lilypond-book robustness: ensure EOL at the end of @verbatim

[lilypond.git] / input / lsr / dodecaphonic-style-accidentals-for-each-note-including-naturals.ly

diff --git a/input/lsr/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly b/input/lsr/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly
index 9c026b48b0c10469c7c5908cda2bf7b2b5781731..581a0a7eaf7bd350d9cbb6e1b2f92bf413530b50 100644 (file)
--- a/input/lsr/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly
+++ b/input/lsr/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly
@@ -1,10 +1,11 @@
-%% Do not edit this file; it is auto-generated from input/new
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
 %% This file is in the public domain.
-%% Note: this file works from version 2.12.0
-\version "2.12.0"
+\version "2.13.1"
 
 \header {
-%% Translation of GIT committish: 740b9a6c16eb30a84b216d23aeb848aa1b632be6
+  lsrtags = "pitches"
+
+%% Translation of GIT committish: 674a5f874c07063ae56d55be25c55fc3b4bdb7bf
   doctitlees = "Alteraciones de estilo dodecafónico para todas las notas, incluidas las naturales"
   texidoces = "
 En las obras de principios del s.XX, empezando por Schoenberg, Berg y
@@ -32,21 +33,20 @@ notación.
  "
   doctitlede = "Versetzungszeichen für jede Note im Stil der Zwölftonmusik"
 
-  lsrtags = "pitches"
-  texidoc = "In early 20th century works, starting with Schoenberg,
-Berg and Webern (the \"Second\" Viennese school), every pitch in the
-twelve-tone scale has to be regarded as equal, without any hierarchy
-such as the classical (tonal) degrees.  Therefore, these composers
-print one accidental for each note, even at natural pitches, to
-emphasize their new approach to music theory and language.
+  texidoc = "
+In early 20th century works, starting with Schoenberg, Berg and Webern
+(the \"Second\" Viennese school), every pitch in the twelve-tone scale
+has to be regarded as equal, without any hierarchy such as the
+classical (tonal) degrees. Therefore, these composers print one
+accidental for each note, even at natural pitches, to emphasize their
+new approach to music theory and language.
 
 This snippet shows how to achieve such notation rules. 
-"
 
+"
   doctitle = "Dodecaphonic-style accidentals for each note including naturals"
 } % begin verbatim
 
-
 \score {
   \new Staff {
     #(set-accidental-style 'dodecaphonic)
@@ -61,3 +61,4 @@ This snippet shows how to achieve such notation rules.
     }
   }
 }
+