\header {
lsrtags = "keyboards"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Los símbolos específicos de acordeón discanto se escriben mediante
@code{\\markup}. Se puede trucar la colocación vertical de los
\header {
lsrtags = "chords, ancient-notation, contexts-and-engravers"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Al escribir un bajo cifrado, existe una forma de especificar si
queremos que las cifras se sitúen encima o debajo de las notas del
\header {
lsrtags = "pitches, staff-notation, vocal-music"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
doctitlees = "Añadir un ámbito por voz"
texidoces = "
Se puede añadir un ámbito por cada voz. En este caso, el ámbito se
\header {
lsrtags = "staff-notation, contexts-and-engravers, breaks"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Al añadir un pentagrama nuevo en un salto de línea, por desgracia
se añade un espacio adicional al final de la línea antes del salto
\header {
lsrtags = "staff-notation, contexts-and-engravers"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Se puede añadir (posiblemente de forma temporal) un pentagrama
nuevo una vez que la pieza ha comenzado.
\header {
lsrtags = "chords"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Para añadir indicaciones de línea divisoria dentro del contexto de
los nombres de acorde @code{ChordNames}, incluya el grabador
\header {
lsrtags = "rhythms, expressive-marks"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
La sintaxis de LilyPond puede implicar muchas colocaciones poco
comunes para los paréntesis, corchetes, etc, que a veces se tienen
\header {
lsrtags = "rhythms, percussion"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Mediante la utilización de las potentes herramientas preconfiguradas
como la función @code{\\drummode} y el contexto @code{DrumStaff}, la
\version "2.13.18"
\header {
-%% Translation of GIT committish: ee2fdacf2ff3acd7e6fb7c4005dfe698b1cc4eed
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Para añadir digitaciones a las tablaturas, utilice una combinación de
@code{\\markup} y @code{\\finger}.
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
La función @code{\\parenthesize} es un truco especial que encierra
objetos entre paréntesis. El grob asociado es @code{ParenthesesItem}.
\header {
lsrtags = "text, titles"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Con algo de código de Scheme, se puede añadir fácilmente la fecha
actual a una partitura.
\header {
lsrtags = "repeats"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
El grabador @code{Volta_engraver} reside de forma predeterminada
dentro del contexto de @code{Score}, y los corchetes de la repetición
\header {
lsrtags = "simultaneous-notes"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
doctitlees = "Voces adicionales para evitar colisiones"
texidoces = "
En ciertos casos de polifonía compleja, se necesitan voces adicionales
\version "2.13.18"
\header {
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Este fragmento de código muestra cómo situar la línea de base de la
letra más cerca del pentagrama.
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Puede ser necesario trucar la propiedad
@code{shortest-duration-space} para poder ajustar el tamaño de las
\header {
lsrtags = "text, paper-and-layout, titles"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
La alineación horizontal de los nombres de instrumento se puede
trucar modificando la propiedad @code{Staff.InstrumentName
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Los números de compás se alinean de forma predeterminada por la
\header {
lsrtags = "text"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Si están especificadas, las marcas de texto se pueden alinear con
objetos de notación distintos a las líneas divisorias. Entre estos
\header {
lsrtags = "editorial-annotations, fretted-strings, spacing"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Las cifras de digitación orientadas verticalmente se colocan de forma
\header {
lsrtags = "pitches, vocal-music"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
doctitlees = "Ámbitos con varias voces"
texidoces = "
La adición del grabador @code{Ambitus_engraver} al contexto de
\header {
lsrtags = "editorial-annotations, tweaks-and-overrides"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
De forma predeterminada se añaden corchetes de análisis sencillos
debajo del pentagrama. El ejemplo siguiente muestra una manera de
\header {
lsrtags = "ancient-notation"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Aquí se muestran muchos de (¿o quizá todos?) los símbolos que
están contemplados por la capacidad de LilyPond para la música
\header {
lsrtags = "ancient-notation, template"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Este ejemplo muestra cómo hacer una transcripción moderna de canto
gregoriano. El canto gregoriano no tiene compás ni plicas; utiliza
\header {
lsrtags = "ancient-notation, template"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Al transcribir música mensural, es útil un «incipit» al compienzo
de la pieza para indicar la tonalidad y el tempo
\header {
lsrtags = "ancient-notation"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Las indicaciones de compás también se pueden grabar en estilo antiguo.
