Imported Upstream version 2.18.0

[lilypond.git] / Documentation / es / notation / fretted-strings.itely

diff --git a/Documentation/es/notation/fretted-strings.itely b/Documentation/es/notation/fretted-strings.itely
index 46188b7421c22400bf11040faac4ec072e05ca71..5fd9c0a235912a64006972568037d2dffc84394f 100644 (file)
--- a/Documentation/es/notation/fretted-strings.itely
+++ b/Documentation/es/notation/fretted-strings.itely
@@ -1,14 +1,14 @@
 @c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
 
 @ignore
-    Translation of GIT committish: dcddb2c1a9126b5987ab04b62c867c5f4524881d
+    Translation of GIT committish: 6e4e9c4eacb94d68c11fd6b9062da4f724114860
 
     When revising a translation, copy the HEAD committish of the
     version that you are working on.  For details, see the Contributors'
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.16.0"
+@c \version "2.17.30"
 
 @node Instrumentos de cuerda con trastes
 @section Instrumentos de cuerda con trastes
@@ -253,7 +253,7 @@ aire siempre que sea posible.  Este comportamiento se puede cambiar
 fijando @code{restrainOpenStrings} al valor @code{#t}.
 
 @lilypond[quote,ragged-right,verbatim]
-\layout { \override Voice.StringNumber #'stencil = ##f }
+\layout { \omit Voice.StringNumber }
 \new StaffGroup <<
    \new Staff \relative c {
      \clef "treble_8"
@@ -327,11 +327,11 @@ ties = \relative c' {
 \score {
   <<
     \new StaffGroup  <<
-      \context Staff {
+      \new Staff {
         \clef "treble_8"
         \ties
       }
-      \context TabStaff {
+      \new TabStaff {
         \ties
       }
     >>
@@ -366,11 +366,11 @@ ties = \relative c' {
 \score {
   <<
     \new StaffGroup  <<
-      \context Staff {
+      \new Staff {
         \clef "treble_8"
         \ties
       }
-      \context TabStaff {
+      \new TabStaff {
       \hideSplitTiedTabNotes
         \ties
       }
@@ -385,9 +385,6 @@ ties = \relative c' {
 
 @cindex armónicos en tablatura
 @cindex tablatura y armónicos
-@cindex deslizamientos en notación de tablatura
-@cindex tablatura y deslizamientos
-@cindex glissandos de acordes
 @funindex \harmonic
 @funindex \harmonicByFret
 @funindex \harmonicByRatio
@@ -396,7 +393,7 @@ Se pueden añadir indicaciones de armónicos a la notación de tablatura
 como sus alturas de sonido:
 
 @lilypond[verbatim,quote]
-\layout { \override Voice.StringNumber #'stencil = ##f }
+\layout { \omit Voice.StringNumber }
 firstHarmonic = {
   d'4\4\harmonic
   g'4\3\harmonic
@@ -472,9 +469,14 @@ ratioHarmonics = {
 @lilypondfile[verbatim,quote,texidoc,doctitle]
 {fretted-string-harmonics-in-tablature.ly}
 
+@cindex deslizamientos en notación de tablatura
+@cindex tablatura y deslizamientos
+
 @lilypondfile[verbatim,quote,texidoc,doctitle]
 {slides-in-tablature.ly}
 
+@cindex glissandos en acordes
+
 @lilypondfile[verbatim,quote,texidoc,doctitle]
 {chord-glissando-in-tablature.ly}
 
@@ -553,7 +555,7 @@ para bajo, que suena una octava por debajo de lo escrito.
 @lilypond[quote,ragged-right,verbatim]
 <<
   \new Voice \with {
-    \override StringNumber #'stencil = ##f
+    \omit StringNumber
   } {
     \clef "bass_8"
     \relative c, {
@@ -673,7 +675,7 @@ personalizada por omisión, podemos usar
 \layout @{
   \context @{
     \TabStaff
-    stringTunings = \stringTuning \notemode @{ <c' g' d'' a''> @}
+    stringTunings = \stringTuning <c' g' d'' a''>
   @}
 @}
 @end example
@@ -748,12 +750,12 @@ y cuerdas mudas (que no se tocan).
 
