@c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
@c This file is part of lilypond.tely
@ignore
- Translation of GIT committish: aea9d21f9173e688c4b18b64ef4bf955cd8d2d82
-
+ Translation of GIT committish: 45945bd973aa9161b10e3f517902afb7ef4b4a56
When revising a translation, copy the HEAD committish of the
version that you are working on. See TRANSLATION for details.
@end ignore
+@c \version "2.12.0"
@node Notation manual tables
@appendix Notation manual tables
-UNTRANSLATED NODE: IGNORE ME
+@c Please do not delete the following @ignore block.
+@ignore
+Note for editors and translators: In the following menu, two entries
+are needed to link to a pair of automatically generated sections.
+Please keep them and, if using emacs, do not run
+texinfo-all-menus-update without manually restoring them back. These
+menu entries are:
+
+* Text markup commands::
+* Text markup list commands::
-@menu
+and they should go just after
+* Note head styles::
+
+and just before
+* List of articulations::
+@end ignore
+
+@menu
* Chord name chart::
+* Common chord modifiers::
+* Predefined fretboard diagrams::
* MIDI instruments::
* List of colors::
* The Feta font::
* Note head styles::
-@end menu
+* Text markup commands::
+* Text markup list commands::
+* List of articulations::
+* Percussion notes::
+* All context properties::
+* Layout properties::
+* Identifiers::
+* Scheme functions::
+@end menu
+
+
+
@node Chord name chart
@appendixsec Chord name chart
-UNTRANSLATED NODE: IGNORE ME
+Las siguientes tablas muestran dos sistemas estándar para imprimir los nombres de los acordes,
+junto a las notas que representan.
+
+@lilypondfile{chord-names-jazz.ly}
+
+@node Common chord modifiers
+@appendixsec Common chord modifiers
+
+La tabla siguiente presenta los modificadores de acorde que se pueden
+usar en el modo de acordes @code{\chordmode} para generar las
+estructuras de acordes estándar.
+
+@multitable @columnfractions .2 .3 .2 .2
+
+@item
+@b{Tipo de acorde}
+@tab
+@b{Intervalos}
+@tab
+@b{Modificador(es)}
+@tab
+@b{Ejemplo}
+
+
+@item
+Mayor
+@tab
+Tercera mayor y quinta justa
+@tab
+@code{5} o nada
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:5
+}
+@end lilypond
+
+@item
+Menor
+@tab
+Tercera menor y quinta justa
+@tab
+@code{m} o @code{m5}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:m
+}
+@end lilypond
+
+@item
+Aumentado
+@tab
+Tercera mayor y quinta aumentada
+@tab
+@code{aug}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:aug
+}
+@end lilypond
+
+@item
+Disminuido
+@tab
+Tercera menor y quinta disminuida
+@tab
+@code{dim}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:dim
+}
+@end lilypond
+
+@item
+Séptima dominante
+@tab
+Tríada mayor con séptima menor
+@tab
+@code{7}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:7
+}
+@end lilypond
+
+@item
+Séptima mayor
+@tab
+Tríada mayor y séptima mayor
+@tab
+@code{maj7} ó @code{maj}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:maj7
+}
+@end lilypond
+
+@item
+Séptima menor
+@tab
+Tríada menor y séptima menor
+@tab
+@code{m7}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:m7
+}
+@end lilypond
+
+@item
+Séptima disminuida
+@tab
+Tríada disminuida y séptima disminuida
+@tab
+@code{dim7}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:dim7
+}
+@end lilypond
+
+@item
+Aumentado con séptima
+@tab
+Tríada aumentada y séptima menor
+@tab
+@code{aug7}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:aug7
+}
+@end lilypond
+
+@item
+Séptima semi-disminuido
+@tab
+Tríada disminuida y séptima menor
+@tab
+@code{m7.5-}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:dim5m7
+}
+@end lilypond
+
+@item
+Menor con séptima mayor
+@tab
+Tríada menor con séptima mayor
+@tab
+@code{maj7.5-}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:maj7.5-
+}
+@end lilypond
+
+@item
+Mayor con sexta
+@tab
+Tríada mayor y sexta
+@tab
+@code{6}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:6
+}
+@end lilypond
+
+@item
+Menor con sexta
+@tab
+Tríada menor y sexta
+@tab
+@code{m6}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:m6
+}
+@end lilypond
+
+@item
+Novena dominante
+@tab
+Séptima dominante con novena mayor
+@tab
