2 % from the University of Colorado Engraving page (by Alyssa Lamb)
6 author ={Jacob, Archibald},
8 title = {Musical handwriting : or, How to put music on paper : A handbook for all musicians, professional and amateur},
10 publisher ={Oxford University Press},
11 subject = { Musical notation},
15 author ={Brandt, Carl, and Roemer, Clinton},
16 title = {Standardized Chord Symbol Notation},
17 address={Sherman Oaks, CA}
18 publisher={Roerick Music Co.}
22 author = {Johnson, Harold M},
24 title = {How to write music manuscript an exercise-method handbook for the music student, copyist, arranger, composer, teacher},
25 publisher={ Carl Fischer, Inc. }
27 subject = {Musical notation --Handbooks, manuals},
31 title = {Music Printing & Publishing},
32 editedby={ Donald W. Krummel \& Stanley Sadie},
35 series={ The Norton/Grove Handbooks in Music.}
36 publisher={W.W. Norton}
40 author={Foss, Hubert},
41 title = {Music Printing},
42 series = {Practical Printing and Binding},
44 publisher={ Oldhams Press Ltd., Long Acre.}
48 author = {Steele, Robert},
50 title = {The Earliest English Music Printing},
54 author={Austin, Ernest},
55 title = {The Story of Music Printing},
57 publisher={Lowe and Brydone Printers, Ltd.}
63 title = {Pictoral History of Music Printing},
64 address={E;lhardt, Indiana}
65 publisher={H. and A. Selmer, Inc.}
69 author = {Scholderer, Victor},
71 title = {Johann Gutenberg},
73 publisher={ British Museum},
77 author = {Wintermitz, Emmanuel},
79 title = {Musical Autographs from Monteverdi to Hindemith},
81 publisher={Princeton University Press},
85 author = {Wolf, Johannes},
87 title = {Handbuch der Notationskunde},
89 publisher={ Breitkopf & Hartel.}
93 author = {Novello, A},
95 title = {Some Account of the Methods of Musick Printing, with Specimens of the Various Sizes of Moveable Types and of Other Matters},
100 author={Chrsander, F.}
102 title={A Sketch of the HIstory of Music printing, from the 15th to the 16th century},
105 author = {Squire, W},
107 title = {Notes on Early Music Printing},
108 , title = {Bibliographica},
113 author = {Meyer, K. and O'Meara, J},
115 title = {The Printing of Music, 1473-1934},
116 , title = {The Dolphin},
120 author = {Pattison, B},
122 title = {Notes on Early Music Printing},
123 ,title = {The Library},
124 , 4th ver., xix, p.389-421.
128 author = {Barksdale, A},
130 title = {The Printed Note: 500 Years of Music Printing and Engraving},
131 address={Toledo, Ohio}
132 note={(exhibition catalogue, the Toledo Museum of Art).}
138 title = {Four Hundred Years of Music Printing},
143 Gamble, W. 1923 (Rev. 1971). title = {Music Engraving and Pinting, Historical And Technical Treatise},
146 Deutsch, O.F. 1946 (Rev.1961). title = {Music Publishers' Numbers},
151 author = {Marco, G.A},
153 title = {The Earliest Music Printers of Continental Europe: a Checklist of Facsimiles Illustrating Their Work},
154 Charlottesville, Virginia.
158 author = {Kinkeldey, O},
160 title = {Music And Music Printing in Incunabula},
161 , title = {Papers of the Bibliographical Society of America},
166 author = {Oldman, C.B},
168 title = {Collecting Musical First Editions},
170 Also in: Carter, J. 1934. title = {New Paths in Book Collecting},
173 Krummel, D.W. 1958-9. title = {Graphic Analysis in Application to Early American Engraved Music},
179 author = {Krummel, D.W},
181 title = {Oblong Format in Early Music Books},
182 , title = {The Library},
183 , 5th ser., xxvi, p.312.
