Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.5"
+@c \version "2.19.21"
@c Translators: Till Paala
@menu
* Überblick über die unterstützten Stile::
* Alte Notation -- Allgemeines::
-* Mesurale Musik setzen::
+* Mensurale Musik setzen::
* Gregorianischen Choral setzen::
* Kiever Quadratnotation setzen::
* Musiksatz Alter Musik in der Praxis -- Szenarien und Lösungen::
@seealso
Glossar:
@rglos{ligature}.
-
+
Notationsreferenz:
@ref{Weiße Mensuralligaturen},
@ref{Ligaturen der gregorianischen Quadratnotation}.
@lilypond[quote,ragged-right]
\score {
- \relative c'' {
- a1
+ \relative {
+ a'1
\break
g
}
\context {
\Staff
\consists "Custos_engraver"
- \override Custos #'style = #'mensural
+ \override Custos.style = #'mensural
}
}
}
@c {{{1 Typesetting mensural music
-@node Mesurale Musik setzen
-@subsection Mesurale Musik setzen
+@node Mensurale Musik setzen
+@subsection Mensurale Musik setzen
@translationof Typesetting mensural music
@menu
@unnumberedsubsubsec Mensural-Kontexte
@translationof Mensural contexts
-@cindex MensuralVoiceContext
-@cindex MensuralStaffContext
+@cindex MensuralVoice
+@cindex MensuralStaff
@funindex MensuralVoice
@funindex MensuralStaff
\score {
<<
\new MensuralVoice = "discantus" \transpose c c' {
- \override Score.BarNumber #'transparent = ##t {
+ \hide Score.BarNumber {
c'1\melisma bes a g\melismaEnd
f\breve
\[ f1\melisma a c'\breve d'\melismaEnd \]
@tab
@lilypond[relative=1,notime]
\clef "mensural-c2"
- \override NoteHead #'style = #'mensural
+ \override NoteHead.style = #'mensural
c
@end lilypond
@tab
@lilypond[relative=1,notime]
\clef "mensural-f"
- \override NoteHead #'style = #'mensural
+ \override NoteHead.style = #'mensural
c
@end lilypond
@tab
@lilypond[relative=1,notime]
\clef "mensural-g"
- \override NoteHead #'style = #'mensural
+ \override NoteHead.style = #'mensural
c
@end lilypond
@tab
@lilypond[relative=1,notime]
\clef "petrucci-c2"
- \override NoteHead #'style = #'mensural
+ \override NoteHead.style = #'mensural
c
@end lilypond
Mensuraler F-Schlüssel im Petrucci-Stil, kann auf verschiedenen
Notenlinien benutzt werden (im Beispiel auf der dritten Linie)
@tab
-@code{petrucci-c1}, @code{petrucci-c2},@*
-@code{petrucci-c3}, @code{petrucci-c4},@*
-@code{petrucci-c5}
+@code{petrucci-f3}, @code{petrucci-f4},@*
+@code{petrucci-f5}
@tab
@lilypond[relative=1,notime]
- \clef "petrucci-c2"
- \override NoteHead #'style = #'mensural
+ \clef "petrucci-f3"
+ \override NoteHead.style = #'mensural
c
@end lilypond
@tab
@lilypond[relative=1,notime]
\clef "petrucci-g"
- \override NoteHead #'style = #'mensural
+ \override NoteHead.style = #'mensural
c
@end lilypond
neomensurale Stil verwendet. Im folgenden Beispiel sind die
unterschiedlichen Stile dargestellt.
