* List of colors::
* The Feta font::
* Note head styles::
+* Clef styles::
* Text markup commands::
* Text markup list commands::
* List of special characters::
@node Common chord modifiers
@appendixsec Common chord modifiers
-The following table shows chord modifiers that can be used in
-@code{\chordmode} to generate standard chord structures.
+The following table shows chord modifiers that can be used to generate
+standard chord structures.
-@multitable @columnfractions .2 .3 .2 .2
+@multitable @columnfractions .2 .25 .2 .15 .2
@item
-@b{Chord type}
+@b{Type}
@tab
-@b{Intervals}
+@b{Interval}
@tab
-@b{Modifier(s)}
+@b{Modifier}
@tab
@b{Example}
+@tab
+@b{Output}
@item
Major
@tab
-Major third, perfect fifth
+Major third, @*perfect fifth
@tab
@code{5} or nothing
@tab
-@lilypond[line-width=2.8\cm,noragged-right, notime]
-\chordmode {
- c1:5
-}
+@code{c1:5}
+@tab
+@lilypond[line-width=2.1\cm,notime]
+<<
+ \chords { c1:5 }
+ \chordmode { c1:5 }
+>>
@end lilypond
@item
Minor
@tab
-Minor third, perfect fifth
+Minor third, @*perfect fifth
@tab
@code{m} or @code{m5}
@tab
-@lilypond[line-width=2.8\cm,noragged-right, notime]
-\chordmode {
- c1:m
-}
+@code{c1:m}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:m }
+ \chordmode { c1:m }
+>>
@end lilypond
@item
Augmented
@tab
-Major third, augmented fifth
+Major third, @*augmented fifth
@tab
@code{aug}
@tab
-@lilypond[line-width=2.8\cm,noragged-right, notime]
-\chordmode {
- c1:aug
-}
+@code{c1:aug}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:aug }
+ \chordmode { c1:aug }
+>>
@end lilypond
@item
Diminished
@tab
-Minor third, diminished fifth
+Minor third, @*diminished fifth
@tab
@code{dim}
@tab
-@lilypond[line-width=2.8\cm,noragged-right, notime]
-\chordmode {
- c1:dim
-}
+@code{c1:dim}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:dim }
+ \chordmode { c1:dim }
+>>
@end lilypond
@item
Dominant seventh
@tab
-Major triad, minor seventh
+Major triad, @*minor seventh
@tab
@code{7}
@tab
-@lilypond[line-width=2.8\cm,noragged-right, notime]
-\chordmode {
- c1:7
-}
+@code{c1:7}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:7 }
+ \chordmode { c1:7 }
+>>
@end lilypond
@item
Major seventh
@tab
-Major triad, major seventh
+Major triad, @*major seventh
@tab
@code{maj7} or @code{maj}
@tab
-@lilypond[line-width=2.8\cm,noragged-right, notime]
-\chordmode {
- c1:maj7
-}
+@code{c1:maj7}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:maj7 }
+ \chordmode { c1:maj7 }
+>>
@end lilypond
@item
Minor seventh
@tab
-Minor triad, minor seventh
+Minor triad, @*minor seventh
@tab
@code{m7}
@tab
-@lilypond[line-width=2.8\cm,noragged-right, notime]
-\chordmode {
- c1:m7
-}
+@code{c1:m7}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:m7 }
+ \chordmode { c1:m7 }
+>>
@end lilypond
@item
Diminished seventh
@tab
-Diminished triad, diminished seventh
+Diminished triad, @*diminished seventh
@tab
@code{dim7}
@tab
-@lilypond[line-width=2.8\cm,noragged-right, notime]
-\chordmode {
- c1:dim7
-}
+@code{c1:dim7}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:dim7}
+ \chordmode { c1:dim7 }
+>>
@end lilypond
@item
Augmented seventh
@tab
-Augmented triad, minor seventh
+Augmented triad, @*minor seventh
@tab
@code{aug7}
@tab
-@lilypond[line-width=2.8\cm,noragged-right, notime]
