+++ /dev/null
-@c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
-@c This file is part of lilypond.tely
-@ignore
- Translation of GIT committish: 41ef91786a08102d9b9a839f6a2f40cec263d723
-
- When revising a translation, copy the HEAD committish of the
- version that you are working on. See TRANSLATION for details.
-@end ignore
-
-@c \version "2.12.0"
-
-@node Notation manual tables
-@appendix Notation manual tables
-
-@c Please do not delete the following @ignore block.
-@ignore
-Note for editors and translators: In the following menu, two entries
-are needed to link to a pair of automatically generated sections.
-Please keep them and, if using emacs, do not run
-texinfo-all-menus-update without manually restoring them back. These
-menu entries are:
-
-* Text markup commands::
-* Text markup list commands::
-
-and they should go just after
-* Note head styles::
-
-and just before
-* List of articulations::
-@end ignore
-
-@menu
-* Chord name chart::
-* Common chord modifiers::
-* Predefined fretboard diagrams::
-* MIDI instruments::
-* List of colors::
-* The Feta font::
-* Note head styles::
-* Text markup commands::
-* Text markup list commands::
-* List of articulations::
-* Percussion notes::
-* All context properties::
-* Layout properties::
-* Identifiers::
-* Scheme functions::
-@end menu
-
-
-
-@node Chord name chart
-@appendixsec Chord name chart
-
-Las siguientes tablas muestran dos sistemas estándar para imprimir los nombres de los acordes,
-junto a las notas que representan.
-
-@lilypondfile{chord-names-jazz.ly}
-
-@node Common chord modifiers
-@appendixsec Common chord modifiers
-
-La tabla siguiente presenta los modificadores de acorde que se pueden
-usar en el modo de acordes @code{\chordmode} para generar las
-estructuras de acordes estándar.
-
-@multitable @columnfractions .2 .3 .2 .2
-
-@item
-@b{Tipo de acorde}
-@tab
-@b{Intervalos}
-@tab
-@b{Modificador(es)}
-@tab
-@b{Ejemplo}
-
-
-@item
-Mayor
-@tab
-Tercera mayor y quinta justa
-@tab
-@code{5} o nada
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:5
-}
-@end lilypond
-
-@item
-Menor
-@tab
-Tercera menor y quinta justa
-@tab
-@code{m} o @code{m5}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:m
-}
-@end lilypond
-
-@item
-Aumentado
-@tab
-Tercera mayor y quinta aumentada
-@tab
-@code{aug}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:aug
-}
-@end lilypond
-
-@item
-Disminuido
-@tab
-Tercera menor y quinta disminuida
-@tab
-@code{dim}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:dim
-}
-@end lilypond
-
-@item
-Séptima dominante
-@tab
-Tríada mayor con séptima menor
-@tab
-@code{7}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:7
-}
-@end lilypond
-
-@item
-Séptima mayor
-@tab
-Tríada mayor y séptima mayor
-@tab
-@code{maj7} or @code{maj}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:maj7
-}
-@end lilypond
-
-@item
-Séptima menor
-@tab
-Tríada menor y séptima menor
-@tab
-@code{m7}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:m7
-}
-@end lilypond
-
-@item
-Séptima disminuida
-@tab
-Tríada disminuida y séptima disminuida
-@tab
-@code{dim7}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:dim7
-}
-@end lilypond
-
-@item
-Aumentado con séptima
-@tab
-Tríada aumentada y séptima menor
-@tab
-@code{aug7}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:aug7
-}
-@end lilypond
-
-@item
-Séptima semi-disminuido
-@tab
-Tríada disminuida y séptima menor
-@tab
-@code{m7.5-}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:dim5m7
-}
-@end lilypond
-
-@item
-Menor con séptima mayor
-@tab
-Tríada menor con séptima mayor
-@tab
-@code{maj7.5-}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:maj7.5-
-}
-@end lilypond
-
-@item
-Mayor con sexta
-@tab
-Tríada mayor y sexta
-@tab
-@code{6}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:6
-}
-@end lilypond
-
-@item
-Menor con sexta
-@tab
-Tríada menor y sexta
-@tab
-@code{m6}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:m6
-}
-@end lilypond
-
-@item
-Novena dominante
-@tab
-Séptima dominante con novena mayor
-@tab
-@code{9}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:9
