@c -*- coding: utf-8; mode: texinfo; documentlanguage: fr -*-
@ignore
- Translation of GIT committish: 2a87f1e1f98b76751482cae4474d41aa5e38e37b
+ Translation of GIT committish: 0512fcc5db9b050be664413ba0f79a3dcfc1028a
When revising a translation, copy the HEAD committish of the
version that you are working on. For details, see the Contributors'
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.15.42"
+@c \version "2.15.43"
@c Translators: Matthieu Jacquot
@c Translation checkers: Jean-Charles Malahieude
Nous pourrions donc écrire l'exemple précédent ainsi :
@lilypond[quote,verbatim]
-"custom-tuning" = \stringTuning <c' g' d'' a''>
+custom-tuning = \stringTuning <c' g' d'' a''>
mynotes = {
c'4 e' g' c'' |
@ref{Tablatures prédéfinies}.
Fichiers d'initialisation :
- @file{ly/predefined-guitar-fretboards.ly},
+ @file{ly/predefined-guitar-fretboards.ly}, @*
@file{ly/predefined-guitar-ninth-fretboards.ly},
- @file{ly/predefined-ukulele-fretboards.ly},
+ @file{ly/predefined-ukulele-fretboards.ly},@*
@file{ly/predefined-mandolin-fretboards.ly}.
Morceaux choisis :
@c -*- coding: utf-8; mode: texinfo; documentlanguage: fr -*-
@ignore
- Translation of GIT committish: 254e2df1ab4e0fb8d1b517e7e11ffb545363ee48
+ Translation of GIT committish: 0512fcc5db9b050be664413ba0f79a3dcfc1028a
When revising a translation, copy the HEAD committish of the
version that you are working on. For details, see the Contributors'
@lilypond[quote,verbatim,relative=2]
\time 3/4
-% by default we beam in (3) due to beamExceptions
+% by default we beam in (6) due to beamExceptions
\repeat unfold 6 {a8} |
% This will beam (1 1 1) due to beatLength
\set Timing.beamExceptions = #'()
c1
@end lilypond
+ Par ailleurs, la commande @code{\inStaffSegno} crée une barre de mesure
+ surmontée d'un @emph{segno}, et sait coopérer avec l'instruction
+ @code{\repeat volta}.
+
Dans une partition comprenant plusieurs portées, la commande @code{\bar}
placée sur une portée s'applique automatiquement à toutes les portées.
Les barres de mesure que l'on obtient alors sont d'un seul tenant sur
@c -*- coding: utf-8; mode: texinfo; documentlanguage: fr -*-
@ignore
- Translation of GIT committish: 904ea9fed4c66f5b86f3ac6ffb9fa273f082f371
+ Translation of GIT committish: 0512fcc5db9b050be664413ba0f79a3dcfc1028a
When revising a translation, copy the HEAD committish of the
version that you are working on. For details, see the Contributors'
@section Notation sur la portée
@translationof Staff notation
- @lilypondfile[quote]{staff-headword.ly}
+ @c The line width is a bit of a hack to allow space for the
+ @c instrument names.
+ @lilypondfile[quote,ragged-right,line-width=14.5\cm,staffsize=16]{staff-headword.ly}
Cette section aborde les détails de gravure de la portée, la
réalisation de partitions comprenant plusieurs portées et l'ajout
\clef bass
R1
\clef treble
- \new CueVoice { \set "instrumentCueName" = "flute" }
+ \new CueVoice { \set instrumentCueName = "flute" }
\cueDuring #"flute" #UP { R1 }
\clef bass
g4. b8 d2
bassoonNotes = \relative c {
\clef bass
R1
- \new CueVoice { \set "instrumentCueName" = "flute" }
+ \new CueVoice { \set instrumentCueName = "flute" }
\cueDuringWithClef #"flute" #UP #"treble" { R1 }
g4. b8 d2
}
R1
\tag #'part {
\clef treble
- \new CueVoice { \set "instrumentCueName" = "flute" }
+ \new CueVoice { \set instrumentCueName = "flute" }
}
\cueDuring #"flute" #UP { R1 }
\tag #'part \clef bass