Translation of GIT committish: FILL-IN-HEAD-COMMITTISH
When revising a translation, copy the HEAD committish of the
- version that you are working on. See TRANSLATION for details.
+ version that you are working on. For details, see the Contributors'
+ Guide, node Updating translation committishes..
@end ignore
-@c \version "2.12.0"
+@c \version "2.19.28"
@node Notation manual tables
@appendix Notation manual tables
-@c Please do not delete the following @ignore block.
-@ignore
-Note for editors and translators: In the following menu, two entries
-are needed to link to a pair of automatically generated sections.
-Please keep them and, if using emacs, do not run
-texinfo-all-menus-update without manually restoring them back. These
-menu entries are:
-
-* Text markup commands::
-* Text markup list commands::
-
-and they should go just after
-* Note head styles::
-
-and just before
-* List of articulations::
-@end ignore
-
@menu
* Chord name chart::
* Common chord modifiers::
+* Predefined string tunings::
* Predefined fretboard diagrams::
+* Predefined paper sizes::
* MIDI instruments::
* List of colors::
-* The Feta font::
+* The Emmentaler font::
* Note head styles::
+* Clef styles::
* Text markup commands::
* Text markup list commands::
+* List of special characters::
* List of articulations::
* Percussion notes::
* Technical glossary::
* All context properties::
* Layout properties::
* Available music functions::
+* Context modification identifiers::
+* Predefined type predicates::
* Scheme functions::
@end menu
@node Chord name chart
@appendixsec Chord name chart
-The following charts shows two standard systems for printing chord
+The following chart shows two standard systems for printing chord
names, along with the pitches they represent.
-@lilypondfile{chord-names-jazz.ly}
+@c The line width is a hack to allow space for instrument names
+@lilypondfile[quote,line-width=15\cm]{chord-names-jazz.ly}
@node Common chord modifiers
@appendixsec Common chord modifiers
-The following table shows chord modifiers that can be used in
-@code{\chordmode} to generate standard chord structures.
+The following table shows chord modifiers that can be used to generate
+standard chord structures.
-@multitable @columnfractions .2 .3 .2 .2
+@multitable @columnfractions .2 .25 .2 .15 .2
@item
-@b{Chord type}
+@b{Type}
@tab
-@b{Intervals}
+@b{Interval}
@tab
-@b{Modifier(s)}
+@b{Modifier}
@tab
@b{Example}
+@tab
+@b{Output}
@item
Major
@tab
-Major third, perfect fifth
+Major third, @*perfect fifth
@tab
@code{5} or nothing
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:5
-}
+@code{c1:5}
+@tab
+@lilypond[line-width=2.1\cm,notime]
+<<
+ \chords { c1:5 }
+ \chordmode { c1:5 }
+>>
@end lilypond
@item
Minor
@tab
-Minor third, perfect fifth
+Minor third, @*perfect fifth
@tab
@code{m} or @code{m5}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:m
-}
+@code{c1:m}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:m }
+ \chordmode { c1:m }
+>>
@end lilypond
@item
Augmented
@tab
-Major third, augmented fifth
+Major third, @*augmented fifth
@tab
@code{aug}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:aug
-}
+@code{c1:aug}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:aug }
+ \chordmode { c1:aug }
+>>
@end lilypond
@item
Diminished
@tab
-Minor third, diminished fifth
+Minor third, @*diminished fifth
@tab
@code{dim}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:dim
-}
+@code{c1:dim}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:dim }
+ \chordmode { c1:dim }
+>>
@end lilypond
@item
Dominant seventh
@tab
-Major triad, minor seventh
+Major triad, @*minor seventh
@tab
@code{7}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:7
-}
+@code{c1:7}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:7 }
+ \chordmode { c1:7 }
+>>
@end lilypond
@item
Major seventh
@tab
-Major triad, major seventh
+Major triad, @*major seventh
@tab
@code{maj7} or @code{maj}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:maj7
-}
+@code{c1:maj7}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:maj7 }
+ \chordmode { c1:maj7 }
+>>
@end lilypond
@item
Minor seventh
@tab
-Minor triad, minor seventh
+Minor triad, @*minor seventh
@tab
@code{m7}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:m7
-}
+@code{c1:m7}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:m7 }
+ \chordmode { c1:m7 }
+>>
@end lilypond
@item
Diminished seventh
@tab
-Diminished triad, diminished seventh
+Diminished triad, @*diminished seventh
@tab
@code{dim7}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:dim7
-}
+@code{c1:dim7}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:dim7}
+ \chordmode { c1:dim7 }
+>>
@end lilypond
@item
Augmented seventh
@tab
-Augmented triad, minor seventh
+Augmented triad, @*minor seventh
@tab
@code{aug7}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:aug7
-}
+@code{c1:aug7}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:aug7 }
+ \chordmode { c1:aug7 }
+>>
@end lilypond
@item
Half-diminished seventh
@tab
-Diminished triad, minor seventh
+Diminished triad, @*minor seventh
@tab
@code{m7.5-}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:m7.5-
-}
+@code{c1:m7.5-}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:m7.5- }
+ \chordmode { c1:m7.5- }
+>>
@end lilypond
@item
Minor-major seventh
@tab
-Minor triad, major seventh
+Minor triad, @*major seventh
@tab
-@code{maj7.5-}
+@code{m7+}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:maj7.5-
-}
+@code{c1:m7+}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:m7+ }
+ \chordmode { c1:m7+ }
+>>
@end lilypond
@item
Major sixth
@tab
-Major triad, sixth
+Major triad, @*sixth
@tab
@code{6}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:6
-}
+@code{c1:6}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:6 }
+ \chordmode { c1:6 }
+>>
@end lilypond
@item
Minor sixth
@tab
-Minor triad, sixth
+Minor triad, @*sixth
@tab
@code{m6}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:m6
-}
+@code{c1:m6}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:m6 }
+ \chordmode { c1:m6 }
+>>
@end lilypond
@item
Dominant ninth
@tab
-Dominant seventh, major ninth
+Dominant seventh, @*major ninth
@tab
@code{9}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:9
-}
+@code{c1:9}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:9 }
+ \chordmode { c1:9 }
+>>
@end lilypond
@item
Major ninth
@tab
-Major seventh, major ninth
+Major seventh, @*major ninth
@tab
@code{maj9}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:maj9
-}
+@code{c1:maj9}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:maj9 }
+ \chordmode { c1:maj9 }
+>>
@end lilypond
@item
Minor ninth
@tab
-Minor seventh, major ninth
+Minor seventh, @*major ninth
@tab
@code{m9}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:m9
-}
+@code{c1:m9}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:m9 }
+ \chordmode { c1:m9 }
+>>
@end lilypond
@item
Dominant eleventh
@tab
-Dominant ninth, perfect eleventh
+Dominant ninth, @*perfect eleventh
@tab
@code{11}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:11
-}
+@code{c1:11}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:11 }
+ \chordmode { c1:11 }
+>>
@end lilypond
@item
Major eleventh
@tab
-Major ninth, perfect eleventh
+Major ninth, @*perfect eleventh
@tab
@code{maj11}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:maj11
-}
+@code{c1:maj11}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:maj11 }
+ \chordmode { c1:maj11 }
+>>
@end lilypond