\header {
lsrtags = "pitches, editorial-annotations"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
doctitlees = "Aplicar estilos de cabeza según la nota de la escala"
texidoces = "
La propiedad @code{shapeNoteStyles} se puede usar para definir varios
\header {
lsrtags = "world-music"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Para las improvisaciones o @emph{taqasim} que son libres durante unos
momentos, se puede omitir la indicación de compás y se puede usar
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Se pueden subdividir las barras automáticamente. Estableciendo la
propiedad @code{subdivideBeams}, las barras se subdividen en
\version "2.13.18"
\header {
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Las reglas de final de barra especificadas en el contexto
@code{Score} se aplican a todos los pentagramas, pero se pueden
\version "2.13.18"
\header {
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
No está especificada ninguna agrupación predeterminada automática
de las barras para el compás de 7/8, de forma que si se requieren
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Normalmente están prohibidos los saltos de línea si las barras
atraviesan las líneas divisorias. Se puede cambiar este
\header {
lsrtags = "editorial-annotations, text"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
La instrucción @code{\\whiteout} intercala un rectángulo blanco
debajo de un elemento de marcado. Este rectángulo blanco no tapa
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Para hacer invisibles partes de un regulador de crescendo, se usa
el método de dibujar un rectángulo blanco encima de la parte
\header {
lsrtags = "expressive-marks, tweaks-and-overrides"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
A veces se denota una «cesura» mediante una doble marca de respiración
parecida a las vías del tren, con un calderón encima. Este fragmento
\header {
lsrtags = "expressive-marks, text"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Este ejemplo proporciona una función para tipografiar un regulador con
texto por debajo, como @qq{molto} o @qq{poco}. El ejemplo ilustra
\header {
lsrtags = "expressive-marks, unfretted-strings"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Para hacer más pequeño el círculo de @code{\\flageolet} (armónico)
utilice la siguiente función de Scheme.
\header {
lsrtags = "simultaneous-notes, editorial-annotations, tweaks-and-overrides"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Se pueden modificar notas individuales de un acorde con la instrucción
@code{\\tweak}, alterando la propiedad @code{font-size}.
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Se insertan automáticamente barras en ángulo cuando se detecta un
intervalo muy grande entre las notas. Se puede hacer un ajuste
\header {
lsrtags = "chords"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Se puede establecer el separador entre las distintas partes del
nombre de un acorde para que sea cualquier elemento de marcado.
\header {
lsrtags = "rhythms, tweaks-and-overrides"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
doctitlees = "Cambiar la forma de los silencios multicompás"
texidoces = "
Si hay diez compases de silencio o menos, se imprime en el pentagrama
\header {
lsrtags = "contexts-and-engravers, midi"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Al producir una salida MIDI, el comportamiento predeterminado es
que cada pentagrama representa un canal MIDI, con todas las voces
\header {
lsrtags = "simultaneous-notes"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Al utilizar la posibilidad de combinación automática de partes, se
puede modificar el texto que se imprime para las secciones de solo
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Se puede modificar el texto empleado para los crescendos y
decrescendos modificando las propiedades de contexto
\header {
lsrtags = "expressive-marks, editorial-annotations"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Se puede cambiar el aspecto de las ligaduras de expresión de
continuas a punteadas o intermitentes.
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
El glifo de la marca de respiración se puede ajustar
sobreescribiendo la propiedad de texto del objeto de presentación
\header {
lsrtags = "chords"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
La nomenclatura inglesa (predeterminada) para los acordes del cifrado
americano se puede cambiar por la alemana (@code{\\germanChords}
\header {
lsrtags = "chords"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Las alteraciones y los signos «más» pueden aparecer antes o
después de los números, según el valor de las propiedades
\header {
lsrtags = "staff-notation, midi"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Para cambiar el tempo en la salida MIDI sin
imprimir nada, hacemos invisible la indicación metronómica:
\version "2.13.18"
\header {
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
La instrucción @code{\\time} establece las propiedades
@code{timeSignatureFraction}, @code{beatLength}, @code{beatGrouping} y
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
doctitlees = "Cambiar el número del grupo especial"
texidoces = "
\header {
lsrtags = "rhythms, contexts-and-engravers"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
La propiedad @code{measureLength}, junto con
@code{measurePosition}, determina cuándo es necesario dibujar una
\header {
lsrtags = "rhythms, vocal-music, ancient-notation, contexts-and-engravers"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Este tipo de notación se utiliza para el canto de los Salmos, en
que las estrofas no siempre tienen la misma longitud.
