@c -*- coding: utf-8; mode: texinfo; -*-
-@c This file is part of lilypond.tely
+@c This file is part of lilypond-learning.tely
@ignore
- Translation of GIT committish: 2ae5726ea4fcbcd40e42678db32d7da3227ef44a
+ Translation of GIT committish: d650ba9e33bf95a14c8b99882142d04acf8435d5
When revising a translation, copy the HEAD committish of the
version that you are working on. See TRANSLATION for details.
@end ignore
-@c \version "2.11.51"
+@c \version "2.11.61"
@node Templates
@appendix Templates
Noten einfügen, die Datei mit LilyPond übersetzen und sich an dem
schönen Notenbild erfreuen!
-@c bad node name for ancient notation to avoid confict
+@c bad node name for ancient notation to avoid conflict
@menu
* Single staff::
* Piano templates::
@node Single staff
@appendixsec Single staff
-@appendixsubsec Notes only
-Das erste Beispiel zeigt ein Notensystem mit Noten, passend für ein
-Soloinstrument oder ein Melodiefragment. Kopieren Sie es und fügen
-Sie es in Ihre Datei ein, schreiben Sie die Noten hinzu, und Sie haben
-eine vollständige Notationsdatei.
+@appendixsubsec Notes only
-@lilypond[quote,verbatim,ragged-right]
-\version "2.11.51"
-melody = \relative c' {
- \clef treble
- \key c \major
- \time 4/4
+@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,addversion]
+{single-staff-template-with-only-notes.ly}
- a4 b c d
-}
-
-\score {
- \new Staff \melody
- \layout { }
- \midi {}
-}
-@end lilypond
@appendixsubsec Notes and lyrics
-Das nächste Beispiel zeigt eine einfache Melodie mit Text. Kopieren
-Sie es in Ihre Datei, fügen Sie Noten und Text hinzu und übersetzen
-Sie es mit LilyPond. In dem Beispiel wird die automatische
-Balkenverbindung ausgeschaltet (mit dem Befehl @code{\autoBeamOff}),
-wie es für Vokalmusik üblich ist.
-Wenn Sie die Balken wieder einschalten wollen, müssen Sie die
-entsprechende Zeile entweder ändern oder auskommentieren.
-
-@lilypond[quote,verbatim,ragged-right]
-\version "2.11.51"
-melody = \relative c' {
- \clef treble
- \key c \major
- \time 4/4
-
- a4 b c d
-}
-
-text = \lyricmode {
- Aaa Bee Cee Dee
-}
+@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,addversion]
+{single-staff-template-with-notes-and-lyrics.ly}
-\score{
- <<
- \new Voice = "one" {
- \autoBeamOff
- \melody
- }
- \new Lyrics \lyricsto "one" \text
- >>
- \layout { }
- \midi { }
-}
-@end lilypond
@appendixsubsec Notes and chords
-Wollen Sie ein Liedblatt mit Melodie und Akkorden schreiben? Hier ist
-das richtige Beispiel für Sie!
-
-@lilypond[quote,verbatim,ragged-right]
-\version "2.11.51"
-melody = \relative c' {
- \clef treble
- \key c \major
- \time 4/4
-
- f4 e8[ c] d4 g |
- a2 ~ a2 |
-}
-
-harmonies = \chordmode {
- c4:m f:min7 g:maj c:aug d2:dim b:sus
-}
+@lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
+{single-staff-template-with-notes-and-chords.ly}
-\score {
- <<
- \new ChordNames {
- \set chordChanges = ##t
- \harmonies
- }
- \new Staff \melody
- >>
-
- \layout{ }
- \midi { }
-}
-@end lilypond
@appendixsubsec Notes, lyrics, and chords.
-Mit diesem Beispiel können Sie einen Song mit Melodie,
-Text und Akkorden schreiben.
+@lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
+{single-staff-template-with-notes,-lyrics,-and-chords.ly}
-@lilypond[quote,verbatim,ragged-right]
-\version "2.11.51"
-melody = \relative c' {
- \clef treble
- \key c \major
- \time 4/4
-
- a b c d
-}
-
-text = \lyricmode {
- Aaa Bee Cee Dee
-}
-
-harmonies = \chordmode {
- a2 c2
-}
-
-\score {
- <<
- \new ChordNames {
- \set chordChanges = ##t
- \harmonies
- }
- \new Voice = "one" {
- \autoBeamOff
- \melody
- }
- \new Lyrics \lyricsto "one" \text
- >>
- \layout { }
- \midi { }
-}
-@end lilypond
@node Piano templates
@appendixsec Piano templates
-@appendixsubsec Solo piano
-
-Hier kommt ein einfaches Klaviersystem.