@item
Minor eleventh
@tab
-Minor ninth, perfect eleventh
+Minor ninth, @*perfect eleventh
@tab
@code{m11}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:m11
-}
+@code{c1:m11}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:m11 }
+ \chordmode { c1:m11 }
+>>
@end lilypond
@item
Dominant thirteenth
@tab
-Dominant ninth, major thirteenth
+Dominant ninth, @*major thirteenth
@tab
@code{13}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:13
-}
+@code{c1:13}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:13 }
+ \chordmode { c1:13 }
+>>
@end lilypond
@item
Dominant thirteenth
@tab
-Dominant eleventh, major thirteenth
+Dominant eleventh, @*major thirteenth
@tab
@code{13.11}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:13.11
-}
+@code{c1:13.11}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords{ c1:13.11 }
+ \chordmode { c1:13.11 }
+>>
@end lilypond
@item
Major thirteenth
@tab
-Major eleventh, major thirteenth
+Major eleventh, @*major thirteenth
@tab
@code{maj13.11}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:maj13.11
-}
+@code{c1:maj13.11}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:maj13.11 }
+ \chordmode { c1:maj13.11 }
+>>
@end lilypond
@item
Minor thirteenth
@tab
-Minor eleventh, major thirteenth
+Minor eleventh, @*major thirteenth
@tab
@code{m13.11}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:m13.11
-}
+@code{c1:m13.11}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:m13.11 }
+ \chordmode { c1:m13.11 }
+>>
@end lilypond
@item
Suspended second
@tab
-Major second, perfect fifth
+Major second, @*perfect fifth
@tab
@code{sus2}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:sus2
-}
+@code{c1:sus2}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:sus2 }
+ \chordmode { c1:sus2 }
+>>
@end lilypond
@item
Suspended fourth
@tab
-Perfect fourth, perfect fifth
+Perfect fourth, @*perfect fifth
@tab
@code{sus4}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
-\chordmode {
- c1:sus4
-}
+@code{c1:sus4}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+<<
+ \chords { c1:sus4 }
+ \chordmode { c1:sus4 }
+>>
+@end lilypond
+
+@item
+Power chord @*(two-voiced)
+@tab
+Perfect fifth
+@tab
+@code{1.5}
+@tab
+@code{\powerChords c1:5}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+\chordmode { \powerChords c1:5 }
@end lilypond
+@item
+Power chord @*@w{(three-voiced)}
+@tab
+Perfect fifth, @*octave
+@tab
+@code{1.5.8}
+@tab
+@code{\powerChords c1:5.8}
+@tab
+@lilypond[line-width=2.1\cm,noragged-right,notime]
+ \chordmode { \powerChords c1:5.8 }
+@end lilypond
@end multitable
+@node Predefined string tunings
+@appendixsec Predefined string tunings
+
+The chart below shows the predefined string tunings.
+
+@lilypondfile{display-predefined-string-tunings.ly}
+
@node Predefined fretboard diagrams
@appendixsec Predefined fretboard diagrams
-The chart below shows the predefined fretboard diagrams for guitar.
+@menu
+* Diagrams for Guitar::
+* Diagrams for Ukulele::
+* Diagrams for Mandolin::
+@end menu
+
+@node Diagrams for Guitar
+@unnumberedsubsec Diagrams for Guitar
+
+@lilypondfile[line-width=15.5\cm]{display-predefined-fretboards.ly}
+
+@node Diagrams for Ukulele
+@unnumberedsubsec Diagrams for Ukulele
+
+@lilypondfile[line-width=15.5\cm]{display-predefined-ukulele-fretboards.ly}
+
+@node Diagrams for Mandolin
+@unnumberedsubsec Diagrams for Mandolin
+
+@lilypondfile[line-width=15.5\cm]{display-predefined-mandolin-fretboards.ly}
+
+
+@node Predefined paper sizes
+@appendixsec Predefined paper sizes
+
+Paper sizes are defined in @file{scm/paper.scm}
+
+@noindent
+@strong{The @qq{ISO 216} A Series}
+@table @code
+@item "a10"
+(26 x 37 mm)
+@item "a9"
+(37 x 52 mm)
+@item "a8"
+(52 x 74 mm)
+@item "a7"
+(74 x 105 mm)
+@item "a6"
+(105 x 148 mm)
+@item "a5"
+(148 x 210 mm)
+@item "a4"
+(210 x 297 mm)
+@item "a3"
+(297 x 420 mm)
+@item "a2"
+(420 x 594 mm)
+@item "a1"
+(594 x 841 mm)
+@item "a0"
+(841 x 1189 mm)
+@end table
+
+@noindent
+@strong{The @qq{ISO 216} B Series}
+@table @code
+@item "b10"
+(31 x 44 mm)
+@item "b9"
+(44 x 62 mm)
+@item "b8"
+(62 x 88 mm)
+@item "b7"
+(88 x 125 mm)
+@item "b6"
+(125 x 176 mm)
+@item "b5"
+(176 x 250 mm)
+@item "b4"
+(250 x 353 mm)
+@item "b3"
+(353 x 500 mm)
+@item "b2"
+(500 x 707 mm)
+@item "b1"
+(707 x 1000 mm)
+@item "b0"
+(1000 x 1414 mm)
+@end table
+
+@noindent
+@strong{Two extended sizes as defined in @qq{DIN 476}}
+@table @code
+@item "4a0"
+(1682 x 2378 mm)
+@item "2a0"
+(1189 x 1682 mm)
+@end table
+
+@noindent
+@strong{@qq{ISO 269} standard C series}
+@table @code
+@item "c10"
+(28 x 40 mm)
+@item "c9"
+(40 x 57 mm)
+@item "c8"
+(57 x 81 mm)
+@item "c7"
+(81 x 114 mm)
+@item "c6"
+(114 x 162 mm)
+@item "c5"
+(162 x 229 mm)
+@item "c4"
+(229 x 324 mm)
+@item "c3"
+(324 x 458 mm)
+@item "c2"
+(458 x 648 mm)
+@item "c1"
+(648 x 917 mm)
+@item "c0"
+(917 x 1297 mm)
+@end table
+
+@noindent
+@strong{North American paper sizes}
+@table @code
+@item "junior-legal"
+(8.0 x 5.0 in)
+@item "legal"
+(8.5 x 14.0 in)
+@item "ledger"
+(17.0 x 11.0 in)
+@item "letter"
+(8.5 x 11.0 in)
+@item "tabloid"
+(11.0 x 17.0 in)
+@item "11x17"
+(11.0 x 17.0 in)
+@item "17x11"
+(17.0 x 11.0 in)
+@end table
+
+@noindent
+@strong{Government-letter by IEEE Printer Working Group, for children's
+writing}
+@table @code
+@item "government-letter"
+(8 x 10.5 in)
+@item "government-legal"
+(8.5 x 13.0 in)
+@item "philippine-legal"
+(8.5 x 13.0 in)
+@end table
+
+@noindent
+@strong{ANSI sizes}
+@table @code
+@item "ansi a"
+(8.5 x 11.0 in)
+@item "ansi b"
+(17.0 x 11.0 in)
+@item "ansi c"
+(17.0 x 22.0 in)
+@item "ansi d"
+(22.0 x 34.0 in)
+@item "ansi e"
+(34.0 x 44.0 in)
+@item "engineering f"
+(28.0 x 40.0 in)
+@end table
+
+@noindent
+@strong{North American Architectural sizes}
+@table @code
+@item "arch a"
+(9.0 x 12.0 in)
+@item "arch b"
+(12.0 x 18.0 in)
+@item "arch c"
+(18.0 x 24.0 in)
+@item "arch d"
+(24.0 x 36.0 in)
+@item "arch e"
+(36.0 x 48.0 in)
+@item "arch e1"
+(30.0 x 42.0 in)
+@end table
+
+@noindent
+@strong{Antique sizes still used in the United Kingdom}
+@table @code
+@item "statement"
+(5.5 x 8.5 in)
+@item "half letter"
+(5.5 x 8.5 in)
+@item "quarto"
+(8.0 x 10.0 in)
+@item "octavo"
+(6.75 x 10.5 in)
+@item "executive"
+(7.25 x 10.5 in)
+@item "monarch"
+(7.25 x 10.5 in)
+@item "foolscap"
+(8.27 x 13.0 in)
+@item "folio"
+(8.27 x 13.0 in)
+@item "super-b"
+(13.0 x 19.0 in)
+@item "post"
+(15.5 x 19.5 in)
+@item "crown"
+(15.0 x 20.0 in)
+@item "large post"
+(16.5 x 21.0 in)
+@item "demy"
+(17.5 x 22.5 in)
+@item "medium"
+(18.0 x 23.0 in)
+@item "broadsheet"
+(18.0 x 24.0 in)
+@item "royal"
+(20.0 x 25.0 in)
+@item "elephant"
+(23.0 x 28.0 in)
+@item "double demy"
+(22.5 x 35.0 in)
+@item "quad demy"
+(35.0 x 45.0 in)
+@item "atlas"
+(26.0 x 34.0 in)
+@item "imperial"
+(22.0 x 30.0 in)
+@item "antiquarian"
+(31.0 x 53.0 in)
+@end table
+
+@noindent
+@strong{PA4 based sizes}
+@table @code
+@item "pa0"
+(840 x 1120 mm)
+@item "pa1"
+(560 x 840 mm)
+@item "pa2"
+(420 x 560 mm)
+@item "pa3"
+(280 x 420 mm)
+@item "pa4"
+(210 x 280 mm)
+@item "pa5"
+(140 x 210 mm)
+@item "pa6"
+(105 x 140 mm)
+@item "pa7"
+(70 x 105 mm)
+@item "pa8"
+(52 x 70 mm)
+@item "pa9"
+(35 x 52 mm)
+@item "pa10"
+(26 x 35 mm)
+@end table
-@lilypondfile{display-predefined-fretboards.ly}
+@noindent
+@strong{Used in Southeast Asia and Australia}
+@table @code
+@item "f4"
+(210 x 330 mm)
+@end table
-The chart below shows the predefined fretboard diagrams for ukulele.