\header {
lsrtags = "chords"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Se puede usar la propiedad @code{chordNameExceptions} para
almacenar una lista de notaciones espaciales para acordes
\header {
lsrtags = "chords"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
La presentación del acorde de séptima mayor se
puede ajustar mediante majorSevenSymbol.
\version "2.13.18"
\header {
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Se puede hacer que los diagramas de posiciones se muestren sólo
cuando el acorde cambia o al comienzo de una nueva línea.
\version "2.13.18"
\header {
-%% Translation of GIT committish: ee2fdacf2ff3acd7e6fb7c4005dfe698b1cc4eed
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Este código muestra cómo recortar (extraer) fragmentos a partir de una
partitura completa.
\header {
lsrtags = "simultaneous-notes, chords, keyboards"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Los «clusters» o racimos son un mecanismo para indicar la
interpretación de un ámbito de notas al mismo tiempo.
\header {
lsrtags = "expressive-marks, text"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Ciertas indicaciones dinámicas pueden llevar textos (como @qq{più
forte} o @qq{piano subito}). Se pueden producir usando un bloque
\header {
lsrtags = "simultaneous-notes, text"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
La herramienta de combinación de partes ( instrucción
\version "2.13.18"
\header {
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
doctitlees = "Indicaciones de compases compuestos"
texidoces = "
Las indicaciones de compás poco frecuentes como @qq{5/8} se pueden
\version "2.13.18"
\header {
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
La agrupación de pulsos dentro de un compás está controlada por la
agrupación predeterminada que se establece en @code{beamSettings}.
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Se puede tipografiar un gissando contemporáneo sin nota final
utilizando una nota oculta y temporalización de cadenza.
scheme-engraver-ambitus.ly
use-square-bracket-at-the-start-of-a-staff-group.ly
vocal-ensemble-template-with-lyrics-aligned-below-and-above-the-staves.ly
+vocal-ensemble-template-with-verse-and-refrain.ly
\version "2.13.18"
\header {
-%% Translation of GIT committish: ee2fdacf2ff3acd7e6fb7c4005dfe698b1cc4eed
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
La visibilidad de los objetos de extensión que acaban en la primera
\header {
lsrtags = "editorial-annotations, chords, keyboards, fretted-strings"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Se puede controlar con precisión la colocación de los números de
digitación. Para que se tenga en cuenta la orientación de las
\header {
lsrtags = "expressive-marks, tweaks-and-overrides"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
El orden vertical que ocupan las inscripciones gráficas está
controlado con la propiedad @code{'script-priority}. Cuanto más
\header {
lsrtags = "expressive-marks, editorial-annotations, tweaks-and-overrides"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
La creación de un grupeto circular de anticipación entre dos notas,
donde la nota inferior del grupeto utiliza una alteración, requiere
\header {
lsrtags = "pitches"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
En una música que tenga muchas apariciones de la
misma secuencia de notas a distintas alturas, podría ser de
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Se puede trazar un símbolo de arpegio entre notas de distintas
voces que están sobre el mismo pentagrama si el grabador
\header {
lsrtags = "staff-notation, editorial-annotations, contexts-and-engravers, paper-and-layout"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Para crear pentagramas en blanco, genere compases vacíos y después
elimine el grabador de números de compás @code{Bar_number_engraver}
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Dentro de un @code{PianoStaff}, es posible hacer que un arpegio
cruce entre los pentagramas ajustando la propiedad
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Se pueden crear arpegios que se cruzan entre pentagramas dentro de
contextos distintos a @code{GrandStaff}, @code{PianoStaff} y
\header {
lsrtags = "staff-notation"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Se pueden crear indicaciones metronómicas nuevas en modo de
marcado, pero no cambian el tempo en la salida MIDI.
