+++ /dev/null
-%
-% TITLE=The music notation with computer bibliography
-% AUTHOR=Han-Wen Nienhuys
-%
-
-@String{CitH = {Computing and the Humanities}}
-@String{CMJ = {Computer Music Journal}}
-
-
-
-@Book {smith73,
- year = {1973},
- title = {Editing and Printing Music by Computer},
- author = {Leland Smith},
- totalentry = {Journal of Music Theory},
- volume={17},
- pages ={292-309},
-
- note = {Gourlay\cite{gourlay86} writes: A discussion of Smith's
-music-printing system SCORE}
-
-}
-
-@Article {byrd74,
- year = {1974},
- title = {A System for Music Printing by Computer},
- author = {Donald Byrd},
- journal = {Computers and the Humanities},
- volume ={8},
- pages ={161-72},
-}
-
-
-@Article{ericson75,
- author = {R. F. Ericson},
- title = {The DARMS Project: A status report},
- journal = {Computing in the humanities},
- year = 1975,
- volume = 9,
- number = 6,
- pages = {291--298},
- note = {Gourlay\cite{gourlay86} writes: A discussion of the design
- and potential uses of the DARMS music-description language.}
-}
-
-% Gomberg
-@PhdThesis {gomber75,
- year = {1975},
- title = {A Computer-Oriented System for Music Printing},
- author = {David A. Gomberg},
- school = {Washington University},
-}
-
-@Book {gomberg,
- title = {A Computer-oriented System for Music Printing},
- author = {David A. Gomberg},
- journal = CitH,
- volume={11},
- month = {march},
- year = {1977},
- pages = {63-80},
-
- note = {Gourlay \cite{gourlay86} writes: "A discussion of the
- problems of representing the conventions of musical notation in
- computer algorithms."}
-}
-
-
-@TechReport{Ornstein83,
- author={Ornstein, Severo M. and John Turner Maxwell III},
- title={Mockingbird: A Composer's Amanuensis},
- institution={Xerox Palo Alto Research Center},
- address={3333 Coyote Hill Road, Palo Alto, CA, 94304},
- number={CSL-83-2},
- month={January},
- year={1983}
-}
-
-@Article{Ornstein84,
- author={Ornstein, Severo M. and John Turner Maxwell III},
- title={Mockingbird: A Composer's Amanuensis},
- journal= {Byte},
- volume= 9,
- month = {January},
- year= { 1984},
-
- note={A discussion of an interactive and graphical computer system
-for music composition}
-
-}
-
-% byrd
-@PhdThesis {byrd85,
- year = {1985},
- title = {Music Notation by Computer},
- author = {Donald Byrd},
- school = {Indiana University},
-
- note = {Describes the SMUT (sic) system for automated music printout.}
-}
-
-@InProceedings{assayaag86,
- author = {G. Assayaag and D. Timis},
- title = {A Toolbox for music notation},
- booktitle = {Proceedings of the 1986 International Computer Music Conference},
- year = 1986
-}
-
-@TechReport{roush88,
- year = {1988},
- title = {Music Formatting Guidelines},
- author = {D. Roush},
- number = {OSU-CISRC-3/88-TR10},
- institution = {Department of Computer and Information Science, The Ohio State University},
-
- note = {Rules on formatting music formulated for use in
- computers. Mainly distilled from [Ross] HWN},
-
-}
-
-
-@Article{byrd94,
- author = {Donald Byrd},
- title = {Music Notation Software and Intelligence},
- journal = {Computer Music Journal},
-year = 1994,
-pages = {17--20},
- volume = 18,
- number = 1,
-
- note = {Byrd (author of Nightinggale) shows four problematic
-fragments of notation, and rants about notation programs that try to
-exhibit intelligent behaviour. HWN}
-}
-
-
-@Article{field-richards93,
- author = {H.S. Field-Richards},
- title = {Cadenza: A Music Description Language},
- journal = CMJ,
- year = 1993,
- volume = 17,
- number = 4,
-
- note = {A description through examples of a music entry language.