-\chordmode {
- c1:aug7
-}
+@code{c1:aug}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:aug7 }
+ \chordmode { c1:aug7 }
+>>
@end lilypond
@item
Half-diminished seventh
@tab
-Diminished triad, minor seventh
+Diminished triad, @*minor seventh
@tab
@code{m7.5-}
@tab
-@lilypond[line-width=2.8\cm,noragged-right, notime]
-\chordmode {
- c1:m7.5-
-}
+@code{c1:m7.5-}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:m7.5- }
+ \chordmode { c1:m7.5- }
+>>
@end lilypond
@item
Minor-major seventh
@tab
-Minor triad, major seventh
+Minor triad, @*major seventh
@tab
@code{m7+}
@tab
-@lilypond[line-width=2.8\cm,noragged-right, notime]
-\chordmode {
- c1:m7+
-}
+@code{m7+}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:m7+ }
+ \chordmode { c1:m7+ }
+>>
@end lilypond
@item
Major sixth
@tab
-Major triad, sixth
+Major triad, @*sixth
@tab
@code{6}
@tab
-@lilypond[line-width=2.8\cm,noragged-right, notime]
-\chordmode {
- c1:6
-}
+@code{c1:6}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:6 }
+ \chordmode { c1:6 }
+>>
@end lilypond
@item
Minor sixth
@tab
-Minor triad, sixth
+Minor triad, @*sixth
@tab
@code{m6}
@tab
-@lilypond[line-width=2.8\cm,noragged-right, notime]
-\chordmode {
- c1:m6
-}
+@code{c1:m6}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:m6 }
+ \chordmode { c1:m6 }
+>>
@end lilypond
@item
Dominant ninth
@tab
-Dominant seventh, major ninth
+Dominant seventh, @*major ninth
@tab
@code{9}
@tab
-@lilypond[line-width=2.8\cm,noragged-right, notime]
-\chordmode {
- c1:9
-}
+@code{c1:9}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:9 }
+ \chordmode { c1:9 }
+>>
@end lilypond
@item
Major ninth
@tab
-Major seventh, major ninth
+Major seventh, @*major ninth
@tab
@code{maj9}
@tab
-@lilypond[line-width=2.8\cm,noragged-right, notime]
-\chordmode {
- c1:maj9
-}
+@code{c1:maj9}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:maj9 }
+ \chordmode { c1:maj9 }
+>>
@end lilypond
@item
Minor ninth
@tab
-Minor seventh, major ninth
+Minor seventh, @*major ninth
@tab
@code{m9}
@tab
-@lilypond[line-width=2.8\cm,noragged-right, notime]
-\chordmode {
- c1:m9
-}
+@code{c1:m9}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:m9 }
+ \chordmode { c1:m9 }
+>>
@end lilypond
@item
Dominant eleventh
@tab
-Dominant ninth, perfect eleventh
+Dominant ninth, @*perfect eleventh
@tab
@code{11}
@tab
-@lilypond[line-width=2.8\cm,noragged-right, notime]
-\chordmode {
- c1:11
-}
+@code{c1:11}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:11 }
+ \chordmode { c1:11 }
+>>
@end lilypond
@item
Major eleventh
@tab
-Major ninth, perfect eleventh
+Major ninth, @*perfect eleventh
@tab
@code{maj11}
@tab
-@lilypond[line-width=2.8\cm,noragged-right, notime]
-\chordmode {
- c1:maj11
-}
+@code{c1:maj11}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:maj11 }
+ \chordmode { c1:maj11 }
+>>
@end lilypond
@item
Minor eleventh
@tab
-Minor ninth, perfect eleventh
+Minor ninth, @*perfect eleventh
@tab
@code{m11}
@tab
-@lilypond[line-width=2.8\cm,noragged-right, notime]
-\chordmode {
- c1:m11
-}
+@code{c1:m11}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:m11 }
+ \chordmode { c1:m11 }
+>>
@end lilypond
@item
Dominant thirteenth
@tab
-Dominant ninth, major thirteenth