+@code{9}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:9
+}
+@end lilypond
+
+@item
+Mayor con novena
+@tab
+Séptima mayor y novena mayor
+@tab
+@code{maj9}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:maj9
+}
+@end lilypond
+
+@item
+Menor con novena
+@tab
+Séptima menor y novena mayor
+@tab
+@code{m9}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:m9
+}
+@end lilypond
+
+@item
+Oncena dominante
+@tab
+Novena dominante con oncena justa
+@tab
+@code{11}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:11
+}
+@end lilypond
+
+@item
+Oncena mayor
+@tab
+Novena mayor y oncena justa
+@tab
+@code{maj11}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:maj11
+}
+@end lilypond
+
+@item
+Menor con oncena
+@tab
+Novena menor y oncena justa
+@tab
+@code{m11}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:m11
+}
+@end lilypond
+
+@item
+Trecena dominante
+@tab
+Novena dominante y trecena mayor
+@tab
+@code{13}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:13
+}
+@end lilypond
+
+@item
+Trecena dominante
+@tab
+Oncena dominante y trecena mayor
+@tab
+@code{13.11}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:13.11
+}
+@end lilypond
+
+@item
+Mayor con trecena
+@tab
+Oncena mayor y trecena mayor
+@tab
+@code{maj13.11}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:maj13.11
+}
+@end lilypond
+
+@item
+Menor con trecena
+@tab
+Oncena menor y trecena mayor
+@tab
+@code{m13.11}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:m13.11
+}
+@end lilypond
+
+@item
+Segunda suspendida
+@tab
+Segunda mayor y quinta justa
+@tab
+@code{sus2}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:sus2
+}
+@end lilypond
+
+@item
+Cuarta suspendida
+@tab
+Cuarta justa y quinta justa
+@tab
+@code{sus4}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:sus4
+}
+@end lilypond
+
+
+@end multitable
+
+@node Predefined fretboard diagrams
+@appendixsec Predefined fretboard diagrams
+
+El cuadro siguiente presenta los diagramas de traste predefinidos.
+
+@lilypondfile{display-predefined-fretboards.ly}
+
@node MIDI instruments
@appendixsec MIDI instruments
-UNTRANSLATED NODE: IGNORE ME
+A continuación figura una lista con los nombres que se pueden utilizar para la
+propiedad @code{midiInstrument} (instrumento MIDI).
+
+@example
+acoustic grand contrabass lead 7 (fifths)
+bright acoustic tremolo strings lead 8 (bass+lead)
+electric grand pizzicato strings pad 1 (new age)
+honky-tonk orchestral harp pad 2 (warm)
+electric piano 1 timpani pad 3 (polysynth)
+electric piano 2 string ensemble 1 pad 4 (choir)
+harpsichord string ensemble 2 pad 5 (bowed)
+clav synthstrings 1 pad 6 (metallic)
+celesta synthstrings 2 pad 7 (halo)
+glockenspiel choir aahs pad 8 (sweep)
+music box voice oohs fx 1 (rain)
+vibraphone synth voice fx 2 (soundtrack)
+marimba orchestra hit fx 3 (crystal)
+xylophone trumpet fx 4 (atmosphere)
+tubular bells trombone fx 5 (brightness)
+dulcimer tuba fx 6 (goblins)
+drawbar organ muted trumpet fx 7 (echoes)
+percussive organ french horn fx 8 (sci-fi)
+rock organ brass section sitar
+church organ synthbrass 1 banjo
+reed organ synthbrass 2 shamisen
+accordion soprano sax koto
+harmonica alto sax kalimba
+concertina tenor sax bagpipe
+acoustic guitar (nylon) baritone sax fiddle
+acoustic guitar (steel) oboe shanai
+electric guitar (jazz) english horn tinkle bell
+electric guitar (clean) bassoon agogo
+electric guitar (muted) clarinet steel drums
+overdriven guitar piccolo woodblock
+distorted guitar flute taiko drum
+guitar harmonics recorder melodic tom
+acoustic bass pan flute synth drum
+electric bass (finger) blown bottle reverse cymbal
+electric bass (pick) shakuhachi guitar fret noise
+fretless bass whistle breath noise
+slap bass 1 ocarina seashore
+slap bass 2 lead 1 (square) bird tweet
+synth bass 1 lead 2 (sawtooth) telephone ring
+synth bass 2 lead 3 (calliope) helicopter
+violin lead 4 (chiff) applause
+viola lead 5 (charang) gunshot
+cello lead 6 (voice)
+@end example
+
@node List of colors
@appendixsec List of colors
-UNTRANSLATED NODE: IGNORE ME
-
@subsubheading Normal colors
+
+La sintaxis para el uso de colores se encuentra detallada en @ref{Coloring objects}.