\header {
lsrtags = "expressive-marks, text"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Aunque la manera más fácil de añadir paréntesis a una indicación
de dinámica es utilizar un bloque @code{\\markup}, este método
\header {
lsrtags = "expressive-marks, text, tweaks-and-overrides"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
A diferencia de las inscripciones de texto, las lestras de ensayo
no se pueden apilar en un punto concreto de la partitura: sólo se
\header {
lsrtags = "expressive-marks, keyboards, unfretted-strings"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
En determinadas situaciones es necesario crear ligaduras de
expresión entre notas que están en voces distintas.
\header {
lsrtags = "expressive-marks, text, tweaks-and-overrides"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Las instrucciones @code{\\startTextSpan} y @code{\\stopTextSpan}
permiten la creación de elementos de extensión textuales tan
\header {
lsrtags = "ancient-notation, tweaks-and-overrides"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Se pueden tipografiar «custos» en diferentes estilos.
\header {
lsrtags = "fretted-strings, tweaks-and-overrides"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Se pueden establecer las propiedades de los diagramas de
posiciones de acordes por medio de @code{'fret-diagram-details}.
\header {
lsrtags = "fretted-strings, tweaks-and-overrides"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Se pueden establecer las propiedades de los diagramas de
posiciones a través de @code{'fret-diagram-details}. Para los
\header {
lsrtags = "editorial-annotations"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
La dirección predeterminada de las plicas sobre la tercera línea
del pentagrama está determinada por la propiedad
\header {
lsrtags = "fretted-strings"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Se pueden añadir diagramas de posiciones predefinidas para
\header {
lsrtags = "staff-notation, tweaks-and-overrides"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Si hay un solo pentagrama en un de los tipos de sistema
@code{ChoirStaff} o @code{StaffGroup}, el comportamiento
\version "2.13.18"
\header {
-%% Translation of GIT committish: ee2fdacf2ff3acd7e6fb7c4005dfe698b1cc4eed
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
He aquí una forma de imprimir un acorde en el que suena la misma nota
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.10
-\version "2.13.20"
+\version "2.13.18"
\header {
%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
\version "2.13.18"
\header {
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
doctitlees = "Alteraciones de estilo dodecafónico para todas las notas incluidas las naturales"
texidoces = "
En las obras de principios del s.XX, empezando por Schoenberg, Berg y
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.8
-\version "2.13.20"
+\version "2.13.18"
\header {
%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
\header {
lsrtags = "editorial-annotations, text"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Se puede insertar códico PostScript directamente dentro de un
bloque @code{\\markup}.
\header {
lsrtags = "contexts-and-engravers"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Del problema central de la notación, esto es, crear un determinado
símbolo, se encargan los «plugins» o complementos añadidos. Cada
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
doctitlees = "Grabado manual de las ligaduras"
texidoces = "
Se pueden grabar a mano las ligaduras modificando la propiedad
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
doctitlees = "Escribir varios grupos especiales usando una sola instrucción \\times"
texidoces = "
La propiedad @code{tupletSpannerDuration} establece cuánto debe durar
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.4
-\version "2.13.20"
+\version "2.13.18"
\header {
%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
\header {
lsrtags = "fretted-strings"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
En este ejemplo se combinan las digitaciones de la mano izquierda,
indicaciones del número de cuerda y digitaciones de la mano
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.10
-\version "2.13.20"
+\version "2.13.18"
\header {
%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Son posibles tanto los corchetes rectos sobre notas sueltas como
extremos de barra sueltos en figuras unidas, con una combinación de
\header {
lsrtags = "simultaneous-notes, tweaks-and-overrides"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
doctitlees = "Forzar el desplazamiento horizontal de las notas"
\header {
lsrtags = "pitches"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Este fragmento de código basado en Scheme genera
24 notas aleatorias (o tantas como se necesiten), basándose en la
\header {
lsrtags = "editorial-annotations"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Se puede cambiar el aspecto de las líneas de rejilla
sobreescribiendo algunas de sus propiedades.
\header {
lsrtags = "editorial-annotations"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Se pueden trazar líneas verticales normales entre pentagramas para
mostrar la relación entre notas; sin embargo, en caso de música
\version "2.13.18"
\header {
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Los patrones de barrado se pueden alterar con la propiedad
@code{beatGrouping}:
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.4
-\version "2.13.20"
+\version "2.13.18"
\header {
%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
\header {
lsrtags = "rhythms, fretted-strings"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Para la música de guitarra, es posible mostrar los ritmos de rasgueo,
además de las notas de la melodía, acordes y diagramas de posiciones.