-@lilypond[ragged-right,relative=1,quote]
-{
+@lilypond[ragged-right,quote]
+\relative c' {
\textLengthOn
\time 2/2
c1^\markup { \hspace #-2.0 \typewriter default }
- \override Staff.TimeSignature #'style = #'numbered
+ \override Staff.TimeSignature.style = #'numbered
\time 2/2
c1^\markup { \hspace #-2.0 \typewriter numbered }
- \override Staff.TimeSignature #'style = #'mensural
+ \override Staff.TimeSignature.style = #'mensural
\time 2/2
c1^\markup { \hspace #-2.0 \typewriter mensural }
- \override Staff.TimeSignature #'style = #'neomensural
+ \override Staff.TimeSignature.style = #'neomensural
\time 2/2
c1^\markup { \hspace #-2.0 \typewriter neomensural }
- \override Staff.TimeSignature #'style = #'single-digit
+ \override Staff.TimeSignature.style = #'single-digit
\time 2/2
c1^\markup { \hspace #-2.0 \typewriter single-digit }
}
wird:
@example
-breveTP = #(ly:make-duration -1 0 3 2)
+breveTP = #(ly:make-duration -1 0 3/2)
@dots{}
@{ c\breveTP f1 @}
@end example
@lilypond[quote,fragment,ragged-right,verbatim]
\set Score.skipBars = ##t
\autoBeamOff
-\override NoteHead #'style = #'petrucci
+\override NoteHead.style = #'petrucci
a'\maxima a'\longa a'\breve a'1 a'2 a'4 a'8 a'16 a'
-\override NoteHead #'style = #'semipetrucci
+\override NoteHead.style = #'semipetrucci
a'\breve*5/6
-\override NoteHead #'style = #'blackpetrucci
+\override NoteHead.style = #'blackpetrucci
a'8*4/3 a'
-\override NoteHead #'style = #'petrucci
+\override NoteHead.style = #'petrucci
a'\longa
@end lilypond
nur (@code{mensural}) unterstützt.
@lilypond[quote,fragment,ragged-right,verbatim]
-\override Flag #'style = #'mensural
-\override Stem #'thickness = #1.0
-\override NoteHead #'style = #'mensural
+\override Flag.style = #'mensural
+\override Stem.thickness = #1.0
+\override NoteHead.style = #'mensural
\autoBeamOff
c'8 d'8 e'8 f'8 c'16 d'16 e'16 f'16 c'32 d'32 e'32 f'32 s8
c''8 d''8 e''8 f''8 c''16 d''16 e''16 f''16 c''32 d''32 e''32 f''32
@lilypond[quote,fragment,ragged-right,verbatim]
\set Score.skipBars = ##t
-\override Rest #'style = #'classical
+\override Rest.style = #'classical
r\longa^"classical" r\breve r1 r2 r4 r8 r16 s \break
-\override Rest #'style = #'mensural
+\override Rest.style = #'mensural
r\longa^"mensural" r\breve r1 r2 r4 r8 r16 s \break
-\override Rest #'style = #'neomensural
+\override Rest.style = #'neomensural
r\longa^"neomensural" r\breve r1 r2 r4 r8 r16
@end lilypond
also etwa folgendermaßen:
@example
-\override Staff.Accidental #'glyph-name-alist =
+\override Staff.Accidental.glyph-name-alist =
#alteration-mensural-glyph-name-alist
@end example
@lilypond[quote,verbatim]
ficta = { \once \set suggestAccidentals = ##t }
-\score { \relative c''
+\score { \relative
\new MensuralVoice {
\once \set suggestAccidentals = ##t
- bes4 a2 g2 \ficta fis8 \ficta e! fis2 g1
+ bes'4 a2 g2 \ficta fis8 \ficta e! fis2 g1
}
}
@end lilypond
@c @example
@c \set Score.timing = ##f
@c \set Score.defaultBarType = "-"
-@c \override NoteHead #'style = #'neomensural
-@c \override Staff.TimeSignature #'style = #'neomensural
+@c \override NoteHead.style = #'neomensural
+@c \override Staff.TimeSignature.style = #'neomensural
@c \clef "petrucci-g"
@c \[ c'\maxima g \]
@c \[ d\longa c\breve f e d \]
