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-%
-% TITLE=University of Colorado Engraving music bibliography
-% AUTHOR=Alyssa Lamb (edited & converted to bibtex by HWN)
-%
-
-@Book {jacob47:_music,
-       author ={Jacob, Archibald},
-       year=1947,
-       title = {Musical handwriting : or, How to put music on paper : A handbook for all musicians, professional and amateur},
-       address ={London},
-       publisher ={Oxford University Press}, 
-       note = {subject: Musical notation},
-}
-
-@Book{brandt:_stand_chord_symbol_notat,
-       author ={Carl Brandt and Clinton Roemer},
-       title = {Standardized Chord Symbol Notation},
-       address={Sherman Oaks, CA},
-       publisher={Roerick Music Co.},
-       note ={subject: musical notation},
-}
-
-@Book{johnson46:_how,
-       author = {Johnson, Harold M},
-       year = 1946,
-       title = {How to write music manuscript an exercise-method handbook for the  music student, copyist, arranger, composer, teacher},
-       publisher={Carl Fischer, Inc.},
-       address= {New York},
-       note = {subject: Musical notation --Handbooks, manuals},
-}
-
-@Book{sadie90:_music_print_publis,
-       title = {Music Printing & Publishing},
-       author ={Donald W. Krummel \& Stanley Sadie},
-       year = 1990,
-       publisher= {Macmillan Press},
-       note ={subject: musical notation},
-}
-
-@Book{foss:_music_print,
-       author={Foss, Hubert},
-       title = {Music Printing},
-       series = {Practical Printing and Binding},
-       address={London},
-       publisher={Oldhams Press Ltd., Long Acre},
-       note ={subject: musical notation},
-}
-
-@Book{steele03:_earlies_englis_music_print,
-       author = {Steele, Robert},
-       year = 1903,
-       title = {The Earliest English Music Printing},
-       address={London},
-       note= {subject: history of music printing and engraving},
-}
-
-@Book{austin:_story_music_print,
-       author={Austin, Ernest},
-       title = {The Story of Music Printing},
-       address={London},
-       publisher={Lowe and Brydone Printers, Ltd.},
-       note= {subject: history of music printing and engraving},
-
-}
-
-
-
-@Book{?:_pictor_histor_music_print,
-       author={?},
-       title = {Pictoral History of Music Printing},
-       address={Elhardt, Indiana},
-       publisher={H. and A. Selmer, Inc.},
-       note= {subject: history of music printing and engraving},
-
-}
-
-@Book{wintermitz55:_music_autog_montev_hindem,
-       author = {Wintermitz, Emmanuel},
-       year = 1955,
-       title = {Musical Autographs from Monteverdi to Hindemith},
-       address={Princeton},
-       publisher={Princeton University Press},
-       note= {subject: history of music printing and engraving},
-
-}
-
-
-@Book{novello47:_some_accoun_method_music_print,
-
-       author = {Novello, A},
-       year = 1847,
-       title = {Some Account of the Methods of Musick Printing, with Specimens of the Various Sizes of Moveable Types and of Other Matters},
-       address={London},
-       note={ subject: history of music printing and engraving},
-}
-
-@Book{chrsander18:_sketc_histor_music,
-       author={Chrsander, F.},
-       year={18??},
-       title={A Sketch of the HIstory of Music printing, from the 15th to the 16th century},
-       note={ subject: history of music printing and engraving},
-}
-
-@Article {squire1897,
-       author = {Squire, W},
-       year = 1897,
-       title = {Notes on Early Music Printing},
-       journal = {Bibliographica},
-       volume={iii},
-       number=99,
-       note={ subject: history of music printing and engraving},
-
-}
-
-@Article{meyer35:_print_music,
-       author = {Meyer, K. and O'Meara, J},
-       year = 1935,
-       title = {The Printing of Music, 1473-1934},
-       journal = {The Dolphin},
-       volume={ ii},
-       pages={ 171--207},
-       note={ subject: history of music printing and engraving},
-
-}
-%% 4th ver.,
-@Article{pattison39:_notes_early_music_print,
-       author = {Pattison, B},
-       year = 1939,
-       title = {Notes on Early Music Printing},
-       journal = {The Library},
-       note={subject: history of music printing and engraving},
-       volume={xix},
-       pages={389-421}, 
-}
-
-@Book{king64:_four_hundr_years_music_print,
-       author = {King, H},
-       year = 1964,
-       title = {Four Hundred Years of Music Printing},
-       address={London},
-       note={ subject: history of music printing and engraving},
-}
-
-
-%(Rev.1961).