+Dominant ninth, @*major thirteenth
@tab
@code{13}
@tab
-@lilypond[line-width=2.8\cm,noragged-right, notime]
-\chordmode {
- c1:13
-}
+@code{c1:13}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:13 }
+ \chordmode { c1:13 }
+>>
@end lilypond
@item
Dominant thirteenth
@tab
-Dominant eleventh, major thirteenth
+Dominant eleventh, @*major thirteenth
@tab
@code{13.11}
@tab
-@lilypond[line-width=2.8\cm,noragged-right, notime]
-\chordmode {
- c1:13.11
-}
+@code{c1:13.11}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords{ c1:13.11 }
+ \chordmode { c1:13.11 }
+>>
@end lilypond
@item
Major thirteenth
@tab
-Major eleventh, major thirteenth
+Major eleventh, @*major thirteenth
@tab
@code{maj13.11}
@tab
-@lilypond[line-width=2.8\cm,noragged-right, notime]
-\chordmode {
- c1:maj13.11
-}
+@code{c1:maj13.11}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:maj13.11 }
+ \chordmode { c1:maj13.11 }
+>>
@end lilypond
@item
Minor thirteenth
@tab
-Minor eleventh, major thirteenth
+Minor eleventh, @*major thirteenth
@tab
@code{m13.11}
@tab
-@lilypond[line-width=2.8\cm,noragged-right, notime]
-\chordmode {
- c1:m13.11
-}
+@code{c1:m13.11}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:m13.11 }
+ \chordmode { c1:m13.11 }
+>>
@end lilypond
@item
Suspended second
@tab
-Major second, perfect fifth
+Major second, @*perfect fifth
@tab
@code{sus2}
@tab
-@lilypond[line-width=2.8\cm,noragged-right, notime]
-\chordmode {
- c1:sus2
-}
+@code{c1:sus2}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:sus2 }
+ \chordmode { c1:sus2 }
+>>
@end lilypond
@item
Suspended fourth
@tab
-Perfect fourth, perfect fifth
+Perfect fourth, @*perfect fifth
@tab
@code{sus4}
@tab
-@lilypond[line-width=2.8\cm,noragged-right, notime]
-\chordmode {
- c1:sus4
-}
+@code{c1:sus4}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:sus4 }
+ \chordmode { c1:sus4 }
+>>
@end lilypond
@item
-Power chord (two-voiced)
+Power chord @*(two-voiced)
@tab
Perfect fifth
@tab
@code{1.5}
@tab
-@lilypond[line-width=2.8\cm,noragged-right, notime]
-\chordmode {
- \powerChords
- c1:1.5
-}
+@code{\powerChords c1:1.5}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+\chordmode { \powerChords c1:1.5 }
@end lilypond
@item
-Power chord (three-voiced)
+Power chord @*@w{(three-voiced)}
@tab
-Perfect fifth, octave
+Perfect fifth, @*octave
@tab
@code{1.5.8}
@tab
-@lilypond[line-width=2.8\cm,noragged-right, notime]
-\chordmode {
- \powerChords
- c1:1.5.8
-}
+@code{\powerChords c1:1.5.8}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+ \chordmode { \powerChords c1:1.5.8 }
@end lilypond
@end multitable
@node Predefined fretboard diagrams
@appendixsec Predefined fretboard diagrams
-The chart below shows the predefined fretboard diagrams for guitar.
+@menu
+* Diagrams for Guitar::
+* Diagrams for Ukulele::
+* Diagrams for Mandolin::
+@end menu
+
+@node Diagrams for Guitar
+@unnumberedsubsec Diagrams for Guitar
@lilypondfile[line-width=15.5\cm]{display-predefined-fretboards.ly}
-The chart below shows the predefined fretboard diagrams for ukulele.
+@node Diagrams for Ukulele
+@unnumberedsubsec Diagrams for Ukulele
@lilypondfile[line-width=15.5\cm]{display-predefined-ukulele-fretboards.ly}
-The chart below shows the predefined fretboard diagrams for mandolin.
