address = {Mainz, Germany},
}
+
+
@Book{rastall,
author = {Richard Rastall},
ALTeditor = {},
note = {Interesting account of the evolution and origin of common notation starting from neumes, and ending with modern innovations HWN},
}
+
+@Book{ignatzek95:_jazzm_klavier,
+ author = {Klaus Ignatzek},
+ title = {Die Jazzmethode f\"ur Klavier 1},
+ publisher = {Schott},
+ year = 1995,
+ note = {This book contains a system for denoting chords that is used in LilyPond.}
+}
+
+@Book{mcgrain,
+ author = {Mark Mc Grain},
+ title = {Music notation},
+ year = 1991,
+ publisher={Hal Leonard Publishing Corporation},
+isbn ={0793508479},
+note={HWN writes: `Book' edition of lecture notes from XXX school of
+music. The book looks like it is xeroxed from bad printouts. The
+content has nothing you won't find in other books like\cite{read} or
+\cite{heussenstamm}. }
+}
+
@Book{ross,
author = {Ted Ross},
title = {Teach yourself the art of music engraving and processing},
publisher = {Hansen House},
year = 1987,
- note = {This is about engraving, i.e. professional typesetting. It contains
+annote = {This is about engraving, i.e. professional typesetting. It contains
directions on good typesetting, but the sections on reproduction
technicalities, how to use pens and history are interesting.
Especially the section on Music Typewriters is amusing HWN},
address = {Miami, Florida},
}
-
-
@Book {read78,
note = {Sound (boring) review of the various hairy rhythmic notations used by avant-garde composers HWN},
year = {1978},
publisher = {Indiana University Press},
}
-
@Book {read-notation,
-
note = {This is as close to the ``standard''
- reference work for music notation issues as one is likely to get.
- [Available at amazon]},
+ reference work for music notation issues as one is likely to get.},
title = {Music Notation: a Manual of Modern Practice},
author = {Gardner Read},
totalentry = {(2nd edition)},
+ year = 1979,
publisher ={Taplinger Publishing},
address ={New York},
}
@Book {wanske,
-note = {I. A very thorough overview of engraving practices of various
-craftsmen. It includes detailed specs of characters, dimensions
-etc. II. a thorough overview of a anonymous (by now antiquated)
-automated system. EDV Means e(lektronischen) D(aten)v(erarbeitung),
-electronic data processing HWN. Available at amazon.de},
+ annote = {I. A very thorough overview of engraving practices of various
+ craftsmen. It includes detailed specs of characters, dimensions
+ etc. II. a thorough overview of a anonymous (by now antiquated)
+ automated system. EDV Means e(lektronischen) D(aten)v(erarbeitung),
+ electronic data processing HWN.},
year = {1988},
- title = {Musiknotation --- Von der Syntax des Notenstichs zum EDV-gesteuerten Notensatz},
+ title = {Musiknotation --- Von der Syntax des
+ Notenstichs zum EDV-gesteuerten Notensatz},
author = {Helene Wanske},
publisher = {Schott-Verlag},
address = {Mainz},
isbn = {ISBN 3-7957-2886-x},
}
-{willemze,
- note = {A comprehensive overview of music theory;
-the (Dutch) authority on general music theory},
- year = {1964-1993},
- title = {Algemene muziekleer},
- author = {Theo Willemze},
- publisher = {Aula, Het Spectrum},
- address = {Utrecht},
- isbn = {ISBN 90-274-1817-9},
-}
-
@Book {hader48,
year = {1948},
publisher = {Waldheim--Eberle Verlag},
address ={Vienna},
- note = {Hader was the chief-engraver of the Waldheim-Eberle music
- publishers. This beautiful booklet was intended as an introduction
- for laymen on the art of engraving. It contains a step by step,
- in-depth explanation of how to cut and stamp music into zinc plates.
