title = {Music Notation: a Manual of Modern Practice},
author = {Gardner Read},
totalentry = {(2nd edition)},
+ year = 1979,
publisher ={Taplinger Publishing},
address ={New York},
}
note={Heussenstamm writes: Limited in scope, similar to \cite{Roemer84}}
}
-@Book {donemes1900,
- year = {1900},
+@Book {donemus1982,
+ year = {1982},
title = {Uitgeven van muziek},
+subtitle = {Handleiding voor componisten en copiisten},
author = {Donemus},
publisher= {Donemus Amsterdam},
+
+ note = {Manual on copying for composers and copyists at the Dutch
+ publishing house Donemus. Besides general comments on copying, it
+ also contains a lot of hands-on advice for making performance
+ material for modern pieces.}
+
}
}
@Book{schirmer90,
- author={G. Schirmer, Inc.},
+ author={{G. Schirmer, Inc.}},
title={The G. Schirmer Manual of Style and Usage},
address={New York},
publisher={The G. Schirmer Publications Department},
- year={2001}
+ year={2001},
note={This is the style guide for Schirmer publications. This manual
specifically focuses on preparing print for publication by
Schirmer. It discusses many details that are not in other, normal
}
@Book{jaschinski00:_notat,
- editors = {Andreas Jaschinski},
+ editor = {Andreas Jaschinski},
title = {Notation},
publisher = {Bärenreiter Verlag},
year = 2000,
- number = {BVK1625}
+ number = {BVK1625},
annote = {Articles from "Musik in Geschichte und Gegenwart"
pertaining to notation. Both "alternative" notation and ancient