+++ /dev/null
-@c -*- coding: utf-8; mode: texinfo; -*-
-@c This file is part of lilypond.tely
-@ignore
- Translation of GIT committish: 499a511d4166feaada31114e097f86b5e0c56421
-
- When revising a translation, copy the HEAD committish of the
- version that you are working on. See TRANSLATION for details.
-@end ignore
-
-@c \version "2.12.0"
-
-@node Notation manual tables
-@appendix Notation manual tables
-
-@c Please do not delete the following @ignore block.
-@ignore
-Note for editors and translators: In the following menu, two entries
-are needed to link to a pair of automatically generated sections.
-Please keep them and, if using emacs, do not run
-texinfo-all-menus-update without manually restoring them back. These
-menu entries are:
-
-* Text markup commands::
-* Text markup list commands::
-
-and they should go just after
-* Note head styles::
-
-and just before
-* List of articulations::
-@end ignore
-
-@menu
-* Chord name chart::
-* Common chord modifiers::
-* Predefined fretboard diagrams::
-* MIDI instruments::
-* List of colors::
-* The Feta font::
-* Note head styles::
-* Text markup commands::
-* Text markup list commands::
-* List of articulations::
-* Percussion notes::
-* All context properties::
-* Layout properties::
-* Identifiers::
-* Scheme functions::
-@end menu
-
-@node Chord name chart
-@appendixsec Chord name chart
-
-Die Tabelle zeigt die zwei üblichen Möglichkeiten, wie Akkordbezeichnungen
-ausgegeben werden. Es wird auch die entsprechende Note ausgegeben.
-
-@lilypondfile{chord-names-jazz.ly}
-
-
-@node Common chord modifiers
-@appendixsec Common chord modifiers
-
-Die Tabelle zeigt Modifikatoren für Akkorde, die im @code{\chordmode}-Modus
-benutzt werden können, um übliche Akkordkonstrukte zu notieren.
-
-@multitable @columnfractions .2 .3 .2 .2
-
-@item
-@b{Akkordtyp}
-@tab
-@b{Intervalle}
-@tab
-@b{Modifikator(en)}
-@tab
-@b{Beispiel}
-
-
-@item
-Dur
-@tab
-große Terz, Quinte
-@tab
-@code{5} oder nichts
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:5
-}
-@end lilypond
-
-@item
-Moll
-@tab
-kleine Terz, Quinte
-@tab
-@code{m} oder @code{m5}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:m
-}
-@end lilypond
-
-@item
-Übermäßig
-@tab
-Große Terz, übermäßige Quinte
-@tab
-@code{aug}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:aug
-}
-@end lilypond
-
-@item
-Vermindert
-@tab
-Kleine Terz, verminderte Quinte
-@tab
-@code{dim}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:dim
-}
-@end lilypond
-
-@item
-Dominantsieben
-@tab
-Durdreiklang, kleine Septime
-@tab
-@code{7}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:7
-}
-@end lilypond
-
-@item
-Große Septime
-@tab
-Durdreiklang, große Septime
-@tab
-@code{maj7} oder @code{maj}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:maj7
-}
-@end lilypond
-
-@item
-Kleine Septime
-@tab
-Molldreiklang, kleine Septime
-@tab
-@code{m7}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:m7
-}
-@end lilypond
-
-@item
-Verminderte Septime
-@tab
-Verminderter Dreiklang, verminderte Septime
-@tab
-@code{dim7}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:dim7
-}
-@end lilypond
-
-@item
-Übermäßige Septime
-@tab
-Übermäßiger Dreiklang, kleine Septime
-@tab
-@code{aug7}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:aug7
-}
-@end lilypond
-
-@item
-halbverminderte Septime
-@tab
-Verminderter Dreklang, kleine Sept
-@tab
-@code{m7.5-}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:m7.5-
-}
-@end lilypond
-
-@item
-Kleine MollSept
-@tab
-Molldreiklang, Durseptime
-@tab
-@code{maj7.5-}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:maj7.5-
-}
-@end lilypond
-
-@item
-Große Sexte
-@tab
-Durdreiklang, Sexte
-@tab
-@code{6}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:6
-}
-@end lilypond
-
-@item
-Kleine Sexte
-@tab
-Molldreiklang, Sexte
-@tab
-@code{m6}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:m6
-}
-@end lilypond
-
-@item
-Dominantnone
-@tab
-Dominantsept, große None
-@tab
-@code{9}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:9