-Apparently it has no formal semantics. There is also no
-implementation of notation convertor. HWN}
-
-}
-
-@Article{bielawa93,
- author = {Herbert Bielawa},
- title = {Review of Sibelius 7},
- journal = CMJ,
- year = {1993?},
-
- note = {A raving review/tutorial of Sibelius 7 for Acorn. (And did
-they seriously program a RISC chip in ... assembler ?!) HWN}
-
-
-}
-
-@Article{sloan93,
- author = {Donald Sloan},
- title = {Aspects of Music Representation in HyTime/SMDL},
- journal = CMJ,
- year = 1993,
- volume = 17,
- number = 4,
-
-note = {An introduction into HyTime and its score description variant
-SMDL. With a short example that is quite lengthy in SMDL}
-
-}
-
-@Article{wiggins93,
- author = {Geraint Wiggins and Eduardo Miranda and Alaaaan Smaill and Mitch Harris},
- title = {A Framework for the evaluation of music representation systems},
- journal = CMJ,
- year = 1993,
- volume = 17,
- number = 3,
-
- note = {A categorisation of music representation systems (languages,
-OO systems etc) splitted into high level and low level expressiveness.
-The discussion of Charm and parallel processing for music
-representation is rather vague. HWN}
-
-}
-
-
-
-@Article{dannenberg93,
- author = {Roger B. Dannenberg},
- title = {Music Representation: Issues, Techniques, and Systems},
- journal = CMJ,
- year = 1993,
- volume = 17,
- number = 3,
- url = {http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.44.6067},
-
- note = {This article points to some problems and solutions with music
-representation. HWN},
-
-}
-
-@Article{rothstein93,
- author = {Joseph Rothstein},
- title = {Review of Passport Designs' Encore Music Notation Software},
- journal = CMJ,
- year = {?},
-
-
-}
-
-
-
-@Article{belkin94,
- author = {Alan Belkin},
- title = {Macintosh Notation Software: Present and Future},
- journal = CMJ,
- year = 1994,
- volume = 18,
- number = 1,
-
- note = {Some music notation systems are analysed for ease of use,
- MIDI handling. The article ends with a plea for a standard notation
- format. HWN},
-
-}
-
-@InProceedings{montel97,
- author = {Dominique Montel},
- title = {La gravure de la musique, lisibilit\'e esth\'etique, respect de l'oevre},
- booktitle = {Musique \& Notations},
- year = 1997,
- address={Lyon},
- editors ={Genevois \& Orlarey}
-}
-
-
-
-
-@Book {CASR,
- note = {Annual editions since 1985, many containing surveys of music typesetting technology. SP},
- title = {Directory of Computer Assisted Research in Musicology},
- author = {Walter B Hewlett and Eleanor Selfridge-Field},
- totalentry = {Menlo Park, CA: Center for Computer Assisted Research in the Humanities},
-}
-
-
-@Book{selfridge-field97:_beyon_midi,
- title = {Beyond MIDI: the handbook of musical codes},
- editor = {Eleanor Selfridge-Field},
- publisher = {MIT Press},
- year = 1997,
-
- note = {A description of various music interchange formats.}
-}
-
-
-@InProceedings{hoos98:_guido_music_notat_format,
-title={The {GUIDO} Music Notation Format---A Novel Approach
-for Adequately Representing Score-level Music},
-author = {H. H. Hoos and K. A. Hamel and K. Renz and J. Kilian},
-booktitle = {Proceedings of International Computer Music Conference},
-year = 1998,
-pages = {451--454},
-}
-
-@Article {blostein91,
-
- note = {This paper provides a overview of the algorithm used in LIME
- for spacing individual lines. HWN},
-
- year = {1991},
- title = {Justification of Printed Music},
- author = {Dorothea Blostein and Lippold Haken},
- journal = {Communications of the ACM},
- volume= {J34},
- number= {3},
- month= {March},
- pages = {88-99},
-}
-
-
-@Article {haken93,
- year = {1993},