-}
-@end lilypond
-
-@item
-Mayor con novena
-@tab
-Séptima mayor y novena mayor
-@tab
-@code{maj9}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:maj9
-}
-@end lilypond
-
-@item
-Menor con novena
-@tab
-Séptima menor y novena mayor
-@tab
-@code{m9}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:m9
-}
-@end lilypond
-
-@item
-Oncena dominante
-@tab
-Novena dominante con oncena justa
-@tab
-@code{11}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:11
-}
-@end lilypond
-
-@item
-Oncena mayor
-@tab
-Novena mayor y oncena justa
-@tab
-@code{maj11}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:maj11
-}
-@end lilypond
-
-@item
-Menor con oncena
-@tab
-Novena menor y oncena justa
-@tab
-@code{m11}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:m11
-}
-@end lilypond
-
-@item
-Trecena dominante
-@tab
-Novena dominante y trecena mayor
-@tab
-@code{13}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:13
-}
-@end lilypond
-
-@item
-Trecena dominante
-@tab
-Oncena dominante y trecena mayor
-@tab
-@code{13.11}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:13.11
-}
-@end lilypond
-
-@item
-Mayor con trecena
-@tab
-Oncena mayor y trecena mayor
-@tab
-@code{maj13.11}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:maj13.11
-}
-@end lilypond
-
-@item
-Menor con trecena
-@tab
-Oncena menor y trecena mayor
-@tab
-@code{m13.11}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:m13.11
-}
-@end lilypond
-
-@item
-Segunda suspendida
-@tab
-Segunda mayor y quinta justa
-@tab
-@code{sus2}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:sus2
-}
-@end lilypond
-
-@item
-Cuarta suspendida
-@tab
-Cuarta justa y quinta justa
-@tab
-@code{sus4}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:sus4
-}
-@end lilypond
-
-
-@end multitable
-
-@node Predefined fretboard diagrams
-@appendixsec Predefined fretboard diagrams
-
-El cuadro siguiente presenta los diagramas de traste predefinidos.
-
-@lilypondfile{display-predefined-fretboards.ly}
-
-
-@node MIDI instruments
-@appendixsec MIDI instruments
-
-A continuación figura una lista con los nombres que se pueden utilizar para la
-propiedad @code{midiInstrument} (instrumento MIDI).
-
-@example
-acoustic grand contrabass lead 7 (fifths)
-bright acoustic tremolo strings lead 8 (bass+lead)
-electric grand pizzicato strings pad 1 (new age)
-honky-tonk orchestral strings pad 2 (warm)
-electric piano 1 timpani pad 3 (polysynth)
-electric piano 2 string ensemble 1 pad 4 (choir)
-harpsichord string ensemble 2 pad 5 (bowed)
-clav synthstrings 1 pad 6 (metallic)
-celesta synthstrings 2 pad 7 (halo)
-glockenspiel choir aahs pad 8 (sweep)
-music box voice oohs fx 1 (rain)
-vibraphone synth voice fx 2 (soundtrack)
-marimba orchestra hit fx 3 (crystal)
-xylophone trumpet fx 4 (atmosphere)
-tubular bells trombone fx 5 (brightness)
-dulcimer tuba fx 6 (goblins)
-drawbar organ muted trumpet fx 7 (echoes)
-percussive organ french horn fx 8 (sci-fi)
-rock organ brass section sitar
-church organ synthbrass 1 banjo
-reed organ synthbrass 2 shamisen
-accordion soprano sax koto
-harmonica alto sax kalimba
-concertina tenor sax bagpipe
-acoustic guitar (nylon) baritone sax fiddle
-acoustic guitar (steel) oboe shanai
-electric guitar (jazz) english horn tinkle bell
-electric guitar (clean) bassoon agogo
-electric guitar (muted) clarinet steel drums
-overdriven guitar piccolo woodblock
-distorted guitar flute taiko drum
-guitar harmonics recorder melodic tom
-acoustic bass pan flute synth drum
-electric bass (finger) blown bottle reverse cymbal
-electric bass (pick) shakuhachi guitar fret noise
-fretless bass whistle breath noise
-slap bass 1 ocarina seashore
-slap bass 2 lead 1 (square) bird tweet
-synth bass 1 lead 2 (sawtooth) telephone ring
-synth bass 2 lead 3 (calliope) helicopter
-violin lead 4 (chiff) applause
-viola lead 5 (charang) gunshot
-cello lead 6 (voice)
-@end example
-
-
-@node List of colors
-@appendixsec List of colors
-
-@subsubheading Normal colors
-
-La sintaxis para el uso de colores se encuentra detallada en @ref{Coloring objects}.
-
-@cindex lista de colores
-@cindex colores, lista de
-
-@verbatim
-black white red green
-blue cyan magenta yellow
-grey darkred darkgreen darkblue
-darkcyan darkmagenta darkyellow
-@end verbatim
-
-
-@subsubheading X color names
-
-Los nombres de los colores de X admiten algunas variantes:
-
-Un nombre que se escribe como una palabra única con mayúsculas
-intercaladas (p.ej. @q{LightSlateBlue}) se puede escribir también como
-palabras separadas por espacios y sin mayúsculas (p.ej. @q{light slate
-blue}).
-
-La palabra @q{grey} siempre se puede escribir como @q{gray} (p.ej. @q{DarkSlateGray}).
-
-Algunos nombres admiten un sufijo numérico (p.ej. @q{LightSalmon4}).
-
-
-@subsubheading Color Names without a numerical suffix:
-
-@verbatim
-snow GhostWhite WhiteSmoke gainsboro FloralWhite
-OldLace linen AntiqueWhite PapayaWhip BlanchedAlmond
-bisque PeachPuff NavajoWhite moccasin cornsilk
-ivory LemonChiffon seashell honeydew MintCream
-azure AliceBlue lavender LavenderBlush MistyRose
-white black DarkSlateGrey DimGrey SlateGrey
-LightSlateGrey grey LightGrey MidnightBlue navy
-NavyBlue CornflowerBlue DarkSlateBlue SlateBlue MediumSlateBlue
-LightSlateBlue MediumBlue RoyalBlue blue DodgerBlue
-DeepSkyBlue SkyBlue LightSkyBlue SteelBlue LightSteelBlue
-LightBlue PowderBlue PaleTurquoise DarkTurquoise MediumTurquoise
-turquoise cyan LightCyan CadetBlue MediumAquamarine
-aquamarine DarkGreen DarkOliveGreen DarkSeaGreen SeaGreen
-MediumSeaGreen LightSeaGreen PaleGreen SpringGreen LawnGreen
-green chartreuse MediumSpringGreen GreenYellow LimeGreen
-YellowGreen ForestGreen OliveDrab DarkKhaki khaki
-PaleGoldenrod LightGoldenrodYellow LightYellow yellow gold
-LightGoldenrod goldenrod DarkGoldenrod RosyBrown IndianRed
-SaddleBrown sienna peru burlywood beige
-wheat SandyBrown tan chocolate firebrick
-brown DarkSalmon salmon LightSalmon orange
-DarkOrange coral LightCoral tomato OrangeRed
-red HotPink DeepPink pink LightPink
-PaleVioletRed maroon MediumVioletRed VioletRed magenta
-violet plum orchid MediumOrchid DarkOrchid
-DarkViolet BlueViolet purple MediumPurple thistle
-DarkGrey DarkBlue DarkCyan DarkMagenta DarkRed
-LightGreen
-@end verbatim
-
-
-@subsubheading Color names with a numerical suffix
-
-En los nombres siguientes, el sufijo N puede ser un número del 1 al 4:
-
-@verbatim
-snowN seashellN AntiqueWhiteN bisqueN PeachPuffN
-NavajoWhiteN LemonChiffonN cornsilkN ivoryN honeydewN
-LavenderBlushN MistyRoseN azureN SlateBlueN RoyalBlueN
-blueN DodgerBlueN SteelBlueN DeepSkyBlueN SkyBlueN
-LightSkyBlueN LightSteelBlueN LightBlueN LightCyanN PaleTurquoiseN
-CadetBlueN turquoiseN cyanN aquamarineN DarkSeaGreenN
-SeaGreenN PaleGreenN SpringGreenN greenN chartreuseN
-OliveDrabN DarkOliveGreenN khakiN LightGoldenrodN LightYellowN
-yellowN goldN goldenrodN DarkGoldenrodN RosyBrownN
-IndianRedN siennaN burlywoodN wheatN tanN
-chocolateN firebrickN brownN salmonN LightSalmonN
-orangeN DarkOrangeN coralN tomatoN OrangeRedN
-redN DeepPinkN HotPinkN pinkN LightPinkN
-PaleVioletRedN maroonN VioletRedN magentaN orchidN
-plumN MediumOrchidN DarkOrchidN purpleN MediumPurpleN
-thistleN
-@end verbatim
-
-
-@subsubheading Grey Scale
-
-Se puede obtener una escala de grises utilizando:
-
-@example
-greyN
-@end example
-
-@noindent
-donde N es un número entre 0 y 100.
-
-
-@node The Feta font
-@appendixsec The Feta font
-
-@cindex Feta, tipografía
-@cindex tipografía Feta
-
-Los símbolos siguientes están disponibles en la tipografía Emmentaler
-y es posible acceder a ellos directamente utilizando elementos de
-marcado textual como @code{g^\markup @{ \musicglyph #"scripts.segno"
-@}}, véase @ref{Formatting text}.
-
-@lilypondfile[noindent]{font-table.ly}
-
-
-@node Note head styles
-@appendixsec Note head styles
-
-@cindex nota, estilos de cabeza
-Se pueden usar los siguientes estilos para las cabezas de las notas.
-
-@lilypondfile[noindent]{note-head-style.ly}
-
-@include markup-commands.tely
-
-@include markup-list-commands.tely
-
-@node List of articulations
-@appendixsec List of articulations
-
-@cindex accent
-@cindex acento
-@cindex apagado
-@cindex arco abajo
-@cindex arco arriba
-@cindex calderón
-@cindex coda
-@cindex downbow
-@cindex espressivo
-@cindex fermata
-@cindex flageolet
-@cindex foot marks
-@cindex grupeto circular
-@cindex grupeto circular invertido
-@cindex marcato
-@cindex mordent
-@cindex open
-@cindex organ pedal marks
-@cindex pedal, indicaciones de
-@cindex portato
-@cindex prall
-@cindex prallmordent
-@cindex prallprall
-@cindex reverseturn
-@cindex segno
-@cindex semitrino
-@cindex semitrino descendente
-@cindex staccatissimo
-@cindex staccato
-@cindex stopped
-@cindex tenuto
-@cindex thumb marking
-@cindex trill
-@cindex trino
-@cindex turn
-@cindex upbow
-@cindex varcoda
-@cindex órgano, indicaciones de pedal de
-
-He aquí un cuadro que muestra todas las articulaciones disponibles:
-
-@lilypondfile[quote]{script-chart.ly}
-
-
-@node Percussion notes
-@appendixsec Percussion notes
-
-@lilypondfile[quote]{percussion-chart.ly}
-
-
-@node All context properties
-@appendixsec All context properties
-
-@include context-properties.tely
-
-
-@node Layout properties
-@appendixsec Layout properties
-
-@include layout-properties.tely
-
-
-@node Identifiers
-@appendixsec Identifiers
-
-@include identifiers.tely
-
-
-@node Scheme functions
-@appendixsec Scheme functions
-
-@include scheme-functions.tely
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