+@node Diagrams for Mandolin
+@unnumberedsubsec Diagrams for Mandolin
@lilypondfile[line-width=15.5\cm]{display-predefined-mandolin-fretboards.ly}
\doc-chars #kievan
@end lilypond
+
@node Note head styles
@appendixsec Note head styles
@lilypondfile[noindent]{note-head-style.ly}
+@node Clef styles
+@appendixsec Clef styles
+
+The following table shows all the different clef styles possible
+(including where @emph{middle C} sits relative to the clef).
+
+@multitable @columnfractions .30 .2 .30 .2
+
+@headitem
+Example
+@tab
+Output
+@tab
+Example
+@tab
+Output
+
+
+@item
+@code{\clef G}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef G c1
+@end lilypond
+
+@tab
+@code{\clef "G2"}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef "G2"
+c1
+@end lilypond
+
+@item
+@code{\clef treble}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef treble
+c1
+@end lilypond
+
+@tab
+@code{\clef violin}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef violin
+c1
+@end lilypond
+
+@item
+@code{\clef french}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef french
+c1
+@end lilypond
+
+@tab
+@code{\clef GG}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef GG
+c1
+@end lilypond
+
+@item
+@code{\clef tenorG}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef tenorG
+c1
+@end lilypond
+
+@tab
+@code{\clef soprano}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef soprano
+c1
+@end lilypond
+
+@item
+@code{\clef mezzosoprano}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef mezzosoprano
+c1
+@end lilypond
+
+@tab
+@code{\clef C}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef C
+c1
+@end lilypond
+
+@item
+@code{\clef alto}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef alto
+c1
+@end lilypond
+
+@tab
+@code{\clef tenor}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef tenor
+c1
+@end lilypond
+
+@item
+@code{\clef baritone}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef baritone
+c1
+@end lilypond
+
+@tab
+@code{\clef varC}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef varC
+c1
+@end lilypond
+
+@item
+@code{\clef altovarC}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef altovarC
+c1
+@end lilypond
+
+@tab
+@code{\clef tenorvarC}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef tenorvarC
+c1
+@end lilypond
+
+@item
+@code{\clef baritonevarC}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef baritonevarC
+c1
+@end lilypond
+
+@tab
+@code{\clef varbaritone}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef varbaritone
+c1
+@end lilypond
+
+@item
+@code{\clef baritonevarF}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef baritonevarF
+c1
+@end lilypond
+
+@tab
+@code{\clef F}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef F
+c1
+@end lilypond
+
+@item
+@code{\clef bass}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef bass
+c1
+@end lilypond
+
+@tab
+@code{\clef subbass}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef subbass
+c1
+@end lilypond
+
+@item
+@code{\clef percussion}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef percussion
+c1
+@end lilypond
+
+@tab
+@c @example does not work as expected within multitables
+@code{
+\new TabStaff @{ @*
+@ @ \clef tab @*
+@}
+}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\new TabStaff {
+ \clef tab
+ c1
+}
+@end lilypond
+
+@item
+@c @example does not work as expected within multitables
+@code{
+\new TabStaff @{ @*
+@ @ \clef moderntab @*
+@}
+}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\new TabStaff {
+ \clef moderntab
+ c1
+}
+@end lilypond
+
+
+@end multitable
+
+
@node Text markup commands
@appendixsec Text markup commands
@appendixsec List of articulations
-@cindex accent
-@cindex accentus
-@cindex circulus
-@cindex coda
-@cindex downbow
-@cindex downmordent
-@cindex downprall
-@cindex espressivo
-@cindex fermata
-@cindex flageolet
-@cindex halfopen
-@cindex ictus
-@cindex lheel
-@cindex lineprall
-@cindex longfermata
-@cindex ltoe
-@cindex marcato
-@cindex mordent
-@cindex open
-@cindex portato
-@cindex prall
-@cindex pralldown
-@cindex prallmordent
-@cindex prallprall
-@cindex prallup
-@cindex reverseturn
-@cindex rheel
-@cindex rtoe
-@cindex segno
-@cindex semicirculus
-@cindex shortfermata
-@cindex signumcongruentiae
-@cindex snappizzicato
-@cindex staccatissimo
-@cindex staccato
-@cindex stopped
-@cindex tenuto
-@cindex thumb
-@cindex trill
-@cindex turn
-@cindex upbow
-@cindex upmordent
-@cindex upprall
-@cindex varcoda
-@cindex verylongfermata
-
-The following scripts are available in the Feta font and may be
-attached to notes (eg. @samp{c\accent}).