+@noindent
+@strong{Used for very small @code{@@lilypond} examples in the
+documentation based on a8 landscape.}
+@table @code
+@item "a8landscape"
+(74 x 52 mm)
+@end table
-@lilypondfile{display-predefined-ukulele-fretboards.ly}
@node MIDI instruments
@appendixsec MIDI instruments
The following is a list of names that can be used for the
-@code{midiInstrument} property.
+@code{midiInstrument} property. The order of the instruments
+below, starting in the left-hand column moving down, corresponds
+to the General MIDI Standard's 128 Program Numbers.
@example
acoustic grand contrabass lead 7 (fifths)
X color names come several variants:
Any name that is spelled as a single word with capitalization
-(e.g. @q{LightSlateBlue}) can also be spelled as space separated
-words without capitalization (e.g. @q{light slate blue}).
+(e.g., @q{LightSlateBlue}) can also be spelled as space separated
+words without capitalization (e.g., @q{light slate blue}).
-The word @q{grey} can always be spelled @q{gray} (e.g. @q{DarkSlateGray}).
+The word @q{grey} can always be spelled @q{gray} (e.g., @q{DarkSlateGray}).
-Some names can take a numerical suffix (e.g. @q{LightSalmon4}).
+Some names can take a numerical suffix (e.g., @q{LightSalmon4}).
@subsubheading Color Names without a numerical suffix:
Where N is in the range 0-100.
-@node The Feta font
-@appendixsec The Feta font
+@node The Emmentaler font
+@appendixsec The Emmentaler font
+
+@cindex Emmentaler font
+@cindex Font, Emmentaler
@cindex Feta font
@cindex Font, Feta
+@cindex Parmesan font
+@cindex Font, Parmesan
+
+The Emmentaler font consists of two @emph{sub-sets} of glyphs.
+@qq{Feta}, used for classical notation and @qq{Parmesan}, used for
+Ancient notation.
-The following symbols are available in the Emmentaler font and may be
-accessed directly using text markup with the name of the glyph
-as shown in the tables below,
-such as @code{g^\markup @{\musicglyph #"scripts.segno" @}} or
-@code{\markup @{\musicglyph #"five"@}}. For more information,
-see @ref{Formatting text}.
+Any glyph within the Emmentaler font can be accessed directly by using
+text markup along with the name of the glyph (as shown in the tables
+below). For example;
+
+@example
+g^\markup @{\musicglyph #"scripts.segno" @}
+@end example
+
+@noindent
+or
+
+@example
+\markup @{\musicglyph #"five"@}
+@end example
+
+For more information see @ref{Formatting text}.
@menu
* Bracket-tip glyphs::
* Pedal glyphs::
* Accordion glyphs::
+* Tie glyphs::
* Vaticana glyphs::
* Medicaea glyphs::
* Hufnagel glyphs::
* Neomensural glyphs::
* Petrucci glyphs::
* Solesmes glyphs::
+* Kievan Notation glyphs::
@end menu
@lilypond[quote]
\include "font-table.ly"
-\markuplines \override-lines #'(word-space . 4)
- \doc-chars #clefs
+\markuplist \override-lines #'(word-space . 4)
+ \doc-chars #clefs
@end lilypond
@lilypond[quote]
\include "font-table.ly"
-\markuplines \override-lines #'(word-space . 4)
- \doc-chars #timesig
+\markuplist \override-lines #'(word-space . 4)
+ \doc-chars #timesig
@end lilypond
@lilypond[quote]
\include "font-table.ly"
-\markuplines \override-lines #'(word-space . 4)
- \doc-chars #numbers
+\markuplist \override-lines #'(word-space . 4)
+ \doc-chars #numbers
@end lilypond
@lilypond[quote]
\include "font-table.ly"
-\markuplines \override-lines #'(word-space . 4)
- \doc-chars #accidentals
+\markuplist \override-lines #'(word-space . 4)
+ \doc-chars #accidentals
@end lilypond
@lilypond[quote]
\include "font-table.ly"
-\markuplines \override-lines #'(word-space . 4)
- \doc-chars #default-noteheads
+\markuplist \override-lines #'(word-space . 4)
+ \doc-chars #default-noteheads
@end lilypond
@lilypond[quote]
\include "font-table.ly"
-\markuplines \override-lines #'(word-space . 4)
- \doc-chars #special-noteheads
+\markuplist \override-lines #'(word-space . 4)
+ \doc-chars #special-noteheads
@end lilypond
@lilypond[quote]
\include "font-table.ly"
-\markuplines \override-lines #'(word-space . 4)
- \doc-chars #shape-note-noteheads
+\markuplist \override-lines #'(word-space . 4)
+ \doc-chars #shape-note-noteheads
@end lilypond
@lilypond[quote]
\include "font-table.ly"
-\markuplines \override-lines #'(word-space . 4)
- \doc-chars #rests
+\markuplist \override-lines #'(word-space . 4)
+ \doc-chars #rests
@end lilypond
@lilypond[quote]
\include "font-table.ly"
-\markuplines \override-lines #'(word-space . 4)
- \doc-chars #flags
+\markuplist \override-lines #'(word-space . 4)
+ \doc-chars #flags
@end lilypond
@lilypond[quote]
\include "font-table.ly"
-\markuplines \override-lines #'(word-space . 4)
- \doc-chars #dots
+\markuplist \override-lines #'(word-space . 4)
+ \doc-chars #dots
@end lilypond
@lilypond[quote]
\include "font-table.ly"
-\markuplines \override-lines #'(word-space . 4)
- \doc-chars #dynamics
+\markuplist \override-lines #'(word-space . 4)
+ \doc-chars #dynamics
@end lilypond
@lilypond[quote]
\include "font-table.ly"
-\markuplines \override-lines #'(word-space . 4)
- \doc-chars #scripts
+\markuplist \override-lines #'(word-space . 4)
+ \doc-chars #scripts
@end lilypond
@lilypond[quote]
\include "font-table.ly"
-\markuplines \override-lines #'(word-space . 4)
- \doc-chars #arrowheads
+\markuplist \override-lines #'(word-space . 4)
+ \doc-chars #arrowheads
@end lilypond
@lilypond[quote]
\include "font-table.ly"
-\markuplines \override-lines #'(word-space . 4)
- \doc-chars #brackettips
+\markuplist \override-lines #'(word-space . 4)
+ \doc-chars #brackettips
@end lilypond
@lilypond[quote]
\include "font-table.ly"
-\markuplines \override-lines #'(word-space . 4)
- \doc-chars #pedal
+\markuplist \override-lines #'(word-space . 4)
+ \doc-chars #pedal
@end lilypond
@lilypond[quote]