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Los cambios de dinámica con estilo de texto (como cresc. y dim.)
se imprimen con una línea intermitente que muestra su alcance.
\version "2.13.18"
\header {
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Los «incipit» se pueden escribir utilizando el grob del nombre del
instruemento, pero manteniendo independientes las definiciones del
\header {
lsrtags = "keyboards"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Un corchete de arpegio puede indicar que se tienen que tocar con la
misma mano notas que están en dos pentagramas distintos. Para hacerlo,
\header {
lsrtags = "expressive-marks, tweaks-and-overrides"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Las marcas de cesura se pueden crear sobreescribiendo la propiedad
@code{'text} del objeto @code{BreathingSign}. También está disponible
\header {
lsrtags = "repeats"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
También se pueden imprimir símbolos de porcentaje sueltos. Esto se
hace introduciendo un silencio multicompás con una función de
\header {
lsrtags = "keyboards, percussion, fretted-strings, template"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Ésta es una plantilla bastante avanzada, para un conjunto de
jazz. Observe que la notación de todos los instrumentos está en
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.10
-\version "2.13.20"
+\version "2.13.18"
\header {
%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
\header {
lsrtags = "expressive-marks, tweaks-and-overrides"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Se pueden aplicar puntas de flecha a los elementos de extensión de
texto y de línea (como el Glissando).
\header {
lsrtags = "text, vocal-music"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
La alineación horizontal de la letra se puede ajustar sobreescribiendo
la propiedad @code{self-alignment-X} del objeto @code{LyricText}.
\version "2.13.18"
\header {
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
El «Makam» es un tipo de melodía de Turquía que
utiliza alteraciones microtonales de 1/9 de tono. Consulte el
\version "2.13.18"
\header {
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Las ligaduras de expresión se pueden construir con patrones de
\header {
lsrtags = "staff-notation, editorial-annotations"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Se puede engrosar una línea del pentagrama con fines pedagógicos
(p.ej. la tercera línea o la de la clave de Sol). Esto se puede
\header {
lsrtags = "repeats, staff-notation, editorial-annotations"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Este fragmento de código proporciona una solución alternativa a la
producción de contadores de compás utilizando repeticiones
\header {
lsrtags = "staff-notation, ancient-notation, contexts-and-engravers, tweaks-and-overrides"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
La disposición «mensurstriche» en que las líneas divisorias no
están dibujadas sobre los pentagramas, sino entre ellos, se puede
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.4
-\version "2.13.20"
+\version "2.13.18"
\header {
%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Las abreviaturas se encuentran definidas dentro del archivo
@code{ly/script-init.ly}, donde las variables @code{dashHat},
\header {
lsrtags = "rhythms, text"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Los elementos de marcado aplicados a un silencio multicompás se
centran encima o debajo de éste. Los elementos de marcado extensos
\header {
lsrtags = "staff-notation, contexts-and-engravers, tweaks-and-overrides"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Se puede utilizar la propiedad
@code{systemStartDelimiterHierarchy} para crear grupos de
\version "2.13.18"
\header {
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
LilyPond también proporciona funciones de formato para imprimir
números de grupo especial diferentes a la propia fracción, así
\version "2.13.18"
\header {
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
doctitlees = "Armaduras de tonalidad no tradicionales"
texidoces = "
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.11
-\version "2.13.20"
+\version "2.13.18"
\header {
%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
\header {
lsrtags = "template"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Esta plantilla muestra el uso de contextos @code{StaffGroup} y
\header {
lsrtags = "pitches, text"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Internamente, @code{\\ottava} establece las propiedades
\header {
lsrtags = "repeats, tweaks-and-overrides"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Se pueden mostrar los contadores de las repeticiones del tipo
porcentaje a intervalos regulares mediante el establecimiento de
\header {
lsrtags = "repeats"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Las repeticiones de compases completos mayores de dos repeticiones
pueden llevar un contador si se activa la propiedad adecuada, como se
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
doctitlees = "Permitir saltos de línea dentro de grupos especiales con barra"
texidoces = "
Este ejemplo artificial muestra cómo se pueden permitir tanto los
\header {
lsrtags = "keyboards, template"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Presentamos a continuación una plantilla de piano sencilla con algunas
notas.