-
-@lilypond[quote,verbatim,ragged-right]
-\version "2.11.51"
-upper = \relative c'' {
- \clef treble
- \key c \major
- \time 4/4
-
- a b c d
-}
-lower = \relative c {
- \clef bass
- \key c \major
- \time 4/4
+@appendixsubsec Solo piano
- a2 c
-}
+@lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
+{piano-template-simple.ly}
-\score {
- \new PianoStaff <<
- \set PianoStaff.instrumentName = "Piano "
- \new Staff = "upper" \upper
- \new Staff = "lower" \lower
- >>
- \layout { }
- \midi { }
-}
-@end lilypond
@appendixsubsec Piano and melody with lyrics
-Das nächste Beispiel ist typisch für ein Lied: Im oberen System die
-Melodie mit Text, darunter Klavierbegleitung.
-
-@lilypond[quote,verbatim,ragged-right]
-\version "2.11.51"
-melody = \relative c'' {
- \clef treble
- \key c \major
- \time 4/4
-
- a b c d
-}
-
-text = \lyricmode {
- Aaa Bee Cee Dee
-}
-
-upper = \relative c'' {
- \clef treble
- \key c \major
- \time 4/4
-
- a b c d
-}
-
-lower = \relative c {
- \clef bass
- \key c \major
- \time 4/4
-
- a2 c
-}
-
-\score {
- <<
- \new Voice = "mel" {
- \autoBeamOff
- \melody
- }
- \new Lyrics \lyricsto mel \text
-
- \new PianoStaff <<
- \new Staff = "upper" \upper
- \new Staff = "lower" \lower
- >>
- >>
- \layout {
- \context { \RemoveEmptyStaffContext }
- }
- \midi { }
-}
-@end lilypond
+@lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
+{piano-template-with-melody-and-lyrics.ly}
@appendixsubsec Piano centered lyrics
-Anstatt ein eigenes System für Melodie und Text zu schreiben, können
-Sie den Text auch zwischen die beiden Klaviersysteme schreiben
-(und damit das zusätzliche System für die Gesangstimme auslassen).
-
-@lilypond[quote,verbatim,ragged-right]
-\version "2.11.51"
-upper = \relative c'' {
- \clef treble
- \key c \major
- \time 4/4
-
- a b c d
-}
-
-lower = \relative c {
- \clef bass
- \key c \major
- \time 4/4
-
- a2 c
-}
-
-text = \lyricmode {
- Aaa Bee Cee Dee
-}
-
-\score {
- \new GrandStaff <<
- \new Staff = upper { \new Voice = "singer" \upper }
- \new Lyrics \lyricsto "singer" \text
- \new Staff = lower {
- \clef bass
- \lower
- }
- >>
- \layout {
- \context { \GrandStaff \accepts "Lyrics" }
- \context { \Lyrics \consists "Bar_engraver" }
- }
- \midi { }
-}
-@end lilypond
+@lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
+{piano-template-with-centered-lyrics.ly}
@appendixsubsec Piano centered dynamics
-In der meisten Klaviernotation werden die Dynamikzeichen zwischen
-den beiden Systemen zentriert. Für LilyPond muss man die Einstellungen
-etwas anpassen, aber Sie können ja das angepasste Beispiel von hier
-kopieren.
-
-@lilypond[quote,verbatim,ragged-right]
-\version "2.11.51"
-upper = \relative c'' {
- \clef treble
- \key c \major
- \time 4/4
-
- a b c d
-}
-
-lower = \relative c {
- \clef bass
- \key c \major
- \time 4/4
-
- a2 c
-}
-
-dynamics = {
- s2\fff\> s4
- s\!\pp
-}
-
-pedal = {
- s2\sustainOn s2\sustainOff
-}
-
-\score {
- \new PianoStaff <<
- \new Staff = "upper" \upper
- \new Dynamics = "dynamics" \dynamics
- \new Staff = "lower" <<
- \clef bass
- \lower
- >>
- \new Dynamics = "pedal" \pedal
- >>
- \layout {
- \context {
- \type "Engraver_group"
- \name Dynamics
- \alias Voice % So that \cresc works, for example.
- \consists "Output_property_engraver"
-
- \override VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1)
- \override DynamicLineSpanner #'Y-offset = #0
- pedalSustainStrings = #'("Ped." "*Ped." "*")
- pedalUnaCordaStrings = #'("una corda" "" "tre corde")
-
- \consists "Piano_pedal_engraver"
- \consists "Script_engraver"
- \consists "Dynamic_engraver"
- \consists "Text_engraver"
-
- \override TextScript #'font-size = #2
- \override TextScript #'font-shape = #'italic
-
- \consists "Skip_event_swallow_translator"
-
- \consists "Axis_group_engraver"
- }
- \context {
- \PianoStaff
- \accepts Dynamics
- }
- }
-}
-\score {
- \new PianoStaff <<
- \new Staff = "upper" << \upper \dynamics >>
- \new Staff = "lower" << \lower \dynamics >>
- \new Dynamics = "pedal" \pedal
- >>
- \midi {
- \context {
- \type "Performer_group"
- \name Dynamics
- \consists "Piano_pedal_performer"
- }
- \context {
- \PianoStaff
- \accepts Dynamics
- }
- }
-}
-@end lilypond
+@lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
+{piano-template-with-centered-dynamics.ly}
@node String quartet
@appendixsec String quartet
-@appendixsubsec String quartet
-
-Dieses Beispiel demonstriert die Partitur für ein Streichquartett. Hier
-wird auch eine @qq{@code{\global}}-Variable für Taktart und
-Vorzeichen benutzt.