\include "font-table.ly"
-\markuplines \override-lines #'(word-space . 4)
- \doc-chars #accordion
+\markuplist \override-lines #'(word-space . 4)
+ \doc-chars #accordion
+@end lilypond
+
+
+@node Tie glyphs
+@unnumberedsubsec Tie glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplist \override-lines #'(word-space . 4)
+ \doc-chars #ties
@end lilypond
@lilypond[quote]
\include "font-table.ly"
-\markuplines \override-lines #'(word-space . 4)
- \doc-chars #vaticana
+\markuplist \override-lines #'(word-space . 4)
+ \doc-chars #vaticana
@end lilypond
@lilypond[quote]
\include "font-table.ly"
-\markuplines \override-lines #'(word-space . 4)
- \doc-chars #medicaea
+\markuplist \override-lines #'(word-space . 4)
+ \doc-chars #medicaea
@end lilypond
@lilypond[quote]
\include "font-table.ly"
-\markuplines \override-lines #'(word-space . 4)
- \doc-chars #hufnagel
+\markuplist \override-lines #'(word-space . 4)
+ \doc-chars #hufnagel
@end lilypond
@lilypond[quote]
\include "font-table.ly"
-\markuplines \override-lines #'(word-space . 4)
- \doc-chars #mensural
+\markuplist \override-lines #'(word-space . 4)
+ \doc-chars #mensural
@end lilypond
@lilypond[quote]
\include "font-table.ly"
-\markuplines \override-lines #'(word-space . 4)
- \doc-chars #neomensural
+\markuplist \override-lines #'(word-space . 4)
+ \doc-chars #neomensural
@end lilypond
@lilypond[quote]
\include "font-table.ly"
-\markuplines \override-lines #'(word-space . 4)
- \doc-chars #petrucci
+\markuplist \override-lines #'(word-space . 4)
+ \doc-chars #petrucci
@end lilypond
@lilypond[quote]
\include "font-table.ly"
-\markuplines \override-lines #'(word-space . 4)
- \doc-chars #solesmes
+\markuplist \override-lines #'(word-space . 4)
+ \doc-chars #solesmes
+@end lilypond
+
+@node Kievan Notation glyphs
+@unnumberedsubsec Kievan Notation glyphs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplist \override-lines #'(word-space . 4)
+ \doc-chars #kievan
@end lilypond
@lilypondfile[noindent]{note-head-style.ly}
-@include markup-commands.tely
-
-@include markup-list-commands.tely
-@node List of articulations
-@appendixsec List of articulations
+@node Clef styles
+@appendixsec Clef styles
-@cindex accent
-@cindex marcato
-@cindex staccatissimo
-@cindex espressivo
-@cindex fermata
-@cindex stopped
-@cindex staccato
-@cindex portato
-@cindex tenuto
-@cindex upbow
-@cindex downbow
-@cindex foot marks
-@cindex organ pedal marks
-@cindex turn
-@cindex open
-@cindex stopped
-@cindex flageolet
-@cindex reverseturn
-@cindex trill
-@cindex prall
-@cindex mordent
-@cindex prallprall
-@cindex prallmordent
-@cindex prall, up
-@cindex prall, down
-@cindex thumb marking
-@cindex segno
-@cindex coda
-@cindex varcoda
+The following table shows all the different clef styles possible
+(including where @emph{middle C} sits relative to the clef).
+@multitable @columnfractions .30 .2 .30 .2
-@lilypondfile[quote,texidoc]{script-chart.ly}
+@headitem
+Example
+@tab
+Output
+@tab
+Example
+@tab
+Output
-@node Percussion notes
-@appendixsec Percussion notes
+@item
+@code{\clef G}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef G c1
+@end lilypond
-@lilypondfile[quote]{percussion-chart.ly}
+@tab
+@code{\clef "G2"}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef "G2"
+c1
+@end lilypond
+@item
+@code{\clef treble}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef treble
+c1
+@end lilypond
-@node Technical glossary
-@appendixsec Technical glossary
+@tab
+@code{\clef violin}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef violin
+c1
+@end lilypond
-A glossary of the technical terms and concepts used internally in
-LilyPond. These terms may appear in the manuals, on mailing lists
-or in the source code.
+@item
+@code{\clef french}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef french
+c1
+@end lilypond
-@menu
-* alist::
-* callback::
-* closure::
-* glyph::
-* grob::
-* immutable::
-* interface::
-* lexer::
-* mutable::
-* output-def::
-* parser::
-* parser variable::
-* prob::
-* simple closure::
-* smob::
-* stencil::
-@end menu
+@tab
+@code{\clef GG}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef GG
+c1
+@end lilypond
-@node alist
-@unnumberedsubsec alist
+@item
+@code{\clef tenorG}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef tenorG
+c1
+@end lilypond
-@cindex alist
-@cindex association list
+@tab
+@code{\clef soprano}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef soprano
+c1
+@end lilypond
-An association list or @strong{alist} for short is a Scheme pair
-which associates a value with a key: @w{@code{(key . value)}}. For
-example, in @file{scm/lily.scm}, the alist
-@w{@qq{type-p-name-alist}} associates certain type predicates
-(e.g.@tie{}@code{ly:music?}) with names (e.g.@tie{}@qq{music}) so
-that type-check failures can be reported with a console message that
-includes the name of the expected type predicate.
+@item
+@code{\clef mezzosoprano}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef mezzosoprano
+c1
+@end lilypond
-@node callback
-@unnumberedsubsec callback
+@tab
+@code{\clef C}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef C
+c1
+@end lilypond
-@cindex callback
+@item
+@code{\clef alto}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef alto
+c1
+@end lilypond
-A @strong{callback} is a routine, function or method whose reference is
-passed as an argument in a call to another routine, so allowing
-the called routine to invoke it. The technique enables a lower-
-level software layer to call a function defined in a higher
-layer. Callbacks are used extensively in LilyPond to permit
-user-level Scheme code to define how many low-level actions are
-performed.