\version "2.13.18"
\header {
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Muchas partituras de piano tienen las indicaciones dinámicas centradas
entre los dos pentagramas. El contexto @code{Dynamics}, si se sitúa
\header {
lsrtags = "text, keyboards, template"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
En lugar de tener un pentagrama dedicado a la melodía y la letra, ésta
se puede centrar entre los pentagramas de un sistema de piano.
\header {
lsrtags = "vocal-music, keyboards, template"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
He aquí el típico formato dde una canción: un pentagrama con la
melodía y la letra, y el acompañamiento de piano por debajo.
\header {
lsrtags = "fretted-strings"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Es posible ejercer un mayor control sobre la colocación de las
digitaciones de la mano derecha estableciendo el valor de una
\header {
lsrtags = "fretted-strings"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
La polifonía se crea de la misma forma en un @code{TabStaff} que
en una pauta normal.
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Al establecer la propiedad @code{'strict-grace-spacing} hacemos que
\header {
lsrtags = "rhythms, tweaks-and-overrides"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
doctitlees = "Posicionar los silencios multicompás"
texidoces = "
A diferencia de los silencios normales, no existe una instrucción
\header {
lsrtags = "expressive-marks, editorial-annotations, tweaks-and-overrides"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Los elementos de marcado de texto deben tener la propiedad
\header {
lsrtags = "pitches"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
doctitlees = "Evitar que se añadan becuadros adicionales automáticamente"
texidoces = "
\header {
lsrtags = "pitches"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
doctitlees = "Evitar que se impriman becuadros cuando cambia la armadura"
texidoces = "
\header {
lsrtags = "repeats, tweaks-and-overrides"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Se puede imprimir una línea divisoria de la forma @code{|:} al
principio de la pieza, sobreescribiendo la propiedad correspondiente:
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Se pueden imprimir los números de compás a intervalos regulares
\header {
lsrtags = "rhythms, tweaks-and-overrides"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Los números de compás también se pueden imprimir dentro de rectángulos o de circunferencias.
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Se pueden imprimir reguladores con un círculo en la punta (notación
«al niente») estableciendo la propiedad @code{circled-tip} del objeto
\header {
lsrtags = "text"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Aunque normalmente las marcas de texto sólo se imprimen sobre el
pentagrama superior, también se pueden imprimir en otro pentagrama
\header {
lsrtags = "rhythms, expressive-marks, staff-notation, tweaks-and-overrides"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
De forma predeterminada, las indicaciones metronómicas y las
letras de ensayo se imprimen encima del pentagrama. Para
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
De forma predeterminada se suprime el número del primer compás de una
\header {
lsrtags = "pitches, staff-notation"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Los pasajes citados tienen en cuenta la transposición de la fuente
tanto como la del destino. En este ejemplo, todos los
\header {
lsrtags = "staff-notation"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
La propiedad @code{quotedEventTypes} determina los tipos de eventos
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Los valores predeterminados para las notas de adorno están
\header {
lsrtags = "rhythms, contexts-and-engravers"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Se pueden eliminar completamente los números de compás quitando el
\header {
lsrtags = "staff-notation, tweaks-and-overrides, breaks"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
El primer pentagrama vacío también se puede suprimir de la
partitura estableciendo la propiedad @code{remove-first} de
\header {
lsrtags = "rhythms, ancient-notation, tweaks-and-overrides"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
doctitlees = "Estilos de silencios"
texidoces = "
Los silencios se pueden imprimir en distintos estilos.
\version "2.13.18"
\header {
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Para tipografiar las barras agrupadas en la forma @code{3-4-3-2}
en 12/8, en primer lugar tenemos que sobreescribir los finales de
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.15
-\version "2.13.20"
+\version "2.13.18"
\header {
%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
\header {
lsrtags = "expressive-marks, tweaks-and-overrides"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Si la nota que da fin a un regulador cae sobre la primera parte de
un compás, el regulador se detiene en la línea divisoria
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Si los reguladores son demasiado cortos, se pueden alargar
modificando la propiedad @code{minimum-length} del objeto
\header {
lsrtags = "repeats"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
De forma predeterminada, los corchetes de primera y segunda vez se
trazan encima de los finales alternativos completos, pero es posible
\header {
lsrtags = "chords"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Se pueden imprimir los acordes exclusivamente al comienzo de las
líneas y cuando cambia el acorde.