-
-@lilypond[quote,verbatim,ragged-right]
-\version "2.11.51"
-
-global= {
- \time 4/4
- \key c \major
-}
-
-violinOne = \new Voice { \relative c''{
- \set Staff.instrumentName = "Violin 1 "
-
- c2 d e1
-
-\bar "|." }}
-violinTwo = \new Voice { \relative c''{
- \set Staff.instrumentName = "Violin 2 "
-
- g2 f e1
-
-\bar "|." }}
-viola = \new Voice { \relative c' {
- \set Staff.instrumentName = "Viola "
- \clef alto
-
- e2 d c1
-
-\bar "|." }}
-cello = \new Voice { \relative c' {
- \set Staff.instrumentName = "Cello "
- \clef bass
- c2 b a1
+@appendixsubsec String quartet
-\bar "|."}}
+@lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
+{string-quartet-template-simple.ly}
-\score {
- \new StaffGroup <<
- \new Staff << \global \violinOne >>
- \new Staff << \global \violinTwo >>
- \new Staff << \global \viola >>
- \new Staff << \global \cello >>
- >>
- \layout { }
- \midi { }
-}
-@end lilypond
@appendixsubsec String quartet parts
-Mit diesem Beispiel können Sie ein schönes Streichquartett notieren,
-aber wie gehen Sie vor, wenn Sie Stimmen brauchen? Das Beispiel
-oben hat gezeigt, wie Sie mit Variablen einzelne Abschnitte getrennt
-voneinander notieren können. Im nächsten Beispiel wird nun
-gezeigt, wie Sie mit diesen Variablen einzelne Stimmen erstellen.
-
-Sie müssen das Beispiel in einzelne Dateien aufteilen; die Dateinamen
-sind in den Kommentaren am Anfang jeder Datei enthalten. @code{piece.ly}
-enthält die Noten. Die anderen Dateien -- @code{score.ly},
-@code{vn1.ly}, @code{vn2.ly}, @code{vla.ly} und
-@code{vlc.ly} -- erstellen daraus die entsprechenden Stimmen bzw. die
-Partitur (@code{score.ly}). Mit @code{\tag} wird den Stimmen ein Name
-zugewiesen, auf den zurückgegriffen werden kann.
-
-@verbatim
-%%%%% piece.ly
-\version "2.11.51"
-
-global= {
- \time 4/4
- \key c \major
-}
-
-Violinone = \new Voice { \relative c''{
- \set Staff.instrumentName = "Violin 1 "
-
- c2 d e1
-
-\bar "|." }} %*********************************
-Violintwo = \new Voice { \relative c''{
- \set Staff.instrumentName = "Violin 2 "
-
- g2 f e1
-
-\bar "|." }} %*********************************
-Viola = \new Voice { \relative c' {
- \set Staff.instrumentName = "Viola "
- \clef alto
-
- e2 d c1
-
-\bar "|." }} %*********************************
-Cello = \new Voice { \relative c' {
- \set Staff.instrumentName = "Cello "
- \clef bass
-
- c2 b a1
-
-\bar "|."}} %**********************************
-
-music = {
- <<
- \tag #'score \tag #'vn1 \new Staff { << \global \Violinone >> }
- \tag #'score \tag #'vn2 \new Staff { << \global \Violintwo>> }
- \tag #'score \tag #'vla \new Staff { << \global \Viola>> }
- \tag #'score \tag #'vlc \new Staff { << \global \Cello>> }
- >>
-}
-
-
-
-%%%%% score.ly
-\version "2.11.51"
-\include "piece.ly"
-#(set-global-staff-size 14)
-\score {
- \new StaffGroup \keepWithTag #'score \music
- \layout { }
- \midi { }
-}
-
-
-%%%%% vn1.ly
-\version "2.11.51"
-\include "piece.ly"
-\score {
- \keepWithTag #'vn1 \music
- \layout { }
-}
-
-
-%%%%% vn2.ly
-\version "2.11.51"
-\include "piece.ly"
-\score {
- \keepWithTag #'vn2 \music
- \layout { }
-}
-
-
-%%%%% vla.ly
-\version "2.11.51"
-\include "piece.ly"
-\score {
- \keepWithTag #'vla \music
- \layout { }
-}
-
-
-%%%%% vlc.ly
-\version "2.11.51"
-\include "piece.ly"
-\score {
- \keepWithTag #'vlc \music
- \layout { }
-}
-@end verbatim
+@lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
+{string-quartet-template-with-separate-parts.ly}
@node Vocal ensembles
@appendixsubsec SATB vocal score
-Dieses Beispiel ist für vierstimmigen Gesang (SATB). Bei größeren
-Stücken ist es oft sinnvoll, eine allgemeine Variable zu bestimmen,
-die in allen Stimmen eingefügt wird. Taktart und Vorzeichen etwa
-sind fast immer gleich in allen Stimmen.