- title = {The Tilia Music Representation: Extensibility, Abstraction, and Notation Contexts for the Lime Music Editor},
- author = {Lippold Haken and Dorothea Blostein},
- journal = {Computer Music Journal},
- volume= {17},
- number={3},
- pages = {43--58},
-}
-@Article{blostein94,
- author = {Dorothea Blostein and Lippold Haken},
- title = {The Lime Music Editor: A Diagram Editor Involving Complex
- Translations},
- journal = {Software Practice and Experience},
- year = {1994},
- volume = {24},
- number = {3},
- month = {march},
- pages = {289--306},
-
- note = {A description of various conversions, decisions and issues
-relating to this interactive editor HWN},
-
-}
-
-
-
-@InProceedings{haken95,
- year = {1995},
- title = {A New Algorithm for Horizontal Spacing of Printed Music},
- author = {Lippold Haken and Dorothea Blostein},
- booktitle = {International Computer Music Conference},
- address={Banff},
- month={Sept},
- pages = {118-119},
-
- note = {This describes an algorithm which uses springs between
-adjacent columns. }, }
-
-
-@InProceedings{bouzaiene98:_une,
- author = {Nabil Bouzaiene and Lo\"ic Le Gall and Emmanuel Saint-James},
- title = {Une biblioth\`eque pour la notation musicale baroque},
- booktitle = {EP '98},
- year = 1998,
- series = {LNCS},
-
- note = {Describes ATYS, an extension to Berlioz, that can mimick
- handwritten baroque style beams}
-}
-
-
-
-
-@InProceedings{balaban88,
- author = {M. Balaban},
- title = {A Music Workstation Based on Multiple Hierarchical Views of Music},
- booktitle = {Proceedings of the 1988 International Computer Music Conference},
- year = 1988,
- address = {San Francisco},
- organization = {International Computer Music Association}
-}
-
-%
-% MusiCopy
-%
-@TechReport {gourlay87-spacing,
-annote = {Algorithm for generating spacing in one line of (polyphonic) music, tailored for use with MusiCopy. LilyPond uses a variant of it.},
- year = {1987},
- title = {Spacing a Line of Music,},
- author = {John S. Gourlay},
- number = {OSU-CISRC-10/87-TR35},
- institution ={Department of Computer and Information Science, The Ohio State University},
-}
-
-
-@TechReport {parish87,
- annote = {A brief overview of {MusiCopy}},
- year = {1987},
- title = {{MusiCopy}: An automated Music Formatting System},
- author = {Allen Parish and Wael A. Hegazy and John S. Gourlay and Dean K. Roush and F. Javier Sola},
- totalentry = {OSU-CISRC-10/87-TR29},
- institution ={Department of Computer and Information Science, The Ohio State University},
-}
-
-
-@TechReport {gourlay87-formatting,
- note = {This paper discusses the development of algorithms for the
-formatting of musical scores (from abstract). It also appeared at
-PROTEXT III, Ireland 1986},
-
- year = {1987},
- title = {Computer Formatting of Music},
- author = {John S. Gourlay and A. Parrish
-and D. Roush and F. Sola and Y. Tien},
- number = {OSU-CISRC-2/87-TR3},
- institution ={Department of Computer and Information Science,
-The Ohio State University},
-}
-
-
-@TechReport {hegazy87,
- year = {1987},
- title = {On the Implementation of the {MusiCopy} Language Processor,},
-
- author = {Wael A. Hegazy},
- number = {OSU-CISRC-10/87-TR34},
- institution={Department of Computer and Information Science, The Ohio State University},
-
- note = {Describes the "parser" which converts {MusiCopy} MDL to
- MusiCopy Simultaneities and columns.
-
-MDL is short for Music Description Language\cite{gourlay86}. It
-accepts music descriptions that are organised into measures filled
-with voices, which are filled with notes. The measures can be arranged
-simultaneously or sequentially. To address the 2-dimensionality,
-almost all constructs in MDL must be labeled.