\header {
lsrtags = "chords"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Al juntar nombres de acorde en cifrado americano, melodía y letra,
obtenemos una hoja guía de acordes o «lead sheet»:
\header {
lsrtags = "vocal-music, chords, template"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Esta plantilla facilita la preparación de una canción con melodía,
letra y acordes.
\header {
lsrtags = "vocal-music, chords, template"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Presentamos a continuación un ejemplo de plantilla para una hoja
guía de acordes con melodía, letra, acordes y diagramas de
\header {
lsrtags = "chords, template"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
¿Quiere preparar una hoja guía de acordes (o «lead sheet») con
melodía y acordes? ¡No busque más!
\header {
lsrtags = "vocal-music, template"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Esta pequeña plantilla muestra una melodía sencilla con letra. Córtela
y péguela, escriba las notas y luego la letra. Este ejemplo desactiva
\header {
lsrtags = "template"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Esta plantilla simple prepara un pentagrama con notas, adecuado para
un instrumento solista o un fragmento melódico. Córtelo y péguelo en
\version "2.13.18"
\header {
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
doctitlees = "Marca de pizzicato de chasquido (`pizzicato de Bartók')"
texidoces = "
El pizzicato de chasquido (también llamado @q{Pizzicato de Bartók}) es un
\header {
lsrtags = "text"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Los textos independientes se pueden disponer en varias columnas
utilizando instrucciones @code{\\markup}:
\version "2.13.18"
\header {
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
La dirección de las plicas se contola de la misma forma en la
tablatura que en la notación tradicional. Las barras se pueden
\header {
lsrtags = "unfretted-strings, template"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Esta plantilla muestra un cuarteto de cuerda normal. También utiliza
una sección @code{\\global} para el compás y la armadura
\header {
lsrtags = "unfretted-strings, template"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
El fragmento de código @qq{Plantilla de cuarteto de cuerda} produce un
resultado satisfactorio para el cuarteto, pero ¿y si tenemos que
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Las barras de semicorcheas (o notas más breves) seguidas no se
subdividen de forma predeterminada. Esto es: las tres (o más)
string-quartet-template-with-separate-parts.ly
vocal-ensemble-template-with-automatic-piano-reduction.ly
vocal-ensemble-template-with-lyrics-aligned-below-and-above-the-staves.ly
+vocal-ensemble-template-with-verse-and-refrain.ly
vocal-ensemble-template.ly
\header {
lsrtags = "ancient-notation, tweaks-and-overrides"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
A modo de alternativa para obtener auténticos «incipit»
independientes de la partitura principal, se incluyen como
\header {
lsrtags = "pitches"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
doctitlees = "Transportar música con el menor número de alteraciones"
texidoces = "
Este ejemplo utiliza código de Scheme para forzar las
\header {
lsrtags = "pitches, staff-notation, tweaks-and-overrides"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
doctitlees = "Trucaje de las propiedades de clave"
texidoces = "
La instrucción @code{\\clef \"treble_8\"} equivale a un ajuste de
\header {
lsrtags = "rhythms, tweaks-and-overrides"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
La disposición de las expresiones de adorno se puede cambiar a lo
\header {
lsrtags = "staff-notation, contexts-and-engravers"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Se puede usar el delimitador de comienzo de un sistema
@code{SystemStartSquare} estableciéndolo explícitamente dentro de
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Algunos compositores escriben dos ligaduras cuando quieren acordes
legato. Esto se puede conseguir estableciendo @code{doubleSlurs}.
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Es posible aplicar la barrita que cruza la barra de las
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.10
-\version "2.13.20"
+\version "2.13.18"
\header {
%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
% generated from Documentation/snippets/new
% This file is in the public domain.
%% Note: this file works from version 2.13.10
-\version "2.13.20"
+\version "2.13.18"
\header {
%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
\header {
lsrtags = "rhythms"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
doctitlees = "Uso de ligaduras en los arpegios"
texidoces = "
En ocasiones se usan ligaduras de unión para escribir los arpegios.