\transpose c c' {
\set Score.timing = ##f
\set Score.defaultBarType = "-"
- \override NoteHead #'style = #'petrucci
- \override Staff.TimeSignature #'style = #'mensural
+ \override NoteHead.style = #'petrucci
+ \override Staff.TimeSignature.style = #'mensural
\clef "petrucci-g"
\[ c'\maxima g \]
\[ d\longa
- \override NoteHead #'ligature-flexa = ##t
- \once \override NoteHead #'flexa-width = #3.2
+ \override NoteHead.ligature-flexa = ##t
+ \once \override NoteHead.flexa-width = #3.2
c\breve f e d \]
\[ c'\maxima d'\longa \]
\[ e'1 a g\breve \]
\transpose c c' {
\set Score.timing = ##f
\set Score.defaultBarType = "-"
- \override NoteHead #'style = #'neomensural
- \override Staff.TimeSignature #'style = #'neomensural
+ \override NoteHead.style = #'neomensural
+ \override Staff.TimeSignature.style = #'neomensural
\clef "petrucci-g"
\[ c'\maxima g \]
\[ d\longa c\breve f e d \]
@unnumberedsubsubsec Gregorianische Gesangs-Kontexte
@translationof Gregorian chant contexts
-@cindex VaticanaVoiceContext
-@cindex VaticanaStaffContext
+@cindex VaticanaVoice
+@cindex VaticanaStaff
@funindex VaticanaVoice
@funindex VaticanaStaff
@code{vaticana-do1}, @code{vaticana-do2},@*
@code{vaticana-do3}
@tab
-@lilypond[relative=1,notime]
- \override Staff.StaffSymbol #'line-count = #4
- \override Staff.StaffSymbol #'color = #red
- \override Staff.LedgerLineSpanner #'color = #red
- \override Voice.Stem #'transparent = ##t
- \override Voice.Flag #'transparent = ##t
- \override NoteHead #'style = #'vaticana.punctum
+@lilypond[fragment,notime]
+ \override Staff.StaffSymbol.line-count = #4
+ \override Staff.StaffSymbol.color = #red
+ \override Staff.LedgerLineSpanner.color = #red
+ \hide Voice.Stem
+ \override NoteHead.style = #'vaticana.punctum
\clef "vaticana-do2"
- c
+ c'
@end lilypond
@item
@tab
@code{vaticana-fa1}, @code{vaticana-fa2}
@tab
-@lilypond[relative=1,notime]
- \override Staff.StaffSymbol #'line-count = #4
- \override Staff.StaffSymbol #'color = #red
- \override Staff.LedgerLineSpanner #'color = #red
- \override Voice.Stem #'transparent = ##t
- \override Voice.Flag #'transparent = ##t
- \override NoteHead #'style = #'vaticana.punctum
+@lilypond[fragment,notime]
+ \override Staff.StaffSymbol.line-count = #4
+ \override Staff.StaffSymbol.color = #red
+ \override Staff.LedgerLineSpanner.color = #red
+ \hide Voice.Stem
+ \override NoteHead.style = #'vaticana.punctum
\clef "vaticana-fa2"
- c
+ c'
@end lilypond
@item
@code{medicaea-do1}, @code{medicaea-do2},@*
@code{medicaea-do3}
@tab
-@lilypond[relative=1,notime]
- \override Staff.StaffSymbol #'line-count = #4
- \override Staff.StaffSymbol #'color = #red
- \override Staff.LedgerLineSpanner #'color = #red
- \override Voice.Stem #'transparent = ##t
- \override Voice.Flag #'transparent = ##t
- \override NoteHead #'style = #'medicaea.punctum
+@lilypond[fragment,notime]
+ \override Staff.StaffSymbol.line-count = #4
+ \override Staff.StaffSymbol.color = #red
+ \override Staff.LedgerLineSpanner.color = #red
+ \hide Voice.Stem
+ \override NoteHead.style = #'medicaea.punctum
\clef "medicaea-do2"
- c
+ c'
@end lilypond
@item
@tab
@code{medicaea-fa1}, @code{medicaea-fa2}
@tab
-@lilypond[relative=1,notime]