-
-MDL uses begin/end markers for attribute values and spanners.
-Rightfully the author concludes that MusiCopy must administrate a
-"state" variable containing both properties and current spanning symbols.
-
-MusiCopy attaches graphic information to the objects constructed in
-the input: the elements of the input are partially complete graphic
-objects.
-
-},
-
-}
-
-
-@TechReport {hegazy87-breaking-tr,
-
-annote = {This generalizes \TeX's breaking algorithm to music. It also
-appeared in Document Manipulation and Typography, J.C. van Vliet (ed)
-1988},
-
- year = {1987},
-
- title = {Optimal line breaking in music},
- author = {Wael A. Hegazy and John S. Gourlay},
- number = {OSU-CISRC-8/87-TR33},
- institution={Department of Computer and Information Science, The Ohio State University,},
-}
-
-@InProceedings{hegazy88:_optim,
- author = {Wael A. Hegazy and John S. Gourlay},
-booktitle = {Proceedings of the International Conference on
-Electronic Publishing, Document Manipulation and Typography. Nice (France)},
-month = {April},
-year =1988,
-editor={J. C. van Vliet},
-publisher = {Cambridge University Press},
-ISBN={0-521-36294-6},
- title = {Optimal line breaking in music},
-}
-
-
-@TechReport {roush87,
- note = {User manual of MusiCopy. },
-
- year = {1987},
- title = {Using {MusiCopy}},
- author = {Dean K. Roush},
- number = {OSU-CISRC-18/87-TR31},
- institution={Department of Computer and Information Science, The Ohio State University},
-}
-
-
-@TechReport {parrish87-simultaneities,
-
-note = {This note discusses
- placement of balls, stems, dots which occur at the same moment
- ("Simultaneity")},
-
- year = {1987},
- title = {Computer Formatting of Musical Simultaneities,},
- author = {A. Parrish and John S. Gourlay},
- institution={Department of Computer and Information Science, The Ohio State University},
- number = {OSU-CISRC-10/87-TR28},
-}
-
-
-@TechReport {sola87,
- note = {Overview of a procedure for generating slurs},
- year = {1987},
- title = {Computer Design of Musical Slurs, Ties and Phrase Marks,},
- author = {F. Sola},
- institution={Department of Computer and Information Science, The Ohio State University},
- number = {OSU-CISRC-10/87-TR32},
-}
-
-
-@Article {gourlay86,
- note = {This paper describes the {MusiCopy} musicsetting system and an input language to go with it.},
-
- year = {1986},
- title = {A language for music printing},
- author = {John. S. Gourlay},
- journal = {Communications of the ACM},
- volume= {29},
- number ={5},
- pages = {388--401},
-}
-
-
-@TechReport {sola87-beams,
-
-institution={Department of Computer and Information Science, The Ohio
-State University},
-
- note = {Calculating beam slopes HWN},
- year = {1987},
- title = {Design of Musical Beams,},
- author = {F. Sola and D. Roush},
- number = {OSU-CISRC-10/87-TR30},
-}
-
-
-@PhdThesis {page88,
- note = {Don't ask Stephen for a copy. Write to the Bodleian Library, Oxford, or to the British Library, instead. SP},
- year = {1988},
- title = {Computer Tools for Music Information Retrieval},
- author = {Stephen Dowland Page},
- school ={Dissertation University of Oxford},
-}
-
-
-%
-% three part study by John Gr/over
-@TechReport{grover89-symbols,
- author = {John Gr\/over},
- title = {A computer-oriented description of Music Notation. Part I. The Symbol Inventory},
- institution = {Department of informatics, University of Oslo},
- year = 1989,
- number = 133,
-
-note = {The goal of this series of reports is a full description of
-music formatting. As these largely depend on parameters of fonts, it
-starts with a verbose description of music symbols.