- It also contains a few compactly formulated rules on musical
- orthography. Out of print. }
+ note = {Hader was a chief-engraver in a Viennese engraving
+workshop. This beautiful booklet was intended as an introduction for
+laymen on the art of engraving. It contains a step by step, in-depth
+explanation of how to cut and stamp music into zinc plates. It also
+contains a few compactly formulated rules on musical orthography. Out
+of print. }
+
+
}
@Book{gamble23:_music_engrav,
note={Heussenstamm writes: Limited in scope, similar to \cite{Roemer84}}
}
-@Book {donemes1900,
- year = {1900},
+@Book {donemus1982,
+ year = {1982},
title = {Uitgeven van muziek},
+subtitle = {Handleiding voor componisten en copiisten},
author = {Donemus},
publisher= {Donemus Amsterdam},
+
+ note = {Manual on copying for composers and copyists at the Dutch
+ publishing house Donemus. Besides general comments on copying, it
+ also contains a lot of hands-on advice for making performance
+ material for modern pieces.}
+
}
}
@Book{schirmer90,
- author={G. Schirmer, Inc.},
+ author={{G. Schirmer, Inc.}},
title={The G. Schirmer Manual of Style and Usage},
address={New York},
publisher={The G. Schirmer Publications Department},
- year={1990}
+ year={2001},
+note={This is the style guide for Schirmer publications. This manual
+specifically focuses on preparing print for publication by
+Schirmer. It discusses many details that are not in other, normal
+notation books. It als gives a good idea of what is necessary to bring
+printouts to publication quality.
+It can be ordered from the rental department.
+
+
+}
}
author = {Kurt Stone},
publisher= {Norton},
address={New York},
- note ={Out of print. Heussenstamm writes: The most important book on notation in recent years. },
+ note ={Heussenstamm writes: The most important book on notation in recent years. },
}
@Book {Heussenstamm87,
}
-
-@Book{unknown69:_music_notat,
- author = {--},
- title = {Music Notation},
- publisher = {Crescendo books},
- year = 1969,
- note = {Heussenstamm writes: An extremely thorough exploration of musical notation [..]}
-}
-
-
@Book {gerou96,
- note = {A concise, alphabetically ordered list of typesetting and music (notation) issues with a rather simplistic attitude but in most cases "good-enough" answers JCN},
+ note = {A cheap, concise, alphabetically ordered list of typesetting and music (notation) issues with a rather simplistic attitude but in most cases "good-enough" answers JCN},
year = {1996},
title = {Essential Dictionary of Music Notation},
author = {Tom Gerou and Linda Lusk},
@Book {chlapik87,
- note = {An clearly written book for the casually interested reader. It shows some of the conventions and difficulties in printing music HWN},
+ note = {An clearly written book for the casually interested
+ reader. It shows some of the conventions and difficulties in
+ printing music HWN},
+
year = {1987},
title = {Die Praxis des Notengraphikers},
author = {Herbert Chlapik},
title = {Handbuch der Notationskunde},
address={Leipzig},
publisher={Breitkopf & Hartel},
- note= {Very thorough treatment (in two volumes) of the history musical notation},
+ note= {Very thorough treatment (in two volumes) of the history of music notation},
}
@Book {rosenthal67,
+@Book{tyboni94:_noter_handb_i_tradit_noter,
+ author = {B\"orje Tyboni},
+ title = {Noter Handbok I Traditionell Notering},
+ publisher = {Gehrmans Musikf\"orlag},
+ year = 1994,
+ address = {Stockholm},
+ note = {Swedish book on music notation.}
+}
+
+@Book{jaschinski00:_notat,
+ editor = {Andreas Jaschinski},
+ title = {Notation},
+ publisher = {Bärenreiter Verlag},
+ year = 2000,
+ number = {BVK1625},
+
+ annote = {Articles from "Musik in Geschichte und Gegenwart"
+pertaining to notation. Both "alternative" notation and ancient
+notation is treated in depth, while "common" notation is not. }
+}
+
+
projects / lilypond.git / blobdiff