-}
-@end lilypond
-
-@item
-Dur None
-@tab
-Große None, große Septime
-@tab
-@code{maj9}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:maj9
-}
-@end lilypond
-
-@item
-Moll None
-@tab
-Große None, kleine Septime
-@tab
-@code{m9}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:m9
-}
-@end lilypond
-
-@item
-Dominantundezime
-@tab
-Dominantnone, perfekte Undezime
-@tab
-@code{11}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:11
-}
-@end lilypond
-
-@item
-Durundezime
-@tab
-Große None, perfekte Unidezime
-@tab
-@code{maj11}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:maj11
-}
-@end lilypond
-
-@item
-Mollundezime
-@tab
-Kleine None, perfekte Undezime
-@tab
-@code{m11}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:m11
-}
-@end lilypond
-
-@item
-Dominant-13
-@tab
-Dominantnone, große 13
-@tab
-@code{13}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:13
-}
-@end lilypond
-
-@item
-Dominant-13
-@tab
-@code{13.11}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:13.11
-}
-@end lilypond
-
-@item
-Dur-13
-@tab
-Große Undezime, große 13
-@tab
-@code{maj13.11}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:maj13.11
-}
-@end lilypond
-
-@item
-Moll-13
-@tab
-Kleine Undezime, große 13
-@tab
-@code{m13.11}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:m13.11
-}
-@end lilypond
-
-@item
-Sekundakkord
-@tab
-große Sekunde, perfekte Quinte
-@tab
-@code{sus2}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:sus2
-}
-@end lilypond
-
-@item
-Quartakkord
-@tab
-perfekte Quarte, perfekte Quinte
-@tab
-@code{sus4}
-@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:sus4
-}
-@end lilypond
-
-
-@end multitable
-
-
-@node Predefined fretboard diagrams
-@appendixsec Predefined fretboard diagrams
-
-Die Tabelle zeigt alle vordefinierten Bunddiagramme.
-
-@lilypondfile{display-predefined-fretboards.ly}
-
-
-
-@node MIDI instruments
-@appendixsec MIDI instruments
-
-Hier eine Liste von Musikinstrumentenbezeichnungen, die als Name für
-@code{midiInstrument} benutzt werden können.
-@c Todo: translate music instrument's names to German
-
-@cindex MIDI-Instrumentenbezeichnungen
-
-@example
-acoustic grand contrabass lead 7 (fifths)
-bright acoustic tremolo strings lead 8 (bass+lead)
-electric grand pizzicato strings pad 1 (new age)
-honky-tonk orchestral strings pad 2 (warm)
-electric piano 1 timpani pad 3 (polysynth)
-electric piano 2 string ensemble 1 pad 4 (choir)
-harpsichord string ensemble 2 pad 5 (bowed)
-clav synthstrings 1 pad 6 (metallic)
-celesta synthstrings 2 pad 7 (halo)
-glockenspiel choir aahs pad 8 (sweep)
-music box voice oohs fx 1 (rain)
-vibraphone synth voice fx 2 (soundtrack)
-marimba orchestra hit fx 3 (crystal)
-xylophone trumpet fx 4 (atmosphere)
-tubular bells trombone fx 5 (brightness)
-dulcimer tuba fx 6 (goblins)
-drawbar organ muted trumpet fx 7 (echoes)
-percussive organ french horn fx 8 (sci-fi)
-rock organ brass section sitar
-church organ synthbrass 1 banjo
-reed organ synthbrass 2 shamisen
-accordion soprano sax koto
-harmonica alto sax kalimba
-concertina tenor sax bagpipe
-acoustic guitar (nylon) baritone sax fiddle
-acoustic guitar (steel) oboe shanai
-electric guitar (jazz) english horn tinkle bell
-electric guitar (clean) bassoon agogo
-electric guitar (muted) clarinet steel drums
-overdriven guitar piccolo woodblock
-distorted guitar flute taiko drum
-guitar harmonics recorder melodic tom
-acoustic bass pan flute synth drum
-electric bass (finger) blown bottle reverse cymbal
-electric bass (pick) shakuhachi guitar fret noise
-fretless bass whistle breath noise
-slap bass 1 ocarina seashore
-slap bass 2 lead 1 (square) bird tweet
-synth bass 1 lead 2 (sawtooth) telephone ring
-synth bass 2 lead 3 (calliope) helicopter
-violin lead 4 (chiff) applause
-viola lead 5 (charang) gunshot
-cello lead 6 (voice)
-@end example
-
-
-@node List of colors
-@appendixsec List of colors
-
-@subsubheading Normal colors
-
-Die Syntax zur Benutzung findet sich im Abschnitt @ref{Coloring objects}.
