@c -*- coding: utf-8; mode: texinfo; documentlanguage: de -*-
@ignore
- Translation of GIT committish: 06f227dd80f3a30cbf33c879b7c125079dfaf5c3
+ Translation of GIT committish: e5a609e373eae846857f9a6d70a402a3d42b7d94
When revising a translation, copy the HEAD committish of the
version that you are working on. For details, see the Contributors'
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.14.0"
+@c \version "2.19.28"
@c Translators: Till Paala
Akkordmodus und Notenmodus können gemischt verwendet werden:
-@lilypond[verbatim,quote,ragged-right,relative=1]
-<c e g>2 <g b d>
-\chordmode { c2 f }
-<c e g>2 <g' b d>
-\chordmode { f2 g }
+@lilypond[verbatim,quote,ragged-right]
+\relative {
+ <c' e g>2 <g b d>
+ \chordmode { c2 f }
+ <c e g>2 <g' b d>
+ \chordmode { f2 g }
+}
@end lilypond
@seealso
@tab
@lilypond[line-width=4\cm, noragged-right]
\chordmode {
- \override Staff.TimeSignature #'stencil = ##f
+ \omit Staff.TimeSignature
c1
}
@end lilypond
@tab
@lilypond[line-width=4\cm, noragged-right]
\chordmode {
- \override Staff.TimeSignature #'stencil = ##f
+ \omit Staff.TimeSignature
c1:m c:m7
}
@end lilypond
@tab
@lilypond[line-width=4\cm, noragged-right]
\chordmode {
- \override Staff.TimeSignature #'stencil = ##f
+ \omit Staff.TimeSignature
c1:dim c:dim7
}
@end lilypond
@tab
@lilypond[line-width=4\cm, noragged-right]
\chordmode {
- \override Staff.TimeSignature #'stencil = ##f
+ \omit Staff.TimeSignature
c1:aug
}
@end lilypond
@tab
@lilypond[line-width=4\cm, noragged-right]
\chordmode {
- \override Staff.TimeSignature #'stencil = ##f
+ \omit Staff.TimeSignature
c1:maj c:maj7
}
@end lilypond
@lilypond[quote,verbatim]
\chordmode {
- c1:5.6 c:3.7.8 c:3.6.13
+ c1:3.5.6 c:3.7.8 c:3.6.13
}
@end lilypond
@lilypond[quote,verbatim]
\chordmode {
- c4:5.15 c:5.20 c:5.25 c:5.30
+ c4:3.5.15 c:3.5.20 c:3.5.25 c:3.5.30
}
@end lilypond
@lilypond[quote,ragged-right,verbatim]
\chordmode {
- c1:sus c:sus2 c:sus4 c:5.4^3
+ c1:5 c:sus2 c:sus4 c:5.4
}
@end lilypond
@cindex Cluster
@lilypond[quote,ragged-right,verbatim]
-\chordmode { c1:5.5-.5+ }
+\chordmode { c1:3.5.5-.5+ }
@end lilypond
Nur die zweite Umkehrung kann erstellt werden, indem eine
Pausen, die in einem @code{ChordNames}-Kontext notiert werden, werden
mit der @code{noChordSymbol}-Beschriftung darstellt.
-@lilypond[verbatim, quote, relative=1]
+@lilypond[verbatim,quote]
<<
\new ChordNames \chordmode {
c1
-
@node Generalbass
@subsection Generalbass
@translationof Figured bass
-@lilypondfile[quote]{figured-bass-headword.ly}
+@c Line width hack because of instrument names
+@lilypondfile[quote,staffsize=18,line-width=14.5\cm]{figured-bass-headword.ly}
Generalbassnotation kann dargestellt werden.
@lilypond[verbatim,ragged-right,quote]
<<
- \relative c'' {
- c4 c'8 r8 c,4 c'
+ \relative {
+ c''4 c'8 r8 c,4 c'
}
\new FiguredBass {
\figuremode {