\header {
lsrtags = "tweaks-and-overrides, spacing"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Mediante el establecimiento de la propiedad @code{'Y-extent} a un valor
adecuado, todos los objetos @code{DynamicLineSpanner} (reguladores e
\header {
lsrtags = "expressive-marks"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Las expresiones dinámicas que se comienzan, terminan o se producen
en la misma nota se alinean verticalmente. Para asegurar que las
\header {
lsrtags = "vocal-music, tweaks-and-overrides, spacing"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Este fragmento de código muestra el uso de las propiedades de
contexto @code{alignBelowContext} y @code{alignAboveContext} para
\header {
lsrtags = "vocal-music, keyboards, template"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Esta plantilla añade una reducción de piano automática a la partitura
\header {
lsrtags = "text, vocal-music, contexts-and-engravers, template"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Esta plantilla es, básicamente, la misma que la sencilla plantilla
@qq{Conjunto vocal}, excepto que aquí todas las líneas de letra se
--- /dev/null
+% Do not edit this file; it is automatically
+% generated from Documentation/snippets/new
+% This file is in the public domain.
+%% Note: this file works from version 2.13.21
+\version "2.13.21"
+
+\header {
+ lsrtags = "vocal-music, contexts-and-engravers, template"
+ texidoc = "
+This template creates a score which starts with a solo verse and
+continues into a refrain for two voices. It also demonstrates the
+use of spacer rests within the @code{\global} variable to define
+meter changes (and other elements common to all parts) throughout
+the entire score.
+"
+ doctitle = "Solo verse and two-part refrain"
+} % begin verbatim
+
+
+global = {
+ \key g \major
+
+ % verse
+ \time 3/4
+ s2.*2
+ \break
+
+ % refrain
+ \time 2/4
+ s2*2
+ \bar "|."
+}
+
+SoloNotes = \relative g' {
+ \clef "treble"
+
+ % verse
+ g4 g g |
+ b4 b b |
+
+ % refrain
+ R2*2 |
+}
+
+SoloLyrics = \lyricmode {
+ One two three |
+ four five six |
+}
+
+SopranoNotes = \relative c'' {
+ \clef "treble"
+
+ % verse
+ R2.*2 |
+
+ % refrain
+ c4 c |
+ g4 g |
+}
+
+SopranoLyrics = \lyricmode {
+ la la |
+ la la |
+}
+
+BassNotes = \relative c {
+ \clef "bass"
+
+ % verse
+ R2.*2 |
+
+ % refrain
+ c4 e |
+ d4 d |
+}
+
+BassLyrics = \lyricmode {
+ dum dum |
+ dum dum |
+}
+
+\score {
+ <<
+ \new Voice = "SoloVoice" << \global \SoloNotes >>
+ \new Lyrics \lyricsto "SoloVoice" \SoloLyrics
+
+ \new ChoirStaff <<
+ \new Voice = "SopranoVoice" << \global \SopranoNotes >>
+ \new Lyrics \lyricsto "SopranoVoice" \SopranoLyrics
+
+ \new Voice = "BassVoice" << \global \BassNotes >>
+ \new Lyrics \lyricsto "BassVoice" \BassLyrics
+ >>
+ >>
+ \layout {
+ ragged-right = ##t
+ \context { \Staff
+ % these lines prevent empty staves from being printed
+ \RemoveEmptyStaves
+ \override VerticalAxisGroup #'remove-first = ##t
+ }
+ }
+}
+
\header {
lsrtags = "vocal-music, template"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
He aquí una partitura vocal estándar para cuatro voces SATB. Con
grupos mayores, suele ser útil incluir una sección que aparezca en
vertically-centered-common-lyrics.ly
vocal-ensemble-template-with-automatic-piano-reduction.ly
vocal-ensemble-template-with-lyrics-aligned-below-and-above-the-staves.ly
+vocal-ensemble-template-with-verse-and-refrain.ly
vocal-ensemble-template.ly
\header {
lsrtags = "repeats, staff-notation, chords"
-%% Translation of GIT committish: 2b0dc29608d6c3f5a03ead4877ae514c647adb74
+%% Translation of GIT committish: d2119a9e5e951c6ae850322f41444ac98d1ed492
texidoces = "
Mediante la adición del grabador @code{Volta_engraver} al
pentagrama pertinente, se pueden poner los corchetes de primera y
projects / lilypond.git / commitdiff