+
+@cindex lista de colores
+@cindex colores, lista de
+
+@verbatim
+black white red green
+blue cyan magenta yellow
+grey darkred darkgreen darkblue
+darkcyan darkmagenta darkyellow
+@end verbatim
+
+
@subsubheading X color names
+
+Los nombres de los colores de X admiten algunas variantes:
+
+Un nombre que se escribe como una palabra única con mayúsculas
+intercaladas (p.ej. @q{LightSlateBlue}) se puede escribir también como
+palabras separadas por espacios y sin mayúsculas (p.ej. @q{light slate
+blue}).
+
+La palabra @q{grey} siempre se puede escribir como @q{gray} (p.ej. @q{DarkSlateGray}).
+
+Algunos nombres admiten un sufijo numérico (p.ej. @q{LightSalmon4}).
+
+
@subsubheading Color Names without a numerical suffix:
+
+@verbatim
+snow GhostWhite WhiteSmoke gainsboro FloralWhite
+OldLace linen AntiqueWhite PapayaWhip BlanchedAlmond
+bisque PeachPuff NavajoWhite moccasin cornsilk
+ivory LemonChiffon seashell honeydew MintCream
+azure AliceBlue lavender LavenderBlush MistyRose
+white black DarkSlateGrey DimGrey SlateGrey
+LightSlateGrey grey LightGrey MidnightBlue navy
+NavyBlue CornflowerBlue DarkSlateBlue SlateBlue MediumSlateBlue
+LightSlateBlue MediumBlue RoyalBlue blue DodgerBlue
+DeepSkyBlue SkyBlue LightSkyBlue SteelBlue LightSteelBlue
+LightBlue PowderBlue PaleTurquoise DarkTurquoise MediumTurquoise
+turquoise cyan LightCyan CadetBlue MediumAquamarine
+aquamarine DarkGreen DarkOliveGreen DarkSeaGreen SeaGreen
+MediumSeaGreen LightSeaGreen PaleGreen SpringGreen LawnGreen
+green chartreuse MediumSpringGreen GreenYellow LimeGreen
+YellowGreen ForestGreen OliveDrab DarkKhaki khaki
+PaleGoldenrod LightGoldenrodYellow LightYellow yellow gold
+LightGoldenrod goldenrod DarkGoldenrod RosyBrown IndianRed
+SaddleBrown sienna peru burlywood beige
+wheat SandyBrown tan chocolate firebrick
+brown DarkSalmon salmon LightSalmon orange
+DarkOrange coral LightCoral tomato OrangeRed
+red HotPink DeepPink pink LightPink
+PaleVioletRed maroon MediumVioletRed VioletRed magenta
+violet plum orchid MediumOrchid DarkOrchid
+DarkViolet BlueViolet purple MediumPurple thistle
+DarkGrey DarkBlue DarkCyan DarkMagenta DarkRed
+LightGreen
+@end verbatim
+
+
@subsubheading Color names with a numerical suffix
+
+En los nombres siguientes, el sufijo N puede ser un número del 1 al 4:
+
+@verbatim
+snowN seashellN AntiqueWhiteN bisqueN PeachPuffN
+NavajoWhiteN LemonChiffonN cornsilkN ivoryN honeydewN
+LavenderBlushN MistyRoseN azureN SlateBlueN RoyalBlueN
+blueN DodgerBlueN SteelBlueN DeepSkyBlueN SkyBlueN
+LightSkyBlueN LightSteelBlueN LightBlueN LightCyanN PaleTurquoiseN
+CadetBlueN turquoiseN cyanN aquamarineN DarkSeaGreenN
+SeaGreenN PaleGreenN SpringGreenN greenN chartreuseN
+OliveDrabN DarkOliveGreenN khakiN LightGoldenrodN LightYellowN
+yellowN goldN goldenrodN DarkGoldenrodN RosyBrownN
+IndianRedN siennaN burlywoodN wheatN tanN
+chocolateN firebrickN brownN salmonN LightSalmonN
+orangeN DarkOrangeN coralN tomatoN OrangeRedN
+redN DeepPinkN HotPinkN pinkN LightPinkN
+PaleVioletRedN maroonN VioletRedN magentaN orchidN
+plumN MediumOrchidN DarkOrchidN purpleN MediumPurpleN
