version that you are working on. See TRANSLATION for details.
@end ignore
-@c \version "2.11.38"
-
-@c Translators: Jean-Charles Malahieude
-
-@node Input syntax
-@chapter Input syntax
-
-UNTRANSLATED NODE: IGNORE ME
-
-@menu
-* Input files::
-* Common syntax issues TODO name?::
-* Other stuffs TODO move?::
-@end menu
-@node Input files
-@section Input files
-
-UNTRANSLATED NODE: IGNORE ME
-
-@menu
-* File structure::
-* A single music expression::
-* Multiple scores in a book::
-* Extracting fragments of notation::
-* Including LilyPond files::
-* Text encoding::
-* Different editions from one source::
-@end menu
-@node File structure
-@subsection File structure
+@c \version "2.11.61"
+
+@c Translators: Jean-Charles Malahieude, Valentin Villenave
+
+@node General input and output
+@chapter General input and output
+
+@untranslated
+
+
+@menu
+* Input structure::
+* Titles and headers::
+* Working with input files::
+* Controlling output::
+* MIDI output::
+@end menu
+
+@node Input structure
+@section Input structure
+
+@untranslated
+
+
+@menu
+* Structure of a score::
+* Multiple scores in a book::
+* File structure::
+@end menu
-UNTRANSLATED NODE: IGNORE ME
+@node Structure of a score
+@subsection Structure of a score
-@node A single music expression
-@subsection A single music expression
+@untranslated
-UNTRANSLATED NODE: IGNORE ME
@node Multiple scores in a book
@subsection Multiple scores in a book
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
+
+
+@node File structure
+@subsection File structure
+
+@untranslated
+
+
+@node Titles and headers
+@section Titles and headers
+
+@untranslated
+
+
+@menu
+* Creating titles::
+* Custom titles::
+* Reference to page numbers::
+* Table of contents::
+@end menu
+
+@node Creating titles
+@subsection Creating titles
+
+@untranslated
+
+
+@node Custom titles
+@subsection Custom titles
+
+@untranslated
+
+
+@node Reference to page numbers
+@subsection Reference to page numbers
+
+@untranslated
+
+
+@node Table of contents
+@subsection Table of contents
+
+@untranslated
+
-@node Extracting fragments of notation
-@subsection Extracting fragments of notation
+@node Working with input files
+@section Working with input files
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
+
+
+@menu
+* Including LilyPond files::
+* Different editions from one source::
+* Text encoding::
+* Displaying LilyPond notation::
+@end menu
@node Including LilyPond files
@subsection Including LilyPond files
-UNTRANSLATED NODE: IGNORE ME
-
-@node Text encoding
-@subsection Text encoding
+@untranslated
-UNTRANSLATED NODE: IGNORE ME
@node Different editions from one source
@subsection Different editions from one source
+@untranslated
+
+
+@menu
+* Using variables::
+* Using tags::
+@end menu
+
+@node Using variables
+@unnumberedsubsubsec Using variables
+
+@untranslated
+
+
+@node Using tags
+@unnumberedsubsubsec Using tags
@funindex \tag
@cindex tag
-
+
La commande @code{\tag} affecte un nom à des expressions musicales.
Les expressions ainsi balisées pourront être filtrées par la suite.
Ce mécanisme permet d'obtenir différentes versions à partir d'une même
Dans l'exemple qui suit, nous obtenons deux versions du même extrait,
l'une pour le conducteur, l'autre pour l'instrumentiste, et qui
comportera les ornements.
-
+
@example
c1
<<
c1
@end example
+@noindent
Ce principe peut s'appliquer aux articulations, textes, etc. Il
-suffit de positionner
+suffit de positionner
+
@example
-\tag #@var{votre-balise}
@end example
+
+@noindent
avant l'articulation, comme ici :
+
@example
c1-\tag #'part ^4
@end example
+@noindent
Ceci définira une note avec une indication de doigté conditionnelle.
-
+
@cindex keepWithTag
@cindex removeWithTag
C'est grâce aux commandes @code{\keepWithTag} et @code{\removeWithTag}
que vous filtrerez les expressions balisées. Par exemple :
+
@example
<<
@var{de la musique}
\keepWithTag #'part @var{de la musique}
>>
@end example
+
+@noindent
donnerait :
@lilypondfile[ragged-right,quote]{tag-filter.ly}
que @code{#'score} ou @code{#'part}), suivi d'une expression musicale.
Vous pouvez utiliser de multiples balises dans un morceau en
saisissant plusieurs @code{\tag}.