187 author = {King, A.H},
189 title = {The 50th Anniversary of Music Printing},
190 , title = {M_________},
195 Rastall, Richard. 1982. title = {The notation of Western music : an introduction},
196 New York, N.Y.: St. Martin's Press.
197 subject = { Musical notation},
203 author = {Tappelot, Willy},
205 title = {La Notation Musicale},
210 author = {Williams, C.F. Abdy},
212 title = {The Story of Notation},
213 New York: Charles Scribner's Sons.
217 author = {Rosenthal, Carl A},
219 title = {A Practical Guide to Music Notation},
225 Apel, Willi. 1953. title = {The notation of polyphonic music, 900-1600.},
226 Cambridge, Mass.: Mediaeval Academy of America.
227 subject = {Musical notation},
233 Berger, Anna Maria Busse. 1993. title = {Mensuration and proportion signs : origins and evolution},
234 Oxford, England: Clarendon Press; New York: Oxford University Press .
238 Parrish, Carl. 1957. title = {The notation of medieval music},
240 subject = {Musical notation},
246 author = {Parrish, Carl},
248 title = { The Notation of Medieval Music},
249 New York: Carl Fischer, Inc.
253 author = {Patch, Harry},
255 title = { Genesis of a Music},
256 Madison: University of Wisconsin Press.
260 Cage, John. 1969. title = {Notations},
261 New York: Something Else Press.
262 subject = { Music, Manuscripts, Facsimiles},
264 (Facsimiles of holographs from the Foundation for Contemporary Performance Arts, with text by 269 composers, but rearranged using title = {chance operations.},
269 author = {Gaburo, Virginia},
272 publisher= {Lingua Press: La Jolla, California}.
273 subject = { A Lecture about notation, new ideas about},
279 author = {Risatti, Howard},
281 title = {New Music Vocabulary},
282 Urbana, Illinois: University of Illinois Press.
283 subject = { A Guide to Notational Signs for Contemporary Music},
289 author = {Boehm, Laszlo},
291 Modern Music Notation. New York: G. Schirmer, Inc.
295 author = {Cowell, Henry},
297 title = {New Musical Resources},
298 New York: Alfred A. Knopf, Inc.
300 author = {Cowell, Henry},
302 title = {Our Inadequate Notation},
303 ,title = {Modern Music},
308 author = {Bowers, Roger},
310 title = {Music & Letters},
311 v73, n3, August, p347(52)
313 Some reflection upon notation and proportion in Monteverdi's mass and vespers.
317 author = {Brainard, Paul},
319 title = {Current Musicology},
320 n50, July-Dec, p21(26)
322 Proportional notation in the music of Schutz and his contemporaries in the 17th Century.}
326 author = {Monelle, Raymond},
328 title = {Comparative Literature},
329 v41, n3, Summer, p252(18)
331 Music notation and the poetic foot.
335 author = {Pinegar, Sandra},
337 title = {Current Musicology},
339 The seeds of notation and music paleography.
341 author = {Smith, Norman E},
343 title = {Current Musicology},
344 n45-47, Jan-Dec, p283(22)
346 The notation of fractio modi.
350 author = {Treitler, Leo},
352 title = {The Journal of Musicology},
353 v10, n2, Spring, p131(61)
355 The title = {unwritten},
356 and title = {written transmission},
357 of medieval chant and the start-up of musical notation.
359 Notational practice developed in medieval music to address the written tradition for chant which interacted with the unwritten vocal tradition...
363 author = {West, M.L},
365 title = {Music & Letters},
366 v75, n2, May, p161(19)
367 The Babylonian musical notation and the Hurrian melodic texts.
369 A new way of deciphering the ancient Babylonian musical notation...
374 author = {Brown, Earle},
376 title = {Musical Quarterly},
379 The notation and performance of new music.
383 author = {Eggleston, Suzanne},
387 v51, n2, Dec, p657(7)
391 A list of new music periodicals covering the period Jun.-Dec. 1994. Includes aims, formats and a description of the contents of each listed periodical. Includes title = {Music Notation News},
397 author = {Fuller, David},
399 title = {The Journal of Musicology},
402 Notes and inegales unjoined: defending a definition. (written-out inequalities in music notation).
407 author = {Jones, David Evan},
409 title = {Perspectives of New Music},
412 Speech extrapolated. (includes notation)
418 author = {Lependorf, Jeffrey},
420 I>Perspectives of New Music</I> v27, n2, Summer, p232(20)
422 Contemporary notation for the shakuhachi: a primer for composers. (Tradition and Renewal in the Music of Japan)
427 author = {Rastall, Richard},
429 title = {Music & Letters},
430 v74, n4, Nov, p639(2)
431 Equal Temperament Music Notation: The Ailler-Brennink Chromatic Notation. Results and Conclusions of the Music Notation Refor by the Chroma Foundation (book reviews).
436 Francois, Jean-Charles.title = {Perspectives of New Music},
437 v30, n1, Wntr, p6(15)
440 Writing without representation, and unreadable notation. by Jean-Charles Francois.
441 Modern music has outgrown notation. While the computer is used to write down music with accuracy never before achieved, the range of modern sounds has surpassed the relevance of the computer...
445 author = {Hamel, Keith A},
448 title = {Perspectives of New Music},
449 v27, n1, Wntr, p70(14)
451 A design for music editing and printing software based on notational syntax. (computer music)