-@Book{deutsch46:_music_number,
-       author={Deutsch, O.F.},
-       year =1946,
-       title = {Music Publishers' Numbers},
-       address={London},
-       note={ subject: history of music printing and engraving},
-}
-
-@Book{marco62:_earlies_music_print_contin_europ,
-       author = {Marco, G.A},
-       year = 1962,
-       title = {The Earliest Music Printers of Continental Europe: a Checklist of Facsimiles Illustrating Their Work},
-       address={Charlottesville, Virginia},
-       note={ subject: history of music printing and engraving},
-}
-
-@Article{kinkeldey32:_music_and_music_print_incun,
-       author = {Kinkeldey, O},
-       year = 1932,
-       title = {Music And Music Printing in Incunabula},
-       journal = {Papers of the Bibliographical Society of America},
-       volume={ xxvi},
-       pages={89-118},
-       note={ subject: history of music printing and engraving},
-}
-
-@Book{oldman34:_collec_music_first_edition,
-       author = {Oldman, C.B},
-       year = 1934,
-       title = {Collecting Musical First Editions},
-       address={London},
-       note={ subject: history of music printing and engraving},
-}
-
-@Book{carter34:_new_paths_book_collec,
-       author={Carter, J},
-       year=1934,
-       title = {New Paths in Book Collecting},
-       address={London},
-       note={ subject: history of music printing and engraving},
-}
-
-@Book{krummel58:_graph_analy_applic_early_americ_engrav_music,
-       author={Krummel, D.W.},
-       year=1958,
-       month=9,
-       title = {Graphic Analysis in Application to Early American Engraved Music},
-       journal = {Notes},
-       volume={xvi},
-       pages=213,
-       note={ subject: history of music printing and engraving},
-}
-
-@Book{krummel71:_oblon_format_early_music_books,
-       author = {Krummel, D.W},
-       year = 1971,
-       title = {Oblong Format in Early Music Books},
-       journal = {The Library},
-       volume={5th ser., xxvi},
-       pages=312,
-       note={ subject: history of music printing and engraving},
-}
-
-@Book{king73:_anniv_music_print,
-       author = {King, A.H},
-       year = 1973,
-       title = {The 50th Anniversary of Music Printing},
-}
-
-@Book{rastall82:_wester,
-       author={Rastall, Richard},
-       year=1982,
- title = {The notation of Western music : an introduction},
-       address={New York, N.Y.},
-       publisher={St. Martin's Press},
-       note = {Musical notation},
-
-
-}
-
-@Book{tappolet47:_la_notat_music,
-       author = {Tappolet, Willy},
-       year = 1947,
-       title = {La Notation Musicale},
-       address={Paris},
-       note={subject: general notation},
-       publisher={Neuch\^atel},
-}
-
-@Book{williams03:_story_notat,
-       author = {Williams, C.F. Abdy},
-       year = 1903,
-       title = {The Story of Notation},
-       address={New York},
-       publisher={Charles Scribner's Sons},
-       note={subject: general notation},
-}
-
-@Book{apel53,
-       author={Apel, Willi},
-       year=1953,
-       title = {The notation of polyphonic music, 900-1600},
-       address={Cambridge, Mass},
-       institution={Mediaeval Academy of America},
-       note = {Musical notation},
-}
-
-@Book{berger93:_mensur,
-       author={Berger, Anna Maria Busse},
-       year=1993,
-       title = {Mensuration and proportion signs : origins and evolution},
-       address={Oxford, England},
-       publisher={Clarendon Press},
-       scnd_address={New York},
-       scnd_publisher={Oxford University Press },
-       note={subject: early notation},
-}
-
-@Book{parrish57,
-       author={Parrish, Carl},
-       year=1957,
- title = {The notation of medieval music},
-       address={New York},
-       publisher={Norton},