-
-@lilypond[quote,verbatim,ragged-right]
-\version "2.11.51"
-global = {
- \key c \major
- \time 4/4
-}
-
-sopMusic = \relative c'' {
- c4 c c8[( b)] c4
-}
-sopWords = \lyricmode {
- hi hi hi hi
-}
-
-altoMusic = \relative c' {
- e4 f d e
-}
-altoWords =\lyricmode {
- ha ha ha ha
-}
-
-tenorMusic = \relative c' {
- g4 a f g
-}
-tenorWords = \lyricmode {
- hu hu hu hu
-}
-
-bassMusic = \relative c {
- c4 c g c
-}
-bassWords = \lyricmode {
- ho ho ho ho
-}
-
-\score {
- \new ChoirStaff <<
- \new Lyrics = sopranos { s1 }
- \new Staff = women <<
- \new Voice =
- "sopranos" { \voiceOne << \global \sopMusic >> }
- \new Voice =
- "altos" { \voiceTwo << \global \altoMusic >> }
- >>
- \new Lyrics = "altos" { s1 }
- \new Lyrics = "tenors" { s1 }
- \new Staff = men <<
- \clef bass
- \new Voice =
- "tenors" { \voiceOne <<\global \tenorMusic >> }
- \new Voice =
- "basses" { \voiceTwo <<\global \bassMusic >> }
- >>
- \new Lyrics = basses { s1 }
-
- \context Lyrics = sopranos \lyricsto sopranos \sopWords
- \context Lyrics = altos \lyricsto altos \altoWords
- \context Lyrics = tenors \lyricsto tenors \tenorWords
- \context Lyrics = basses \lyricsto basses \bassWords
- >>
-
- \layout {
- \context {
- % a little smaller so lyrics
- % can be closer to the staff
- \Staff
- \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3)
- }
- }
-}
-@end lilypond
+@lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
+{vocal-ensemble-template.ly}
@appendixsubsec SATB vocal score and automatic piano reduction
-In diesem Beispiel wird ein automatischer Klavierauszug zu der
-Chorpartitur hinzugefügt. Das zeigt eine der Stärken von LilyPond
--- man kann eine Variable mehr als einmal benutzen. Wenn Sie
-irgendeine Änderung an einer Chorstimme vornehmen, (etwa
-tenorMusic), verändert sich auch der Klavierauszug entsprechend.
-
-@lilypond[quote,verbatim,ragged-right]
-\version "2.11.51"
-global = {
- \key c \major
- \time 4/4
-}
-
-sopMusic = \relative c'' {
- c4 c c8[( b)] c4
-}
-sopWords = \lyricmode {
- hi hi hi hi
-}
-
-altoMusic = \relative c' {
- e4 f d e
-}
-altoWords =\lyricmode {
- ha ha ha ha
-}
-
-tenorMusic = \relative c' {
- g4 a f g
-}
-tenorWords = \lyricmode {
- hu hu hu hu
-}
-
-bassMusic = \relative c {
- c4 c g c
-}
-bassWords = \lyricmode {
- ho ho ho ho
-}
+@lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
+{vocal-ensemble-template-with-automatic-piano-reduction.ly}
-\score {
- <<
- \new ChoirStaff <<
- \new Lyrics = sopranos { s1 }
- \new Staff = women <<
- \new Voice =
- "sopranos" { \voiceOne << \global \sopMusic >> }
- \new Voice =
- "altos" { \voiceTwo << \global \altoMusic >> }
- >>
- \new Lyrics = "altos" { s1 }
- \new Lyrics = "tenors" { s1 }
- \new Staff = men <<
- \clef bass
- \new Voice =
- "tenors" { \voiceOne <<\global \tenorMusic >> }
- \new Voice =
- "basses" { \voiceTwo <<\global \bassMusic >> }
- >>
- \new Lyrics = basses { s1 }
-
- \context Lyrics = sopranos \lyricsto sopranos \sopWords
- \context Lyrics = altos \lyricsto altos \altoWords
- \context Lyrics = tenors \lyricsto tenors \tenorWords
- \context Lyrics = basses \lyricsto basses \bassWords
- >>
- \new PianoStaff <<
- \new Staff <<
- \set Staff.printPartCombineTexts = ##f
- \partcombine
- << \global \sopMusic >>
- << \global \altoMusic >>
- >>
- \new Staff <<
- \clef bass
- \set Staff.printPartCombineTexts = ##f
- \partcombine
- << \global \tenorMusic >>
- << \global \bassMusic >>
- >>
- >>
- >>
- \layout {
- \context {
- % a little smaller so lyrics
- % can be closer to the staff
- \Staff
- \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3)
- }
- }
-}
-@end lilypond
@appendixsubsec SATB with aligned contexts
-In diesem Beispiel werden die Texte mit den Befehlen
-@code{alignAboveContext} und @code{alignBelowContext}
-über und unter dem System angeordnet.