+thistleN
+@end verbatim
+
+
@subsubheading Grey Scale
+
+Se puede obtener una escala de grises utilizando:
+
+@example
+greyN
+@end example
+
+@noindent
+donde N es un número entre 0 y 100.
+
+
@node The Feta font
@appendixsec The Feta font
-UNTRANSLATED NODE: IGNORE ME
+@cindex Feta, tipografía
+@cindex tipografía Feta
+
+Los símbolos siguientes están disponibles en la tipografía Emmentaler
+y es posible acceder a ellos directamente utilizando elementos de
+marcado textual como @code{g^\markup @{ \musicglyph #"scripts.segno"
+@}}, véase @ref{Formatting text}.
+
+@menu
+* Font Clefs::
+* Font Time Signatures::
+* Font Numbers::
+* Font Accidentals::
+* Font Default Noteheads::
+* Font Special Noteheads::
+* Font Shape-note Noteheads::
+* Font Rests::
+* Font Flags::
+* Font Dots::
+* Font Dynamics::
+* Font Scripts::
+* Font Arrowheads::
+* Font Bracket-tips::
+* Font Pedal::
+* Font Accordion::
+* Font Vaticana::
+* Font Medicaea::
+* Font Hufnagel::
+* Font Mensural::
+* Font Neomensural::
+* Font Petrucci::
+* Font Solesmes::
+@end menu
+
+
+@node Font Clefs
+@unnumberedsubsec Font Clefs
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #clefs
+@end lilypond
+
+
+@node Font Time Signatures
+@unnumberedsubsec Font Time Signatures
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #timesig
+@end lilypond
+
+
+@node Font Numbers
+@unnumberedsubsec Font Numbers
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #numbers
+@end lilypond
+
+
+@node Font Accidentals
+@unnumberedsubsec Font Accidentals
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #accidentals
+@end lilypond
+
+
+@node Font Default Noteheads
+@unnumberedsubsec Font Default Noteheads
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #default-noteheads
+@end lilypond
+
+
+@node Font Special Noteheads
+@unnumberedsubsec Font Special Noteheads
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #special-noteheads
+@end lilypond
+
+
+@node Font Shape-note Noteheads
+@unnumberedsubsec Font Shape-note Noteheads
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #shape-note-noteheads
+@end lilypond
+
+
+@node Font Rests
+@unnumberedsubsec Font Rests
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #rests
+@end lilypond
+
+
+@node Font Flags
+@unnumberedsubsec Font Flags
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #flags
+@end lilypond
+
+
+@node Font Dots
+@unnumberedsubsec Font Dots
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #dots
+@end lilypond
+
+
+@node Font Dynamics
+@unnumberedsubsec Font Dynamics
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #dynamics
+@end lilypond
+
+
+@node Font Scripts
+@unnumberedsubsec Font Scripts
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #scripts
+@end lilypond
+
+
+@node Font Arrowheads
+@unnumberedsubsec Font Arrowheads
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #arrowheads
+@end lilypond
+
+
+@node Font Bracket-tips
+@unnumberedsubsec Font Bracket-tips
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #brackettips
+@end lilypond
+
+
+@node Font Pedal