+The following lists show all the scripts in the Feta font that may be
+attached to notes (eg. @samp{f\accent} or @samp{f->}). Each example
+shows the script in the @emph{up}, @emph{down} and @emph{neutral}
+positions respectively.
@c Articulations and ornamentations
@c Fingering instructions (for "thumb")
* Ancient scripts::
@end menu
+@ignore
+The @multitable @columnfraction value discrepancy between the first and
+the remaining columns is deliberate; it seems (at least visually
+anyway) the gap (after building the documentation) between first and
+second column examples was always larger than between the remaining
+columns - JL
+@end ignore
+
+@cindex accent
+@cindex espressivo
+@cindex marcato
+@cindex portato
+@cindex staccatissimo
+@cindex staccato
+@cindex tenuto
+@cindex thumb
@node Articulation scripts
@unnumberedsubsec Articulation scripts
-@lilypond[quote]
-\include "script-chart.ly"
-\new RhythmicStaff { \scriptStaff #articulations }
+@multitable @columnfractions .22 .25 .25 .25
+
+@item
+@code{\accent} or @code{->}
+@lilypond[notime,relative=2]
+f^\accent e,_\accent b'\accent
+@end lilypond
+@tab
+@code{\espressivo}
+@lilypond[notime,relative=2]
+f^\espressivo e,_\espressivo b'\espressivo
+@end lilypond
+@tab
+@code{\marcato} or @code{-^}
+@lilypond[notime,relative=2]
+f^\marcato e,_\marcato b'\marcato
+@end lilypond
+@tab
+@code{\portato} or @code{-_}
+@lilypond[notime,relative=2]
+f^\portato e,_\portato b'\portato
@end lilypond
+@item
+@code{\staccatissimo} @* or @code{-!}
+@lilypond[notime,relative=2]
+f^\staccatissimo e,_\staccatissimo b'\staccatissimo
+@end lilypond
+@tab
+@code{\staccato} or @code{-.}
+@lilypond[notime,relative=2]
+f^\staccato e,_\staccato b'\staccato
+@end lilypond
+@tab
+@code{\tenuto} or @code{--}
+@lilypond[notime,relative=2]
+f^\tenuto e,_\tenuto b'\tenuto
+@end lilypond
+
+@end multitable
+
+@cindex prall
+@cindex prallup
+@cindex pralldown
+@cindex upprall
+@cindex downprall
+@cindex prallprall
+@cindex lineprall
+@cindex prallmordent
+@cindex mordent
+@cindex upmordent
+@cindex downmordent
+@cindex trill
+@cindex turn
+@cindex reverseturn
+
@node Ornament scripts
@unnumberedsubsec Ornament scripts
-@lilypond[quote]
-\include "script-chart.ly"
-\new RhythmicStaff { \scriptStaff #ornaments }
+@multitable @columnfractions .22 .25 .25 .25
+
+@item
+@code{\prall}
+@lilypond[notime,relative=2]
+f^\prall e,_\prall b'\prall
+@end lilypond
+@tab
+@code{\prallup}
+@lilypond[notime,relative=2]
+f^\prallup e,_\prallup b'\prallup
+@end lilypond
+@tab
+@code{\pralldown}
+@lilypond[notime,relative=2]
+f^\pralldown e,_\pralldown b'\pralldown
+@end lilypond
+@tab
+@code{\upprall}
+@lilypond[notime,relative=2]
+f^\upprall e,_\upprall b'\upprall
+@end lilypond
+
+@item
+@code{\downprall}
+@lilypond[notime,relative=2]
+f^\downprall e,_\downprall b'\downprall
+@end lilypond
+@tab
+@code{\prallprall}
+@lilypond[notime,relative=2]