+@lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
+{vocal-ensemble-template-with-lyrics-aligned-below-and-above-the-staves.ly}
-@lilypond[quote,verbatim,ragged-right]
-\version "2.11.51"
-global = {
- \key c \major
- \time 4/4
-}
-
-sopMusic = \relative c'' {
- c4 c c8[( b)] c4
-}
-sopWords = \lyricmode {
- hi hi hi hi
-}
-
-altoMusic = \relative c' {
- e4 f d e
-}
-altoWords =\lyricmode {
- ha ha ha ha
-}
-
-tenorMusic = \relative c' {
- g4 a f g
-}
-tenorWords = \lyricmode {
- hu hu hu hu
-}
-bassMusic = \relative c {
- c4 c g c
-}
-bassWords = \lyricmode {
- ho ho ho ho
-}
-
-\score {
- \new ChoirStaff <<
- \new Staff = women <<
- \new Voice =
- "sopranos" { \voiceOne << \global \sopMusic >> }
- \new Voice =
- "altos" { \voiceTwo << \global \altoMusic >> }
- >>
- \new Lyrics \with {alignAboveContext=women} \lyricsto sopranos \sopWords
- \new Lyrics \with {alignBelowContext=women} \lyricsto altos \altoWords
-% we could remove the line about this with the line below, since we want
-% the alto lyrics to be below the alto Voice anyway.
-% \new Lyrics \lyricsto altos \altoWords
-
- \new Staff = men <<
- \clef bass
- \new Voice =
- "tenors" { \voiceOne <<\global \tenorMusic >> }
- \new Voice =
- "basses" { \voiceTwo <<\global \bassMusic >> }
- >>
-
- \new Lyrics \with {alignAboveContext=men} \lyricsto tenors \tenorWords
- \new Lyrics \with {alignBelowContext=men} \lyricsto basses \bassWords
-% again, we could replace the line above this with the line below.
-% \new Lyrics \lyricsto basses \bassWords
- >>
-
- \layout {
- \context {
- % a little smaller so lyrics
- % can be closer to the staff
- \Staff
- \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3)
- }
- }
-}
-
-
-\score {
- \new ChoirStaff <<
- \new Staff = women <<
- \new Voice =
- "sopranos" { \voiceOne << \global \sopMusic >> }
- \new Voice =
- "altos" { \voiceTwo << \global \altoMusic >> }
- >>
-
- \new Lyrics \with {alignAboveContext=women} \lyricsto sopranos \sopWords
- \new Lyrics \lyricsto altos \altoWords
-
- \new Staff = men <<
- \clef bass
- \new Voice =
- "tenors" { \voiceOne <<\global \tenorMusic >> }
- \new Voice =
- "basses" { \voiceTwo <<\global \bassMusic >> }
- >>
-
- \new Lyrics \with {alignAboveContext=men} \lyricsto tenors \tenorWords
- \new Lyrics \lyricsto basses \bassWords
- >>
-
- \layout {
- \context {
- % a little smaller so lyrics
- % can be closer to the staff
- \Staff
- \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3)
- }
- }
-}
-@end lilypond
-
-
-@c bad node name to avoid node name confict
+@c bad node name to avoid node name conflict
@node Ancient notation templates
@appendixsec Ancient notation templates
@appendixsubsec Transcription of mensural music
-Bei der Transkription von Mensuralmusik ist es oft erwünscht, ein
-Incipit an den Anfang des Stückes zu stellen, damit klar ist, wie
-Tempo und Schlüssel in der Originalnotation gesetzt waren. Während
-heutzutage Musiker an Taktlinien gewöhnt sind, um Rhythmen schneller
-zu erkennen, wurden diese in der Mensuralmusik nicht verwendet.
-Tatsächlich ändern sich die Rhythmen auch oft alle paar Noten. Als
-ein Kompromiss werden die Notenlinien nicht auf dem System, sondern
-zwischen den Systemen geschrieben.
-
-@lilypond[quote,verbatim,line-width=11.0\cm]
-\version "2.11.51"
-
-global = {
- \set Score.skipBars = ##t
-
- % incipit
- \once \override Score.SystemStartBracket #'transparent = ##t
- \override Score.SpacingSpanner #'spacing-increment = #1.0 % tight spacing
- \key f \major
- \time 2/2
- \once \override Staff.TimeSignature #'style = #'neomensural
- \override Voice.NoteHead #'style = #'neomensural
- \override Voice.Rest #'style = #'neomensural
- \set Staff.printKeyCancellation = ##f
- \cadenzaOn % turn off bar lines
- \skip 1*10
- \once \override Staff.BarLine #'transparent = ##f
- \bar "||"
- \skip 1*1 % need this extra \skip such that clef change comes
- % after bar line
- \bar ""
-
- % main
- \revert Score.SpacingSpanner #'spacing-increment % CHECK: no effect?
- \cadenzaOff % turn bar lines on again
- \once \override Staff.Clef #'full-size-change = ##t
- \set Staff.forceClef = ##t
- \key g \major
- \time 4/4
- \override Voice.NoteHead #'style = #'default
- \override Voice.Rest #'style = #'default
-
- % FIXME: setting printKeyCancellation back to #t must not
- % occur in the first bar after the incipit. Dto. for forceClef.