-
- The subject is treated backwards: from general rules of typesetting
-the author tries to extract dimensions for characters, whereas the
-rules of typesetting (in a particular font) follow from the dimensions
-of the symbols. His symbols do not match (the stringent) constraints
-formulated by eg. \cite{wanske}} }
-
-@TechReport{grover89-twovoices,
- author = {John Gr\/over},
- title = {A computer-oriented description of Music Notation. Part II: Two Voice Sharing a Staff, Leger Line Rules, Dot Positioning},
-
- institution = {Department of informatics, University of Oslo},
- year = 1989,
- number = 134,
-
- note = {A lot rules for what is in the title are formulated. The
-descriptions are long and verbose. The verbosity shows that
-formulating specific rules is not the proper way to approach the
-problem. Instead, the formulated rules should follow from more
-general rules, similar to\cite{parrish87-simultaneities}},
-}
-
-@TechReport{grover89-accidentals,
- author = {John Gr\/over},
- title = {A computer-oriented description of Music Notation. Part III: Accidental Positioning},
- institution = {Department of informatics, University of Oslo},
- year = 1989,
- number = 135,
-
-note = {Placement of accidentals crystallised in an enormous set of
-rules. Same remarks as for \cite{grover89-twovoices} applies} }
-
-
-@PhdThesis{mueller90:_inter_bearb_musik,
- author = {Giovanni M\"uller},
- title = {Interaktive Bearbeitung konventioneller Musiknotation},
- school = {Eidgen\"ossischen Technischen Hochschule Z\"urich},
- year = 1990,
-
-note = {This is about engraver-quality typesetting with computers. It
-accepts the axiom that notation is too difficult to generate
-automatically. The result is that a notation program should be a
-WYSIWYG editor that allows one to tweak everything.
-}
-
-}
-
-
-
-
-
-@MastersThesis{roelofs91,
-
-note = {This dutch thesis describes a monophonic typesetting system,
- and focuses on the breaking algorithm, which is taken from Hegazy &
- Gourlay },
-
- year = {1991},
- title = {Een Geautomatiseerd Systeem voor het Afdrukken van Muziek},
- author = {Ren\'e Roelofs},
- school={Erasmus Universiteit Rotterdam},
- number={45327},
- translation = {``An automated system for printing music'' Master's Thesis Managerial Computer Science.},
-}
-
-
-@Article {filgueiras93,
- year = {1993},
- title = {Representation and manipulation of music documents in SceX},
- author = {Miguel Filgueiras and Jos\'e Paulo Leal},
- journal= {Electronic Publishing},
- volume={6},
- number={4}, pages = {507--518},
- url={http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.17.1480},
-}
-
-
-@Article {foxley87,
-
-note = {A paper on a simple TROFF preprocessor to typeset music. },
-
- year = {1987},
- title = {Music --- A language for typesetting music scores},
- author = {Eric Foxley},
- journal = {Software --- Practice and Experience},
- volume = {17},
- number = {8},
- pages = {485-502},
-}
-
-@Article {Langston90,
-
- note = {This paper deals with some command-line
- tools for music editing and playback. },
-
- year = {1990},
- title = {Unix music tools at Bellcore},
- author = {Peter S. Langston},
- journal={Software --- Practice and Experience},
- volume={20},
- number={S1},
- pages={47--61},
-}
-
-
-@Book {filgueiras96,
- year = {1996},
- title = {Implementing a Symbolic Music Processing System},
- author = {Miguel Filgueiras},
- totalentry = {LIACC, Universidade do Porto, 1996; submitted},
-}
-
-@Book {filgueiras?,
- title = {Some Music Typesetting Algorithms},
- author = {Miguel Filgueiras},
- totalentry = {Miguel Filgueiras. ``Some Music Typesetting Algorithms''. LIACC, Universidade do Porto, forthcoming},
-}
-
-