- \override Staff.StaffSymbol #'line-count = #4
- \override Staff.StaffSymbol #'color = #red
- \override Staff.LedgerLineSpanner #'color = #red
- \override Voice.Stem #'transparent = ##t
- \override Voice.Flag #'transparent = ##t
- \override NoteHead #'style = #'medicaea.punctum
+@lilypond[fragment,notime]
+ \override Staff.StaffSymbol.line-count = #4
+ \override Staff.StaffSymbol.color = #red
+ \override Staff.LedgerLineSpanner.color = #red
+ \hide Voice.Stem
+ \override NoteHead.style = #'medicaea.punctum
\clef "medicaea-fa2"
- c
+ c'
@end lilypond
@item
@code{hufnagel-do1}, @code{hufnagel-do2},@*
@code{hufnagel-do3}
@tab
-@lilypond[relative=1,notime]
- \override Staff.StaffSymbol #'line-count = #4
- \override Staff.StaffSymbol #'color = #red
- \override Staff.LedgerLineSpanner #'color = #red
- \override Voice.Stem #'transparent = ##t
- \override Voice.Flag #'transparent = ##t
- \override NoteHead #'style = #'hufnagel.punctum
+@lilypond[fragment,notime]
+ \override Staff.StaffSymbol.line-count = #4
+ \override Staff.StaffSymbol.color = #red
+ \override Staff.LedgerLineSpanner.color = #red
+ \hide Voice.Stem
+ \override NoteHead.style = #'hufnagel.punctum
\clef "hufnagel-do2"
- c
+ c'
@end lilypond
@item
@tab
@code{hufnagel-fa1}, @code{hufnagel-fa2}
@tab
-@lilypond[relative=1,notime]
- \override Staff.StaffSymbol #'line-count = #4
- \override Staff.StaffSymbol #'color = #red
- \override Staff.LedgerLineSpanner #'color = #red
- \override Voice.Stem #'transparent = ##t
- \override Voice.Flag #'transparent = ##t
- \override NoteHead #'style = #'hufnagel.punctum
+@lilypond[fragment,notime]
+ \override Staff.StaffSymbol.line-count = #4
+ \override Staff.StaffSymbol.color = #red
+ \override Staff.LedgerLineSpanner.color = #red
+ \hide Voice.Stem
+ \override NoteHead.style = #'hufnagel.punctum
\clef "hufnagel-fa2"
- c
+ c'
@end lilypond
@item
@tab
@code{hufnagel-do-fa}
@tab
-@lilypond[relative=1,notime]
- \override Staff.StaffSymbol #'color = #red
- \override Staff.LedgerLineSpanner #'color = #red
- \override Voice.Stem #'transparent = ##t
- \override Voice.Flag #'transparent = ##t
- \override NoteHead #'style = #'hufnagel.punctum
+@lilypond[fragment,notime]
+ \override Staff.StaffSymbol.color = #red
+ \override Staff.LedgerLineSpanner.color = #red
+ \hide Voice.Stem
+ \override NoteHead.style = #'hufnagel.punctum
\clef "hufnagel-do-fa"
- c
+ c'
@end lilypond
@end multitable
kontrolliert, beispielsweise:
@example
-\override Staff.Accidental #'glyph-name-alist =
+\override Staff.Accidental.glyph-name-alist =
#alteration-mensural-glyph-name-alist
@end example
\score {
<<
\context VaticanaVoice {
- \override TextScript #'padding = #3
+ \override TextScript.padding = #3
g a g
s^\markup { "divisio minima" }
\divisioMinima
\include "gregorian.ly"
\score {
\new VaticanaVoice {
- \override TextScript #'font-family = #'typewriter
- \override TextScript #'font-shape = #'upright
- \override Script #'padding = #-0.1
+ \override TextScript.font-family = #'typewriter
+ \override TextScript.font-shape = #'upright
+ \override Script.padding = #-0.1
a\ictus_"ictus " \bar "" \break
a\circulus_"circulus " \bar "" \break
a\semicirculus_"semicirculus " \bar "" \break
@seealso
Glossar:
@rglos{ligature}.
