@version{}.
@end macro
-@c `Music Glossary' was born 1999-10-04 with git commit 280a0bb...
+@c `Music Glossary' was born 1999-10-04 with this commit:
+@c lilypond-1.2.12
+@c author: fred
+@c commit: be4e46f61b1a8dec0922e0fd849c626beb6ab9be
+@c file: Documentation/user/glossary.texi
+
@macro copyrightDeclare
-Copyright @copyright{} 1999--2014 by the authors
+Copyright @copyright{} 1999--2015 by the authors
@end macro
@set FDL
* harmonics::
* harmony::
* hemiola::
+* high bass clef::
* homophony::
* hook::
* hymn meter::
ES: mordente de una nota,
I: acciaccatura,
-F: acciaccatura, appoggiature brève,
+F: acciaccature, appoggiature brève,
D: Zusammenschlag,
NL: samenslag,
DK: ?,
ES: manuscrito,
I: autografo,
-F: manuscrit, autographe
+F: manuscrit, autographe,
D: Autograph, Handschrift,
NL: manuscript,
DK: håndskrift, autograf,
A clef setting with middle C on the first top ledger line.
@seealso
-@ref{F clef}.
+@ref{F clef},
+@ref{high bass clef}.
@node beam
ES: tiempo, parte (de compás)
I: tempi,
-F: temps,
+F: temps, battue
D: Takt, Taktschlag, Zeit (im Takt),
NL: tel,
DK: (takt)slag,
ES: ?,
I: Periodo di pratica comune,
-F: ?,
+F: musique classique moderne,
D: Kunstmusik,
NL: ?,
DK: ?,
ES: consonancia,
I: consonanza,
-F: consonance,
+F: consonance, consonnance,
D: Konsonanz,
NL: consonant,
DK: konsonans,
ES: notas guía,
I: notine,
-F: petites notes précédant l'entrée d'un instrument, réplique, @q{à défaut},
+F: petites notes précédant l'entrée d'un instrument, réplique, « à défaut »,
D: Stichnoten,
NL: stichnoten,
DK: stiknoder,
ES: directo,
I: ?,
-F: ?,
+F: direct,
D: Weiser, Zeiger,
NL: ?,
DK: ?,
ES: división,
I: divisio,
-F: ?,
+F: division,
D: Divisio,
NL: ?,
DK: ?,
NL: dubbele voorslag,
DK: dobbelt forslag,
S: dubbelslag,
-FI: kaksoisappogiatura, kaksoisetuhele.
+FI: kaksoisappoggiatura, kaksoisetuhele.
@seealso
@ref{appoggiatura}.
ES: compás polimétrico,
I: indicazione di tempo doppia/polimetrica,
-F: ?,
+F: mesure composée, métrique composée,
D: zusammengesetzte Taktart,
NL: ?,
DK: ?,
@lilypond[quote,line-width=13.0\cm]
\new GrandStaff <<
\new Staff = "rh" \with {
- fontSize = #-3
- \override StaffSymbol #'staff-space = #(magstep -3)
+ \magnifyStaff #2/3
} \relative c'' {
\clef treble
\key es \major
ES: partitura a la francesa,
I: partitura senza i righi vuoti,
-F: ?,
+F: partition à la française,
D: Orchesterpartitur ohne leere Systeme,
NL: ?,
DK: ?,
ES: pentagrama a la francesa,
I: rigo temporaneo,
-F: ?,
+F: portée à la française,
D: zeitweiliges Notensystem,
NL: ?,
DK: ?,
((thick (* (magstep font-size)
(ly:output-def-lookup layout 'line-thickness)))
(underline-thick (* thickness thick))
- (markup (interpret-markup layout props arg))
- (x1 (car (ly:stencil-extent markup X)))
- (x2 (cdr (ly:stencil-extent markup X)))
- (y1 (car (ly:stencil-extent markup Y)))
- (y2 (cdr (ly:stencil-extent markup Y)))
+ (m (interpret-markup layout props arg))
+ (x1 (car (ly:stencil-extent m X)))
+ (x2 (cdr (ly:stencil-extent m X)))
+ (y1 (car (ly:stencil-extent m Y)))
+ (y2 (cdr (ly:stencil-extent m Y)))
(dx (* extension (- x2 x1)))
(dy (* extension (- y2 y1)))
(line (make-line-stencil underline-thick
(- x1 dx) (- y1 dy)
(+ x2 dx) (+ y2 dy))))
- (ly:stencil-add markup line)))
+ (ly:stencil-add m line)))
<<
{
<g e c>1 <a f d> <b g e>
@seealso
@ref{mensural notation}, @ref{meter}, @ref{polymeter}, @ref{proportion}.