+@tab
+@code{\clef tenor}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef tenor
+c1
+@end lilypond
+@item
+@code{\clef baritone}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef baritone
+c1
+@end lilypond
-@node closure
-@unnumberedsubsec closure
+@tab
+@code{\clef varC}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef varC
+c1
+@end lilypond
-@cindex closure
-@cindex simple closure
+@item
+@code{\clef altovarC}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef altovarC
+c1
+@end lilypond
+
+@tab
+@code{\clef tenorvarC}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef tenorvarC
+c1
+@end lilypond
+
+@item
+@code{\clef baritonevarC}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef baritonevarC
+c1
+@end lilypond
+
+@tab
+@code{\clef varbaritone}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef varbaritone
+c1
+@end lilypond
+
+@item
+@code{\clef baritonevarF}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef baritonevarF
+c1
+@end lilypond
+
+@tab
+@code{\clef F}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef F
+c1
+@end lilypond
+
+@item
+@code{\clef bass}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef bass
+c1
+@end lilypond
+
+@tab
+@code{\clef subbass}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef subbass
+c1
+@end lilypond
+
+@item
+@code{\clef percussion}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\clef percussion
+c1
+@end lilypond
+
+@tab
+@c @example does not work as expected within multitables
+@code{
+\new TabStaff @{ @*
+@ @ \clef tab @*
+@}
+}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\new TabStaff {
+ \clef tab
+ c1
+}
+@end lilypond
+
+@item
+@c @example does not work as expected within multitables
+@code{
+\new TabStaff @{ @*
+@ @ \clef moderntab @*
+@}
+}
+@tab
+@lilypond[line-width=3\cm,notime,ragged-right,relative=1]
+\new TabStaff {
+ \clef moderntab
+ c1
+}
+@end lilypond
+
+
+@end multitable
+
+
+@node Text markup commands
+@appendixsec Text markup commands
+
+@ignore
+All the .tely files included in this appendix are automatically
+generated from source files during the build.
+For translators: you cannot translate the content of these files.
+@end ignore
+
+@include markup-commands.tely
+
+
+@node Text markup list commands
+@appendixsec Text markup list commands
+
+The following commands can all be used with @code{\markuplist}:
+
+@include markup-list-commands.tely
+
+
+@node List of special characters
+@appendixsec List of special characters
+
+The following special characters references can be used;
+for more details, see @ref{ASCII aliases}.
+
+The HTML syntax is used and most of these references are the same as HTML.
+The rest of them are inspired by @LaTeX{}.
+
+The characters are boxed so that you can see their size.
+A small padding has been added between the character and the box
+for more readability.
+
+@lilypond[quote]
+\include "special-characters.ly"
+@end lilypond
+
+
+@node List of articulations
+@appendixsec List of articulations
+
+
+The following lists show all the scripts in the Feta font that may be
+attached to notes (eg. @samp{f\accent} or @samp{f->}). Each example
+shows the script in the @emph{up}, @emph{down} and @emph{neutral}
+positions respectively.
+
+@c Articulations and ornamentations
+@c Fingering instructions (for "thumb")
+@c Common notation for unfretted strings
+@c Bowing indications
+@c Harmonics
+@c Snap (Bartók) pizzicato
+@c Custom percussion staves (for "halfopen" -- not yet funindexed)
+@c References for wind instruments (for "open"/"stopped" -- not yet funindexed)
+
+
+@menu
+* Articulation scripts::
+* Ornament scripts::
+* Fermata scripts::
+* Instrument-specific scripts::
+* Repeat sign scripts::
+* Ancient scripts::
+@end menu
+
+@ignore
+The @multitable @columnfraction value discrepancy between the first and
+the remaining columns is deliberate; it seems (at least visually
+anyway) the gap (after building the documentation) between first and
+second column examples was always larger than between the remaining
+columns - JL
+@end ignore
+
+@cindex accent
+@cindex espressivo
+@cindex marcato
+@cindex portato
+@cindex staccatissimo
+@cindex staccato
+@cindex tenuto
+@cindex thumb
+
+@node Articulation scripts
+@unnumberedsubsec Articulation scripts
+
+@multitable @columnfractions .22 .25 .25 .25
+
+@item
+@code{\accent} or @code{->}
+@lilypond[notime,relative=2]
+f^\accent e,_\accent b'\accent
+@end lilypond
+@tab
+@code{\espressivo}
+@lilypond[notime,relative=2]
+f^\espressivo e,_\espressivo b'\espressivo
+@end lilypond
+@tab
+@code{\marcato} or @code{-^}
+@lilypond[notime,relative=2]
+f^\marcato e,_\marcato b'\marcato
+@end lilypond
+@tab
+@code{\portato} or @code{-_}
+@lilypond[notime,relative=2]
+f^\portato e,_\portato b'\portato
+@end lilypond
+
+@item
+@code{\staccatissimo} @* or @code{-!}
+@lilypond[notime,relative=2]
+f^\staccatissimo e,_\staccatissimo b'\staccatissimo
+@end lilypond
+@tab
+@code{\staccato} or @code{-.}
+@lilypond[notime,relative=2]
+f^\staccato e,_\staccato b'\staccato
+@end lilypond
+@tab
+@code{\tenuto} or @code{--}
+@lilypond[notime,relative=2]
+f^\tenuto e,_\tenuto b'\tenuto
+@end lilypond
+
+@end multitable
+
+@cindex prall
+@cindex prallup
+@cindex pralldown
+@cindex upprall
+@cindex downprall
+@cindex prallprall
+@cindex lineprall
+@cindex prallmordent
+@cindex mordent
+@cindex upmordent
+@cindex downmordent
+@cindex trill
+@cindex turn
+@cindex reverseturn
+
+@node Ornament scripts
+@unnumberedsubsec Ornament scripts
+
+@multitable @columnfractions .22 .25 .25 .25
+
+@item
+@code{\prall}
+@lilypond[notime,relative=2]
+f^\prall e,_\prall b'\prall
+@end lilypond
+@tab
+@code{\prallup}
+@lilypond[notime,relative=2]
+f^\prallup e,_\prallup b'\prallup
+@end lilypond
+@tab
+@code{\pralldown}
+@lilypond[notime,relative=2]
+f^\pralldown e,_\pralldown b'\pralldown
+@end lilypond
+@tab
+@code{\upprall}
+@lilypond[notime,relative=2]
+f^\upprall e,_\upprall b'\upprall
+@end lilypond
+
+@item
+@code{\downprall}
+@lilypond[notime,relative=2]
+f^\downprall e,_\downprall b'\downprall
+@end lilypond
+@tab
+@code{\prallprall}
+@lilypond[notime,relative=2]
