lilypond-book robustness: ensure EOL at the end of @verbatim

[lilypond.git] / input / lsr / vocal-ensemble-template.ly

diff --git a/input/lsr/vocal-ensemble-template.ly b/input/lsr/vocal-ensemble-template.ly
index 7a2e96fb35c2493b12d8770d857f88854a11dada..9ecf40af53eedf319810e5911f9d3f844a3ccd2b 100644 (file)
--- a/input/lsr/vocal-ensemble-template.ly
+++ b/input/lsr/vocal-ensemble-template.ly
@@ -1,86 +1,118 @@
 %% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
 %% This file is in the public domain.
-\version "2.11.38"
+\version "2.13.1"
 
 \header {
   lsrtags = "vocal-music, template"
 
+%% Translation of GIT committish: d35687993883eb31442009fc50d5ae063108bfa7
+  texidoces = "
+He aquí una partitura vocal estándar para cuatro voces SATB. Con
+grupos mayores, suele ser útil incluir una sección que aparezca en
+todas las partes.  Por ejemplo, el compás y la armadura casi siempre
+son los mismos para todas. Como en la plantilla \"Himno\", las cuatro
+voces se reagrupan en sólo dos pentagramas.
+
+"
+  doctitlees = "Plantilla de conjunto vocal"
+%% Translation of GIT committish: 17633f6b8681af86230aa84597fe7561e98c91d6
+  
+  texidocde = "
+Dieses Beispiel ist für vierstimmigen Gesang (SATB). Bei größeren 
+Stücken ist es oft sinnvoll, eine allgemeine Variable zu bestimmen, 
+die in allen Stimmen eingefügt wird. Taktart und Vorzeichen etwa 
+sind fast immer gleich in allen Stimmen.
+"
+
+%% Translation of GIT committish: 06d99c3c9ad1c3472277b4eafd7761c4aadb84ae
+  texidocja = "
+これは標準の 4 パート SATB (ソプラノ、アルト、テナー、バス) ボーカル譜です。@c
+もっと大きな合唱では、すべてのパートで使用されるセクションをインクルードすると@c
+便利です。例えば、拍子記号と調号はほとんど常にすべてのパートで同じです。\"賛美@c
+歌\" テンプレートのように、4 つのボイスは 2 つの譜にグループ分けされています。"
+
   texidoc = "
 Here is a standard four-part SATB vocal score. With larger ensembles,
-it's often useful to include a section which is included in all parts.
-For example, the time signature and key signatures are almost always
-the same for all parts. Like in the \"Hymn\" template, the four voices
-are regrouped on only two staves.
+it is often useful to include a section which is included in all parts.
+For example, the time signature and key signature are almost always the
+same for all parts. Like in the \"Hymn\" template, the four voices are
+regrouped on only two staves.
 
 "
   doctitle = "Vocal ensemble template"
 } % begin verbatim
+
 global = {
-            \key c \major
-            \time 4/4
-         }
-         
-         sopMusic = \relative c'' {
-            c4 c c8[( b)] c4
-         }
-         sopWords = \lyricmode {
-            hi hi hi hi
-         }
-         
-         altoMusic = \relative c' {
-            e4 f d e
-         }
-         altoWords =\lyricmode {
-            ha ha ha ha
-         }
-         
-         tenorMusic = \relative c' {
-            g4 a f g
-         }
-         tenorWords = \lyricmode {
-            hu hu hu hu
-         }
-         
-         bassMusic = \relative c {
-            c4 c g c
-         }
-         bassWords = \lyricmode {
-            ho ho ho ho
-         }
-         
-         \score {
-            \new ChoirStaff <<
-               \new Lyrics = sopranos { s1 }
-               \new Staff = women <<
-                  \new Voice =
-                    "sopranos" { \voiceOne << \global \sopMusic >> }
-                  \new Voice =
-                    "altos" { \voiceTwo << \global \altoMusic >> }
-               >>
-               \new Lyrics = "altos" { s1 }
-               \new Lyrics = "tenors" { s1 }
-               \new Staff = men <<
-                  \clef bass
-                  \new Voice =
-                    "tenors" { \voiceOne <<\global \tenorMusic >> }
-                  \new Voice =
-                    "basses" { \voiceTwo <<\global \bassMusic >> }
-               >>
-               \new Lyrics = basses { s1 }
-         
-               \context Lyrics = sopranos \lyricsto sopranos \sopWords
-               \context Lyrics = altos \lyricsto altos \altoWords
-               \context Lyrics = tenors \lyricsto tenors \tenorWords
-               \context Lyrics = basses \lyricsto basses \bassWords
-            >>
-         
-            \layout {
-               \context {
-                  % a little smaller so lyrics
-                  % can be closer to the staff
-                  \Staff
-                  \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3)
-               }
-            }
-         }
+  \key c \major
+  \time 4/4
+}
+
+sopMusic = \relative c'' {
+  c4 c c8[( b)] c4
+}
+sopWords = \lyricmode {
+  hi hi hi hi
+}
+
+altoMusic = \relative c' {
+  e4 f d e
+}
+altoWords = \lyricmode {
+  ha ha ha ha
+}
+
+tenorMusic = \relative c' {
+  g4 a f g
+}
+tenorWords = \lyricmode {
+  hu hu hu hu
+}
+
+bassMusic = \relative c {
+  c4 c g c
+}
+bassWords = \lyricmode {
+  ho ho ho ho
+}
+
+\score {
+  \new ChoirStaff <<
+    \new Lyrics = sopranos { s1 }
+    \new Staff = women <<
+      \new Voice = "sopranos" {
+        \voiceOne
+        << \global \sopMusic >>
+      }
+      \new Voice = "altos" {
+        \voiceTwo
+        << \global \altoMusic >>
+      }
+    >>
+    \new Lyrics = "altos" { s1 }
+    \new Lyrics = "tenors" { s1 }
+    \new Staff = men <<
+      \clef bass
+      \new Voice = "tenors" {
+        \voiceOne
+        << \global \tenorMusic >>
+      }
+      \new Voice = "basses" {
+        \voiceTwo << \global \bassMusic >>
+      }
+    >>
+    \new Lyrics = basses { s1 }    
+    \context Lyrics = sopranos \lyricsto sopranos \sopWords
+    \context Lyrics = altos \lyricsto altos \altoWords
+    \context Lyrics = tenors \lyricsto tenors \tenorWords
+    \context Lyrics = basses \lyricsto basses \bassWords
+  >>  
+  \layout {
+    \context {
+      % a little smaller so lyrics
+      % can be closer to the staff
+      \Staff
+      \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3)
+    }
+  }
+}