-
-@cindex Liste der Farben
-@cindex Farben, Liste
-
-@verbatim
-black white red green
-blue cyan magenta yellow
-grey darkred darkgreen darkblue
-darkcyan darkmagenta darkyellow
-@end verbatim
-
-
-@subsubheading X color names
-
-X-Farbbezeichnungen haben verschiedene Varianten:
-
-Alle Bezeichnungen, die als einziges Wort mit Großbuchstaben
-geschrieben werden (bspw. @q{LightSlateBlue}), können auch
-von Leerzeichen getrennt geschrieben werden
-(also @q{light slate blue}).
-
-Das Wort @q{grey} kann in jedem Fall auch @q{gray} geschrieben
-werden (bspw. @q{DarkSlateGray}).
-
-Manche Bezeichnungen können auch ein numerales Suffix tragen
-(etwa @q{LightSalmon4}).
-
-
-@subsubheading Color Names without a numerical suffix:
-
-@verbatim
-snow GhostWhite WhiteSmoke gainsboro FloralWhite
-OldLace linen AntiqueWhite PapayaWhip BlanchedAlmond
-bisque PeachPuff NavajoWhite moccasin cornsilk
-ivory LemonChiffon seashell honeydew MintCream
-azure AliceBlue lavender LavenderBlush MistyRose
-white black DarkSlateGrey DimGrey SlateGrey
-LightSlateGrey grey LightGrey MidnightBlue navy
-NavyBlue CornflowerBlue DarkSlateBlue SlateBlue MediumSlateBlue
-LightSlateBlue MediumBlue RoyalBlue blue DodgerBlue
-DeepSkyBlue SkyBlue LightSkyBlue SteelBlue LightSteelBlue
-LightBlue PowderBlue PaleTurquoise DarkTurquoise MediumTurquoise
-turquoise cyan LightCyan CadetBlue MediumAquamarine
-aquamarine DarkGreen DarkOliveGreen DarkSeaGreen SeaGreen
-MediumSeaGreen LightSeaGreen PaleGreen SpringGreen LawnGreen
-green chartreuse MediumSpringGreen GreenYellow LimeGreen
-YellowGreen ForestGreen OliveDrab DarkKhaki khaki
-PaleGoldenrod LightGoldenrodYellow LightYellow yellow gold
-LightGoldenrod goldenrod DarkGoldenrod RosyBrown IndianRed
-SaddleBrown sienna peru burlywood beige
-wheat SandyBrown tan chocolate firebrick
-brown DarkSalmon salmon LightSalmon orange
-DarkOrange coral LightCoral tomato OrangeRed
-red HotPink DeepPink pink LightPink
-PaleVioletRed maroon MediumVioletRed VioletRed magenta
-violet plum orchid MediumOrchid DarkOrchid
-DarkViolet BlueViolet purple MediumPurple thistle
-DarkGrey DarkBlue DarkCyan DarkMagenta DarkRed
-LightGreen
-@end verbatim
-
-
-@subsubheading Color names with a numerical suffix
-
-Für die folgenden Bezeichnungen kann das Suffix N durch eine
-Zahl von 1--4 ersetzt werden.