+f^\prallprall e,_\prallprall b'\prallprall
+@end lilypond
+@tab
+@code{\lineprall}
+@lilypond[notime,relative=2]
+f^\lineprall e,_\lineprall b'\lineprall
+@end lilypond
+@tab
+@code{\prallmordent}
+@lilypond[notime,relative=2]
+f^\prallmordent e,_\prallmordent b'\prallmordent
+@end lilypond
+
+@item
+@code{\mordent}
+@lilypond[notime,relative=2]
+f^\mordent e,_\mordent b'\mordent
+@end lilypond
+@tab
+@code{\upmordent}
+@lilypond[notime,relative=2]
+f^\upmordent e,_\upmordent b'\upmordent
+@end lilypond
+@tab
+@code{\downmordent}
+@lilypond[notime,relative=2]
+f^\downmordent e,_\downmordent b'\downmordent
+@end lilypond
+@tab
+@code{\trill}
+@lilypond[notime,relative=2]
+f^\trill e,_\trill b'\trill
+@end lilypond
+
+@item
+@code{\turn}
+@lilypond[notime,relative=2]
+f^\turn e,_\turn b'\reverseturn
+@end lilypond
+@tab
+@code{\reverseturn}
+@lilypond[notime,relative=2]
+f^\reverseturn e,_\reverseturn b'\reverseturn
@end lilypond
+@end multitable
+
+@cindex fermata
+@cindex shortfermata
+@cindex longfermata
+@cindex verylongfermata
+
@node Fermata scripts
@unnumberedsubsec Fermata scripts
-@lilypond[quote]
-\include "script-chart.ly"
-\new RhythmicStaff { \scriptStaff #fermatas }
+@multitable @columnfractions .22 .25 .25 .25
+
+@item
+@code{\shortfermata}
+@lilypond[notime,relative=2]
+f^\shortfermata e,_\shortfermata b'\shortfermata
+@end lilypond
+@tab
+@code{\fermata}
+@lilypond[notime,relative=2]
+f^\fermata e,_\fermata b'\fermata
@end lilypond
+@tab
+@code{\longfermata}
+@lilypond[notime,relative=2]
+f^\longfermata e,_\longfermata b'\longfermata
+@end lilypond
+@tab
+@code{\verylongfermata}
+@lilypond[notime,relative=2]
+f^\verylongfermata e,_\verylongfermata b'\verylongfermata
+@end lilypond
+
+@end multitable
+
+@cindex upbow
+@cindex downbow
+@cindex flageolet
+@cindex open
+@cindex halfopen
+@cindex lheel
+@cindex rheel
+@cindex ltoe
+@cindex rtoe
+@cindex snappizzicato
+@cindex stopped
@node Instrument-specific scripts
@unnumberedsubsec Instrument-specific scripts
-@lilypond[quote]
-\include "script-chart.ly"
-\new RhythmicStaff { \scriptStaff #instrument-specific }
+@multitable @columnfractions .22 .25 .25 .25
+
+@item
+@code{\upbow}
+@lilypond[notime,relative=2]
+f^\upbow e,_\upbow b'\upbow
+@end lilypond
+@tab
+@code{\downbow}
+@lilypond[notime,relative=2]
+f^\downbow e,_\downbow b'\downbow
+@end lilypond
+@tab
+@code{\flageolet}
+@lilypond[notime,relative=2]
+f^\flageolet e,_\flageolet b'\flageolet
+@end lilypond
+@tab
+@code{\open}
+@lilypond[notime,relative=2]
+f^\open e,_\open b'\open
+@end lilypond
+
+@item
+@code{\halfopen}
+@lilypond[notime,relative=2]
+f^\halfopen e,_\halfopen b'\halfopen
+@end lilypond
+@tab
+@code{\lheel}
+@lilypond[notime,relative=2]
+f^\lheel e,_\lheel b'\lheel
+@end lilypond
+@tab
+@code{\rheel}
+@lilypond[notime,relative=2]
+f^\rheel e,_\rheel b'\rheel
+@end lilypond
+@tab
+@code{\ltoe}
+@lilypond[notime,relative=2]
+f^\ltoe e,_\ltoe b'\ltoe