- % Therefore, we need an extra \skip.
- \skip 1*1
- \set Staff.printKeyCancellation = ##t
- \set Staff.forceClef = ##f
-
- \skip 1*7 % the actual music
-
- % let finis bar go through all staves
- \override Staff.BarLine #'transparent = ##f
-
- % finis bar
- \bar "|."
-}
-
-discantusNotes = {
- \transpose c' c'' {
- \set Staff.instrumentName = "Discantus "
-
- % incipit
- \clef "neomensural-c1"
- c'1. s2 % two bars
- \skip 1*8 % eight bars
- \skip 1*1 % one bar
-
- % main
- \clef "treble"
- d'2. d'4 |
- b e' d'2 |
- c'4 e'4.( d'8 c' b |
- a4) b a2 |
- b4.( c'8 d'4) c'4 |
- \once \override NoteHead #'transparent = ##t c'1 |
- b\breve |
- }
-}
-
-discantusLyrics = \lyricmode {
- % incipit
- IV-
-
- % main
- Ju -- bi -- |
- la -- te De -- |
- o, om --
- nis ter -- |
- ra, __ om- |
- "..." |
- -us. |
-}
-
-altusNotes = {
- \transpose c' c'' {
- \set Staff.instrumentName = "Altus "
-
- % incipit
- \clef "neomensural-c3"
- r1 % one bar
- f1. s2 % two bars
- \skip 1*7 % seven bars
- \skip 1*1 % one bar
-
- % main
- \clef "treble"
- r2 g2. e4 fis g | % two bars
- a2 g4 e |
- fis g4.( fis16 e fis4) |
- g1 |
- \once \override NoteHead #'transparent = ##t g1 |
- g\breve |
- }
-}
-
-altusLyrics = \lyricmode {
- % incipit
- IV-
-
- % main
- Ju -- bi -- la -- te | % two bars
- De -- o, om -- |
- nis ter -- ra, |
- "..." |
- -us. |
-}
-
-tenorNotes = {
- \transpose c' c' {
- \set Staff.instrumentName = "Tenor "
-
- % incipit
- \clef "neomensural-c4"
- r\longa % four bars
- r\breve % two bars
- r1 % one bar
- c'1. s2 % two bars
- \skip 1*1 % one bar
- \skip 1*1 % one bar
-
- % main
- \clef "treble_8"
- R1 |
- R1 |
- R1 |
- r2 d'2. d'4 b e' | % two bars
- \once \override NoteHead #'transparent = ##t e'1 |
- d'\breve |
- }
-}
-
-tenorLyrics = \lyricmode {
- % incipit
- IV-
-
- % main
- Ju -- bi -- la -- te | % two bars
- "..." |
- -us. |
-}
-
-bassusNotes = {
- \transpose c' c' {
- \set Staff.instrumentName = "Bassus "
-
- % incipit
- \clef "bass"
- r\maxima % eight bars
- f1. s2 % two bars
- \skip 1*1 % one bar
-
- % main
- \clef "bass"
- R1 |
- R1 |
- R1 |
- R1 |
- g2. e4 |
- \once \override NoteHead #'transparent = ##t e1 |
- g\breve |
- }
-}
-
-bassusLyrics = \lyricmode {
- % incipit
- IV-
-
- % main
- Ju -- bi- |
- "..." |
- -us. |
-}
-
-\score {
- \new StaffGroup = choirStaff <<
- \new Voice =
- "discantusNotes" << \global \discantusNotes >>
- \new Lyrics =
- "discantusLyrics" \lyricsto discantusNotes { \discantusLyrics }
- \new Voice =
- "altusNotes" << \global \altusNotes >>
- \new Lyrics =
- "altusLyrics" \lyricsto altusNotes { \altusLyrics }
- \new Voice =
- "tenorNotes" << \global \tenorNotes >>
- \new Lyrics =
- "tenorLyrics" \lyricsto tenorNotes { \tenorLyrics }
- \new Voice =
- "bassusNotes" << \global \bassusNotes >>
- \new Lyrics =
- "bassusLyrics" \lyricsto bassusNotes { \bassusLyrics }
- >>
- \layout {
- \context {
- \Score
-
- % no bars in staves
- \override BarLine #'transparent = ##t
-
- % incipit should not start with a start delimiter
- \remove "System_start_delimiter_engraver"
- }
- \context {
- \Voice
-
- % no slurs
- \override Slur #'transparent = ##t
-
- % Comment in the below "\remove" command to allow line
- % breaking also at those barlines where a note overlaps
- % into the next bar. The command is commented out in this
- % short example score, but especially for large scores, you
- % will typically yield better line breaking and thus improve
- % overall spacing if you comment in the following command.
- %\remove "Forbid_line_break_engraver"
- }
- }
-}
-@end lilypond
+@lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
+{ancient-notation-template----modern-transcription-of-mensural-music.ly}
@appendixsubsec Gregorian transcription template
-Dieses Beispiel zeigt eine moderne Transkription des Gregorianischen
-Chorals. Hier gibt es keine Takte, keine Notenhälse und es werden nur
-halbe und Viertelnoten verwendet. Zusätzliche Zeichen zeigen die
-Länge von Pausen an.