+@unnumberedsubsec Font Pedal
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #pedal
+@end lilypond
+
+
+@node Font Accordion
+@unnumberedsubsec Font Accordion
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #accordion
+@end lilypond
+
+
+@node Font Vaticana
+@unnumberedsubsec Font Vaticana
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #vaticana
+@end lilypond
+
+
+@node Font Medicaea
+@unnumberedsubsec Font Medicaea
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #medicaea
+@end lilypond
+
+
+@node Font Hufnagel
+@unnumberedsubsec Font Hufnagel
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #hufnagel
+@end lilypond
+
+
+@node Font Mensural
+@unnumberedsubsec Font Mensural
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #mensural
+@end lilypond
+
+
+@node Font Neomensural
+@unnumberedsubsec Font Neomensural
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #neomensural
+@end lilypond
+
+
+@node Font Petrucci
+@unnumberedsubsec Font Petrucci
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #petrucci
+@end lilypond
+
+
+@node Font Solesmes
+@unnumberedsubsec Font Solesmes
+
+@lilypond[quote]
+\include "font-table.ly"
+\markuplines \override-lines #'(word-space . 4)
+ \doc-chars #solesmes
+@end lilypond
+
@node Note head styles
@appendixsec Note head styles
-UNTRANSLATED NODE: IGNORE ME
+@cindex nota, estilos de cabeza
+Se pueden usar los siguientes estilos para las cabezas de las notas.
+
+@lilypondfile[noindent]{note-head-style.ly}
+
+@include markup-commands.tely
+
+@include markup-list-commands.tely
+
+@node List of articulations
+@appendixsec List of articulations
+
+@cindex accent
+@cindex acento
+@cindex apagado
+@cindex arco abajo
+@cindex arco arriba
+@cindex calderón
+@cindex coda
+@cindex downbow
+@cindex espressivo
+@cindex fermata
+@cindex flageolet
+@cindex foot marks
+@cindex grupeto circular
+@cindex grupeto circular invertido
+@cindex marcato
+@cindex mordent
+@cindex open
+@cindex organ pedal marks
+@cindex pedal, indicaciones de
+@cindex portato
+@cindex prall
+@cindex prallmordent
+@cindex prallprall
+@cindex reverseturn
+@cindex segno
+@cindex semitrino
+@cindex semitrino descendente
+@cindex staccatissimo
+@cindex staccato
+@cindex stopped
+@cindex tenuto
+@cindex thumb marking
+@cindex trill
+@cindex trino
+@cindex turn
+@cindex upbow
+@cindex varcoda
+@cindex órgano, indicaciones de pedal de
+
+
+@lilypondfile[quote,texidoc]{script-chart.ly}
+
+
+@node Percussion notes
+@appendixsec Percussion notes
+
+@lilypondfile[quote]{percussion-chart.ly}
+
+
+@node All context properties
+@appendixsec All context properties
+
+@include context-properties.tely
+
+
+@node Layout properties
+@appendixsec Layout properties
+
+@include layout-properties.tely
+
+
+@node Identifiers
+@appendixsec Identifiers
+
+@include identifiers.tely
+
+@node Scheme functions
+@appendixsec Scheme functions
--- SKELETON FILE --
-When you actually translate this file, please remove these lines as
-well as all `UNTRANSLATED NODE: IGNORE ME' lines.
+@include scheme-functions.tely
projects / lilypond.git / blobdiff