address = {Mainz, Germany},
}
+
+
@Book{rastall,
author = {Richard Rastall},
ALTeditor = {},
note = {Interesting account of the evolution and origin of common notation starting from neumes, and ending with modern innovations HWN},
}
+
+@Book{ignatzek95:_jazzm_klavier,
+ author = {Klaus Ignatzek},
+ title = {Die Jazzmethode f\"ur Klavier 1},
+ publisher = {Schott},
+ year = 1995,
+ note = {This book contains a system for denoting chords that is used in LilyPond.}
+}
+
@Book{mcgrain,
author = {Mark Mc Grain},
title = {Music notation},
address = {Miami, Florida},
}
-
-
@Book {read78,
note = {Sound (boring) review of the various hairy rhythmic notations used by avant-garde composers HWN},
year = {1978},
publisher = {Indiana University Press},
}
-
@Book {read-notation,
-
note = {This is as close to the ``standard''
reference work for music notation issues as one is likely to get.},
title = {Music Notation: a Manual of Modern Practice},
author = {Gardner Read},
totalentry = {(2nd edition)},
+ year = 1979,
publisher ={Taplinger Publishing},
address ={New York},
}
@Book {wanske,
-annote = {I. A very thorough overview of engraving practices of various
-craftsmen. It includes detailed specs of characters, dimensions
-etc. II. a thorough overview of a anonymous (by now antiquated)
-automated system. EDV Means e(lektronischen) D(aten)v(erarbeitung),
-electronic data processing HWN.},
+
+ annote = {I. A very thorough overview of engraving practices of various
+ craftsmen. It includes detailed specs of characters, dimensions
+ etc. II. a thorough overview of a anonymous (by now antiquated)
+ automated system. EDV Means e(lektronischen) D(aten)v(erarbeitung),
+ electronic data processing HWN.},
year = {1988},
- title = {Musiknotation --- Von der Syntax des Notenstichs zum EDV-gesteuerten Notensatz},
+ title = {Musiknotation --- Von der Syntax des
+ Notenstichs zum EDV-gesteuerten Notensatz},
author = {Helene Wanske},
publisher = {Schott-Verlag},
address = {Mainz},
isbn = {ISBN 3-7957-2886-x},
}
-@Book{willemze,
- note = {A comprehensive overview of music theory;
-the (Dutch) authority on general music theory},
- year = {1964-1993},
- title = {Algemene muziekleer},
- author = {Theo Willemze},
- publisher = {Aula, Het Spectrum},
- address = {Utrecht},
- isbn = {ISBN 90-274-1817-9},
-}
-
@Book {hader48,
year = {1948},
publisher = {Waldheim--Eberle Verlag},
address ={Vienna},
- note = {Hader was the chief-engraver of the Waldheim-Eberle music
- publishers. This beautiful booklet was intended as an introduction
- for laymen on the art of engraving. It contains a step by step,
- in-depth explanation of how to cut and stamp music into zinc plates.
- It also contains a few compactly formulated rules on musical
- orthography. Out of print. }
+ note = {Hader was a chief-engraver in a Viennese engraving
+workshop. This beautiful booklet was intended as an introduction for
+laymen on the art of engraving. It contains a step by step, in-depth
+explanation of how to cut and stamp music into zinc plates. It also
+contains a few compactly formulated rules on musical orthography. Out
+of print. }
+
+
}
@Book{gamble23:_music_engrav,
note={Heussenstamm writes: Limited in scope, similar to \cite{Roemer84}}
}
-@Book {donemes1900,
- year = {1900},
+@Book {donemus1982,
+ year = {1982},
title = {Uitgeven van muziek},
+subtitle = {Handleiding voor componisten en copiisten},
author = {Donemus},
publisher= {Donemus Amsterdam},
+
+ note = {Manual on copying for composers and copyists at the Dutch
+ publishing house Donemus. Besides general comments on copying, it
+ also contains a lot of hands-on advice for making performance
+ material for modern pieces.}
+
}
}
@Book{schirmer90,
- author={G. Schirmer, Inc.},
+ author={{G. Schirmer, Inc.}},
title={The G. Schirmer Manual of Style and Usage},
address={New York},
publisher={The G. Schirmer Publications Department},
- year={1990}
+ year={2001},
+note={This is the style guide for Schirmer publications. This manual
+specifically focuses on preparing print for publication by
+Schirmer. It discusses many details that are not in other, normal
+notation books. It als gives a good idea of what is necessary to bring
+printouts to publication quality.
+It can be ordered from the rental department.
+
+
+}
}
@Book {chlapik87,
- note = {An clearly written book for the casually interested reader. It shows some of the conventions and difficulties in printing music HWN},
+ note = {An clearly written book for the casually interested
+ reader. It shows some of the conventions and difficulties in
+ printing music HWN},
+
year = {1987},
title = {Die Praxis des Notengraphikers},
author = {Herbert Chlapik},
note = {Swedish book on music notation.}
}
+@Book{jaschinski00:_notat,
+ editor = {Andreas Jaschinski},
+ title = {Notation},
+ publisher = {Bärenreiter Verlag},
+ year = 2000,
+ number = {BVK1625},
+
+ annote = {Articles from "Musik in Geschichte und Gegenwart"
+pertaining to notation. Both "alternative" notation and ancient
+notation is treated in depth, while "common" notation is not. }
+}
+
+
projects / lilypond.git / blobdiff