Merge master into nested-bookparts

[lilypond.git] / input / lsr / positioning-multi--measure-rests.ly

diff --git a/input/lsr/positioning-multi--measure-rests.ly b/input/lsr/positioning-multi--measure-rests.ly
index 13b40c3d7ffcc0b3e866d91b686848f1f0984412..9639726e41b623bfa479e938480ee14d06de6559 100644 (file)
--- a/input/lsr/positioning-multi--measure-rests.ly
+++ b/input/lsr/positioning-multi--measure-rests.ly
@@ -1,19 +1,30 @@
 %% Do not edit this file; it is auto-generated from input/new
 %% This file is in the public domain.
-\version "2.11.42"
-\layout { ragged-right = ##t }
+\version "2.11.62"
 \header {
-  doctitle = "Positioning multi-measure rests"
+ doctitlees = "Posicionar los silencios multicompás"
+ texidoces = "
+A diferencia de los silencios normales, no existe una instrucción
+predefinida para modificar la posición predefinida de un símbolo
+multicompás sobre el pentagrama, adjuntándolo a una nota,
+independientemente de cuál sea su forma.  Sin embargo, en la música
+polifónica los silencios multicompás de las voces de numeración par e
+impar están separados verticalmente.  La colocación de los silencios
+multicompás se puede controlar como se ve a continuación:
+
+"
   lsrtags = "rhythms,tweaks-and-overrides"
   texidoc = "
 Unlike ordinary rests, there is no predefined command
-to change the vertical position on the staff of a multi-measure
+to change the staff position of a multi-measure
 rest symbol of either form by attaching it to a note.  However,
 in polyphonic music multi-measure rests in odd-numbered and
 even-numbered voices are vertically separated.  The positioning
 of multi-measure rests can be controlled as follows:
- "}
-% begin verbatim
+ "
+  doctitle = "Positioning multi-measure rests"
+} % begin verbatim
+
 \relative c'' {
   % Multi-measure rests by default are set under the second line
   R1
@@ -28,7 +39,7 @@ of multi-measure rests can be controlled as follows:
   << { R1 } \\ { a1 } >>
   % Multi-measure rests in even-numbered voices are under the bottom line
   << { c1 } \\ { R1 } >>
-  % They remain separated even in empty bars
+  % They remain separated even in empty measures
   << { R1 } \\ { R1 } >>
   % This brings them together even though there are two voices
   \compressFullBarRests