@end lilypond
+@item
+@code{\rtoe}
+@lilypond[notime,relative=2]
+f^\rtoe e,_\rtoe b'\rtoe
+@end lilypond
+@tab
+@code{\snappizzicato}
+@lilypond[notime,relative=2]
+f^\snappizzicato e,_\snappizzicato b'\snappizzicato
+@end lilypond
+@tab
+@code{\stopped} or @code{-+}
+@lilypond[notime,relative=2]
+f^\stopped e,_\stopped b'\stopped
+@end lilypond
+
+@end multitable
+
+@cindex segno
+@cindex coda
+@cindex varcoda
+
@node Repeat sign scripts
@unnumberedsubsec Repeat sign scripts
-@lilypond[quote]
-\include "script-chart.ly"
-\new RhythmicStaff { \scriptStaff #repeats }
+@multitable @columnfractions .22 .25 .25 .25
+
+@item
+@code{\segno}
+@lilypond[notime,relative=2]
+f^\segno e,_\segno b'\segno
+@end lilypond
+@tab
+@code{\coda}
+@lilypond[notime,relative=2]
+f^\coda e,_\coda b'\coda
+@end lilypond
+@tab
+@code{\varcoda}
+@lilypond[notime,relative=2]
+f^\varcoda e,_\varcoda b'\varcoda
@end lilypond
+@end multitable
+
+@cindex accentus
+@cindex circulus
+@cindex ictus
+@cindex semicirculus
+@cindex signumcongruentiae
+
@node Ancient scripts
@unnumberedsubsec Ancient scripts
-@lilypond[quote]
-\include "script-chart.ly"
+@multitable @columnfractions .22 .25 .25 .25
+
+@item
+@code{\accentus}
+@lilypond[notime]
+\include "gregorian.ly"
+\new VaticanaStaff { e'^\accentus s4 f_\accentus s4 b\accentus}
+@end lilypond
+@tab
+@code{\circulus}
+@lilypond[notime]
+\include "gregorian.ly"
+\new VaticanaStaff { e'^\circulus s4 f_\circulus s4 b\circulus }
+@end lilypond
+@tab
+@code{\ictus}
+@lilypond[notime]
+\include "gregorian.ly"
+\new VaticanaStaff { e'^\ictus s4 f_\ictus s4 b\ictus}
+@end lilypond
+
+@item
+@code{\semicirculus}
+@lilypond[notime]
+\include "gregorian.ly"
+\new VaticanaStaff {
+ e'^\semicirculus s4 f_\semicirculus s4 b\semicirculus
+}
+@end lilypond
+@tab
+@code{\signumcongruentiae}
+@lilypond[notime]
\include "gregorian.ly"
-\new VaticanaStaff { \scriptStaffAncient #ancient }
+\new VaticanaStaff {
+ e'^\signumcongruentiae s4
+ f_\signumcongruentiae s4
+ b\signumcongruentiae
+}
@end lilypond
+@end multitable
+
@node Percussion notes
@appendixsec Percussion notes
@cindex parser
@cindex Bison
+@cindex LilyPond grammar
@cindex grammar for LilyPond
@cindex BNF
message is produced. The syntactic groupings and the rules for
constructing the groupings from their parts for the LilyPond syntax
are defined in @file{lily/parser.yy} and shown in Backus Normal Form
-(BNF) in @ref{LilyPond grammar}. This file is used to build the
-parser during the program build by the parser generator, Bison. It
-is part of the source code and is not included in the LilyPond
-binary installation.
+(BNF) in @rcontrib{LilyPond grammar}. This file is used to build the
+parser during the program build by the parser generator, Bison. It is
+part of the source code and is not included in the LilyPond binary
+installation.
@node parser variable
projects / lilypond.git / blobdiff