-
+
@example
\tag #'original-part \tag #'transposed-part @dots{}
@end example
-
+@ignore
+FIXME
@seealso
Exemples : @lsr{parts,tag@/-filter@/.ly}
-
+@end ignore
@knownissues
si vous imprimez une partition avec les deux sections balisées.
-@node Common syntax issues TODO name?
-@section Common syntax issues TODO name?
+@node Text encoding
+@subsection Text encoding
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
-@menu
-* Controlling direction::
-* Distances and measurements MAYBE MOVE::
-@end menu
-@node Controlling direction
-@subsection Controlling direction
+@node Displaying LilyPond notation
+@subsection Displaying LilyPond notation
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
-@node Distances and measurements MAYBE MOVE
-@subsection Distances and measurements MAYBE MOVE
-UNTRANSLATED NODE: IGNORE ME
+@node Controlling output
+@section Controlling output
-@node Other stuffs TODO move?
-@section Other stuffs TODO move?
+@untranslated
-UNTRANSLATED NODE: IGNORE ME
-@menu
-* Displaying LilyPond notation::
-* Skipping corrected music::
-* context list FIXME::
-* another thing FIXME::
-* Input modes FIXME::
+@menu
+* Extracting fragments of music::
+* Skipping corrected music::
@end menu
-@node Displaying LilyPond notation
-@subsection Displaying LilyPond notation
+@node Extracting fragments of music
+@subsection Extracting fragments of music
+
+@untranslated
-UNTRANSLATED NODE: IGNORE ME
@node Skipping corrected music
@subsection Skipping corrected music
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
+
+
+@node MIDI output
+@section MIDI output
-@node context list FIXME
-@subsection context list FIXME
+@untranslated
+
+
+@menu
+* Creating MIDI files::
+* MIDI block::
+* What goes into the MIDI output?::
+* Repeats in MIDI::
+* Controlling MIDI dynamics::
+@end menu
+
+@node Creating MIDI files
+@subsection Creating MIDI files
+
+@untranslated
+
+
+@unnumberedsubsubsec Instrument names
+@node MIDI block
+@subsection MIDI block
+
+@untranslated
+
+
+@node What goes into the MIDI output?
+@subsection What goes into the MIDI output?
+
+@untranslated
+
+
+@unnumberedsubsubsec Supported in MIDI
+@unnumberedsubsubsec Unsupported in MIDI
+
+@node Repeats in MIDI
+@subsection Repeats in MIDI
+
+@cindex reprises développées
+@funindex \unfoldRepeats
+
+Au prix de quelques réglages, les reprises de toutes sortes peuvent être
+rendues dans le fichier MIDI. Il suffit pour cela de recourir à la
+fonction @code{\unfoldRepeats}, qui développe toutes les reprises. En
+d'autre termes, @code{\unfoldRepeats} transforme toutes les reprises
+en reprises de type @code{unfold}.
+
+
+@lilypond[quote,verbatim,fragment,line-width=8.0\cm]
+\unfoldRepeats {
+ \repeat tremolo 8 {c'32 e' }
+ \repeat percent 2 { c''8 d'' }
+ \repeat volta 2 {c'4 d' e' f'}
+ \alternative {
+ { g' a' a' g' }
+ {f' e' d' c' }
+ }
+}
+\bar "|."
+@end lilypond
+
+
+Lorsque l'on veut utiliser @code{\unfoldRepeats} seulement pour le rendu
+MIDI, il faut établir deux blocs @code{\score} : un pour le MIDI, avec
+des reprises explicites, et l'autre pour la partition, avec des reprises
+notées sous forme de barres de reprise, de trémolo ou de symboles de
+pourcentage. Par exemple
+
+@example
+\score @{
+ @var{..musique..}
+ \layout @{ .. @}
+@}
+\score @{
+ \unfoldRepeats @var{..musique..}
+ \midi @{ .. @}
+@}
+@end example
-UNTRANSLATED NODE: IGNORE ME
-@node another thing FIXME
-@subsection another thing FIXME
+@node Controlling MIDI dynamics
+@subsection Controlling MIDI dynamics
-UNTRANSLATED NODE: IGNORE ME
+@untranslated
-@node Input modes FIXME
-@subsection Input modes FIXME
-UNTRANSLATED NODE: IGNORE ME
+@unnumberedsubsubsec Dynamic marks
+@unnumberedsubsubsec Overall MIDI volume
+@unnumberedsubsubsec Equalizing different instruments (i)
+@unnumberedsubsubsec Equalizing different instruments (ii)
projects / lilypond.git / blobdiff