-
-@lilypond[quote,verbatim,ragged-right]
-\include "gregorian-init.ly"
-\version "2.11.51"
-
-chant = \relative c' {
- \set Score.timing = ##f
- f4 a2 \divisioMinima
- g4 b a2 f2 \divisioMaior
- g4( f) f( g) a2 \finalis
-}
-
-verba = \lyricmode {
- Lo -- rem ip -- sum do -- lor sit a -- met
-}
-
-\score {
- \new Staff <<
- \new Voice = "melody" {
- \chant
- }
- \new Lyrics = "one" \lyricsto melody \verba
- >>
-
- \layout {
- \context {
- \Staff
- \remove "Time_signature_engraver"
- \remove "Bar_engraver"
- \override Stem #'transparent = ##t
- }
- \context {
- \Voice
- \override Stem #'length = #0
- }
- \context {
- \Score
- barAlways = ##t
- }
- }
-}
-@end lilypond
+@lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
+{ancient-notation-template----modern-transcription-of-gregorian-music.ly}
@node Jazz combo
@appendixsec Jazz combo
-Hier ist ein ziemlich kompliziertes Beispiel für ein Jazz-Ensemble. Achtung:
-Alle Instrumente sind in @code{\key c \major} (C-Dur) notiert. Das bezieht sich
-auf die klingende Musik: LilyPond transponiert die Tonart automatisch, wenn
-sich die Noten innerhalb eines @code{\transpose}-Abschnitts befinden.
-
-@c TODO must clean up this jazz combo example
-@c - transpositions stated in names (ie "trumpet in Bb" or whatever)
-@c - one global section, instead of "global" (time) and "key"
-@c - does it need those wierd macros? sl, nsl, etc.
-@c - maybe ask Amelie Zapf to clean it up, or whether I should just
-@c make whatever changes I feel like.
-
-@c FIXME: produces a warning ; key change merge.
-@c The `line-width' argument is for the \header.
-
-@lilypond[quote,verbatim,ragged-right,line-width]
-\version "2.11.51"
-\header {
- title = "Song"
- subtitle = "(tune)"
- composer = "Me"
- meter = "moderato"
- piece = "Swing"
- tagline = \markup {
- \column {
- "LilyPond example file by Amelie Zapf,"
- "Berlin 07/07/2003"
- }
- }
- texidoc = "Jazz tune for combo
- (horns, guitar, piano, bass, drums)."
-}
-
-#(set-global-staff-size 16)
-\include "english.ly"
-
-%%%%%%%%%%%% Some macros %%%%%%%%%%%%%%%%%%%
-
-sl = {
- \override NoteHead #'style = #'slash
- \override Stem #'transparent = ##t
-}
-nsl = {
- \revert NoteHead #'style
- \revert Stem #'transparent
-}
-cr = \override NoteHead #'style = #'cross
-ncr = \revert NoteHead #'style
-
-%% insert chord name style stuff here.
-
-jzchords = { }
-
-
-%%%%%%%%%%%% Keys'n'thangs %%%%%%%%%%%%%%%%%
+@lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
+{jazz-combo-template.ly}
-global = {
- \time 4/4
-}
-
-Key = { \key c \major }
-
-% ############ Horns ############
-
-% ------ Trumpet ------
-trpt = \transpose c d \relative c'' {
- \Key
- c1 c c
-}
-trpharmony = \transpose c' d {
- \jzchords
-}
-trumpet = {
- \global
- \set Staff.instrumentName = #"Trumpet"
- \clef treble
- <<
- \trpt
- >>
-}
-
-% ------ Alto Saxophone ------
-alto = \transpose c a \relative c' {
- \Key
- c1 c c
-}
-altoharmony = \transpose c' a {
- \jzchords
-}
-altosax = {
- \global
- \set Staff.instrumentName = #"Alto Sax"
- \clef treble
- <<
- \alto
- >>
-}
-
-% ------ Baritone Saxophone ------
-bari = \transpose c a' \relative c {
- \Key
- c1 c \sl d4^"Solo" d d d \nsl
-}
-bariharmony = \transpose c' a \chordmode {
- \jzchords s1 s d2:maj e:m7
-}
-barisax = {
- \global
- \set Staff.instrumentName = #"Bari Sax"
- \clef treble
- <<
- \bari
- >>
-}
-
-% ------ Trombone ------
-tbone = \relative c {
- \Key
- c1 c c
-}
-tboneharmony = \chordmode {
- \jzchords
-}
-trombone = {
- \global
- \set Staff.instrumentName = #"Trombone"
- \clef bass
- <<
- \tbone
- >>
-}
-
-% ############ Rhythm Section #############
-
-% ------ Guitar ------
-gtr = \relative c'' {
- \Key
- c1 \sl b4 b b b \nsl c1
-}
-gtrharmony = \chordmode {
- \jzchords
- s1 c2:min7+ d2:maj9
-}
-guitar = {
- \global