-       note = {Musical notation},
-
-
-}
-
-@Book{parrish46:_notat_mediev_music,
-       author = {Parrish, Carl},
-       year = 1946,
-       title = {The Notation of Medieval Music},
-       address={New York},
-       publisher={Carl Fischer, Inc.},
-       note={subject: early notation},
-}
-
-@Book{patch49:_genes_music,
-       author = {Patch, Harry},
-       year = 1949,
-       title = {Genesis of a Music},
-       address={Madison},
-       publisher={University of Wisconsin Press},
-       note={subject: early notation},
-}
-
-@Book{cage69:_notat,
-       author={Cage, John},
-       year=1969,
-  title = {Notations},
-       address={New York},
-       publisher={Something Else Press},
-       note = {Music, Manuscripts, Facsimiles.
-
-       Facsimiles of holographs from the Foundation for Contemporary
-       Performance Arts, with text by 269 composers, but rearranged using
-       chance operations.,V)} },
-
-@Book{gaburo77:_notat,
-       author = {Gaburo, Virginia},
-       year = 1977,
-       title = {Notation},
-       address={publisher= {Lingua Press},
-       publisher={La Jolla, California}},
-       note = {A Lecture about notation, new ideas about},
-}
-
-@Book{risatti75:_new_music_vocab,
-       author = {Risatti, Howard},
-       year = 1975,
-       title = {New Music Vocabulary},
-       address={Urbana, Illinois},
-       publisher={University of Illinois Press},
-       note = {A Guide to Notational Signs for Contemporary Music},
-}
-
-
-
-@Book{cowell30:_new_music_resour,
-       author = {Cowell, Henry},
-       year = 1930,
-       title = {New Musical Resources},
-       address={New York},
-       publisher={Alfred A. Knopf, Inc.},
-       note={subject: 20th century notation},
-}
-
-@Article{cowell27:_our_inadeq_notat,
-       author = {Cowell, Henry},
-       year = 1927,
-       title = {Our Inadequate Notation},
-       journal = {Modern Music},
-       volume=4,
-       number=3,
-       note={subject: 20th century notation},
-
-}
-
-@Book{bowers92:_music_letter,
-       author = {Bowers, Roger},
-       year = 1992,
-       title = {Music & Letters},
-       volume=73,
-       number=3,
-       month={August},
-       pages={347(52)},
-       note={Some reflection upon notation and proportion in Monteverdi's mass and vespers},
-}
-
-@Book{brainard92:_curren_music,
-       author = {Brainard, Paul},
-       year = 1992,
-       title = {Current Musicology},
-       number=50,
-       month={July-Dec},
-       pages={21(26)},
-       note={Proportional notation in the music of Schutz and his contemporaries in the 17th Century},
-}
-
-@Book{monelle89:_compar_liter,
-       author = {Monelle, Raymond},
-       year = 1989,
-       title = {Comparative Literature},
-       volume=41, number=3, 
-       month={Summer},
-       pages={252(18)},
-
-       note={Music notation and the poetic foot},
-}
-
-@Book{pinegar93:_curren_music,
-       author = {Pinegar, Sandra},
-       year = 1993,
-       title = {Current Musicology},
-       number=53,
-       month={July},
-       pages={99(10)},
-       note={The seeds of notation and music paleography.},
-}
-
-@Book{smith90:_curren_music,
-       author = {Smith, Norman E},
-       year = 1990,
-       title = {Current Musicology},
-       number={45-47},
-       month={Jan-Dec},
-       pages={283(22)},
-       note={The notation of fractio modi.},
-}
-
-@Book{treitler92:_journ_music,
-       author = {Treitler, Leo},
-       year = 1992,
-       title = {The Journal of Musicology},
-       volume=10,
-       number=2,
-       month={Spring},
-       pages={131(61)},
-
-       note={ The unwritten and written transmission, of medieval chant
-       and the start-up of musical notation.
