1 % INSPIRATIONAL HEADER FOR LILYPOND DOCUMENTATION fretted-strings %
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2 % Passage from Johann Kaspar Mertz "Opern Revue, Op. 8, no. 17" %
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3 % on melodies from Bellini's "Norma" %
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4 %*****************************************************************%
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8 #(set-global-staff-size 15)
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17 \remove "Bar_number_engraver"
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18 \override PaperColumn #'keep-inside-line = ##t
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19 \override NonMusicalPaperColumn #'keep-inside-line = ##t
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24 % fingering orientations
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25 sfol = \set fingeringOrientations = #'(left)
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26 sfor = \set fingeringOrientations = #'(right)
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27 sfod = \set fingeringOrientations = #'(down)
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28 sfou = \set fingeringOrientations = #'(up)
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30 % string number orientations
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31 ssnol = \set stringNumberOrientations = #'(left) %(down right up)
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32 ssnou = \set stringNumberOrientations = #'(up)
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33 ssnod = \set stringNumberOrientations = #'(down)
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34 ssnor = \set stringNumberOrientations = #'(right)
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36 % define fingering offset
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37 FO = #(define-music-function (parser location offsetX offsetY) (number? number?)
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39 \once \override Voice.Fingering #'extra-offset = #(cons $offsetX $offsetY )
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43 rit = \markup \center-align { \bold { \italic { " rit." } } }
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44 dim = \markup \center-align { \italic { " dim." }}
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45 andantino = \markup \left-align { \italic { \bold { \fontsize #+2.5 { "Andantino" }}}}
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46 benmarcato = \markup { \italic { \bold { "il canto ben marcato" }}}
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50 melody = \relative c {
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54 % \override Staff.TimeSignature #'transparent = ##t
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56 \override Fingering #'staff-padding = #'()
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62 f4\rest <e'-4>4-> | % m. 1
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68 f4\rest \FO #'0.4 #'0.5 <gis-1 e'-4>4 | % m. 2
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70 d4\rest <b e>-> d4\rest^\rit <b e>4-> | % m. 3
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75 \override TupletNumber #'stencil = ##f
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76 \override TupletBracket #'bracket-visibility = ##f
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79 e'4^\benmarcato e8. d16-4
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80 d4-4 \times 2/3{\sfou \FO #'-0.3 #'0.6 <c-2>4 b8} | % end of m. 6
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83 <a-3>4 \times 2/3{c4 b8} a4 e'8. e16 | % m. 7
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86 <g-4>4 \times 2/3{\sfol \FO #'0.3 #'0.0 <f-1>4 e8} e4 % beg of m. 8
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87 \times 2/3{\sfou <d-4>4 c8} | % end of m. 8
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89 b4 \times 2/3{d4-4 c8} \sfou \FO #'-1.7 #'-1.5 <b-0>4 e | % end of m. 9
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91 e4 e8. d16-4 d4 \times 2/3{c4 b8} | % m. 10
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93 \times 2/3{a4 a8 b4 c8} % beg of m. 11
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94 \sfou \FO #'-0.3 #'0.3
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95 <d-4>4^\< \times 2/3{e4 <d f>8\!} | % end of m. 11
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98 bass = \relative c {
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102 \override Fingering #'staff-padding = #'()
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104 e,8\fp[ e'] e,[ e'] e,[ \sfol <c''-1> <a'-2> c,] | % m. 1
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106 e,,8\fp[ e'] e,[ e'] e,[ \sfod \FO #'0.2 #'-0.2 <b''-1> % beg m. 2
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107 \sfol \FO #'0.3 #'0.0 <e-1> b] | % end m. 2
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109 e,,8 e' gis e e, e' gis_\dim e | % m. 3
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113 %% new section starts here in A minor
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114 \override TupletNumber #'stencil = ##f
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115 \override TupletBracket #'bracket-visibility = ##f
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116 \set tupletSpannerDuration = #(ly:make-moment 1 4)
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117 \once \override TextScript #'staff-padding = #1.7
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118 \times 2/3{a8\p[^\andantino e' a c a e ] a,[ e' a c a e ]} | % m. 5
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120 \once \override DynamicText #'extra-offset = #'( -2.1 . 0.0 ) % beg m. 6
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121 \once \override TextScript #'staff-padding = #'()
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122 \once \override TextScript #'extra-offset = #'( 0.0 . 2.0 )
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123 \times 2/3{a,8[\p_\markup {\italic { "dol." } } e' a c a e]}
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124 \times 2/3{e,8[ \sfou <e'-3> <gis-1> c gis e]} | % end m. 6
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126 \times 2/3{a,8[ <e'-2> a c e, b'] a,[ e' a c a e]} | % m. 7
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128 \times 2/3{f,8[ f' a \sfol \FO #'0.3 #'-0.5 <d-4> a f] fis,[ d' a' d a d,]} | % m. 8
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130 \times 2/3{<g,-3>8[ d' g d' g, d] % beg m. 9
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131 \sfod \FO #'0.0 #'-2.0 <gis,-4>[ \sfou <e'-2> <gis-1> b gis e]} | % end m. 9
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133 \times 2/3{a,8[ e' a c a e] e,[ e' gis c gis e]} | % m. 10
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135 \times 2/3{a,8[ e' a b a e] f,[ f' a d a f]} | % m. 11
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140 \context Staff = "guitar" <<
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141 \context Voice = "upper" { \melody }
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142 \context Voice = "lower" { \bass }
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