 @lilypond[quote, verbatim]
 <<
-  \context ChordNames {
+  \new ChordNames {
     \chordmode {
       c1 d:m
     }
   }
-  \context Staff {
+  \new Staff {
     \clef "treble_8"
     <c e g c' e'>1^\markup {
       \fret-diagram #"6-x;5-3;4-2;3-o;2-1;1-o;"
@@ -772,12 +774,12 @@ la cadena de marcado del diagrama de trastes.
 
 @lilypond[quote, verbatim]
 <<
-  \context ChordNames {
+  \new ChordNames {
      \chordmode {
        f1 g
      }
   }
-  \context Staff {
+  \new Staff {
     \clef "treble_8"
     <f, c f a c' f'>1^\markup {
       \fret-diagram #"c:6-1-1;6-1;5-3;4-3;3-2;2-1;1-1;"
@@ -800,12 +802,12 @@ se puede cambiar en la cadena de marcado @code{fret-diagram}.
 
 @lilypond[quote, verbatim]
 <<
-  \context ChordNames {
+  \new ChordNames {
      \chordmode {
        f1 g
      }
   }
-  \context Staff {
+  \new Staff {
     \clef "treble_8"
     <f, c f a c' f'>1^\markup {
       \fret-diagram #"s:1.5;c:6-1-1;6-1;5-3;4-3;3-2;2-1;1-1;"
@@ -823,12 +825,12 @@ la cadena de marcado del diagrama.
 
 @lilypond[quote, verbatim]
 <<
-  \context ChordNames {
+  \new ChordNames {
     \chordmode {
       a1
     }
   }
-  \context Staff {
+  \new Staff {
     % An 'A' chord for ukulele
     a'1^\markup {
       \fret-diagram #"w:4;4-2-2;3-1-1;2-o;1-o;"
@@ -843,12 +845,12 @@ marcado del diagrama.
 
 @lilypond[quote, verbatim]
 <<
-  \context ChordNames {
+  \new ChordNames {
     \chordmode {
       c1 d:m
     }
   }
-  \context Staff {
+  \new Staff {
     \clef "treble_8"
     <c e g c' e'>1^\markup {
       \fret-diagram #"f:1;6-x;5-3-3;4-2-2;3-o;2-1-1;1-o;"
@@ -865,12 +867,12 @@ de marcado @code{fret-diagram}.
 
 @lilypond[quote, verbatim]
 <<
-  \context ChordNames {
+  \new ChordNames {
     \chordmode {
       c1 d:m
     }
   }
-  \context Staff {
+  \new Staff {
     \clef "treble_8"
     <c e g c' e'>1^\markup {
       \fret-diagram #"d:0.35;6-x;5-3;4-2;3-o;2-1;1-o;"
@@ -897,12 +899,12 @@ aire y números de traste.
 
 @lilypond[quote, verbatim]
 <<
-  \context ChordNames {
+  \new ChordNames {
     \chordmode {
       c1 d:m
     }
   }
-  \context Staff {
+  \new Staff {
     \clef "treble_8"
     <c e g c' e'>1^\markup {
       \fret-diagram-terse #"x;3;2;o;1;o;"
@@ -919,12 +921,12 @@ Se pueden incluir números de cejilla en la cadena de marcado escueta
 
 @lilypond[quote, verbatim]
 <<
-  \context ChordNames {
+  \new ChordNames {
     \chordmode {
       f1 g
     }
   }
-  \context Staff {
+  \new Staff {
     \clef "treble_8"
     <f, c f a c' f'>1^\markup {
       \fret-diagram-terse #"1-(;3;3;2;1;1-);"
@@ -942,14 +944,13 @@ escueta @code{fret-diagram-terse}
 @c Need to use override to enable fingerings to show this -- can we do so?
 @lilypond[quote, verbatim]
 <<
-  \context ChordNames {
+  \new ChordNames {
     \chordmode {
       c1 d:m
     }
   }
-  \context Staff {
-    \override Voice.TextScript
-      #'(fret-diagram-details finger-code) = #'below-string
+  \new Staff {
+    \override Voice.TextScript.fret-diagram-details.finger-code = #'below-string
     \clef "treble_8"
     <c e g c' e'>1^\markup {
       \fret-diagram-terse #"x;3-3;2-2;o;1-1;o;"
@@ -977,12 +978,12 @@ colocación un elemento sobre el diagrama de trastes.
 
 @lilypond[quote, verbatim]
 <<
-    \context ChordNames {
+    \new ChordNames {
       \chordmode {
         c1 d:m
       }
     }
-  \context Staff {
+  \new Staff {
     \clef "treble_8"
     <c e g c' e'>1^\markup {
       \fret-diagram-verbose #'(
@@ -1018,15 +1019,14 @@ bajo del diagrama de posición.
 @c \override is necessary to make fingering visible
 @lilypond[quote, verbatim]
 <<
-    \context ChordNames {
+    \new ChordNames {
       \chordmode {
         f1 g c
       }
     }
-  \context Staff {
+  \new Staff {
     \clef "treble_8"
-    \override Voice.TextScript
-      #'(fret-diagram-details finger-code) = #'below-string
+    \override Voice.TextScript.fret-diagram-details.finger-code = #'below-string
     <f, c f a c' f'>1^\markup {
       \fret-diagram-verbose #'(
         (place-fret 6 1)
@@ -1048,7 +1048,7 @@ bajo del diagrama de posición.
         (place-fret 1 3 3)
       )
     }
-    <c e g c' e'>1^\markup {
+    <c g c' e' g'>1^\markup {
       \fret-diagram-verbose #'(
         (capo 3)
         (mute 6)
@@ -1158,7 +1158,7 @@ en una tabla de búsqueda:
 
 @lilypond[verbatim, ragged-right, quote]
 \include "predefined-guitar-fretboards.ly"
-\context FretBoards {
+\new FretBoards {
   \chordmode {
     c1 d
   }
@@ -1218,7 +1218,7 @@ bien usando el modo de acordes (véase
 
 @lilypond[verbatim, ragged-right,quote]
 \include "predefined-guitar-fretboards.ly"
-\context FretBoards {
+\new FretBoards {
   \chordmode { c1 }
   <c' e' g'>1
 }
@@ -1244,10 +1244,10 @@ mychords = \chordmode{
 }
 
 <<
-  \context ChordNames {
+  \new ChordNames {
     \mychords
   }
-  \context FretBoards {
+  \new FretBoards {
     \mychords
   }
 >>
@@ -1272,10 +1272,10 @@ mychordlist = {
   \transpose c e { \mychords }
 }
 <<
-  \context ChordNames {
+  \new ChordNames {
     \mychordlist
   }
-  \context FretBoards {
+  \new FretBoards {
     \mychordlist
   }
 >>
@@ -1302,10 +1302,10 @@ mychords = \chordmode{
 }
 
 <<
-  \context ChordNames {
+  \new ChordNames {
     \mychords
   }
-  \context FretBoards {
+  \new FretBoards {
     \mychords
   }
 >>
@@ -1337,10 +1337,10 @@ mychords = \chordmode {
 }
 
 <<
-  \context ChordNames {
+  \new ChordNames {
     \mychords
   }
-  \context FretBoards {
+  \new FretBoards {
     \mychords
   }
 >>
@@ -1365,10 +1365,10 @@ mychords = \chordmode {
 }
 
 <<
-  \context ChordNames {
+  \new ChordNames {
     \mychords
   }
-  \context FretBoards {
+  \new FretBoards {
     \mychords
   }
 >>
@@ -1416,10 +1416,10 @@ mychords = \chordmode{
 }
 
 <<
-  \context ChordNames {
+  \new ChordNames {
     \mychords
   }
-  \context FretBoards {
+  \new FretBoards {
     \mychords
   }
 >>
@@ -1440,7 +1440,7 @@ predefinido, las propiedades de interface pertenecen a
 @lilypondfile[verbatim,quote,texidoc,doctitle]
 {defining-predefined-fretboards-for-other-instruments.ly}
 
-@lilypondfile[verbatim,quote,texidoc,doctitle]
+@lilypondfile[verbatim,quote,texidoc,doctitle,ragged-right]
 {chordchanges-for-fretboards.ly}
 
 @lilypondfile[verbatim,quote,texidoc,doctitle]
@@ -1483,16 +1483,16 @@ cuerdas y los trastes que se pueden usar para tocar las notas.
 
