-@c -*- coding: utf-8; mode: texinfo; -*-
+@c -*- coding: utf-8; mode: texinfo; documentlanguage: de -*-
@c This file is part of lilypond.tely
@ignore
- Translation of GIT committish: 2ae5726ea4fcbcd40e42678db32d7da3227ef44a
+ Translation of GIT committish: 6bf3e9149eb97e66b4c813e41dc7625f06c501aa
When revising a translation, copy the HEAD committish of the
version that you are working on. See TRANSLATION for details.
@end ignore
-@c \version "2.11.61"
+@c \version "2.12.0"
@node Notation manual tables
@appendix Notation manual tables
@end ignore
@menu
-* Chord name chart::
-* MIDI instruments::
+* Chord name chart::
+* Common chord modifiers::
+* Predefined fretboard diagrams::
+* MIDI instruments::
* List of colors::
* The Feta font::
* Note head styles::
* Text markup commands::
* Text markup list commands::
-* List of articulations::
+* List of articulations::
+* Percussion notes::
* All context properties::
* Layout properties::
* Identifiers::
@lilypondfile{chord-names-jazz.ly}
+
+@node Common chord modifiers
+@appendixsec Common chord modifiers
+
+Die Tabelle zeigt Modifikatoren für Akkorde, die im @code{\chordmode}-Modus
+benutzt werden können, um übliche Akkordkonstrukte zu notieren.
+
+@multitable @columnfractions .2 .3 .2 .2
+
+@item
+@b{Akkordtyp}
+@tab
+@b{Intervalle}
+@tab
+@b{Modifikator(en)}
+@tab
+@b{Beispiel}
+
+
+@item
+Dur
+@tab
+große Terz, Quinte
+@tab
+@code{5} oder nichts
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:5
+}
+@end lilypond
+
+@item
+Moll
+@tab
+kleine Terz, Quinte
+@tab
+@code{m} oder @code{m5}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:m
+}
+@end lilypond
+
+@item
+Übermäßig
+@tab
+Große Terz, übermäßige Quinte
+@tab
+@code{aug}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:aug
+}
+@end lilypond
+
+@item
+Vermindert
+@tab
+Kleine Terz, verminderte Quinte
+@tab
+@code{dim}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:dim
+}
+@end lilypond
+
+@item
+Dominantsieben
+@tab
+Durdreiklang, kleine Septime
+@tab
+@code{7}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:7
+}
+@end lilypond
+
+@item
+Große Septime
+@tab
+Durdreiklang, große Septime
+@tab
+@code{maj7} oder @code{maj}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:maj7
+}
+@end lilypond
+
+@item
+Kleine Septime
+@tab
+Molldreiklang, kleine Septime
+@tab
+@code{m7}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:m7
+}
+@end lilypond
+
+@item
+Verminderte Septime
+@tab
+Verminderter Dreiklang, verminderte Septime
+@tab
+@code{dim7}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:dim7
+}
+@end lilypond
+
+@item
+Übermäßige Septime
+@tab
+Übermäßiger Dreiklang, kleine Septime
+@tab
+@code{aug7}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:aug7
+}
+@end lilypond
+
+@item
+halbverminderte Septime
+@tab
+Verminderter Dreklang, kleine Sept
+@tab
+@code{m7.5-}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:m7.5-
+}
+@end lilypond
+
+@item
+Kleine MollSept
+@tab
+Molldreiklang, Durseptime
+@tab
+@code{maj7.5-}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:maj7.5-
+}
+@end lilypond
+
+@item
+Große Sexte
+@tab
+Durdreiklang, Sexte
+@tab
+@code{6}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:6
+}
+@end lilypond
+
+@item
+Kleine Sexte
+@tab
+Molldreiklang, Sexte
+@tab
+@code{m6}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:m6
+}
+@end lilypond
+
+@item
+Dominantnone
+@tab
+Dominantsept, große None
+@tab
+@code{9}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:9
+}
+@end lilypond
+
+@item
+Dur None
+@tab
+Große None, große Septime
+@tab
+@code{maj9}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:maj9
+}
+@end lilypond
+
+@item
+Moll None
+@tab
+Große None, kleine Septime
+@tab
+@code{m9}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:m9
+}
+@end lilypond
+
+@item
+Dominantundezime
+@tab
+Dominantnone, perfekte Undezime
+@tab
+@code{11}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:11
+}
+@end lilypond
+
+@item
+Durundezime
+@tab
+Große None, perfekte Unidezime
+@tab
+@code{maj11}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:maj11
+}
+@end lilypond
+
+@item
+Mollundezime
+@tab
+Kleine None, perfekte Undezime
+@tab
+@code{m11}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:m11
+}
+@end lilypond
+
+@item
+Dominant-13
+@tab
+Dominantnone, große 13
+@tab
+@code{13}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:13
+}
+@end lilypond
+
+@item
+Dominant-13
+@tab
+@code{13.11}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:13.11
+}
+@end lilypond
+
+@item
+Dur-13
+@tab
+Große Undezime, große 13
+@tab
+@code{maj13.11}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:maj13.11
+}
+@end lilypond
+
+@item
+Moll-13
+@tab
+Kleine Undezime, große 13
+@tab
+@code{m13.11}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:m13.11
+}
+@end lilypond
+
+@item
+Sekundakkord
+@tab
+große Sekunde, perfekte Quinte
+@tab
+@code{sus2}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:sus2
+}
+@end lilypond
+
+@item
+Quartakkord
+@tab
+perfekte Quarte, perfekte Quinte
+@tab
+@code{sus4}
+@tab
+@lilypond[line-width=3\cm,noragged-right, notime]
+\chordmode {
+ c1:sus4
+}
+@end lilypond
+
+
+@end multitable
+
+
+@node Predefined fretboard diagrams
+@appendixsec Predefined fretboard diagrams
+
+Die Tabelle zeigt alle vordefinierten Bunddiagramme.
+
+@lilypondfile{display-predefined-fretboards.ly}
+
+
+
@node MIDI instruments
@appendixsec MIDI instruments
acoustic grand contrabass lead 7 (fifths)
bright acoustic tremolo strings lead 8 (bass+lead)
electric grand pizzicato strings pad 1 (new age)
-honky-tonk orchestral strings pad 2 (warm)
+honky-tonk orchestral harp pad 2 (warm)
electric piano 1 timpani pad 3 (polysynth)
electric piano 2 string ensemble 1 pad 4 (choir)
harpsichord string ensemble 2 pad 5 (bowed)
@cindex Coda
@cindex Varcoda
-Hier ist eine Liste, die alle möglichen Zeichen darstellt:
+@lilypondfile[quote,texidoc]{script-chart.ly}
+
+
+@node Percussion notes
+@appendixsec Percussion notes
+
+@lilypondfile[quote]{percussion-chart.ly}
-@lilypondfile[ragged-right,quote]{script-chart.ly}
@node All context properties
@appendixsec All context properties
projects / lilypond.git / blobdiff