-
+
Notationreferenz:
@ref{ Ligaturen der gregorianischen Quadratnotation},
@ref{Weiße Mensuralligaturen},
@unnumberedsubsubsec Kiever Kontexte
@translationof Kievan contexts
-@funindex KievanVoiceContext
-@funindex KievanStaffContext
+@funindex KievanVoice
+@funindex KievanStaff
Wie auch für die Mensural- und Gregorianische Notation können die Kontexte
@code{KievanVoice} and @code{KievanStaff} eingesetzt werdne, um
richtigen Werten, sodass man sofort den Choral notieren kann:
@lilypond[quote,ragged-right,verbatim]
+% Font settings for Cyrillic
+\paper {
+ #(define fonts
+ (set-global-fonts
+ #:roman "Linux Libertine O,serif"
+ ))
+}
+
\score {
<<
\new KievanVoice = "melody" \transpose c c' {
Es gibt nur einen Schlüssel in der Kiever Notation (der Tse-fa-ut-Schlüssel).
Er bezeichnet die Position von @code{c}:
-@lilypond[quote,relative=1,notime,verbatim]
+@lilypond[quote,fragment,notime,verbatim]
\clef "kievan-do"
- \override NoteHead #'style = #'kievan
- c
+ \kievanOn
+ c'
@end lilypond
@seealso
@lilypond[quote,fragment,ragged-right,verbatim]
\autoBeamOff
\cadenzaOn
-\override NoteHead #'style = #'kievan
+\kievanOn
b'1 b'2 b'4 b'8 b'\breve b'\longa
+\kievanOff
+b'2
@end lilypond
@seealso
eingesetzt, kann aber in früheren Manuskripten auftreten. Es wurde
vor allem der Vollständigkeit halber eingesetzt.
-@lilypond[quote,relative=1,notime,verbatim]
+@lilypond[quote,fragment,notime,verbatim]
\clef "kievan-do"
-\override NoteHead #'style = #'kievan
-\override Accidental #'glyph-name-alist =
+\override Accidental.glyph-name-alist =
#alteration-kievan-glyph-name-alist
-bes' dis,
+bes' dis'
@end lilypond
@seealso
Eine dekorative Figur wird üblicherweise am Ende von eines
Musikstückes der Kiever Notation gesetzt, was man als Kiever
-Schlussstrich bezeichnen kann. Es wird gesetzt mit @code{\bar "kievan"}.
+Schlussstrich bezeichnen kann. Es wird gesetzt mit @code{\bar "k"}.
@lilypond[quote,relative=1,notime,verbatim]
\clef "kievan-do"
- \override NoteHead #'style = #'kievan
- c \bar "kievan"
+ \kievanOn
+ c \bar "k"
@end lilypond
@seealso
@ref{Takte},
@ref{Die Feta-Schriftart}
-
@c Working with ancient music: scenarios and solutions:: {{{1
@node Musiksatz Alter Musik in der Praxis -- Szenarien und Lösungen
@subsection Musiksatz Alter Musik in der Praxis -- Szenarien und Lösungen
In einigen Transkriptionsstilen werden jedoch teilweise
Hälse eingesetzt, um etwa den Übergang von einem Einton-Rezitativ
zu einer melodischen Geste anzuzeigen. In diesem Fall können
-Hälse entweder mit @code{\override Stem #'transparent = ##t}
+Hälse entweder mit @code{\hide Stem}
unsichtbar gemacht werden oder mit
-@code{\override Stem #'length = #0} auf die Länge von 0 reduziert
+@code{\override Stem.length = #0} auf die Länge von 0 reduziert
werden. Die Hälse müssen dann wieder an den entsprechenden
-Stellen mit @code{\once \override Stem #'transparent = ##f}
+Stellen mit @code{\once \override Stem.transparent = ##f}
sichtbar gemacht werden (siehe auch Beispiel unten). Wenn Hälse
eingesetzt werden, die Fähnchen haben, muss zusätzlich auch noch
-@code{\override Flag #'transparent = ##t} eingestellt werden.
+@code{\hide Flag} eingestellt werden.
@b{Takt.} Für Gesang ohne Metrum gibt es einige Alternativen.
normalerweise die Taktangabe stehen würde.
In vielen Fällen ergibt @code{\set Score.timing = ##f} gute
-Ergebnisse. Eine andere Möglichkeit ist es, @code{\CadenzaOn}
-und @code{\CadenzaOff} zu benutzen.
+Ergebnisse. Eine andere Möglichkeit ist es, @code{\cadenzaOn}
+und @code{\cadenzaOff} zu benutzen.