 @lilypond[quote,ragged-right,verbatim]
 <<
-  \context ChordNames {
+  \new ChordNames {
     \chordmode {
       f1 g
     }
   }
-  \context FretBoards {
+  \new FretBoards {
     <f, c f a c' f'>1
     <g,\6 b, d g b g'>1
   }
-  \context Staff {
+  \new Staff {
     \clef "treble_8"
     <f, c f a c' f'>1
     <g, b, d g b' g'>1
@@ -1518,19 +1518,19 @@ con instrucciones predefinidas:
                         #guitar-tuning
                         #"x;3-1-(;5-2;5-3;5-4;3-1-1-);"
 <<
-  \context ChordNames {
+  \new ChordNames {
     \chordmode {
       c1 c c
     }
   }
-  \context FretBoards {
+  \new FretBoards {
     <c e g c' e'>1
     \predefinedFretboardsOff
     <c e g c' e'>1
     \predefinedFretboardsOn
     <c e g c' e'>1
   }
-  \context Staff {
+  \new Staff {
     \clef "treble_8"
     <c e g c' e'>1
     <c e g c' e'>1
@@ -1556,16 +1556,16 @@ FretBoard.
 
 @lilypond[quote, verbatim]
 <<
-  \context ChordNames {
+  \new ChordNames {
     \chordmode {
       c1 d:m
     }
   }
-  \context FretBoards {
+  \new FretBoards {
     <c-3 e-2 g c'-1 e'>1
     <d a-2 d'-3 f'-1>1
   }
-  \context Staff {
+  \new Staff {
     \clef "treble_8"
     <c e g c' e'>1
     <d a d' f'>1
@@ -1580,17 +1580,17 @@ contexto FretBoard se puede fijar con la propiedad @code{minimumFret}.
 
 @lilypond[quote, verbatim]
 <<
-  \context ChordNames {
+  \new ChordNames {
     \chordmode {
       d1:m d:m
     }
   }
-  \context FretBoards {
+  \new FretBoards {
     <d a d' f'>1
     \set FretBoards.minimumFret = #5
     <d a d' f'>1
   }
-  \context Staff {
+  \new Staff {
     \clef "treble_8"
     <d a d' f'>1
     <d a d' f'>1
@@ -1720,7 +1720,7 @@ de guitarra:
 \clef "treble_8"
 b16 d g b e
 \textSpannerDown
-\override TextSpanner #'(bound-details left text) = #"XII "
+\override TextSpanner.bound-details.left.text = #"XII "
 g16\startTextSpan
 b16 e g e b g\stopTextSpan
 e16 b g d
@@ -1751,7 +1751,7 @@ con un marcado de texto.
 @lilypond[quote,ragged-right,verbatim]
 \relative c' {
   \clef "treble_8"
-  \override Staff.NoteHead #'style = #'harmonic-mixed
+  \override Staff.NoteHead.style = #'harmonic-mixed
   d^\markup { \italic { \fontsize #-2 { "harm. 12" }}} <g b>1
 }
 @end lilypond
@@ -1765,7 +1765,7 @@ music = \relative c' {
   < b\3 \deadNote d\2 b'\1 >
   < c\3 \deadNote e\2 c'\1 >
   \deadNotesOn
-  \times 2/3 { g8 b e }
+  \tuplet 3/2 { g8 b e }
   \deadNotesOff
   < a,\3 c\2 e\1 >1
 }
@@ -1925,15 +1925,20 @@ los trastes para la quinta cuerda:
 @c due to crazy intervals of banjo music, absolute pitch is recommended
 
 @lilypond[quote,ragged-right,verbatim]
-\new TabStaff <<
-  \set TabStaff.tablatureFormat = #fret-number-tablature-format-banjo
-  \set TabStaff.stringTunings = #banjo-open-g-tuning
-  {
-    \stemDown
-    g8 d' g'\5 a b g e d' |
-    g4 d''8\5 b' a'\2 g'\5 e'\2 d' |
-    g4
+music = {
+  g8 d' g'\5 a b g e d' |
+  g4 d''8\5 b' a'\2 g'\5 e'\2 d' |
+  g4
+}
+
+<<
+  \new Staff \with { \omit StringNumber }
+  { \clef "treble_8"  \music }
+  \new TabStaff \with {
+    tablatureFormat = #fret-number-tablature-format-banjo
+    stringTunings = #banjo-open-g-tuning
   }
+  { \music }
 >>
 @end lilypond