-
-@verbatim
-snowN seashellN AntiqueWhiteN bisqueN PeachPuffN
-NavajoWhiteN LemonChiffonN cornsilkN ivoryN honeydewN
-LavenderBlushN MistyRoseN azureN SlateBlueN RoyalBlueN
-blueN DodgerBlueN SteelBlueN DeepSkyBlueN SkyBlueN
-LightSkyBlueN LightSteelBlueN LightBlueN LightCyanN PaleTurquoiseN
-CadetBlueN turquoiseN cyanN aquamarineN DarkSeaGreenN
-SeaGreenN PaleGreenN SpringGreenN greenN chartreuseN
-OliveDrabN DarkOliveGreenN khakiN LightGoldenrodN LightYellowN
-yellowN goldN goldenrodN DarkGoldenrodN RosyBrownN
-IndianRedN siennaN burlywoodN wheatN tanN
-chocolateN firebrickN brownN salmonN LightSalmonN
-orangeN DarkOrangeN coralN tomatoN OrangeRedN
-redN DeepPinkN HotPinkN pinkN LightPinkN
-PaleVioletRedN maroonN VioletRedN magentaN orchidN
-plumN MediumOrchidN DarkOrchidN purpleN MediumPurpleN
-thistleN
-@end verbatim
-
-
-@subsubheading Grey Scale
-
-Eine Grauskala kann mit der Bezeichnung
-
-@example
-greyN
-@end example
-
-@noindent
-erstellt werden, wobei N eine Zahl von 0--100 darstellt.
-
-
-@node The Feta font
-@appendixsec The Feta font
-
-@cindex Feta font
-@cindex Font, Feta
-
-Die folgenden Symbole sind als Emmentaler-Schriftart verfügbar; auf sie
-kann direkt zugegriffen werden, indem man die übliche Textbeschriftung
-benutzt. @code{\musicglyph} greift direkt auf die Notationsschriftart
-zu (bspw. @code{g^\markup @{
-\musicglyph #"scripts.segno" @}}). Siehe auch @ref{Formatting text}.
-
-@lilypondfile[noindent]{font-table.ly}
-
-
-@node Note head styles
-@appendixsec Note head styles
-
-@cindex Notenkopfarten
-@cindex Arten von Notenköpfen
-@cindex Stile, Notenköpfe
-
-Folgende Stile können zur Darstellung der Notenköpfe verwendet werden:
-
-@lilypondfile[noindent]{note-head-style.ly}
-
-@include markup-commands.tely
-
-@include markup-list-commands.tely
-
-@node List of articulations
-@appendixsec List of articulations
-
-@cindex Akzent
-@cindex Marcato
-@cindex Staccatissimo
-@cindex Espressivo
-@cindex Fermate
-@cindex Gedämpft
-@cindex Staccato
-@cindex Portato
-@cindex Tenuto
-@cindex Aufstrich
-@cindex Abstrich
-@cindex Fußbezeichnung
-@cindex Orgelpedalbezeichnung
-@cindex Triller
-@cindex Offen
-@cindex Flageolet
-@cindex Praller
-@cindex Mordent
-@cindex Doppelpraller
-@cindex Prallermordent
-@cindex Fingersatz
-@cindex Daumenbezeichnung
-@cindex Segno
-@cindex Coda
-@cindex Varcoda
-
-Hier ist eine Liste, die alle möglichen Zeichen darstellt:
-
-@lilypondfile[ragged-right,quote]{script-chart.ly}
-
-
-@node Percussion notes
-@appendixsec Percussion notes
-
-@lilypondfile[quote]{percussion-chart.ly}
-
-
-@node All context properties
-@appendixsec All context properties
-
-@include context-properties.tely
-
-
-@node Layout properties
-@appendixsec Layout properties
-
-@include layout-properties.tely
-
-
-@node Identifiers
-@appendixsec Identifiers
-
-@include identifiers.tely
-
-
-@node Scheme functions
-@appendixsec Scheme functions
-
-@include scheme-functions.tely
-
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