-@Article {colorado-web,
- author ={Alyssa Lamb},
-
- note = {Webpages about engraving (designed with finale
-users in mind) (sic) HWN},
-
- institution = {The University of Colorado},
- title ={The University of Colorado Music Engraving page.},
- HTML={http://www.cc.colorado.edu/Dept/MU/Musicpress/},
- year={1996}
-}
-
-@Article {tablature-web,
- note = {FAQ (with answers) about TAB, the ASCII variant of Tablature. HWN},
- title = {how to read and write tab: a guide to tab notation},
- author = {Howard Wright},
- email={Howard.Wright@ed.ac.uk},
- url={http://www.guitartabs.cc/tabfaq.shtml},
-}
-
-@Article {niff-web,
-
- note = {Specs for NIFF, a reasonably comprehensive but binary
- format for notation HWN},
-
- year = {1995},
- title = {NIFF6a Notation Interchange File Format},
- author = {Cindy Grande},
- publisher={Grande Software Inc.},
- HTML= {http://www.jtauber.com/music/encoding/niff/},
- ftp = {ftp://blackbox.cartah.washington.edu}
-}
-
-@Article {smdl-web,
- author = {International Organization for Standardization (ISO)},
- title = {Information Technology - Document Description and Processing Languages - Standard Music Description Language (SMDL)},
- pdf= {ftp://ftp.ornl.gov/pub/sgml/wg8/smdl/10743.pdf},
- number={ISO/IEC DIS 10743},
- year = {1992},
- annote = {SGML instance for describing music. Very comprehensive in music
-definition, but no support for notation / performance whatsoever (They
-basically say: "You can embed a NIFF or MIDI file")}
-}
-
-
-@Article {rader96,
-
- note = {Describes a system called MusicEase, and explains that it
- uses "constraints" (which go unexplained) to automatically position
- various elements. },
- html={http://mesastate.edu/~grader/ieeeme.pdf},
- year = {1996},
- title = {Creating Printed Music Automatically},
- author = {Gary M. Rader},
- journal = {Computer},
- volume={29},
- number={6},
- month={June},
- pages = {61--69},
-}
-
-
-@MastersThesis{gall97:_creat,
- author = {Lo\"ic Le Gall},
- title = {Cr\'eation d'une police adapt\'ee \`a la notation musicale baroque},
- school = {\'Ecole Estienne},
- year = 1997,
-}
-
-@TechReport{droettboom00:_study_notat_descr_languag,
- author = {Michael Droettboom},
- title = {Study of music Notation Description Languages},
- year = 2000,
- url= {http://www.music.mcgill.ca/~ich/research/omr/levy/format.pdf},
-
- note ={GUIDO and lilypond compared. LilyPond wins on practical
-issues as usability and availability of tools, GUIDO wins on
-implementation simplicity.} }
-
-@PhdThesis{gieseking01:_code_gener_noten,
- author = {Martin Gieseking},
- title = {Code-basierte Generierung interaktiver Notengraphik
-
-},
- school = {Universit\"at Osnabr\"uck},
- year = 2001,
- isbn = {ISBN 3-923486-30-8}
-}
-
-@Book{hewlett01:_virtual_score,
- editor = {Walter B. Hewlett and Eleanor Selfridge-Field},
- title = {The Virtual Score; representation, retrieval and restoration},
- publisher = {MIT Press},
-series = {Computing in Musicology},
- year = 2001
-}
-
-
-
-@PhdThesis{renz02:_algor_guido,
- author = {Kai Renz},
- title = {Algorithms and data structures for a music notation system based on GUIDO music notation},
- school = {Universit\"at Darmstadt},
- year = 2002
-}
-
-@InBook{powell02:_music,
- author = {Steven Powell},
- title = {Music engraving today},
- publisher = {Brichtmark},
- year = 2002,
-
- note = {A "How Steven uses Finale" manual.}
-}
-
-
-@InProceedings{nienhuys03:_lilyp,
- author = {Han-Wen Nienhuys and Jan Nieuwenhuizen},
- title = {LilyPond, a system for automated music engraving},
- booktitle = {XIV Colloquium on Musical Informatics},
- year = 2003,
- pages = {167--172},
- address = {Firenze},
- month = {May}
-}
-
projects / lilypond.git / blobdiff