-
-       Notational practice developed in medieval music to address the written tradition for chant which interacted with the unwritten vocal tradition.},
-}
-
-@Book{west94:_music_letter,
-       author = {West, M.L},
-       year = 1994,
-       title = {Music & Letters},
-       volume=75,
-       number=2,
-       month={May},
-       pages={161(19)},
-       note={The Babylonian musical notation and the Hurrian melodic texts. 
-
-       A new way of deciphering the ancient Babylonian musical notation. 
-}
-}
-
-@Book{brown86:_music_quart,
-       author = {Brown, Earle},
-       year = 1986,
-       title = {Musical Quarterly},
-       volume=72,
-       month={Spring},
-       pages={180(22)},
-       note={The notation and performance of new music.},
-}
-
-@Book{eggleston94:_notes,
-       author = {Eggleston, Suzanne},
-       year = 1994,
-       title = {Notes},
-       volume=51,
-       number=2,
-       month={Dec},
-       pages={657(7)}, 
-       journal={New periodicals},
-       note={A list of new music periodicals covering the period
-       Jun.-Dec. 1994. Includes aims, formats and a description of the
-       contents of each listed periodical. Includes Music Notation News},
-
-}
-
-@Book{fuller89:_journ_music,
-       author = {Fuller, David},
-       year = 1989,
-       title = {The Journal of Musicology},
-       volume=7,
-       number=1,
-       month={Winter},
-       pages={21(8)},
-       note={
-       Notes and inegales unjoined: defending a definition. (written-out inequalities in music notation).        
-}},
-
-@Book{jones90:_persp_new_music,
-
-       author = {Jones, David Evan},
-       year = 1990,
-       title = {Perspectives of New Music},
-       note={Speech extrapolated. (includes notation)}
-}
-
-@Book{lependorf89,
-       author = {Lependorf, Jeffrey},
-       year = 1989,
-       journal={Perspectives of New Music},
-       volume=27,
-       title = {?},
- number=2,
-       month={Summer},
-       pages={232(20)},
-       note={Contemporary notation for the shakuhachi: a primer for composers. (Tradition and Renewal in the Music of Japan) },
-
-}
-
-@Book{rastall93:_music_letter,
-       author = {Rastall, Richard},
-       year = 1993,
-       title = {Music & Letters},
-       volume=74, number=4,
-       month={November},
-       pages={639(2)},
-
-       note={Equal Temperament Music Notation: The Ailler-Brennink
-       Chromatic Notation. Results and Conclusions of the Music Notation
-       Refor by the Chroma Foundation (book reviews).  },
-}
-
-@Article {Francois92,
-       author={Francois, Jean-Charles},
-       journal = {Perspectives of New Music},
-       volume={30},
-       number={1}, month={Winter},
-       pages={6(15)},
-       year={1992},
-
-       note={subject: Modern music has outgrown notation. While the
-            computer is used to write down music with accuracy never
-            before achieved, the range of modern sounds has surpassed
-            the relevance of the computer...},
-
-       title={Writing without representation, and unreadable notation.},
-}
-
-@Book{hamel89,
-       author = {Hamel, Keith A},
-       year = 1989,
-       journal = {Perspectives of New Music},
-       volume=27,
-       number=1,
-       month={Winter},
-       pages={70(14)},
-
-       title={A design for music editing and printing software based
-on notational syntax}, }
-