- \set Staff.instrumentName = #"Guitar"
- \clef treble
- <<
- \gtr
- >>
-}
-
-%% ------ Piano ------
-rhUpper = \relative c'' {
- \voiceOne
- \Key
- c1 c c
-}
-rhLower = \relative c' {
- \voiceTwo
- \Key
- e1 e e
-}
-
-lhUpper = \relative c' {
- \voiceOne
- \Key
- g1 g g
-}
-lhLower = \relative c {
- \voiceTwo
- \Key
- c1 c c
-}
-
-PianoRH = {
- \clef treble
- \global
- \set Staff.midiInstrument = "acoustic grand"
- <<
- \new Voice = "one" \rhUpper
- \new Voice = "two" \rhLower
- >>
-}
-PianoLH = {
- \clef bass
- \global
- \set Staff.midiInstrument = "acoustic grand"
- <<
- \new Voice = "one" \lhUpper
- \new Voice = "two" \lhLower
- >>
-}
-
-piano = {
- <<
- \set PianoStaff.instrumentName = #"Piano"
- \new Staff = "upper" \PianoRH
- \new Staff = "lower" \PianoLH
- >>
-}
-
-% ------ Bass Guitar ------
-Bass = \relative c {
- \Key
- c1 c c
-}
-bass = {
- \global
- \set Staff.instrumentName = #"Bass"
- \clef bass
- <<
- \Bass
- >>
-}
-
-% ------ Drums ------
-up = \drummode {
- hh4 <hh sn>4 hh <hh sn> hh <hh sn>4
- hh4 <hh sn>4
- hh4 <hh sn>4
- hh4 <hh sn>4
-}
-
-down = \drummode {
- bd4 s bd s bd s bd s bd s bd s
-}
-
-drumContents = {
- \global
- <<
- \set DrumStaff.instrumentName = #"Drums"
- \new DrumVoice { \voiceOne \up }
- \new DrumVoice { \voiceTwo \down }
- >>
-}
-
-%%%%%%%%% It All Goes Together Here %%%%%%%%%%%%%%%%%%%%%%
-
-\score {
- <<
- \new StaffGroup = "horns" <<
- \new Staff = "trumpet" \trumpet
- \new Staff = "altosax" \altosax
- \new ChordNames = "barichords" \bariharmony
- \new Staff = "barisax" \barisax
- \new Staff = "trombone" \trombone
- >>
-
- \new StaffGroup = "rhythm" <<
- \new ChordNames = "chords" \gtrharmony
- \new Staff = "guitar" \guitar
- \new PianoStaff = "piano" \piano
- \new Staff = "bass" \bass
- \new DrumStaff { \drumContents }
- >>
- >>
-
- \layout {
- \context { \RemoveEmptyStaffContext }
- \context {
- \Score
- \override BarNumber #'padding = #3
- \override RehearsalMark #'padding = #2
- skipBars = ##t
- }
- }
-
- \midi { }
-}
-@end lilypond
@ignore
@ The `line-width' is for \header.
@li lypond[quote,verbatim,ragged-right,line-width]
-\version "2.11.51"
+\version "2.11.61"
\header {
dedication = "dedication"
title = "Title"
@@bye
@end example
+
+
+@appendixsubsec xelatex
+
+@verbatim
+\documentclass{article}
+\usepackage{ifxetex}
+\ifxetex
+%xetex specific stuff
+\usepackage{xunicode,fontspec,xltxtra}
+\setmainfont[Numbers=OldStyle]{Times New Roman}
+\setsansfont{Arial}
+\else
+%This can be empty if you are not going to use pdftex
+\usepackage[T1]{fontenc}
+\usepackage[utf8]{inputenc}
+\usepackage{mathptmx}%Times
+\usepackage{helvet}%Helvetica
+\fi
+%Here you can insert all packages that pdftex also understands
+\usepackage[ngerman,finnish,english]{babel}
+\usepackage{graphicx}
+
+\begin{document}
+\title{A short document with LilyPond and xelatex}
+\maketitle
+
+Normal \textbf{font} commands inside the \emph{text} work,
+because they \textsf{are supported by \LaTeX{} and XeteX.}
+If you want to use specific commands like \verb+\XeTeX+, you
+should include them again in a \verb+\ifxetex+ environment.
+You can use this to print the \ifxetex \XeTeX{} command \else
+XeTeX command \fi which is not known to normal \LaTeX .
+
+In normal text you can easily use LilyPond commands, like this:
+
+\begin{lilypond}
+{a2 b c'8 c' c' c'}
+\end{lilypond}
+
+\noindent
+and so on.
+
+The fonts of snippets set with LilyPond will have to be set from
+inside
+of the snippet. For this you should read the AU on how to use
+lilypond-book.
+
+\selectlanguage{ngerman}
+Auch Umlaute funktionieren ohne die \LaTeX -Befehle, wie auch alle
+anderen
+seltsamen Zeichen: ß,ł,ã,č,я,щ, wenn sie von der Schriftart
+unterstützt werden.
+\end{document}
+@end verbatim
+
projects / lilypond.git / blobdiff