+@node high bass clef
+@section high bass clef
+
+ES: ?,
+I: ?,
+F: clef de basse haute,
+D: hoher Bassschlüssel,
+NL: ?,
+DK: ?,
+S: ?,
+FI: ?.
+
+Beginning in 18th century the high bass clef used in French Horn parts
+for the lowest pitches. This usage of the F clef was then passed down
+from the French Horn to the Basset Horn and then to the Bass Clarinet.
+It looks identical to the standard bass clef, but is pitched an octave
+higher -- octavation indicators on clefs appeared at the beginning of
+the 20th Century.
+
+In LilyPond, the most straightforward way to make a high bass clef is to
+print the modern version @code{\clef "bass^8"} but without the @code{8};
+
+@lilypond[quote,verbatim]
+<<
+ \new Staff {
+ \clef treble { g4 b d' g' }
+ }
+ \new Staff \with { \omit ClefModifier }
+ { \clef "bass^8" { g4 b d' g' } }
+>>
+@end lilypond
+
+
+@seealso
+@ref{F clef}, @ref{bass clef}.
+
@node homophony
@section homophony
ES: ?,
I: accordo di settima dominante incompleto,
-F: ?,
+F: accord de septième de dominante incomplet,
D: verkürzter Dominantseptakkord,
NL: ?,
DK: ?,
ES: en su lugar,
I: loco,
-F: ?,
+F: loco,
D: loco,
NL: ?,
DK: ?,
ES: melisma,
I: melisma,
-F: mélisme, tenue,
+F: mélisme, vocalise,
D: Melisma,
NL: melisma,
DK: ?,
ES: do central,
I: do centrale,
-F: do central, do 3
-D: zweigestrichenes@w{ }c,
+F: do central, do 3,
+D: eingestrichenes@w{ }c,
NL: centrale@w{ }c,
DK: enstreget@w{ }c,
S: ettstruket@w{ }c,
@lilypond[quote,line-width=13.0\cm]
\score{
\relative c'' {
- \set Score.implicitTimeSignatureVisibility = #all-invisible
+ \set Score.initialTimeSignatureVisibility = #all-invisible
\override Score.TimeSignature #'break-visibility = #all-invisible
\time 4/4
\key g \major
ES: indicación de compás polimétrico,
I: tempo polimetrico,
-F: ?,
+F: métrique polymétrique,
D: zusammengesetzte Taktart,
NL: ?,
DK: ?,
ES: variante [de acorde o intervalo],
I: qualità (?),
-F: qualité (?),
+F: qualité [d'accord ou d'intervalle],
D: Modus (Dur oder Moll),
NL: ?,
DK: ?,
ES: partitura,
I: partitura,
-F: partition, conducteur (full score),
+F: partition, conducteur @emph{(full score)},
D: Partitur (full score), Klavierauszug (vocal score),
NL: partituur,
DK: partitur,
ES: simile, similar,
I: simile,
-F: simile,
+F: simile, de façon identique,
D: simile, gleichartig,
NL: ?,
DK: ?,
ES: sobre la cuerda de Sol,
I: sul Sol,
-F: sur la G,
+F: sur la corde de sol,
D: auf G, auf der G-Saite,
NL: ?,
DK: ?,
ES: grupo de valoración especial,
I: gruppi irregolari,
-F: ?,
+F: N-olet,
D: N-tole,
NL: Antimetrische figuur,
DK: ?,
projects / lilypond.git / blobdiff