+f^\prallprall e,_\prallprall b'\prallprall
+@end lilypond
+@tab
+@code{\lineprall}
+@lilypond[notime,relative=2]
+f^\lineprall e,_\lineprall b'\lineprall
+@end lilypond
+@tab
+@code{\prallmordent}
+@lilypond[notime,relative=2]
+f^\prallmordent e,_\prallmordent b'\prallmordent
+@end lilypond
+
+@item
+@code{\mordent}
+@lilypond[notime,relative=2]
+f^\mordent e,_\mordent b'\mordent
+@end lilypond
+@tab
+@code{\upmordent}
+@lilypond[notime,relative=2]
+f^\upmordent e,_\upmordent b'\upmordent
+@end lilypond
+@tab
+@code{\downmordent}
+@lilypond[notime,relative=2]
+f^\downmordent e,_\downmordent b'\downmordent
+@end lilypond
+@tab
+@code{\trill}
+@lilypond[notime,relative=2]
+f^\trill e,_\trill b'\trill
+@end lilypond
+
+@item
+@code{\turn}
+@lilypond[notime,relative=2]
+f^\turn e,_\turn b'\reverseturn
+@end lilypond
+@tab
+@code{\reverseturn}
+@lilypond[notime,relative=2]
+f^\reverseturn e,_\reverseturn b'\reverseturn
+@end lilypond
+
+@end multitable
+
+@cindex fermata
+@cindex shortfermata
+@cindex longfermata
+@cindex verylongfermata
+
+@node Fermata scripts
+@unnumberedsubsec Fermata scripts
+
+@multitable @columnfractions .22 .25 .25 .25
+
+@item
+@code{\shortfermata}
+@lilypond[notime,relative=2]
+f^\shortfermata e,_\shortfermata b'\shortfermata
+@end lilypond
+@tab
+@code{\fermata}
+@lilypond[notime,relative=2]
+f^\fermata e,_\fermata b'\fermata
+@end lilypond
+@tab
+@code{\longfermata}
+@lilypond[notime,relative=2]
+f^\longfermata e,_\longfermata b'\longfermata
+@end lilypond
+@tab
+@code{\verylongfermata}
+@lilypond[notime,relative=2]
+f^\verylongfermata e,_\verylongfermata b'\verylongfermata
+@end lilypond
+
+@end multitable
+
+@cindex upbow
+@cindex downbow
+@cindex flageolet
+@cindex open
+@cindex halfopen
+@cindex lheel
+@cindex rheel
+@cindex ltoe
+@cindex rtoe
+@cindex snappizzicato
+@cindex stopped
+
+@node Instrument-specific scripts
+@unnumberedsubsec Instrument-specific scripts
+
+@multitable @columnfractions .22 .25 .25 .25
+
+@item
+@code{\upbow}
+@lilypond[notime,relative=2]
+f^\upbow e,_\upbow b'\upbow
+@end lilypond
+@tab
+@code{\downbow}
+@lilypond[notime,relative=2]
+f^\downbow e,_\downbow b'\downbow
+@end lilypond
+@tab
+@code{\flageolet}
+@lilypond[notime,relative=2]
+f^\flageolet e,_\flageolet b'\flageolet
+@end lilypond
+@tab
+@code{\open}
+@lilypond[notime,relative=2]
+f^\open e,_\open b'\open
+@end lilypond
+
+@item
+@code{\halfopen}
+@lilypond[notime,relative=2]
+f^\halfopen e,_\halfopen b'\halfopen
+@end lilypond
+@tab
+@code{\lheel}
+@lilypond[notime,relative=2]
+f^\lheel e,_\lheel b'\lheel
+@end lilypond
+@tab
+@code{\rheel}
+@lilypond[notime,relative=2]
+f^\rheel e,_\rheel b'\rheel
+@end lilypond
+@tab
+@code{\ltoe}
+@lilypond[notime,relative=2]
+f^\ltoe e,_\ltoe b'\ltoe
+@end lilypond
+
+@item
+@code{\rtoe}
+@lilypond[notime,relative=2]
+f^\rtoe e,_\rtoe b'\rtoe
+@end lilypond
+@tab
+@code{\snappizzicato}
+@lilypond[notime,relative=2]
+f^\snappizzicato e,_\snappizzicato b'\snappizzicato
+@end lilypond
+@tab
+@code{\stopped} or @code{-+}
+@lilypond[notime,relative=2]
+f^\stopped e,_\stopped b'\stopped
+@end lilypond
+
+@end multitable
+
+@cindex segno
+@cindex coda
+@cindex varcoda
+
+@node Repeat sign scripts
+@unnumberedsubsec Repeat sign scripts
+
+@multitable @columnfractions .22 .25 .25 .25
+
+@item
+@code{\segno}
+@lilypond[notime,relative=2]
+f^\segno e,_\segno b'\segno
+@end lilypond
+@tab
+@code{\coda}
+@lilypond[notime,relative=2]
+f^\coda e,_\coda b'\coda
+@end lilypond
+@tab
+@code{\varcoda}
+@lilypond[notime,relative=2]
+f^\varcoda e,_\varcoda b'\varcoda
+@end lilypond
+
+@end multitable
+
+@cindex accentus
+@cindex circulus
+@cindex ictus
+@cindex semicirculus
+@cindex signumcongruentiae
+
+@node Ancient scripts
+@unnumberedsubsec Ancient scripts
+
+@multitable @columnfractions .22 .25 .25 .25
+
+@item
+@code{\accentus}
+@lilypond[notime]
+\include "gregorian.ly"
+\new VaticanaStaff { e'^\accentus s4 f_\accentus s4 b\accentus}
+@end lilypond
+@tab
+@code{\circulus}
+@lilypond[notime]
+\include "gregorian.ly"
+\new VaticanaStaff { e'^\circulus s4 f_\circulus s4 b\circulus }
+@end lilypond
+@tab
+@code{\ictus}
+@lilypond[notime]
+\include "gregorian.ly"
+\new VaticanaStaff { e'^\ictus s4 f_\ictus s4 b\ictus}
+@end lilypond
+
+@item
+@code{\semicirculus}
+@lilypond[notime]
+\include "gregorian.ly"
+\new VaticanaStaff {
+ e'^\semicirculus s4 f_\semicirculus s4 b\semicirculus
+}
+@end lilypond
+@tab
+@code{\signumcongruentiae}
+@lilypond[notime]
+\include "gregorian.ly"
+\new VaticanaStaff {
+ e'^\signumcongruentiae s4
+ f_\signumcongruentiae s4
+ b\signumcongruentiae
+}
+@end lilypond
+
+@end multitable
+
+@cindex drums, various
+@cindex acoustic bass
+@cindex bass
+@cindex snare
+@cindex electric snare
+@cindex acoustic snare
+@cindex tom tom
+@cindex bongo
+@cindex conga
+@cindex timbale
+@cindex sidestick
+@cindex floor tom tom
+@cindex low tom tom
+@cindex high tom tom
+@cindex mid tom tom
+@cindex high hat
+@cindex pedal high hat
+@cindex open high hat
+@cindex half-open high hat
+@cindex cymbal, various
+@cindex crash cymbal
+@cindex ride cymbal
+@cindex chinese cymbal
+@cindex splash cymbal
+@cindex ride bell
+@cindex cowbell
+@cindex agogo
+@cindex high bongo
+@cindex low bongo
+@cindex mute bongo
+@cindex open bongo
+@cindex high conga
+@cindex low conga
+@cindex mute conga
+@cindex open conga
+@cindex high timbale
+@cindex low timbale
+@cindex mute timbale
+@cindex open timbale
+@cindex sidestick
+@cindex guiro
+@cindex cabasa
+@cindex maracas
+@cindex whistle
+@cindex handclap
+@cindex tambourine
+@cindex vibraslap
+@cindex tam tam
+@cindex claves
+@cindex woodblock
+@cindex cuica
+@cindex triangle
+
+@node Percussion notes
+@appendixsec Percussion notes
+
+@multitable @columnfractions .22 .25 .25 .25
+
+@item
+@code{bassdrum @* bd @*}
+@lilypond[notime,ragged-right]
+\drums { bd4 bd1 }
+@end lilypond
+@tab
+@code{acousticbassdrum @* bda @*}
+@lilypond[notime,ragged-right]
+\drums { bda4 bda1 }
+@end lilypond
+@tab
+@code{snare @* sn @*}
+@lilypond[notime,ragged-right]
+\drums { sn4 sn1 }
+@end lilypond
+@tab
+@code{acousticsnare @* sna @*}
+@lilypond[notime,ragged-right]
+\drums { sna4 sna1 }
+@end lilypond
+
+@item
+@code{electricsnare @* sne @*}
+@lilypond[notime,ragged-right]
+\drums { sne4 sne1 }
+@end lilypond
+@tab
+@code{lowfloortom @* tomfl @*}
+@lilypond[notime,ragged-right]
+\drums { tomfl4 tomfl1 }
+@end lilypond
+@tab
+@code{highfloortom @* tomfh @*}
+@lilypond[notime,ragged-right]
+\drums { tomfh4 tomfh1 }
+@end lilypond
+@tab
+@code{lowtom @* toml @*}
+@lilypond[notime,ragged-right]
+\drums { toml4 toml1 }
+@end lilypond
+
+@item
+@code{hightom @* tomh @*}
+@lilypond[notime,ragged-right]
+\drums { tomh4 tomh1 }
+@end lilypond
+@tab
+@code{lowmidtom @* tomml @*}
+@lilypond[notime,ragged-right]
+\drums { tomml4 tomml1 }
+@end lilypond
+@tab
+@code{highmidtom @* tommh @*}
+@lilypond[notime,ragged-right]
+\drums { tommh4 tommh1 }
+@end lilypond
+@tab
+@code{highhat @* hh @*}
+@lilypond[notime,ragged-right]
+\drums { hh4 hh1 }
+@end lilypond
+
+@item
+@code{closedhihat @* hhc @*}
+@lilypond[notime,ragged-right]
+\drums { hhc4 hhc1 }
+@end lilypond
+@tab
+@code{openhighhat @* hho @*}
+@lilypond[notime,ragged-right]
+\drums { hho4 hho1 }
+@end lilypond
+@tab
+@code{halfopenhihat @* hhho @*}
+@lilypond[notime,ragged-right]
+\drums { hhho4 hhho1 }
+@end lilypond
+@tab
+@code{pedalhihat @* hhp @*}
+@lilypond[notime,ragged-right]
+\drums { hhp4 hhp1 }
+@end lilypond
+
+
+@item
+@code{crashcymbal @* cymc @*}
+@lilypond[notime,ragged-right]
+\drums { cymc4 cymc1 }
+@end lilypond
+@tab
+@code{crashcymbala @* cymca @*}
+@lilypond[notime,ragged-right]
+\drums { cymca4 cymca1 }
+@end lilypond
+@tab
+@code{crashcymbalb @* cymcb @*}
+@lilypond[notime,ragged-right]
+\drums { cymcb4 cymcb1 }
+@end lilypond
+@tab
+@code{ridecymbal @* cymr @*}
+@lilypond[notime,ragged-right]
+\drums { cymr4 cymr1 }
+@end lilypond
+
+@item
+@code{ridecymbala @* cymra @*}
+@lilypond[notime,ragged-right]
+\drums { cymra4 cymra1 }
+@end lilypond
+@tab
+@code{ridecymbalb @* cymrb @*}
+@lilypond[notime,ragged-right]
+\drums { cymrb4 cymrb1 }
+@end lilypond
+@tab
+@code{chinesecymbal @* cymch @*}
+@lilypond[notime,ragged-right]
+\drums { cymch4 cymch1 }
+@end lilypond
+@tab
+@code{splashcymbal @* cyms @*}
+@lilypond[notime,ragged-right]
+\drums { cyms4 cyms1 }
+@end lilypond
+
+@item
+@code{ridebell @* rb @*}
+@lilypond[notime,ragged-right]
+\drums { rb4 rb1 }
+@end lilypond
+@tab
+@code{cowbell @* cb @*}
+@lilypond[notime,ragged-right]
+\drums { cb4 cb1 }
+@end lilypond
+@tab
+@code{hibongo @* boh @*}
+@lilypond[notime,ragged-right]
+\drums { boh4 boh1 }
+@end lilypond
+@tab
+@code{openhibongo @* boho @*}
+@lilypond[notime,ragged-right]
+\drums { boho4 boho1 }
+@end lilypond
+
+@item
+@code{mutehibongo @* bohm @*}
+@lilypond[notime,ragged-right]
+\drums { bohm4 bohm1 }
+@end lilypond
+@tab
+@code{lobongo @* bol @*}
+@lilypond[notime,ragged-right]
+\drums { bol4 bol1 }
+@end lilypond
+@tab
+@code{openlobongo @* bolo @*}
+@lilypond[notime,ragged-right]
+\drums { bolo4 bolo1 }
+@end lilypond
+@tab
+@code{mutelobongo @* bolm @*}
+@lilypond[notime,ragged-right]
+\drums { bolm4 bolm1 }
+@end lilypond
+
+
+@item
+@code{hiconga @* cgh @*}
+@lilypond[notime,ragged-right]
+\drums { cgh4 cgh1 }
+@end lilypond
+@tab
+@code{openhiconga @* cgho @*}
+@lilypond[notime,ragged-right]
+\drums { cgho4 cgho1 }
+@end lilypond
+@tab
+@code{mutehiconga @* cghm @*}
+@lilypond[notime,ragged-right]
+\drums { cghm4 cghm1 }
+@end lilypond
+@tab
+@code{loconga @* cgl @*}
+@lilypond[notime,ragged-right]
+\drums { cgl4 cgl1 }
+@end lilypond
+
+@item
+@code{openloconga @* cglo @*}
+@lilypond[notime,ragged-right]
+\drums { cglo4 cglo1 }
+@end lilypond
+@tab
+@code{muteloconga @* cglm @*}
+@lilypond[notime,ragged-right]
+\drums { cglm4 cglm1 }
+@end lilypond
+@tab
+@code{hitimbale @* timh @*}
+@lilypond[notime,ragged-right]
+\drums { timh4 timh1 }
+@end lilypond
+@tab
+@code{lotimbale @* timl @*}
+@lilypond[notime,ragged-right]
+\drums { timl4 timl1 }
+@end lilypond
+
+@item
+@code{hiagogo @* agh @*}
+@lilypond[notime,ragged-right]
+\drums { agh4 agh1 }
+@end lilypond
+@tab
+@code{loagogo @* agl @*}
+@lilypond[notime,ragged-right]
+\drums { agl4 agl1 }
+@end lilypond
+@tab
+@code{sidestick @* ss @*}
+@lilypond[notime,ragged-right]
+\drums { ss4 ss1 }
+@end lilypond
+@tab
+@code{hisidestick @* ssh @*}
+@lilypond[notime,ragged-right]
+\drums { ssh4 ssh1 }
+@end lilypond
+
+@item
+@code{losidestick @* ssl @*}
+@lilypond[notime,ragged-right]
+\drums { ssl4 ssl1 }
+@end lilypond
+@tab
+@code{guiro @* gui @*}
+@lilypond[notime,ragged-right]
+\drums { gui4 gui1 }
+@end lilypond
+@tab
+@code{shortguiro @* guis @*}
+@lilypond[notime,ragged-right]
+\drums { guis4 guis1 }
+@end lilypond
+@tab
+@code{longguiro @* guil @*}
+@lilypond[notime,ragged-right]
+\drums { guil4 guil1 }
+@end lilypond
+
+@item
+@code{cabasa @* cab @*}
+@lilypond[notime,ragged-right]
+\drums { cab4 cab1 }
+@end lilypond
+@tab
+@code{maracas @* mar @*}
+@lilypond[notime,ragged-right]
+\drums { mar4 mar1 }
+@end lilypond
+@tab
+@code{shortwhistle @* whs @*}
+@lilypond[notime,ragged-right]
+\drums { whs4 whs1 }
+@end lilypond
+@tab
+@code{longwhistle @* whl @*}
+@lilypond[notime,ragged-right]
+\drums { whl4 whl1 }
+@end lilypond
+
+@item
+@code{handclap @* hc @*}
+@lilypond[notime,ragged-right]
+\drums { hc4 hc1 }
+@end lilypond
+@tab
+@code{tambourine @* tamb @*}
+@lilypond[notime,ragged-right]
+\drums { tamb4 tamb1 }
+@end lilypond
+@tab
+@code{vibraslap @* vibs @*}
+@lilypond[notime,ragged-right]
+\drums { vibs4 vibs1 }
+@end lilypond
+@tab
+@code{tamtam @* tt @*}
+@lilypond[notime,ragged-right]
+\drums { tt4 tt1 }
+@end lilypond
+
+@item
+@code{claves @* cl @*}
+@lilypond[notime,ragged-right]
+\drums { cl4 cl1 }
+@end lilypond
+@tab
+@code{hiwoodblock @* wbh @*}
+@lilypond[notime,ragged-right]
+\drums { wbh4 wbh1 }
+@end lilypond
+@tab
+@code{lowoodblock @* wbl @*}
+@lilypond[notime,ragged-right]
+\drums { wbl4 wbl1 }
+@end lilypond
+@tab
+@code{opencuica @* cuio @*}
+@lilypond[notime,ragged-right]
+\drums { cuio4 cuio1 }
+@end lilypond
+
+@item
+@code{mutecuica @* cuim @*}
+@lilypond[notime,ragged-right]
+\drums { cuim4 cuim1 }
+@end lilypond
+@tab
+@code{triangle @* tri @*}
+@lilypond[notime,ragged-right]
+\drums { tri4 tri1 }
+@end lilypond
+@tab
+@code{opentriangle @* trio @*}
+@lilypond[notime,ragged-right]
+\drums { trio4 trio1 }
+@end lilypond
+@tab
+@code{mutetriangle @* trim}
+@lilypond[notime,ragged-right]
+\drums { trim4 trim1 }
+@end lilypond
+
+@item
+@code{oneup @* ua @*}
+@lilypond[notime,ragged-right]
+\drums { ua4 ua1 }
+@end lilypond
+@tab
+@code{twoup @* ub @*}
+@lilypond[notime,ragged-right]
+\drums { ub4 ub1 }
+@end lilypond
+@tab
+@code{threeup @* uc @*}
+@lilypond[notime,ragged-right]
+\drums { uc4 uc1 }
+@end lilypond
+@tab
+@code{fourup @* ud @*}
+@lilypond[notime,ragged-right]
+\drums { ud4 ud1 }
+@end lilypond
+
+@item
+@code{fiveup @* ue @*}
+@lilypond[notime,ragged-right]
+\drums { ue4 ue1 }
+@end lilypond
+@tab
+@code{onedown @* da @*}
+@lilypond[notime,ragged-right]
+\drums { da4 da1 }
+@end lilypond
+@tab
+@code{twodown @* db @*}
+@lilypond[notime,ragged-right]
+\drums { db4 db1 }
+@end lilypond
+@tab
+@code{threedown @* dc @*}
+@lilypond[notime,ragged-right]
+\drums { dc4 dc1 }
+@end lilypond
+
+@item
+@code{fourdown @* dd @*}
+@lilypond[notime,ragged-right]
+\drums { dd4 dd1 }
+@end lilypond
+@tab
+@code{fivedown @* de @*}
+@lilypond[notime,ragged-right]
+\drums { de4 de1 }
+@end lilypond
+
+
+@end multitable
+
+
+@node Technical glossary
+@appendixsec Technical glossary
+
+A glossary of the technical terms and concepts used internally in
+LilyPond. These terms may appear in the manuals, on mailing lists
+or in the source code.
+
+@menu
+* alist::
+* callback::
+* closure::
+* glyph::
+* grob::
+* immutable::
+* interface::
+* lexer::
+* mutable::
+* output-def::
+* parser::
+* parser variable::
+* prob::
+* smob::
+* stencil::
+@end menu
+
+@node alist
+@unnumberedsubsec alist
+
+@cindex alist
+@cindex association list
+
+An association list or @strong{alist} for short is a Scheme pair
+which associates a value with a key: @w{@code{(key . value)}}. For
+example, in @file{scm/lily.scm}, the alist
+@w{@qq{type-p-name-alist}} associates certain type predicates
+(e.g., @code{ly:music?}) with names (e.g., @qq{music}) so
+that type-check failures can be reported with a console message that
+includes the name of the expected type predicate.
+
+@node callback
+@unnumberedsubsec callback
+
+@cindex callback
+
+A @strong{callback} is a routine, function or method whose reference is
+passed as an argument in a call to another routine, so allowing
+the called routine to invoke it. The technique enables a lower-
+level software layer to call a function defined in a higher
+layer. Callbacks are used extensively in LilyPond to permit
+user-level Scheme code to define how many low-level actions are
+performed.
+
+
+@node closure
+@unnumberedsubsec closure
+
+@cindex closure
In Scheme, a @strong{closure} is created when a function, usually
a lambda expression, is passed as a variable. The closure contains
the function's code plus references to the lexical bindings of the
-function's free variables (i.e. those variables used in the
+function's free variables (i.e., those variables used in the
expression but defined outside it). When this function is applied
to different arguments later, the free variable bindings that were
captured in the closure are used to obtain the values of the free
closures is the retention of internal variable values between
invocations, so permitting state to be maintained.
-A @strong{simple closure} is a closure whose expression has no free
-variables and hence no free variable bindings.
-
-A simple closure is represented in LilyPond by a smob containing
-the expression and a method to apply the expression to a passed
-list of arguments.
-
@node glyph
@unnumberedsubsec glyph
A set of glyphs with a single style and shape comprise a font, and
a set of fonts covering several styles and sizes comprise a typeface.
-
@seealso
Notation Reference:
@ref{Fonts},
-@ref{Text encoding}.
+@ref{Special characters}.
@node grob
Notation Reference:
@ref{mutable}.
+
@node interface
@unnumberedsubsec interface
Notation Reference:
@ref{immutable}.
+
@node output-def
@unnumberedsubsec output-def
@cindex parser
@cindex Bison
+@cindex LilyPond grammar
@cindex grammar for LilyPond
@cindex BNF
message is produced. The syntactic groupings and the rules for
constructing the groupings from their parts for the LilyPond syntax
are defined in @file{lily/parser.yy} and shown in Backus Normal Form
-(BNF) in @ref{LilyPond grammar}. This file is used to build the
-parser during the program build by the parser generator, Bison. It
-is part of the source code and is not included in the LilyPond
-binary installation.
+(BNF) in @rcontrib{LilyPond grammar}. This file is used to build the
+parser during the program build by the parser generator, Bison. It is
+part of the source code and is not included in the LilyPond binary
+installation.
@node parser variable
@cindex mode
@cindex output-count
@cindex output-suffix
-@cindex parseStringResult
@cindex partCombineListener
@cindex pitchnames
@cindex toplevel-bookparts
use by users is strongly discouraged, because their scoping
semantics can be confusing.
-When the value of such a variable is changed in a @code{.ly} file,
+When the value of such a variable is changed in a @file{.ly} file,
the change is global, and unless explicitly reverted, the new value
will persist to the end of the file, affecting subsequent
@code{\score} blocks as well as external files added with the
@item mode
@item output-count
@item output-suffix
-@item parseStringResult
@item partCombineListener
@item pitchnames
@item toplevel-bookparts
during page layout.
-@node simple closure
-@unnumberedsubsec simple closure
-
-See @ref{closure}.
-
-
@node smob
@unnumberedsubsec smob
@include identifiers.tely
+@node Context modification identifiers
+@appendixsec Context modification identifiers
+
+The following commands are defined for use as context modifications
+within a @code{\layout} or @code{\with} block.
+
+@include context-mod-identifiers.tely
+
+@node Predefined type predicates
+@appendixsec Predefined type predicates
+
+@include type-predicates.tely
+
@node Scheme functions
@appendixsec Scheme functions
@include scheme-functions.tely
-
projects / lilypond.git / blobdiff