Um Taktstriche zu entfernen, kann man radikal den @code{Bar_engraver}
aus dem @code{Staff}-Kontext entfernen. Wenn man ab und zu
einen Taktstrich braucht, sollten die Striche nur mit
-@code{\override BarLine #'transparent = ##t} unsichtbar
+@code{\hide BarLine} unsichtbar
gemacht werden.
Oft werden Rezitativtöne mit einer Brevis angezeigt. Der
@lilypond[verbatim,ragged-right]
\include "gregorian.ly"
-chant = \relative c' {
+chant = \relative {
\clef "G_8"
- c\breve c4 b4 a c2 c4 \divisioMaior
+ c'\breve c4 b4 a c2 c4 \divisioMaior
c\breve c4 c f, f \finalis
}
verba = \lyricmode {
- \once \override LyricText #'self-alignment-X = #-1
+ \once \override LyricText.self-alignment-X = #-1
"Noctem quietam et" fi -- nem per -- fec -- tum
- \once \override LyricText #'self-alignment-X = #-1
+ \once \override LyricText.self-alignment-X = #-1
"concedat nobis Dominus" om -- ni -- po -- tens.
}
\score {
\Staff
\remove "Time_signature_engraver"
\remove "Bar_engraver"
- \override Stem #'transparent = ##t
- \override Flag #'transparent = ##t
+ \hide Stem
}
}
}
@lilypond[verbatim,ragged-right]
\include "gregorian.ly"
-chant = \relative c' {
+chant = \relative {
\clef "G_8"
\set Score.timing = ##f
- c\breve \override NoteHead #'transparent = ##t c c c c c
- \revert NoteHead #'transparent
- \override Stem #'transparent = ##f \stemUp c4 b4 a
- \override Stem #'transparent = ##t
- \override Flag #'transparent = ##t c2 c4 \divisioMaior
- c\breve \override NoteHead #'transparent = ##t c c c c c c c
- \revert NoteHead #'transparent c4 c f, f \finalis
+ c'\breve \hide NoteHead c c c c c
+ \undo \hide NoteHead
+ \override Stem.transparent = ##f \stemUp c4 b4 a
+ \hide Stem c2 c4 \divisioMaior
+ c\breve \hide NoteHead c c c c c c c
+ \undo \hide NoteHead c4 c f, f \finalis
}
verba = \lyricmode {
\context {
\Staff
\remove "Time_signature_engraver"
- \override BarLine #'transparent = ##t
- \override Stem #'transparent = ##t
- \override Flag #'transparent = ##t
+ \hide BarLine
+ \hide Stem
}
}
}
werden.
@lilypond[verbatim,quote]
-spiritus = \relative c' {
+spiritus = \relative {
\time 1/4
- \override Lyrics.LyricText #'X-extent = #'(0 . 3)
- d4 \times 2/3 { f8 a g } g a a4 g f8 e
+ \override Lyrics.LyricText.X-extent = #'(0 . 3)
+ d'4 \tuplet 3/2 { f8 a g } g a a4 g f8 e
d4 f8 g g8 d f g a g f4 g8 a a4 s
- \times 2/3 { g8 f d } e f g a g4
+ \tuplet 3/2 { g8 f d } e f g a g4
}
spirLyr = \lyricmode {
\context {
\Staff
\remove "Time_signature_engraver"
- \override BarLine #'X-extent = #'(-1 . 1)
- \override Stem #'transparent = ##t
- \override Flag #'transparent = ##t
- \override Beam #'transparent = ##t
- \override BarLine #'transparent = ##t
- \override TupletNumber #'transparent = ##t
+ \override BarLine.X-extent = #'(-1 . 1)
+ \hide Stem
+ \hide Beam
+ \hide BarLine
+ \hide TupletNumber
}
}
}
@c try Till Rettig
@c Add example of white noteheads:
@c In the french baroque some composers used white noteheads in slow pieces,
-@c mainly in 3/2-time. A quarter looks there like a eighth with a white
+@c mainly in 3/2-time. A quarter looks there like an eighth with a white
@c notehead. (Franz-Rudolf Kuhnen)
@c TODO Add example of this: